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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FE886 it is the complementary color #D01779. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FE886. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FE886 shade: #34E881, #45FA94, #56FFA7, #67FFBA and #78FFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FE886. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FE886 shade: #2FE886, #1ED673, #0DC460, #00B24D and #00A03A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FE886 shade: #30E887, #30E855, #3DE830, #6FE830 and #A0E830

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FE886 shade: #30E887, #30E8B8, #30E6E8, #30B5E8 and #3083E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FE886 shade matches the following richer shades: #30E887 and #1EFB86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FE886 shade: #30E887, #43D588, #56C389, #68B08A and #7B9E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FE886 shade: #3DE830, #30E855, #30E886, #30E8B7 and #30E8E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FE886 shade: #14B25E, #18D772, #30E887, #56EC9C and #7BF0B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FE886 shade: #2FE886, #306EE8 and #E83D30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FE886 shade: #2FE886, #8630E8 and #E88630

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FE886 shade: #2FE886, #306EE8, #E83092 and #E8AB30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FE886 shade: #2FE886, #3037E8, #E83092 and #E8E230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 42 / 9

HEX #2FE886

RGB 47 232 134

HSL 148.22, 0.8%, 0.55%

LAB 81.86, -65.72, 35.29

 

Complementary color

CMYK 0 / 89 / 42 / 18

HEX #D01779

RGB 208 23 121

HSL 328.22, 0.8%, 0.45%

LAB 46.18, 71.54, -5.51

 

CMYK 78 / 0 / 44 / 9

HEX #34E881

RGB 52 232 129

HSL 145.67, 0.8%, 0.56%

LAB 81.85, -66.03, 37.78

 

CMYK 72 / 0 / 41 / 2

HEX #45FA94

RGB 69 250 148

HSL 146.19, 0.95%, 0.63%

LAB 87.86, -66.88, 36.24

 

CMYK 66 / 0 / 35 / 0

HEX #56FFA7

RGB 86 255 167

HSL 148.76, 1%, 0.67%

LAB 89.99, -62.68, 29.66

 

CMYK 60 / 0 / 27 / 0

HEX #67FFBA

RGB 103 255 186

HSL 152.76, 1%, 0.7%

LAB 90.76, -55.95, 21.15

 

CMYK 53 / 0 / 20 / 0

HEX #78FFCD

RGB 120 255 205

HSL 157.78, 1%, 0.74%

LAB 91.65, -48.55, 12.73

 

CMYK 80 / 0 / 42 / 9

HEX #2FE886

RGB 47 232 134

HSL 148.22, 0.8%, 0.55%

LAB 81.86, -65.72, 35.29

 

CMYK 86 / 0 / 46 / 16

HEX #1ED673

RGB 30 214 115

HSL 147.72, 0.75%, 0.48%

LAB 75.83, -64.4, 36.95

 

CMYK 93 / 0 / 51 / 23

HEX #0DC460

RGB 13 196 96

HSL 147.21, 0.88%, 0.41%

LAB 69.76, -62.58, 38.7

 

CMYK 100 / 0 / 57 / 30

HEX #00B24D

RGB 0 178 77

HSL 145.96, 1%, 0.35%

LAB 63.65, -60.19, 40.49

 

CMYK 100 / 0 / 64 / 37

HEX #00A03A

RGB 0 160 58

HSL 141.75, 1%, 0.31%

LAB 57.51, -57.04, 42.24

 

CMYK 79 / 0 / 42 / 9

HEX #30E887

RGB 48 232 135

HSL 148.37, 0.8%, 0.55%

LAB 81.89, -65.44, 34.83

 

CMYK 79 / 0 / 63 / 9

HEX #30E855

RGB 48 232 85

HSL 132.07, 0.8%, 0.55%

LAB 81.29, -72.55, 57.35

 

CMYK 74 / 0 / 79 / 9

HEX #3DE830

RGB 61 232 48

HSL 115.76, 0.8%, 0.55%

LAB 81.25, -73.83, 70.42

 

CMYK 52 / 0 / 79 / 9

HEX #6FE830

RGB 111 232 48

HSL 99.46, 0.8%, 0.55%

LAB 82.54, -63.17, 72.09

 

CMYK 31 / 0 / 79 / 9

HEX #A0E830

RGB 160 232 48

HSL 83.48, 0.8%, 0.55%

LAB 84.69, -47.55, 74.85

 

CMYK 79 / 0 / 42 / 9

HEX #30E887

RGB 48 232 135

HSL 148.37, 0.8%, 0.55%

LAB 81.89, -65.44, 34.83

 

CMYK 79 / 0 / 21 / 9

HEX #30E8B8

RGB 48 232 184

HSL 164.35, 0.8%, 0.55%

LAB 82.81, -55.22, 10.85

 

CMYK 79 / 1 / 0 / 9

HEX #30E6E8

RGB 48 230 232

HSL 180.65, 0.8%, 0.55%

LAB 83.47, -41.71, -13.51

 

CMYK 79 / 22 / 0 / 9

HEX #30B5E8

RGB 48 181 232

HSL 196.63, 0.8%, 0.55%

LAB 69.11, -17.92, -35.41

 

CMYK 79 / 44 / 0 / 9

HEX #3083E8

RGB 48 131 232

HSL 212.93, 0.8%, 0.55%

LAB 54.75, 10.64, -58.09

 

CMYK 79 / 0 / 42 / 9

HEX #30E887

RGB 48 232 135

HSL 148.37, 0.8%, 0.55%

LAB 81.89, -65.44, 34.83

 

CMYK 88 / 0 / 47 / 2

HEX #1EFB86

RGB 30 251 134

HSL 148.24, 0.97%, 0.55%

LAB 87.48, -73.43, 42.48

 

CMYK 79 / 0 / 42 / 9

HEX #30E887

RGB 48 232 135

HSL 148.37, 0.8%, 0.55%

LAB 81.89, -65.44, 34.83

 

CMYK 69 / 0 / 36 / 16

HEX #43D588

RGB 67 213 136

HSL 148.36, 0.63%, 0.55%

LAB 76.41, -55.81, 27.14

 

CMYK 56 / 0 / 30 / 24

HEX #56C389

RGB 86 195 137

HSL 148.07, 0.48%, 0.55%

LAB 71.43, -44.68, 19.93

 

CMYK 41 / 0 / 22 / 31

HEX #68B08A

RGB 104 176 138

HSL 148.33, 0.31%, 0.55%

LAB 66.39, -31.29, 12.49

 

CMYK 22 / 0 / 12 / 38

HEX #7B9E8B

RGB 123 158 139

HSL 147.43, 0.15%, 0.55%

LAB 62.11, -16.08, 5.99

 

CMYK 74 / 0 / 79 / 9

HEX #3DE830

RGB 61 232 48

HSL 115.76, 0.8%, 0.55%

LAB 81.25, -73.83, 70.42

 

CMYK 79 / 0 / 63 / 9

HEX #30E855

RGB 48 232 85

HSL 132.07, 0.8%, 0.55%

LAB 81.29, -72.55, 57.35

 

CMYK 79 / 0 / 42 / 9

HEX #30E886

RGB 48 232 134

HSL 148.04, 0.8%, 0.55%

LAB 81.87, -65.61, 35.31

 

CMYK 79 / 0 / 21 / 9

HEX #30E8B7

RGB 48 232 183

HSL 164.02, 0.8%, 0.55%

LAB 82.79, -55.46, 11.34

 

CMYK 79 / 0 / 0 / 9

HEX #30E8E8

RGB 48 232 232

HSL 180, 0.8%, 0.55%

LAB 84.05, -42.6, -12.64

 

CMYK 89 / 0 / 47 / 30

HEX #14B25E

RGB 20 178 94

HSL 148.1, 0.8%, 0.39%

LAB 64, -56.47, 32.47

 

CMYK 89 / 0 / 47 / 16

HEX #18D772

RGB 24 215 114

HSL 148.27, 0.8%, 0.47%

LAB 76.08, -65.32, 37.75

 

CMYK 79 / 0 / 42 / 9

HEX #30E887

RGB 48 232 135

HSL 148.37, 0.8%, 0.55%

LAB 81.89, -65.44, 34.83

 

CMYK 64 / 0 / 34 / 7

HEX #56EC9C

RGB 86 236 156

HSL 148, 0.8%, 0.63%

LAB 84.16, -57.54, 27.36

 

CMYK 49 / 0 / 26 / 6

HEX #7BF0B2

RGB 123 240 178

HSL 148.21, 0.8%, 0.71%

LAB 86.87, -47.01, 19.95

 

CMYK 80 / 0 / 42 / 9

HEX #2FE886

RGB 47 232 134

HSL 148.22, 0.8%, 0.55%

LAB 81.86, -65.72, 35.29

 

CMYK 79 / 53 / 0 / 9

HEX #306EE8

RGB 48 110 232

HSL 219.78, 0.8%, 0.55%

LAB 49.02, 23.75, -67.33

 

CMYK 0 / 74 / 79 / 9

HEX #E83D30

RGB 232 61 48

HSL 4.24, 0.8%, 0.55%

LAB 52.63, 64.21, 47.07

 

CMYK 80 / 0 / 42 / 9

HEX #2FE886

RGB 47 232 134

HSL 148.22, 0.8%, 0.55%

LAB 81.86, -65.72, 35.29

 

CMYK 42 / 79 / 0 / 9

HEX #8630E8

RGB 134 48 232

HSL 268.04, 0.8%, 0.55%

LAB 42.78, 68.94, -77.24

 

CMYK 0 / 42 / 79 / 9

HEX #E88630

RGB 232 134 48

HSL 28.04, 0.8%, 0.55%

LAB 65.29, 31.45, 59.25

 

CMYK 80 / 0 / 42 / 9

HEX #2FE886

RGB 47 232 134

HSL 148.22, 0.8%, 0.55%

LAB 81.86, -65.72, 35.29

 

CMYK 79 / 53 / 0 / 9

HEX #306EE8

RGB 48 110 232

HSL 219.78, 0.8%, 0.55%

LAB 49.02, 23.75, -67.33

 

CMYK 0 / 79 / 37 / 9

HEX #E83092

RGB 232 48 146

HSL 328.04, 0.8%, 0.55%

LAB 53.33, 74.39, -9.49

 

CMYK 0 / 26 / 79 / 9

HEX #E8AB30

RGB 232 171 48

HSL 40.11, 0.8%, 0.55%

LAB 73.87, 11.86, 67.11

 

CMYK 80 / 0 / 42 / 9

HEX #2FE886

RGB 47 232 134

HSL 148.22, 0.8%, 0.55%

LAB 81.86, -65.72, 35.29

 

CMYK 79 / 76 / 0 / 9

HEX #3037E8

RGB 48 55 232

HSL 237.72, 0.8%, 0.55%

LAB 36.34, 56.93, -88.11

 

CMYK 0 / 79 / 37 / 9

HEX #E83092

RGB 232 48 146

HSL 328.04, 0.8%, 0.55%

LAB 53.33, 74.39, -9.49

 

CMYK 0 / 3 / 79 / 9

HEX #E8E230

RGB 232 226 48

HSL 58.04, 0.8%, 0.55%

LAB 87.85, -16.34, 79.5

 

Description

Color code: HEX #2FE886 | qconv.com Color code: HEX #2FE886 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 232 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 232 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 42 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 42% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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