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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FE362 it is the complementary color #D01C9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FE362. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FE362 shade: #34E35D, #45F570, #56FF83, #67FF96 and #78FFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FE362. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FE362 shade: #2FE362, #1ED14F, #0DBF3C, #00AD29 and #009B16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FE362 shade: #31E363, #31E333, #5EE331, #8EE331 and #BEE331

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FE362 shade: #31E363, #31E393, #31E3C3, #31D2E3 and #31A2E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FE362 shade matches the following richer shades: #31E363 and #1EF65B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FE362 shade: #31E363, #44D06B, #57BD74, #69AA7C and #7C9784

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FE362 shade: #5DE331, #31E334, #31E363, #31E393 and #31E3C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FE362 shade: #17AA41, #1CCE4F, #31E363, #55E87E and #79ED9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FE362 shade: #2FE362, #318DE3 and #E33145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FE362 shade: #2FE362, #6331E3 and #E36331

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FE362 shade: #2FE362, #318DE3, #E331B0 and #E38731

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FE362 shade: #2FE362, #3157E3, #E331B0 and #E3BC31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 57 / 11

HEX #2FE362

RGB 47 227 98

HSL 137, 0.76%, 0.54%

LAB 79.85, -69.56, 50.04

 

Complementary color

CMYK 0 / 87 / 25 / 18

HEX #D01C9D

RGB 208 28 157

HSL 317, 0.76%, 0.46%

LAB 47.85, 74.48, -24.81

 

CMYK 77 / 0 / 59 / 11

HEX #34E35D

RGB 52 227 93

HSL 134.06, 0.76%, 0.55%

LAB 79.87, -69.59, 52.32

 

CMYK 72 / 0 / 54 / 4

HEX #45F570

RGB 69 245 112

HSL 134.66, 0.9%, 0.62%

LAB 85.88, -70.68, 50.94

 

CMYK 66 / 0 / 49 / 0

HEX #56FF83

RGB 86 255 131

HSL 135.98, 1%, 0.67%

LAB 89.46, -68.66, 46.57

 

CMYK 60 / 0 / 41 / 0

HEX #67FF96

RGB 103 255 150

HSL 138.55, 1%, 0.7%

LAB 90.14, -62.51, 38.38

 

CMYK 53 / 0 / 34 / 0

HEX #78FFA9

RGB 120 255 169

HSL 141.78, 1%, 0.74%

LAB 90.95, -55.59, 30.11

 

CMYK 79 / 0 / 57 / 11

HEX #2FE362

RGB 47 227 98

HSL 137, 0.76%, 0.54%

LAB 79.85, -69.56, 50.04

 

CMYK 86 / 0 / 62 / 18

HEX #1ED14F

RGB 30 209 79

HSL 136.42, 0.75%, 0.47%

LAB 73.83, -67.93, 51.46

 

CMYK 93 / 0 / 69 / 25

HEX #0DBF3C

RGB 13 191 60

HSL 135.84, 0.87%, 0.4%

LAB 67.78, -65.66, 52.69

 

CMYK 100 / 0 / 76 / 32

HEX #00AD29

RGB 0 173 41

HSL 134.22, 1%, 0.34%

LAB 61.69, -62.64, 53.5

 

CMYK 100 / 0 / 86 / 39

HEX #009B16

RGB 0 155 22

HSL 128.52, 1%, 0.3%

LAB 55.58, -58.66, 53.41

 

CMYK 78 / 0 / 56 / 11

HEX #31E363

RGB 49 227 99

HSL 136.85, 0.76%, 0.54%

LAB 79.89, -69.2, 49.64

 

CMYK 78 / 0 / 78 / 11

HEX #31E333

RGB 49 227 51

HSL 120.67, 0.76%, 0.54%

LAB 79.52, -73.82, 67.84

 

CMYK 59 / 0 / 78 / 11

HEX #5EE331

RGB 94 227 49

HSL 104.83, 0.76%, 0.54%

LAB 80.48, -65.73, 69.69

 

CMYK 37 / 0 / 78 / 11

HEX #8EE331

RGB 142 227 49

HSL 88.65, 0.76%, 0.54%

LAB 82.33, -51.73, 72.08

 

CMYK 16 / 0 / 78 / 11

HEX #BEE331

RGB 190 227 49

HSL 72.47, 0.76%, 0.54%

LAB 85.05, -33.94, 75.57

 

CMYK 78 / 0 / 56 / 11

HEX #31E363

RGB 49 227 99

HSL 136.85, 0.76%, 0.54%

LAB 79.89, -69.2, 49.64

 

CMYK 78 / 0 / 35 / 11

HEX #31E393

RGB 49 227 147

HSL 153.03, 0.76%, 0.54%

LAB 80.57, -61.31, 27

 

CMYK 78 / 0 / 14 / 11

HEX #31E3C3

RGB 49 227 195

HSL 169.21, 0.76%, 0.54%

LAB 81.58, -50.39, 3.29

 

CMYK 78 / 7 / 0 / 11

HEX #31D2E3

RGB 49 210 227

HSL 185.73, 0.76%, 0.54%

LAB 77.46, -33.91, -19.91

 

CMYK 78 / 29 / 0 / 11

HEX #31A2E3

RGB 49 162 227

HSL 201.91, 0.76%, 0.54%

LAB 63.38, -9.24, -41.62

 

CMYK 78 / 0 / 56 / 11

HEX #31E363

RGB 49 227 99

HSL 136.85, 0.76%, 0.54%

LAB 79.89, -69.2, 49.64

 

CMYK 88 / 0 / 63 / 4

HEX #1EF65B

RGB 30 246 91

HSL 136.94, 0.92%, 0.54%

LAB 85.48, -77.72, 59.49

 

CMYK 78 / 0 / 56 / 11

HEX #31E363

RGB 49 227 99

HSL 136.85, 0.76%, 0.54%

LAB 79.89, -69.2, 49.64

 

CMYK 67 / 0 / 49 / 18

HEX #44D06B

RGB 68 208 107

HSL 136.71, 0.6%, 0.54%

LAB 74.45, -58.78, 39.29

 

CMYK 54 / 0 / 39 / 26

HEX #57BD74

RGB 87 189 116

HSL 137.06, 0.44%, 0.54%

LAB 69.24, -45.87, 28.12

 

CMYK 38 / 0 / 27 / 33

HEX #69AA7C

RGB 105 170 124

HSL 137.54, 0.28%, 0.54%

LAB 64.33, -30.93, 17.31

 

CMYK 18 / 0 / 13 / 41

HEX #7C9784

RGB 124 151 132

HSL 137.78, 0.11%, 0.54%

LAB 59.96, -13.42, 6.88

 

CMYK 59 / 0 / 78 / 11

HEX #5DE331

RGB 93 227 49

HSL 105.17, 0.76%, 0.54%

LAB 80.45, -65.97, 69.65

 

CMYK 78 / 0 / 77 / 11

HEX #31E334

RGB 49 227 52

HSL 121.01, 0.76%, 0.54%

LAB 79.52, -73.76, 67.54

 

CMYK 78 / 0 / 56 / 11

HEX #31E363

RGB 49 227 99

HSL 136.85, 0.76%, 0.54%

LAB 79.89, -69.2, 49.64

 

CMYK 78 / 0 / 35 / 11

HEX #31E393

RGB 49 227 147

HSL 153.03, 0.76%, 0.54%

LAB 80.57, -61.31, 27

 

CMYK 78 / 0 / 15 / 11

HEX #31E3C2

RGB 49 227 194

HSL 168.88, 0.76%, 0.54%

LAB 81.56, -50.64, 3.79

 

CMYK 86 / 0 / 62 / 33

HEX #17AA41

RGB 23 170 65

HSL 137.14, 0.76%, 0.38%

LAB 61.06, -57.91, 43.13

 

CMYK 86 / 0 / 62 / 19

HEX #1CCE4F

RGB 28 206 79

HSL 137.19, 0.76%, 0.46%

LAB 72.86, -67.16, 50.35

 

CMYK 78 / 0 / 56 / 11

HEX #31E363

RGB 49 227 99

HSL 136.85, 0.76%, 0.54%

LAB 79.89, -69.2, 49.64

 

CMYK 63 / 0 / 46 / 9

HEX #55E87E

RGB 85 232 126

HSL 136.73, 0.76%, 0.62%

LAB 82.46, -61.4, 40.16

 

CMYK 49 / 0 / 35 / 7

HEX #79ED9A

RGB 121 237 154

HSL 137.07, 0.76%, 0.7%

LAB 85.49, -50.65, 30.34

 

CMYK 79 / 0 / 57 / 11

HEX #2FE362

RGB 47 227 98

HSL 137, 0.76%, 0.54%

LAB 79.85, -69.56, 50.04

 

CMYK 78 / 38 / 0 / 11

HEX #318DE3

RGB 49 141 227

HSL 208.99, 0.76%, 0.54%

LAB 57.32, 2.86, -51.19

 

CMYK 0 / 78 / 70 / 11

HEX #E33145

RGB 227 49 69

HSL 353.26, 0.76%, 0.54%

LAB 50.64, 67.19, 32.89

 

CMYK 79 / 0 / 57 / 11

HEX #2FE362

RGB 47 227 98

HSL 137, 0.76%, 0.54%

LAB 79.85, -69.56, 50.04

 

CMYK 56 / 78 / 0 / 11

HEX #6331E3

RGB 99 49 227

HSL 256.85, 0.76%, 0.54%

LAB 38.54, 62.84, -81.5

 

CMYK 0 / 56 / 78 / 11

HEX #E36331

RGB 227 99 49

HSL 16.85, 0.76%, 0.54%

LAB 57.54, 47.11, 51.15

 

CMYK 79 / 0 / 57 / 11

HEX #2FE362

RGB 47 227 98

HSL 137, 0.76%, 0.54%

LAB 79.85, -69.56, 50.04

 

CMYK 78 / 38 / 0 / 11

HEX #318DE3

RGB 49 141 227

HSL 208.99, 0.76%, 0.54%

LAB 57.32, 2.86, -51.19

 

CMYK 0 / 78 / 22 / 11

HEX #E331B0

RGB 227 49 176

HSL 317.19, 0.76%, 0.54%

LAB 53.67, 76.31, -26.75

 

CMYK 0 / 41 / 78 / 11

HEX #E38731

RGB 227 135 49

HSL 28.99, 0.76%, 0.54%

LAB 64.87, 28.91, 58.22

 

CMYK 79 / 0 / 57 / 11

HEX #2FE362

RGB 47 227 98

HSL 137, 0.76%, 0.54%

LAB 79.85, -69.56, 50.04

 

CMYK 78 / 62 / 0 / 11

HEX #3157E3

RGB 49 87 227

HSL 227.19, 0.76%, 0.54%

LAB 42.79, 36.58, -74.65

 

CMYK 0 / 78 / 22 / 11

HEX #E331B0

RGB 227 49 176

HSL 317.19, 0.76%, 0.54%

LAB 53.67, 76.31, -26.75

 

CMYK 0 / 17 / 78 / 11

HEX #E3BC31

RGB 227 188 49

HSL 46.85, 0.76%, 0.54%

LAB 77.59, 0.8, 69.95

 

Description

Color code: HEX #2FE362 | qconv.com Color code: HEX #2FE362 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 227 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 227 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 57 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 57% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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