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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FE65E it is the complementary color #D019A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FE65E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FE65E shade: #34E659, #45F86C, #56FF7F, #67FF92 and #78FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FE65E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FE65E shade: #2FE65E, #1ED44B, #0DC238, #00B025 and #009E12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FE65E shade: #2DE65D, #2FE62D, #61E62D, #93E62D and #C5E62D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FE65E shade: #2DE65D, #2DE68F, #2DE6C1, #2DDAE6 and #2DA8E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FE65E shade matches the following richer shades: #2DE65D and #1AF953

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FE65E shade: #2DE65D, #40D366, #53C06F, #66AD78 and #799A82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FE65E shade: #62E62D, #30E62D, #2DE65B, #2DE68D and #2DE6BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FE65E shade: #14AD3B, #19D248, #2DE65D, #52EB79 and #77EF96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FE65E shade: #2FE65E, #2D93E6 and #E62D49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FE65E shade: #2FE65E, #5B2DE6 and #E65B2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FE65E shade: #2FE65E, #2D93E6, #E62DB8 and #E6802D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FE65E shade: #2FE65E, #2D5BE6, #E62DB8 and #E6B82D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 59 / 10

HEX #2FE65E

RGB 47 230 94

HSL 135.41, 0.79%, 0.54%

LAB 80.74, -71.02, 52.87

 

Complementary color

CMYK 0 / 88 / 23 / 18

HEX #D019A1

RGB 208 25 161

HSL 315.41, 0.79%, 0.46%

LAB 47.85, 75.46, -27.19

 

CMYK 77 / 0 / 61 / 10

HEX #34E659

RGB 52 230 89

HSL 132.47, 0.78%, 0.55%

LAB 80.76, -71.01, 55.08

 

CMYK 72 / 0 / 56 / 3

HEX #45F86C

RGB 69 248 108

HSL 133.07, 0.93%, 0.62%

LAB 86.74, -72.17, 53.77

 

CMYK 66 / 0 / 50 / 0

HEX #56FF7F

RGB 86 255 127

HSL 134.56, 1%, 0.67%

LAB 89.41, -69.23, 48.39

 

CMYK 60 / 0 / 43 / 0

HEX #67FF92

RGB 103 255 146

HSL 136.97, 1%, 0.7%

LAB 90.08, -63.15, 40.25

 

CMYK 53 / 0 / 35 / 0

HEX #78FFA5

RGB 120 255 165

HSL 140, 1%, 0.74%

LAB 90.88, -56.28, 32.02

 

CMYK 80 / 0 / 59 / 10

HEX #2FE65E

RGB 47 230 94

HSL 135.41, 0.79%, 0.54%

LAB 80.74, -71.02, 52.87

 

CMYK 86 / 0 / 65 / 17

HEX #1ED44B

RGB 30 212 75

HSL 134.84, 0.75%, 0.47%

LAB 74.74, -69.29, 54.18

 

CMYK 93 / 0 / 71 / 24

HEX #0DC238

RGB 13 194 56

HSL 134.25, 0.87%, 0.41%

LAB 68.72, -66.92, 55.24

 

CMYK 100 / 0 / 79 / 31

HEX #00B025

RGB 0 176 37

HSL 132.61, 1%, 0.35%

LAB 62.66, -63.8, 55.76

 

CMYK 100 / 0 / 89 / 38

HEX #009E12

RGB 0 158 18

HSL 126.84, 1%, 0.31%

LAB 56.58, -59.7, 55.23

 

CMYK 80 / 0 / 60 / 10

HEX #2DE65D

RGB 45 230 93

HSL 135.57, 0.79%, 0.54%

LAB 80.71, -71.36, 53.26

 

CMYK 80 / 0 / 80 / 10

HEX #2FE62D

RGB 47 230 45

HSL 119.35, 0.79%, 0.54%

LAB 80.4, -75.29, 70.36

 

CMYK 58 / 0 / 80 / 10

HEX #61E62D

RGB 97 230 45

HSL 103.14, 0.79%, 0.54%

LAB 81.47, -66.24, 71.74

 

CMYK 36 / 0 / 80 / 10

HEX #93E62D

RGB 147 230 45

HSL 86.92, 0.79%, 0.54%

LAB 83.44, -51.41, 74.26

 

CMYK 14 / 0 / 80 / 10

HEX #C5E62D

RGB 197 230 45

HSL 70.7, 0.79%, 0.54%

LAB 86.33, -32.68, 77.94

 

CMYK 80 / 0 / 60 / 10

HEX #2DE65D

RGB 45 230 93

HSL 135.57, 0.79%, 0.54%

LAB 80.71, -71.36, 53.26

 

CMYK 80 / 0 / 38 / 10

HEX #2DE68F

RGB 45 230 143

HSL 151.78, 0.79%, 0.54%

LAB 81.37, -63.57, 30.1

 

CMYK 80 / 0 / 16 / 10

HEX #2DE6C1

RGB 45 230 193

HSL 168, 0.79%, 0.54%

LAB 82.38, -52.49, 5.5

 

CMYK 80 / 5 / 0 / 10

HEX #2DDAE6

RGB 45 218 230

HSL 183.89, 0.79%, 0.54%

LAB 79.85, -37.09, -17.9

 

CMYK 80 / 27 / 0 / 10

HEX #2DA8E6

RGB 45 168 230

HSL 200.11, 0.79%, 0.54%

LAB 65.18, -11.9, -40.45

 

CMYK 80 / 0 / 60 / 10

HEX #2DE65D

RGB 45 230 93

HSL 135.57, 0.79%, 0.54%

LAB 80.71, -71.36, 53.26

 

CMYK 90 / 0 / 67 / 2

HEX #1AF953

RGB 26 249 83

HSL 135.34, 0.95%, 0.54%

LAB 86.3, -79.66, 63.59

 

CMYK 80 / 0 / 60 / 10

HEX #2DE65D

RGB 45 230 93

HSL 135.57, 0.79%, 0.54%

LAB 80.71, -71.36, 53.26

 

CMYK 70 / 0 / 52 / 17

HEX #40D366

RGB 64 211 102

HSL 135.51, 0.63%, 0.54%

LAB 75.23, -61.29, 42.67

 

CMYK 57 / 0 / 42 / 25

HEX #53C06F

RGB 83 192 111

HSL 135.41, 0.46%, 0.54%

LAB 69.96, -48.92, 31.63

 

CMYK 41 / 0 / 31 / 32

HEX #66AD78

RGB 102 173 120

HSL 135.21, 0.3%, 0.54%

LAB 65.02, -34, 20.42

 

CMYK 21 / 0 / 16 / 40

HEX #799A82

RGB 121 154 130

HSL 136.36, 0.14%, 0.54%

LAB 60.59, -16.46, 8.88

 

CMYK 57 / 0 / 80 / 10

HEX #62E62D

RGB 98 230 45

HSL 102.81, 0.79%, 0.54%

LAB 81.5, -65.99, 71.78

 

CMYK 79 / 0 / 80 / 10

HEX #30E62D

RGB 48 230 45

HSL 119.03, 0.79%, 0.54%

LAB 80.41, -75.17, 70.38

 

CMYK 80 / 0 / 60 / 10

HEX #2DE65B

RGB 45 230 91

HSL 134.92, 0.79%, 0.54%

LAB 80.69, -71.59, 54.11

 

CMYK 80 / 0 / 39 / 10

HEX #2DE68D

RGB 45 230 141

HSL 151.14, 0.79%, 0.54%

LAB 81.33, -63.95, 31.07

 

CMYK 80 / 0 / 17 / 10

HEX #2DE6BE

RGB 45 230 190

HSL 167.03, 0.79%, 0.54%

LAB 82.31, -53.24, 6.98

 

CMYK 88 / 0 / 66 / 32

HEX #14AD3B

RGB 20 173 59

HSL 135.29, 0.79%, 0.38%

LAB 61.96, -59.82, 46.8

 

CMYK 88 / 0 / 66 / 18

HEX #19D248

RGB 25 210 72

HSL 135.24, 0.79%, 0.46%

LAB 74.04, -69.39, 54.63

 

CMYK 80 / 0 / 60 / 10

HEX #2DE65D

RGB 45 230 93

HSL 135.57, 0.79%, 0.54%

LAB 80.71, -71.36, 53.26

 

CMYK 65 / 0 / 49 / 8

HEX #52EB79

RGB 82 235 121

HSL 135.29, 0.79%, 0.62%

LAB 83.23, -63.81, 43.54

 

CMYK 50 / 0 / 37 / 6

HEX #77EF96

RGB 119 239 150

HSL 135.5, 0.79%, 0.7%

LAB 85.93, -52.65, 32.95

 

CMYK 80 / 0 / 59 / 10

HEX #2FE65E

RGB 47 230 94

HSL 135.41, 0.79%, 0.54%

LAB 80.74, -71.02, 52.87

 

CMYK 80 / 36 / 0 / 10

HEX #2D93E6

RGB 45 147 230

HSL 206.92, 0.79%, 0.54%

LAB 59.1, 0.02, -50.03

 

CMYK 0 / 80 / 68 / 10

HEX #E62D49

RGB 230 45 73

HSL 350.92, 0.79%, 0.54%

LAB 50.9, 69.26, 30.98

 

CMYK 80 / 0 / 59 / 10

HEX #2FE65E

RGB 47 230 94

HSL 135.41, 0.79%, 0.54%

LAB 80.74, -71.02, 52.87

 

CMYK 60 / 80 / 0 / 10

HEX #5B2DE6

RGB 91 45 230

HSL 254.92, 0.79%, 0.54%

LAB 37.51, 64.44, -84.95

 

CMYK 0 / 60 / 80 / 10

HEX #E65B2D

RGB 230 91 45

HSL 14.92, 0.79%, 0.54%

LAB 56.58, 51.74, 52.26

 

CMYK 80 / 0 / 59 / 10

HEX #2FE65E

RGB 47 230 94

HSL 135.41, 0.79%, 0.54%

LAB 80.74, -71.02, 52.87

 

CMYK 80 / 36 / 0 / 10

HEX #2D93E6

RGB 45 147 230

HSL 206.92, 0.79%, 0.54%

LAB 59.1, 0.02, -50.03

 

CMYK 0 / 80 / 20 / 10

HEX #E62DB8

RGB 230 45 184

HSL 314.92, 0.79%, 0.54%

LAB 54.2, 78.94, -30.55

 

CMYK 0 / 44 / 80 / 10

HEX #E6802D

RGB 230 128 45

HSL 26.92, 0.79%, 0.54%

LAB 63.71, 33.66, 58.9

 

CMYK 80 / 0 / 59 / 10

HEX #2FE65E

RGB 47 230 94

HSL 135.41, 0.79%, 0.54%

LAB 80.74, -71.02, 52.87

 

CMYK 80 / 60 / 0 / 10

HEX #2D5BE6

RGB 45 91 230

HSL 225.08, 0.79%, 0.54%

LAB 43.88, 34.81, -74.57

 

CMYK 0 / 80 / 20 / 10

HEX #E62DB8

RGB 230 45 184

HSL 314.92, 0.79%, 0.54%

LAB 54.2, 78.94, -30.55

 

CMYK 0 / 20 / 80 / 10

HEX #E6B82D

RGB 230 184 45

HSL 45.08, 0.79%, 0.54%

LAB 76.86, 4.05, 70.67

 

Description

Color code: HEX #2FE65E | qconv.com Color code: HEX #2FE65E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 230 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 230 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 59 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 59% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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