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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FDF6B it is the complementary color #D02094. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FDF6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FDF6B shade: #34DF66, #45F179, #56FF8C, #67FF9F and #78FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FDF6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FDF6B shade: #2FDF6B, #1ECD58, #0DBB45, #00A932 and #00971F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FDF6B shade: #30DF6B, #30DF3C, #52DF30, #82DF30 and #B1DF30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FDF6B shade: #30DF6B, #30DF9A, #30DFCA, #30C4DF and #3095DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FDF6B shade matches the following richer shades: #30DF6B and #1CF265

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FDF6B shade: #30DF6B, #43CB71, #56B878, #6AA47E and #7D9184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FDF6B shade: #53DF30, #30DF3B, #30DF6A, #30DF99 and #30DFC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FDF6B shade: #19A248, #1FC658, #30DF6B, #53E485 and #77EA9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FDF6B shade: #2FDF6B, #3081DF and #DF303B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FDF6B shade: #2FDF6B, #6A30DF and #DF6A30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FDF6B shade: #2FDF6B, #3081DF, #DF30A4 and #DF8D30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FDF6B shade: #2FDF6B, #304DDF, #DF30A4 and #DFC130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 52 / 13

HEX #2FDF6B

RGB 47 223 107

HSL 140.45, 0.73%, 0.53%

LAB 78.72, -67.03, 44.5

 

Complementary color

CMYK 0 / 85 / 29 / 18

HEX #D02094

RGB 208 32 148

HSL 320.45, 0.73%, 0.47%

LAB 47.73, 72.69, -19.59

 

CMYK 77 / 0 / 54 / 13

HEX #34DF66

RGB 52 223 102

HSL 137.54, 0.73%, 0.54%

LAB 78.73, -67.13, 46.88

 

CMYK 71 / 0 / 50 / 5

HEX #45F179

RGB 69 241 121

HSL 138.14, 0.86%, 0.61%

LAB 84.77, -68.09, 45.4

 

CMYK 66 / 0 / 45 / 0

HEX #56FF8C

RGB 86 255 140

HSL 139.17, 1%, 0.67%

LAB 89.58, -67.31, 42.43

 

CMYK 60 / 0 / 38 / 0

HEX #67FF9F

RGB 103 255 159

HSL 142.11, 1%, 0.7%

LAB 90.28, -61, 34.11

 

CMYK 53 / 0 / 30 / 0

HEX #78FFB2

RGB 120 255 178

HSL 145.78, 1%, 0.74%

LAB 91.11, -53.95, 25.78

 

CMYK 79 / 0 / 52 / 13

HEX #2FDF6B

RGB 47 223 107

HSL 140.45, 0.73%, 0.53%

LAB 78.72, -67.03, 44.5

 

CMYK 85 / 0 / 57 / 20

HEX #1ECD58

RGB 30 205 88

HSL 139.89, 0.74%, 0.46%

LAB 72.66, -65.55, 46.06

 

CMYK 93 / 0 / 63 / 27

HEX #0DBB45

RGB 13 187 69

HSL 139.31, 0.87%, 0.39%

LAB 66.56, -63.47, 47.57

 

CMYK 100 / 0 / 70 / 34

HEX #00A932

RGB 0 169 50

HSL 137.75, 1%, 0.33%

LAB 60.43, -60.68, 48.86

 

CMYK 100 / 0 / 79 / 41

HEX #00971F

RGB 0 151 31

HSL 132.32, 1%, 0.3%

LAB 54.27, -56.94, 49.58

 

CMYK 78 / 0 / 52 / 13

HEX #30DF6B

RGB 48 223 107

HSL 140.23, 0.73%, 0.53%

LAB 78.73, -66.91, 44.52

 

CMYK 78 / 0 / 73 / 13

HEX #30DF3C

RGB 48 223 60

HSL 124.11, 0.73%, 0.53%

LAB 78.3, -72.13, 63.74

 

CMYK 63 / 0 / 78 / 13

HEX #52DF30

RGB 82 223 48

HSL 108.34, 0.73%, 0.53%

LAB 78.92, -67.18, 68.38

 

CMYK 42 / 0 / 78 / 13

HEX #82DF30

RGB 130 223 48

HSL 91.89, 0.73%, 0.53%

LAB 80.59, -54.15, 70.55

 

CMYK 21 / 0 / 78 / 13

HEX #B1DF30

RGB 177 223 48

HSL 75.77, 0.73%, 0.53%

LAB 83.09, -37.27, 73.76

 

CMYK 78 / 0 / 52 / 13

HEX #30DF6B

RGB 48 223 107

HSL 140.23, 0.73%, 0.53%

LAB 78.73, -66.91, 44.52

 

CMYK 78 / 0 / 31 / 13

HEX #30DF9A

RGB 48 223 154

HSL 156.34, 0.73%, 0.53%

LAB 79.46, -58.51, 21.87

 

CMYK 78 / 0 / 9 / 13

HEX #30DFCA

RGB 48 223 202

HSL 172.8, 0.73%, 0.53%

LAB 80.55, -46.98, -1.92

 

CMYK 78 / 12 / 0 / 13

HEX #30C4DF

RGB 48 196 223

HSL 189.26, 0.73%, 0.53%

LAB 73.18, -28.49, -24.26

 

CMYK 78 / 33 / 0 / 13

HEX #3095DF

RGB 48 149 223

HSL 205.37, 0.73%, 0.53%

LAB 59.39, -3.38, -45.68

 

CMYK 78 / 0 / 52 / 13

HEX #30DF6B

RGB 48 223 107

HSL 140.23, 0.73%, 0.53%

LAB 78.73, -66.91, 44.52

 

CMYK 88 / 0 / 58 / 5

HEX #1CF265

RGB 28 242 101

HSL 140.47, 0.89%, 0.53%

LAB 84.32, -75.49, 53.9

 

CMYK 78 / 0 / 52 / 13

HEX #30DF6B

RGB 48 223 107

HSL 140.23, 0.73%, 0.53%

LAB 78.73, -66.91, 44.52

 

CMYK 67 / 0 / 44 / 20

HEX #43CB71

RGB 67 203 113

HSL 140.29, 0.57%, 0.53%

LAB 72.96, -56.17, 34.39

 

CMYK 53 / 0 / 35 / 28

HEX #56B878

RGB 86 184 120

HSL 140.82, 0.41%, 0.53%

LAB 67.74, -43.29, 23.99

 

CMYK 35 / 0 / 23 / 36

HEX #6AA47E

RGB 106 164 126

HSL 140.69, 0.24%, 0.53%

LAB 62.61, -27.33, 13.83

 

CMYK 14 / 0 / 9 / 43

HEX #7D9184

RGB 125 145 132

HSL 141, 0.08%, 0.53%

LAB 58.3, -9.82, 4.5

 

CMYK 63 / 0 / 78 / 13

HEX #53DF30

RGB 83 223 48

HSL 108, 0.73%, 0.53%

LAB 78.94, -66.96, 68.41

 

CMYK 78 / 0 / 74 / 13

HEX #30DF3B

RGB 48 223 59

HSL 123.77, 0.73%, 0.53%

LAB 78.3, -72.2, 64.08

 

CMYK 78 / 0 / 52 / 13

HEX #30DF6A

RGB 48 223 106

HSL 139.89, 0.73%, 0.53%

LAB 78.72, -67.06, 44.98

 

CMYK 78 / 0 / 31 / 13

HEX #30DF99

RGB 48 223 153

HSL 156, 0.73%, 0.53%

LAB 79.44, -58.72, 22.37

 

CMYK 78 / 0 / 11 / 13

HEX #30DFC7

RGB 48 223 199

HSL 171.77, 0.73%, 0.53%

LAB 80.48, -47.77, -0.44

 

CMYK 85 / 0 / 56 / 36

HEX #19A248

RGB 25 162 72

HSL 140.58, 0.73%, 0.37%

LAB 58.52, -54.11, 36.82

 

CMYK 84 / 0 / 56 / 22

HEX #1FC658

RGB 31 198 88

HSL 140.48, 0.73%, 0.45%

LAB 70.44, -63.21, 43.43

 

CMYK 78 / 0 / 52 / 13

HEX #30DF6B

RGB 48 223 107

HSL 140.23, 0.73%, 0.53%

LAB 78.73, -66.91, 44.52

 

CMYK 64 / 0 / 42 / 11

HEX #53E485

RGB 83 228 133

HSL 140.69, 0.73%, 0.61%

LAB 81.3, -59.18, 35.2

 

CMYK 49 / 0 / 32 / 8

HEX #77EA9E

RGB 119 234 158

HSL 140.35, 0.73%, 0.69%

LAB 84.61, -49.21, 27.11

 

CMYK 79 / 0 / 52 / 13

HEX #2FDF6B

RGB 47 223 107

HSL 140.45, 0.73%, 0.53%

LAB 78.72, -67.03, 44.5

 

CMYK 78 / 42 / 0 / 13

HEX #3081DF

RGB 48 129 223

HSL 212.23, 0.73%, 0.53%

LAB 53.66, 8.53, -54.79

 

CMYK 0 / 78 / 74 / 13

HEX #DF303B

RGB 223 48 59

HSL 356.23, 0.73%, 0.53%

LAB 49.64, 65.91, 37.34

 

CMYK 79 / 0 / 52 / 13

HEX #2FDF6B

RGB 47 223 107

HSL 140.45, 0.73%, 0.53%

LAB 78.72, -67.03, 44.5

 

CMYK 52 / 78 / 0 / 13

HEX #6A30DF

RGB 106 48 223

HSL 259.89, 0.73%, 0.53%

LAB 38.74, 63.05, -78.87

 

CMYK 0 / 52 / 78 / 13

HEX #DF6A30

RGB 223 106 48

HSL 19.89, 0.73%, 0.53%

LAB 58.24, 42.18, 52.09

 

CMYK 79 / 0 / 52 / 13

HEX #2FDF6B

RGB 47 223 107

HSL 140.45, 0.73%, 0.53%

LAB 78.72, -67.03, 44.5

 

CMYK 78 / 42 / 0 / 13

HEX #3081DF

RGB 48 129 223

HSL 212.23, 0.73%, 0.53%

LAB 53.66, 8.53, -54.79

 

CMYK 0 / 78 / 26 / 13

HEX #DF30A4

RGB 223 48 164

HSL 320.23, 0.73%, 0.53%

LAB 52.38, 74.22, -21.75

 

CMYK 0 / 37 / 78 / 13

HEX #DF8D30

RGB 223 141 48

HSL 31.89, 0.73%, 0.53%

LAB 65.71, 24.02, 59.23

 

CMYK 79 / 0 / 52 / 13

HEX #2FDF6B

RGB 47 223 107

HSL 140.45, 0.73%, 0.53%

LAB 78.72, -67.03, 44.5

 

CMYK 78 / 65 / 0 / 13

HEX #304DDF

RGB 48 77 223

HSL 230.06, 0.73%, 0.53%

LAB 40.02, 41.3, -76.91

 

CMYK 0 / 78 / 26 / 13

HEX #DF30A4

RGB 223 48 164

HSL 320.23, 0.73%, 0.53%

LAB 52.38, 74.22, -21.75

 

CMYK 0 / 13 / 78 / 13

HEX #DFC130

RGB 223 193 48

HSL 49.71, 0.73%, 0.53%

LAB 78.49, -3.55, 70.93

 

Description

Color code: HEX #2FDF6B | qconv.com Color code: HEX #2FDF6B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 223 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 223 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 52 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 52% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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