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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FDE94 it is the complementary color #D0216B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FDE94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FDE94 shade: #34DE8F, #45F0A2, #56FFB5, #67FFC8 and #78FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FDE94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FDE94 shade: #2FDE94, #1ECC81, #0DBA6E, #00A85B and #009648

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FDE94 shade: #30DF95, #30DF65, #30DF36, #58DF30 and #87DF30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FDE94 shade: #30DF95, #30DFC4, #30CADF, #309BDF and #306CDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FDE94 shade matches the following richer shades: #30DF95 and #1CF298

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FDE94 shade: #30DF95, #43CB92, #56B88F, #6AA48C and #7D9189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FDE94 shade: #30DF35, #30DF64, #30DF93, #30DFC1 and #30CDDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FDE94 shade: #19A268, #1FC67F, #30DF95, #53E4A7 and #77EAB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FDE94 shade: #2FDE94, #3058DF and #DF4D30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FDE94 shade: #2FDE94, #9330DF and #DF9330

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FDE94 shade: #2FDE94, #3058DF, #DF307B and #DFB630

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FDE94 shade: #2FDE94, #3B30DF, #DF307B and #D3DF30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 33 / 13

HEX #2FDE94

RGB 47 222 148

HSL 154.63, 0.73%, 0.53%

LAB 79.03, -59.49, 24.4

 

Complementary color

CMYK 0 / 84 / 49 / 18

HEX #D0216B

RGB 208 33 107

HSL 334.63, 0.73%, 0.47%

LAB 46.39, 68.49, 3.43

 

CMYK 77 / 0 / 36 / 13

HEX #34DE8F

RGB 52 222 143

HSL 152.12, 0.72%, 0.54%

LAB 79.02, -59.93, 26.97

 

CMYK 71 / 0 / 33 / 6

HEX #45F0A2

RGB 69 240 162

HSL 152.63, 0.85%, 0.61%

LAB 85.1, -60.64, 25.5

 

CMYK 66 / 0 / 29 / 0

HEX #56FFB5

RGB 86 255 181

HSL 153.73, 1%, 0.67%

LAB 90.25, -59.95, 22.92

 

CMYK 60 / 0 / 22 / 0

HEX #67FFC8

RGB 103 255 200

HSL 158.29, 1%, 0.7%

LAB 91.04, -53.03, 14.37

 

CMYK 53 / 0 / 14 / 0

HEX #78FFDB

RGB 120 255 219

HSL 164, 1%, 0.74%

LAB 91.97, -45.48, 5.97

 

CMYK 79 / 0 / 33 / 13

HEX #2FDE94

RGB 47 222 148

HSL 154.63, 0.73%, 0.53%

LAB 79.03, -59.49, 24.4

 

CMYK 85 / 0 / 37 / 20

HEX #1ECC81

RGB 30 204 129

HSL 154.14, 0.74%, 0.46%

LAB 72.92, -58.34, 26

 

CMYK 93 / 0 / 41 / 27

HEX #0DBA6E

RGB 13 186 110

HSL 153.64, 0.87%, 0.39%

LAB 66.77, -56.73, 27.74

 

CMYK 100 / 0 / 46 / 34

HEX #00A85B

RGB 0 168 91

HSL 152.5, 1%, 0.33%

LAB 60.57, -54.59, 29.62

 

CMYK 100 / 0 / 52 / 41

HEX #009648

RGB 0 150 72

HSL 148.8, 1%, 0.29%

LAB 54.32, -51.76, 31.63

 

CMYK 78 / 0 / 33 / 13

HEX #30DF95

RGB 48 223 149

HSL 154.63, 0.73%, 0.53%

LAB 79.37, -59.55, 24.34

 

CMYK 78 / 0 / 55 / 13

HEX #30DF65

RGB 48 223 101

HSL 138.17, 0.73%, 0.53%

LAB 78.66, -67.76, 47.25

 

CMYK 78 / 0 / 76 / 13

HEX #30DF36

RGB 48 223 54

HSL 122.06, 0.73%, 0.53%

LAB 78.27, -72.56, 65.7

 

CMYK 61 / 0 / 78 / 13

HEX #58DF30

RGB 88 223 48

HSL 106.29, 0.73%, 0.53%

LAB 79.08, -65.85, 68.59

 

CMYK 39 / 0 / 78 / 13

HEX #87DF30

RGB 135 223 48

HSL 90.17, 0.73%, 0.53%

LAB 80.82, -52.52, 70.84

 

CMYK 78 / 0 / 33 / 13

HEX #30DF95

RGB 48 223 149

HSL 154.63, 0.73%, 0.53%

LAB 79.37, -59.55, 24.34

 

CMYK 78 / 0 / 12 / 13

HEX #30DFC4

RGB 48 223 196

HSL 170.74, 0.73%, 0.53%

LAB 80.4, -48.56, 1.04

 

CMYK 78 / 9 / 0 / 13

HEX #30CADF

RGB 48 202 223

HSL 187.2, 0.73%, 0.53%

LAB 74.95, -31.41, -21.56

 

CMYK 78 / 30 / 0 / 13

HEX #309BDF

RGB 48 155 223

HSL 203.31, 0.73%, 0.53%

LAB 61.13, -6.81, -42.94

 

CMYK 78 / 52 / 0 / 13

HEX #306CDF

RGB 48 108 223

HSL 219.43, 0.73%, 0.53%

LAB 47.86, 21.66, -64.13

 

CMYK 78 / 0 / 33 / 13

HEX #30DF95

RGB 48 223 149

HSL 154.63, 0.73%, 0.53%

LAB 79.37, -59.55, 24.34

 

CMYK 88 / 0 / 37 / 5

HEX #1CF298

RGB 28 242 152

HSL 154.77, 0.89%, 0.53%

LAB 85.01, -67.36, 30.37

 

CMYK 78 / 0 / 33 / 13

HEX #30DF95

RGB 48 223 149

HSL 154.63, 0.73%, 0.53%

LAB 79.37, -59.55, 24.34

 

CMYK 67 / 0 / 28 / 20

HEX #43CB92

RGB 67 203 146

HSL 154.85, 0.57%, 0.53%

LAB 73.53, -49.86, 17.96

 

CMYK 53 / 0 / 22 / 28

HEX #56B88F

RGB 86 184 143

HSL 154.9, 0.41%, 0.53%

LAB 68.2, -38.62, 12.2

 

CMYK 35 / 0 / 15 / 36

HEX #6AA48C

RGB 106 164 140

HSL 155.17, 0.24%, 0.53%

LAB 62.93, -24.41, 6.49

 

CMYK 14 / 0 / 6 / 43

HEX #7D9189

RGB 125 145 137

HSL 156, 0.08%, 0.53%

LAB 58.43, -8.8, 1.83

 

CMYK 78 / 0 / 76 / 13

HEX #30DF35

RGB 48 223 53

HSL 121.71, 0.73%, 0.53%

LAB 78.26, -72.63, 66.01

 

CMYK 78 / 0 / 55 / 13

HEX #30DF64

RGB 48 223 100

HSL 137.83, 0.73%, 0.53%

LAB 78.65, -67.9, 47.7

 

CMYK 78 / 0 / 34 / 13

HEX #30DF93

RGB 48 223 147

HSL 153.94, 0.73%, 0.53%

LAB 79.33, -59.95, 25.33

 

CMYK 78 / 0 / 13 / 13

HEX #30DFC1

RGB 48 223 193

HSL 169.71, 0.73%, 0.53%

LAB 80.32, -49.34, 2.52

 

CMYK 78 / 8 / 0 / 13

HEX #30CDDF

RGB 48 205 223

HSL 186.17, 0.73%, 0.53%

LAB 75.83, -32.84, -20.21

 

CMYK 85 / 0 / 36 / 36

HEX #19A268

RGB 25 162 104

HSL 154.6, 0.73%, 0.37%

LAB 59.02, -48.31, 20.64

 

CMYK 84 / 0 / 36 / 22

HEX #1FC67F

RGB 31 198 127

HSL 154.49, 0.73%, 0.45%

LAB 71.02, -56.47, 24.49

 

CMYK 78 / 0 / 33 / 13

HEX #30DF95

RGB 48 223 149

HSL 154.63, 0.73%, 0.53%

LAB 79.37, -59.55, 24.34

 

CMYK 64 / 0 / 27 / 11

HEX #53E4A7

RGB 83 228 167

HSL 154.76, 0.73%, 0.61%

LAB 81.9, -52.72, 18.57

 

CMYK 49 / 0 / 21 / 8

HEX #77EAB9

RGB 119 234 185

HSL 154.43, 0.73%, 0.69%

LAB 85.13, -43.96, 13.86

 

CMYK 79 / 0 / 33 / 13

HEX #2FDE94

RGB 47 222 148

HSL 154.63, 0.73%, 0.53%

LAB 79.03, -59.49, 24.4

 

CMYK 78 / 61 / 0 / 13

HEX #3058DF

RGB 48 88 223

HSL 226.29, 0.73%, 0.53%

LAB 42.67, 34.41, -72.58

 

CMYK 0 / 65 / 78 / 13

HEX #DF4D30

RGB 223 77 48

HSL 9.94, 0.73%, 0.53%

LAB 53.18, 55.43, 47.09

 

CMYK 79 / 0 / 33 / 13

HEX #2FDE94

RGB 47 222 148

HSL 154.63, 0.73%, 0.53%

LAB 79.03, -59.49, 24.4

 

CMYK 34 / 78 / 0 / 13

HEX #9330DF

RGB 147 48 223

HSL 273.94, 0.73%, 0.53%

LAB 43.72, 68.86, -70.51

 

CMYK 0 / 34 / 78 / 13

HEX #DF9330

RGB 223 147 48

HSL 33.94, 0.73%, 0.53%

LAB 67.1, 20.81, 60.53

 

CMYK 79 / 0 / 33 / 13

HEX #2FDE94

RGB 47 222 148

HSL 154.63, 0.73%, 0.53%

LAB 79.03, -59.49, 24.4

 

CMYK 78 / 61 / 0 / 13

HEX #3058DF

RGB 48 88 223

HSL 226.29, 0.73%, 0.53%

LAB 42.67, 34.41, -72.58

 

CMYK 0 / 78 / 45 / 13

HEX #DF307B

RGB 223 48 123

HSL 334.29, 0.73%, 0.53%

LAB 50.96, 69.99, 0.62

 

CMYK 0 / 18 / 78 / 13

HEX #DFB630

RGB 223 182 48

HSL 45.94, 0.73%, 0.53%

LAB 75.67, 2.18, 68.4

 

CMYK 79 / 0 / 33 / 13

HEX #2FDE94

RGB 47 222 148

HSL 154.63, 0.73%, 0.53%

LAB 79.03, -59.49, 24.4

 

CMYK 74 / 78 / 0 / 13

HEX #3B30DF

RGB 59 48 223

HSL 243.77, 0.73%, 0.53%

LAB 34.74, 58.38, -85.59

 

CMYK 0 / 78 / 45 / 13

HEX #DF307B

RGB 223 48 123

HSL 334.29, 0.73%, 0.53%

LAB 50.96, 69.99, 0.62

 

CMYK 5 / 0 / 78 / 13

HEX #D3DF30

RGB 211 223 48

HSL 64.11, 0.73%, 0.53%

LAB 85.42, -23.6, 76.73

 

Description

Color code: HEX #2FDE94 | qconv.com Color code: HEX #2FDE94 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 222 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 222 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 33 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 33% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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