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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FF2D4 it is the complementary color #D00D2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FF2D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FF2D4 shade: #34F2CF, #45FFE2, #56FFF5, #67FFFF and #78FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FF2D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FF2D4 shade: #2FF2D4, #1EE0C1, #0DCEAE, #00BC9B and #00AA88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FF2D4 shade: #30F1D4, #30F1A0, #30F16C, #30F138 and #5DF130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FF2D4 shade: #30F1D4, #30DBF1, #30A7F1, #3073F1 and #303FF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FF2D4 shade matches the following richer shades: #30F1D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FF2D4 shade: #30F1D4, #42E0C7, #54CEBB, #66BCAF and #77AAA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FF2D4 shade: #30F16A, #30F19E, #30F1D1, #30DEF1 and #30ABF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FF2D4 shade: #0CC3A7, #0EEAC8, #30F1D4, #57F4DC and #7EF6E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FF2D4 shade: #2FF2D4, #3730F1 and #F18430

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FF2D4 shade: #2FF2D4, #D130F1 and #F1D130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FF2D4 shade: #2FF2D4, #3730F1, #F13051 and #EBF130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FF2D4 shade: #2FF2D4, #7130F1, #F13051 and #B1F130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 12 / 5

HEX #2FF2D4

RGB 47 242 212

HSL 170.77, 0.88%, 0.57%

LAB 86.44, -52.39, 1.39

 

Complementary color

CMYK 0 / 94 / 79 / 18

HEX #D00D2B

RGB 208 13 43

HSL 350.77, 0.88%, 0.43%

LAB 44.05, 68.19, 39.57

 

CMYK 79 / 0 / 14 / 5

HEX #34F2CF

RGB 52 242 207

HSL 168.95, 0.88%, 0.58%

LAB 86.37, -53.22, 3.93

 

CMYK 73 / 0 / 11 / 0

HEX #45FFE2

RGB 69 255 226

HSL 170.65, 1%, 0.64%

LAB 90.91, -52.01, 0.66

 

CMYK 66 / 0 / 4 / 0

HEX #56FFF5

RGB 86 255 245

HSL 176.45, 1%, 0.67%

LAB 91.73, -44.97, -7.95

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 53 / 0 / 0 / 0

HEX #78FFFF

RGB 120 255 255

HSL 180, 1%, 0.74%

LAB 92.9, -36.79, -11.29

 

CMYK 81 / 0 / 12 / 5

HEX #2FF2D4

RGB 47 242 212

HSL 170.77, 0.88%, 0.57%

LAB 86.44, -52.39, 1.39

 

CMYK 87 / 0 / 14 / 12

HEX #1EE0C1

RGB 30 224 193

HSL 170.41, 0.76%, 0.5%

LAB 80.43, -51.15, 2.65

 

CMYK 94 / 0 / 16 / 19

HEX #0DCEAE

RGB 13 206 174

HSL 170.05, 0.88%, 0.43%

LAB 74.37, -49.56, 4.03

 

CMYK 100 / 0 / 18 / 26

HEX #00BC9B

RGB 0 188 155

HSL 169.47, 1%, 0.37%

LAB 68.27, -47.62, 5.53

 

CMYK 100 / 0 / 20 / 33

HEX #00AA88

RGB 0 170 136

HSL 168, 1%, 0.33%

LAB 62.11, -45.24, 7.19

 

CMYK 80 / 0 / 12 / 5

HEX #30F1D4

RGB 48 241 212

HSL 170.98, 0.87%, 0.57%

LAB 86.15, -51.89, 0.98

 

CMYK 80 / 0 / 34 / 5

HEX #30F1A0

RGB 48 241 160

HSL 154.82, 0.87%, 0.57%

LAB 85.04, -63.89, 26.39

 

CMYK 80 / 0 / 55 / 5

HEX #30F16C

RGB 48 241 108

HSL 138.65, 0.87%, 0.57%

LAB 84.29, -72.6, 50.78

 

CMYK 80 / 0 / 77 / 5

HEX #30F138

RGB 48 241 56

HSL 122.49, 0.87%, 0.57%

LAB 83.87, -77.7, 70.53

 

CMYK 61 / 0 / 80 / 5

HEX #5DF130

RGB 93 241 48

HSL 106.01, 0.87%, 0.57%

LAB 84.72, -70.68, 73.9

 

CMYK 80 / 0 / 12 / 5

HEX #30F1D4

RGB 48 241 212

HSL 170.98, 0.87%, 0.57%

LAB 86.15, -51.89, 0.98

 

CMYK 80 / 9 / 0 / 5

HEX #30DBF1

RGB 48 219 241

HSL 186.84, 0.87%, 0.57%

LAB 80.54, -33.99, -22.7

 

CMYK 80 / 31 / 0 / 5

HEX #30A7F1

RGB 48 167 241

HSL 203.01, 0.87%, 0.57%

LAB 65.45, -7.22, -46.06

 

CMYK 80 / 52 / 0 / 5

HEX #3073F1

RGB 48 115 241

HSL 219.17, 0.87%, 0.57%

LAB 50.97, 23.95, -69.2

 

CMYK 80 / 74 / 0 / 5

HEX #303FF1

RGB 48 63 241

HSL 235.34, 0.87%, 0.57%

LAB 38.78, 55.56, -89.16

 

CMYK 80 / 0 / 12 / 5

HEX #30F1D4

RGB 48 241 212

HSL 170.98, 0.87%, 0.57%

LAB 86.15, -51.89, 0.98

 

CMYK 80 / 0 / 12 / 5

HEX #30F1D4

RGB 48 241 212

HSL 170.98, 0.87%, 0.57%

LAB 86.15, -51.89, 0.98

 

CMYK 71 / 0 / 11 / 12

HEX #42E0C7

RGB 66 224 199

HSL 170.51, 0.72%, 0.57%

LAB 81.07, -46.18, 0.46

 

CMYK 59 / 0 / 9 / 19

HEX #54CEBB

RGB 84 206 187

HSL 170.66, 0.55%, 0.57%

LAB 75.83, -38.48, -0.72

 

CMYK 46 / 0 / 7 / 26

HEX #66BCAF

RGB 102 188 175

HSL 170.93, 0.39%, 0.57%

LAB 70.79, -29.19, -1.51

 

CMYK 30 / 0 / 4 / 33

HEX #77AAA3

RGB 119 170 163

HSL 171.76, 0.23%, 0.57%

LAB 65.99, -18.4, -1.82

 

CMYK 80 / 0 / 56 / 5

HEX #30F16A

RGB 48 241 106

HSL 138.03, 0.87%, 0.57%

LAB 84.27, -72.86, 51.66

 

CMYK 80 / 0 / 34 / 5

HEX #30F19E

RGB 48 241 158

HSL 154.2, 0.87%, 0.57%

LAB 85, -64.29, 27.36

 

CMYK 80 / 0 / 13 / 5

HEX #30F1D1

RGB 48 241 209

HSL 170.05, 0.87%, 0.57%

LAB 86.08, -52.67, 2.45

 

CMYK 80 / 8 / 0 / 5

HEX #30DEF1

RGB 48 222 241

HSL 185.91, 0.87%, 0.57%

LAB 81.41, -35.4, -21.38

 

CMYK 80 / 29 / 0 / 5

HEX #30ABF1

RGB 48 171 241

HSL 201.76, 0.87%, 0.57%

LAB 66.6, -9.44, -44.25

 

CMYK 94 / 0 / 14 / 24

HEX #0CC3A7

RGB 12 195 167

HSL 170.82, 0.88%, 0.41%

LAB 70.8, -46.92, 2.65

 

CMYK 94 / 0 / 15 / 8

HEX #0EEAC8

RGB 14 234 200

HSL 170.73, 0.89%, 0.49%

LAB 83.5, -54.09, 3.4

 

CMYK 80 / 0 / 12 / 5

HEX #30F1D4

RGB 48 241 212

HSL 170.98, 0.87%, 0.57%

LAB 86.15, -51.89, 0.98

 

CMYK 64 / 0 / 10 / 4

HEX #57F4DC

RGB 87 244 220

HSL 170.83, 0.88%, 0.65%

LAB 87.92, -46.46, -0.54

 

CMYK 49 / 0 / 7 / 4

HEX #7EF6E4

RGB 126 246 228

HSL 171, 0.87%, 0.73%

LAB 89.84, -38.11, -1.77

 

CMYK 81 / 0 / 12 / 5

HEX #2FF2D4

RGB 47 242 212

HSL 170.77, 0.88%, 0.57%

LAB 86.44, -52.39, 1.39

 

CMYK 77 / 80 / 0 / 5

HEX #3730F1

RGB 55 48 241

HSL 242.18, 0.87%, 0.57%

LAB 36.51, 63.47, -92.92

 

CMYK 0 / 45 / 80 / 5

HEX #F18430

RGB 241 132 48

HSL 26.11, 0.87%, 0.57%

LAB 66.07, 36.11, 60.41

 

CMYK 81 / 0 / 12 / 5

HEX #2FF2D4

RGB 47 242 212

HSL 170.77, 0.88%, 0.57%

LAB 86.44, -52.39, 1.39

 

CMYK 13 / 80 / 0 / 5

HEX #D130F1

RGB 209 48 241

HSL 290.05, 0.87%, 0.57%

LAB 54.05, 82.58, -63.52

 

CMYK 0 / 13 / 80 / 5

HEX #F1D130

RGB 241 209 48

HSL 50.05, 0.87%, 0.57%

LAB 84.23, -4.05, 76.64

 

CMYK 81 / 0 / 12 / 5

HEX #2FF2D4

RGB 47 242 212

HSL 170.77, 0.88%, 0.57%

LAB 86.44, -52.39, 1.39

 

CMYK 77 / 80 / 0 / 5

HEX #3730F1

RGB 55 48 241

HSL 242.18, 0.87%, 0.57%

LAB 36.51, 63.47, -92.92

 

CMYK 0 / 80 / 66 / 5

HEX #F13051

RGB 241 48 81

HSL 349.74, 0.87%, 0.57%

LAB 53.39, 71.85, 29.8

 

CMYK 2 / 0 / 80 / 5

HEX #EBF130

RGB 235 241 48

HSL 61.87, 0.87%, 0.57%

LAB 92.04, -22.35, 83.21

 

CMYK 81 / 0 / 12 / 5

HEX #2FF2D4

RGB 47 242 212

HSL 170.77, 0.88%, 0.57%

LAB 86.44, -52.39, 1.39

 

CMYK 53 / 80 / 0 / 5

HEX #7130F1

RGB 113 48 241

HSL 260.21, 0.87%, 0.57%

LAB 41.18, 68.45, -85.05

 

CMYK 0 / 80 / 66 / 5

HEX #F13051

RGB 241 48 81

HSL 349.74, 0.87%, 0.57%

LAB 53.39, 71.85, 29.8

 

CMYK 27 / 0 / 80 / 5

HEX #B1F130

RGB 177 241 48

HSL 79.9, 0.87%, 0.57%

LAB 88.19, -45.17, 78.36

 

Description

Color code: HEX #2FF2D4 | qconv.com Color code: HEX #2FF2D4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 242 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 242 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 12 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 12% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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