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Color name
HEX #2FE5D1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FE5D1 it is the complementary color #D01A2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FE5D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FE5D1 shade: #34E5CC, #45F7DF, #56FFF2, #67FFFF and #78FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FE5D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FE5D1 shade: #2FE5D1, #1ED3BE, #0DC1AB, #00AF98 and #009D85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FE5D1 shade: #2EE5D1, #2EE5A0, #2EE56E, #2EE53D and #51E52E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FE5D1 shade: #2EE5D1, #2EC8E5, #2E97E5, #2E65E5 and #2E34E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FE5D1 shade matches the following richer shades: #2EE5D1 and #1BF8E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FE5D1 shade: #2EE5D1, #41D2C2, #54BFB3, #67ACA5 and #7A9996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FE5D1 shade: #2EE56E, #2EE59F, #2EE5D0, #2ECAE5 and #2E99E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FE5D1 shade: #15AC9B, #1AD0BC, #2EE5D1, #53EAD9 and #78EEE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FE5D1 shade: #2FE5D1, #3D2EE5 and #E5872E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FE5D1 shade: #2FE5D1, #D02EE5 and #E5D02E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FE5D1 shade: #2FE5D1, #3D2EE5, #E52E44 and #D6E52E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FE5D1 shade: #2FE5D1, #742EE5, #E52E44 and #9FE52E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 9 / 10

HEX #2FE5D1

RGB 47 229 209

HSL 173.41, 0.78%, 0.54%

LAB 82.51, -47.75, -2.77

 

Complementary color

CMYK 0 / 88 / 78 / 18

HEX #D01A2E

RGB 208 26 46

HSL 353.41, 0.78%, 0.46%

LAB 44.73, 66.43, 38.56

 

CMYK 77 / 0 / 11 / 10

HEX #34E5CC

RGB 52 229 204

HSL 171.53, 0.77%, 0.55%

LAB 82.45, -48.61, -0.21

 

CMYK 72 / 0 / 10 / 3

HEX #45F7DF

RGB 69 247 223

HSL 171.91, 0.92%, 0.62%

LAB 88.5, -49.43, -1.3

 

CMYK 66 / 0 / 5 / 0

HEX #56FFF2

RGB 86 255 242

HSL 175.38, 1%, 0.67%

LAB 91.64, -45.76, -6.52

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 53 / 0 / 0 / 0

HEX #78FFFF

RGB 120 255 255

HSL 180, 1%, 0.74%

LAB 92.9, -36.79, -11.29

 

CMYK 79 / 0 / 9 / 10

HEX #2FE5D1

RGB 47 229 209

HSL 173.41, 0.78%, 0.54%

LAB 82.51, -47.75, -2.77

 

CMYK 86 / 0 / 10 / 17

HEX #1ED3BE

RGB 30 211 190

HSL 173.04, 0.75%, 0.47%

LAB 76.43, -46.52, -1.58

 

CMYK 93 / 0 / 11 / 24

HEX #0DC1AB

RGB 13 193 171

HSL 172.67, 0.87%, 0.4%

LAB 70.29, -44.95, -0.28

 

CMYK 100 / 0 / 13 / 31

HEX #00AF98

RGB 0 175 152

HSL 172.11, 1%, 0.34%

LAB 64.1, -43.01, 1.16

 

CMYK 100 / 0 / 15 / 38

HEX #009D85

RGB 0 157 133

HSL 170.83, 1%, 0.31%

LAB 57.85, -40.6, 2.76

 

CMYK 80 / 0 / 9 / 10

HEX #2EE5D1

RGB 46 229 209

HSL 173.44, 0.78%, 0.54%

LAB 82.5, -47.83, -2.79

 

CMYK 80 / 0 / 30 / 10

HEX #2EE5A0

RGB 46 229 160

HSL 157.38, 0.78%, 0.54%

LAB 81.38, -59.68, 21.38

 

CMYK 80 / 0 / 52 / 10

HEX #2EE56E

RGB 46 229 110

HSL 140.98, 0.78%, 0.54%

LAB 80.6, -68.67, 45.38

 

CMYK 80 / 0 / 73 / 10

HEX #2EE53D

RGB 46 229 61

HSL 124.92, 0.78%, 0.54%

LAB 80.16, -74.07, 65.25

 

CMYK 65 / 0 / 80 / 10

HEX #51E52E

RGB 81 229 46

HSL 108.52, 0.78%, 0.54%

LAB 80.73, -69.45, 70.63

 

CMYK 80 / 0 / 9 / 10

HEX #2EE5D1

RGB 46 229 209

HSL 173.44, 0.78%, 0.54%

LAB 82.5, -47.83, -2.79

 

CMYK 80 / 13 / 0 / 10

HEX #2EC8E5

RGB 46 200 229

HSL 189.51, 0.78%, 0.54%

LAB 74.54, -28.74, -25.43

 

CMYK 80 / 34 / 0 / 10

HEX #2E97E5

RGB 46 151 229

HSL 205.57, 0.78%, 0.54%

LAB 60.22, -2.58, -47.7

 

CMYK 80 / 56 / 0 / 10

HEX #2E65E5

RGB 46 101 229

HSL 221.97, 0.78%, 0.54%

LAB 46.37, 28.17, -69.93

 

CMYK 80 / 77 / 0 / 10

HEX #2E34E5

RGB 46 52 229

HSL 238.03, 0.78%, 0.54%

LAB 35.39, 57.41, -87.98

 

CMYK 80 / 0 / 9 / 10

HEX #2EE5D1

RGB 46 229 209

HSL 173.44, 0.78%, 0.54%

LAB 82.5, -47.83, -2.79

 

CMYK 89 / 0 / 10 / 3

HEX #1BF8E0

RGB 27 248 224

HSL 173.48, 0.94%, 0.54%

LAB 88.33, -52.98, -2.13

 

CMYK 80 / 0 / 9 / 10

HEX #2EE5D1

RGB 46 229 209

HSL 173.44, 0.78%, 0.54%

LAB 82.5, -47.83, -2.79

 

CMYK 69 / 0 / 8 / 18

HEX #41D2C2

RGB 65 210 194

HSL 173.38, 0.62%, 0.54%

LAB 76.75, -41.51, -3.2

 

CMYK 56 / 0 / 6 / 25

HEX #54BFB3

RGB 84 191 179

HSL 173.27, 0.46%, 0.54%

LAB 71.15, -33.6, -3.25

 

CMYK 40 / 0 / 4 / 33

HEX #67ACA5

RGB 103 172 165

HSL 173.91, 0.29%, 0.54%

LAB 65.83, -23.48, -3.27

 

CMYK 20 / 0 / 2 / 40

HEX #7A9996

RGB 122 153 150

HSL 174.19, 0.13%, 0.54%

LAB 60.89, -11.39, -1.99

 

CMYK 80 / 0 / 52 / 10

HEX #2EE56E

RGB 46 229 110

HSL 140.98, 0.78%, 0.54%

LAB 80.6, -68.67, 45.38

 

CMYK 80 / 0 / 31 / 10

HEX #2EE59F

RGB 46 229 159

HSL 157.05, 0.78%, 0.54%

LAB 81.36, -59.89, 21.87

 

CMYK 80 / 0 / 9 / 10

HEX #2EE5D0

RGB 46 229 208

HSL 173.11, 0.78%, 0.54%

LAB 82.47, -48.1, -2.3

 

CMYK 80 / 12 / 0 / 10

HEX #2ECAE5

RGB 46 202 229

HSL 188.85, 0.78%, 0.54%

LAB 75.13, -29.72, -24.53

 

CMYK 80 / 33 / 0 / 10

HEX #2E99E5

RGB 46 153 229

HSL 204.92, 0.78%, 0.54%

LAB 60.8, -3.73, -46.79

 

CMYK 88 / 0 / 10 / 33

HEX #15AC9B

RGB 21 172 155

HSL 173.25, 0.78%, 0.38%

LAB 63.37, -39.94, -1.57

 

CMYK 88 / 0 / 10 / 18

HEX #1AD0BC

RGB 26 208 188

HSL 173.41, 0.78%, 0.46%

LAB 75.43, -46.04, -1.97

 

CMYK 80 / 0 / 9 / 10

HEX #2EE5D1

RGB 46 229 209

HSL 173.44, 0.78%, 0.54%

LAB 82.5, -47.83, -2.79

 

CMYK 65 / 0 / 7 / 8

HEX #53EAD9

RGB 83 234 217

HSL 173.25, 0.78%, 0.62%

LAB 84.84, -43.48, -3.49

 

CMYK 50 / 0 / 5 / 7

HEX #78EEE1

RGB 120 238 225

HSL 173.39, 0.78%, 0.7%

LAB 87.28, -36.47, -3.98

 

CMYK 79 / 0 / 9 / 10

HEX #2FE5D1

RGB 47 229 209

HSL 173.41, 0.78%, 0.54%

LAB 82.51, -47.75, -2.77

 

CMYK 73 / 80 / 0 / 10

HEX #3D2EE5

RGB 61 46 229

HSL 244.92, 0.78%, 0.54%

LAB 35.21, 61.23, -88.25

 

CMYK 0 / 41 / 80 / 10

HEX #E5872E

RGB 229 135 46

HSL 29.18, 0.78%, 0.54%

LAB 65.11, 29.63, 59.73

 

CMYK 79 / 0 / 9 / 10

HEX #2FE5D1

RGB 47 229 209

HSL 173.41, 0.78%, 0.54%

LAB 82.51, -47.75, -2.77

 

CMYK 9 / 80 / 0 / 10

HEX #D02EE5

RGB 208 46 229

HSL 293.11, 0.78%, 0.54%

LAB 52.97, 80.9, -58.51

 

CMYK 0 / 9 / 80 / 10

HEX #E5D02E

RGB 229 208 46

HSL 53.11, 0.78%, 0.54%

LAB 82.9, -8.71, 75.62

 

CMYK 79 / 0 / 9 / 10

HEX #2FE5D1

RGB 47 229 209

HSL 173.41, 0.78%, 0.54%

LAB 82.51, -47.75, -2.77

 

CMYK 73 / 80 / 0 / 10

HEX #3D2EE5

RGB 61 46 229

HSL 244.92, 0.78%, 0.54%

LAB 35.21, 61.23, -88.25

 

CMYK 0 / 80 / 70 / 10

HEX #E52E44

RGB 229 46 68

HSL 352.79, 0.78%, 0.54%

LAB 50.72, 68.5, 33.67

 

CMYK 7 / 0 / 80 / 10

HEX #D6E52E

RGB 214 229 46

HSL 64.92, 0.78%, 0.54%

LAB 87.26, -25.3, 78.96

 

CMYK 79 / 0 / 9 / 10

HEX #2FE5D1

RGB 47 229 209

HSL 173.41, 0.78%, 0.54%

LAB 82.51, -47.75, -2.77

 

CMYK 49 / 80 / 0 / 10

HEX #742EE5

RGB 116 46 229

HSL 262.95, 0.78%, 0.54%

LAB 40.12, 66.59, -79.98

 

CMYK 0 / 80 / 70 / 10

HEX #E52E44

RGB 229 46 68

HSL 352.79, 0.78%, 0.54%

LAB 50.72, 68.5, 33.67

 

CMYK 31 / 0 / 80 / 10

HEX #9FE52E

RGB 159 229 46

HSL 82.95, 0.78%, 0.54%

LAB 83.76, -46.73, 74.52

 

Description

Color code: HEX #2FE5D1 | qconv.com Color code: HEX #2FE5D1 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 229 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 229 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 9 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 9% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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