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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FEF70 it is the complementary color #D0108F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FEF70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FEF70 shade: #34EF6B, #45FF7E, #56FF91, #67FFA4 and #78FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FEF70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FEF70 shade: #2FEF70, #1EDD5D, #0DCB4A, #00B937 and #00A724

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FEF70 shade: #2EEF70, #2EEF3C, #55EF2E, #89EF2E and #BDEF2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FEF70 shade: #2EEF70, #2EEFA4, #2EEFD8, #2ED3EF and #2E9FEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FEF70 shade matches the following richer shades: #2EEF70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FEF70 shade: #2EEF70, #40DD75, #53CB7B, #65B981 and #77A787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FEF70 shade: #55EF2E, #2EEF3B, #2EEF6F, #2EEFA2 and #2EEFD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FEF70 shade: #0EBD49, #11E358, #2EEF70, #55F28A and #7BF5A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FEF70 shade: #2FEF70, #2E88EF and #EF2E3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FEF70 shade: #2FEF70, #6F2EEF and #EF6F2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FEF70 shade: #2FEF70, #2E88EF, #EF2EAF and #EF952E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FEF70 shade: #2FEF70, #2E4EEF, #EF2EAF and #EFCF2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 53 / 6

HEX #2FEF70

RGB 47 239 112

HSL 140.31, 0.86%, 0.56%

LAB 83.71, -71.52, 48.24

 

Complementary color

CMYK 0 / 92 / 31 / 18

HEX #D0108F

RGB 208 16 143

HSL 320.31, 0.86%, 0.44%

LAB 46.66, 74.65, -18.21

 

CMYK 78 / 0 / 55 / 6

HEX #34EF6B

RGB 52 239 107

HSL 137.65, 0.85%, 0.57%

LAB 83.72, -71.65, 50.56

 

CMYK 73 / 0 / 51 / 0

HEX #45FF7E

RGB 69 255 126

HSL 138.39, 1%, 0.64%

LAB 89.06, -72.07, 48.35

 

CMYK 66 / 0 / 43 / 0

HEX #56FF91

RGB 86 255 145

HSL 140.95, 1%, 0.67%

LAB 89.65, -66.52, 40.1

 

CMYK 60 / 0 / 36 / 0

HEX #67FFA4

RGB 103 255 164

HSL 144.08, 1%, 0.7%

LAB 90.36, -60.13, 31.73

 

CMYK 53 / 0 / 28 / 0

HEX #78FFB7

RGB 120 255 183

HSL 148, 1%, 0.74%

LAB 91.2, -53.01, 23.37

 

CMYK 80 / 0 / 53 / 6

HEX #2FEF70

RGB 47 239 112

HSL 140.31, 0.86%, 0.56%

LAB 83.71, -71.52, 48.24

 

CMYK 86 / 0 / 58 / 13

HEX #1EDD5D

RGB 30 221 93

HSL 139.79, 0.76%, 0.49%

LAB 77.74, -69.93, 49.77

 

CMYK 94 / 0 / 64 / 20

HEX #0DCB4A

RGB 13 203 74

HSL 139.26, 0.88%, 0.42%

LAB 71.75, -67.76, 51.24

 

CMYK 100 / 0 / 70 / 27

HEX #00B937

RGB 0 185 55

HSL 137.84, 1%, 0.36%

LAB 65.73, -64.94, 52.47

 

CMYK 100 / 0 / 78 / 35

HEX #00A724

RGB 0 167 36

HSL 132.93, 1%, 0.33%

LAB 59.68, -61.27, 53.19

 

CMYK 81 / 0 / 53 / 6

HEX #2EEF70

RGB 46 239 112

HSL 140.52, 0.86%, 0.56%

LAB 83.7, -71.62, 48.22

 

CMYK 81 / 0 / 75 / 6

HEX #2EEF3C

RGB 46 239 60

HSL 124.35, 0.86%, 0.56%

LAB 83.25, -77.07, 68.67

 

CMYK 64 / 0 / 81 / 6

HEX #55EF2E

RGB 85 239 46

HSL 107.88, 0.86%, 0.56%

LAB 83.89, -71.83, 73.59

 

CMYK 43 / 0 / 81 / 6

HEX #89EF2E

RGB 137 239 46

HSL 91.71, 0.86%, 0.56%

LAB 85.63, -58.2, 75.82

 

CMYK 21 / 0 / 81 / 6

HEX #BDEF2E

RGB 189 239 46

HSL 75.54, 0.86%, 0.56%

LAB 88.33, -39.85, 79.25

 

CMYK 81 / 0 / 53 / 6

HEX #2EEF70

RGB 46 239 112

HSL 140.52, 0.86%, 0.56%

LAB 83.7, -71.62, 48.22

 

CMYK 81 / 0 / 31 / 6

HEX #2EEFA4

RGB 46 239 164

HSL 156.68, 0.86%, 0.56%

LAB 84.48, -62.54, 23.58

 

CMYK 81 / 0 / 10 / 6

HEX #2EEFD8

RGB 46 239 216

HSL 172.85, 0.86%, 0.56%

LAB 85.64, -50.18, -1.86

 

CMYK 81 / 12 / 0 / 6

HEX #2ED3EF

RGB 46 211 239

HSL 188.7, 0.86%, 0.56%

LAB 78.11, -30.96, -25.34

 

CMYK 81 / 33 / 0 / 6

HEX #2E9FEF

RGB 46 159 239

HSL 204.87, 0.86%, 0.56%

LAB 63.02, -3.58, -48.8

 

CMYK 81 / 0 / 53 / 6

HEX #2EEF70

RGB 46 239 112

HSL 140.52, 0.86%, 0.56%

LAB 83.7, -71.62, 48.22

 

CMYK 81 / 0 / 53 / 6

HEX #2EEF70

RGB 46 239 112

HSL 140.52, 0.86%, 0.56%

LAB 83.7, -71.62, 48.22

 

CMYK 71 / 0 / 47 / 13

HEX #40DD75

RGB 64 221 117

HSL 140.25, 0.7%, 0.56%

LAB 78.51, -62.54, 39.47

 

CMYK 59 / 0 / 39 / 20

HEX #53CB7B

RGB 83 203 123

HSL 140, 0.54%, 0.56%

LAB 73.53, -51.26, 30.11

 

CMYK 45 / 0 / 30 / 27

HEX #65B981

RGB 101 185 129

HSL 140, 0.38%, 0.56%

LAB 68.79, -38.09, 20.69

 

CMYK 29 / 0 / 19 / 35

HEX #77A787

RGB 119 167 135

HSL 140, 0.21%, 0.56%

LAB 64.41, -22.86, 11.47

 

CMYK 64 / 0 / 81 / 6

HEX #55EF2E

RGB 85 239 46

HSL 107.88, 0.86%, 0.56%

LAB 83.89, -71.83, 73.59

 

CMYK 81 / 0 / 75 / 6

HEX #2EEF3B

RGB 46 239 59

HSL 124.04, 0.86%, 0.56%

LAB 83.25, -77.14, 68.99

 

CMYK 81 / 0 / 54 / 6

HEX #2EEF6F

RGB 46 239 111

HSL 140.21, 0.86%, 0.56%

LAB 83.68, -71.76, 48.67

 

CMYK 81 / 0 / 32 / 6

HEX #2EEFA2

RGB 46 239 162

HSL 156.06, 0.86%, 0.56%

LAB 84.44, -62.95, 24.55

 

CMYK 81 / 0 / 10 / 6

HEX #2EEFD6

RGB 46 239 214

HSL 172.23, 0.86%, 0.56%

LAB 85.59, -50.71, -0.89

 

CMYK 93 / 0 / 61 / 26

HEX #0EBD49

RGB 14 189 73

HSL 140.23, 0.86%, 0.4%

LAB 67.25, -63.55, 46.58

 

CMYK 93 / 0 / 61 / 11

HEX #11E358

RGB 17 227 88

HSL 140.29, 0.86%, 0.48%

LAB 79.48, -73.16, 53.96

 

CMYK 81 / 0 / 53 / 6

HEX #2EEF70

RGB 46 239 112

HSL 140.52, 0.86%, 0.56%

LAB 83.7, -71.62, 48.22

 

CMYK 65 / 0 / 43 / 5

HEX #55F28A

RGB 85 242 138

HSL 140.25, 0.86%, 0.64%

LAB 85.64, -63.14, 38.35

 

CMYK 50 / 0 / 33 / 4

HEX #7BF5A4

RGB 123 245 164

HSL 140.16, 0.86%, 0.72%

LAB 88.06, -51.7, 28.75

 

CMYK 80 / 0 / 53 / 6

HEX #2FEF70

RGB 47 239 112

HSL 140.31, 0.86%, 0.56%

LAB 83.71, -71.52, 48.24

 

CMYK 81 / 43 / 0 / 6

HEX #2E88EF

RGB 46 136 239

HSL 212.02, 0.86%, 0.56%

LAB 56.51, 10, -59.16

 

CMYK 0 / 81 / 75 / 6

HEX #EF2E3B

RGB 239 46 59

HSL 355.96, 0.86%, 0.56%

LAB 52.53, 70.88, 41.43

 

CMYK 80 / 0 / 53 / 6

HEX #2FEF70

RGB 47 239 112

HSL 140.31, 0.86%, 0.56%

LAB 83.71, -71.52, 48.24

 

CMYK 54 / 81 / 0 / 6

HEX #6F2EEF

RGB 111 46 239

HSL 260.21, 0.86%, 0.56%

LAB 40.52, 68.48, -85.02

 

CMYK 0 / 54 / 81 / 6

HEX #EF6F2E

RGB 239 111 46

HSL 20.21, 0.86%, 0.56%

LAB 61.58, 45.75, 56.99

 

CMYK 80 / 0 / 53 / 6

HEX #2FEF70

RGB 47 239 112

HSL 140.31, 0.86%, 0.56%

LAB 83.71, -71.52, 48.24

 

CMYK 81 / 43 / 0 / 6

HEX #2E88EF

RGB 46 136 239

HSL 212.02, 0.86%, 0.56%

LAB 56.51, 10, -59.16

 

CMYK 0 / 81 / 27 / 6

HEX #EF2EAF

RGB 239 46 175

HSL 319.9, 0.86%, 0.56%

LAB 55.48, 79.59, -23.19

 

CMYK 0 / 38 / 81 / 6

HEX #EF952E

RGB 239 149 46

HSL 32.02, 0.86%, 0.56%

LAB 69.5, 26.4, 64.19

 

CMYK 80 / 0 / 53 / 6

HEX #2FEF70

RGB 47 239 112

HSL 140.31, 0.86%, 0.56%

LAB 83.71, -71.52, 48.24

 

CMYK 81 / 67 / 0 / 6

HEX #2E4EEF

RGB 46 78 239

HSL 230.05, 0.86%, 0.56%

LAB 41.63, 46.15, -83.34

 

CMYK 0 / 81 / 27 / 6

HEX #EF2EAF

RGB 239 46 175

HSL 319.9, 0.86%, 0.56%

LAB 55.48, 79.59, -23.19

 

CMYK 0 / 13 / 81 / 6

HEX #EFCF2E

RGB 239 207 46

HSL 50.05, 0.86%, 0.56%

LAB 83.53, -3.95, 76.53

 

Description

Color code: HEX #2FEF70 | qconv.com Color code: HEX #2FEF70 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 239 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 239 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 53 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 53% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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