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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FDD7E it is the complementary color #D02281. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FDD7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FDD7E shade: #34DD79, #45EF8C, #56FF9F, #67FFB2 and #78FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FDD7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FDD7E shade: #2FDD7E, #1ECB6B, #0DB958, #00A745 and #009532

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FDD7E shade: #31DD7F, #31DD51, #40DD31, #6EDD31 and #9DDD31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FDD7E shade: #31DD7F, #31DDAE, #31DDDC, #31B0DD and #3182DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FDD7E shade matches the following richer shades: #31DD7F and #1DF17D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FDD7E shade: #31DD7F, #44CA81, #58B783, #6BA385 and #7E9086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FDD7E shade: #3FDD31, #31DD50, #31DD7F, #31DDAD and #31DDDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FDD7E shade: #1AA158, #20C56B, #31DD7F, #54E395 and #78E9AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FDD7E shade: #2FDD7E, #316DDD and #DD3931

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FDD7E shade: #2FDD7E, #7F31DD and #DD7F31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FDD7E shade: #2FDD7E, #316DDD, #DD3190 and #DDA131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FDD7E shade: #2FDD7E, #3139DD, #DD3190 and #DDD531

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 43 / 13

HEX #2FDD7E

RGB 47 221 126

HSL 147.24, 0.72%, 0.53%

LAB 78.36, -63.31, 34.74

 

Complementary color

CMYK 0 / 84 / 38 / 18

HEX #D02281

RGB 208 34 129

HSL 327.24, 0.72%, 0.47%

LAB 47.16, 70.26, -8.95

 

CMYK 76 / 0 / 45 / 13

HEX #34DD79

RGB 52 221 121

HSL 144.5, 0.71%, 0.54%

LAB 78.36, -63.57, 37.26

 

CMYK 71 / 0 / 41 / 6

HEX #45EF8C

RGB 69 239 140

HSL 145.06, 0.84%, 0.6%

LAB 84.43, -64.36, 35.72

 

CMYK 66 / 0 / 38 / 0

HEX #56FF9F

RGB 86 255 159

HSL 145.92, 1%, 0.67%

LAB 89.86, -64.14, 33.48

 

CMYK 60 / 0 / 30 / 0

HEX #67FFB2

RGB 103 255 178

HSL 149.61, 1%, 0.7%

LAB 90.61, -57.53, 25.01

 

CMYK 53 / 0 / 23 / 0

HEX #78FFC5

RGB 120 255 197

HSL 154.22, 1%, 0.74%

LAB 91.48, -50.23, 16.6

 

CMYK 79 / 0 / 43 / 13

HEX #2FDD7E

RGB 47 221 126

HSL 147.24, 0.72%, 0.53%

LAB 78.36, -63.31, 34.74

 

CMYK 85 / 0 / 47 / 20

HEX #1ECB6B

RGB 30 203 107

HSL 146.71, 0.74%, 0.46%

LAB 72.26, -62.03, 36.4

 

CMYK 93 / 0 / 52 / 27

HEX #0DB958

RGB 13 185 88

HSL 146.16, 0.87%, 0.39%

LAB 66.13, -60.23, 38.15

 

CMYK 100 / 0 / 59 / 35

HEX #00A745

RGB 0 167 69

HSL 144.79, 1%, 0.33%

LAB 59.95, -57.81, 39.93

 

CMYK 100 / 0 / 66 / 42

HEX #009532

RGB 0 149 50

HSL 140.13, 1%, 0.29%

LAB 53.73, -54.55, 41.61

 

CMYK 78 / 0 / 43 / 13

HEX #31DD7F

RGB 49 221 127

HSL 147.21, 0.72%, 0.53%

LAB 78.4, -62.9, 34.3

 

CMYK 78 / 0 / 63 / 13

HEX #31DD51

RGB 49 221 81

HSL 131.16, 0.72%, 0.53%

LAB 77.85, -69.45, 55.19

 

CMYK 71 / 0 / 78 / 13

HEX #40DD31

RGB 64 221 49

HSL 114.77, 0.72%, 0.53%

LAB 77.89, -69.94, 66.97

 

CMYK 50 / 0 / 78 / 13

HEX #6EDD31

RGB 110 221 49

HSL 98.72, 0.72%, 0.53%

LAB 79.18, -59.42, 68.65

 

CMYK 29 / 0 / 78 / 13

HEX #9DDD31

RGB 157 221 49

HSL 82.33, 0.72%, 0.53%

LAB 81.35, -43.93, 71.45

 

CMYK 78 / 0 / 43 / 13

HEX #31DD7F

RGB 49 221 127

HSL 147.21, 0.72%, 0.53%

LAB 78.4, -62.9, 34.3

 

CMYK 78 / 0 / 21 / 13

HEX #31DDAE

RGB 49 221 174

HSL 163.6, 0.72%, 0.53%

LAB 79.28, -53.13, 11.11

 

CMYK 78 / 0 / 0 / 13

HEX #31DDDC

RGB 49 221 220

HSL 179.65, 0.72%, 0.53%

LAB 80.48, -41.03, -11.62

 

CMYK 78 / 20 / 0 / 13

HEX #31B0DD

RGB 49 176 221

HSL 195.7, 0.72%, 0.53%

LAB 67.22, -18.87, -32.33

 

CMYK 78 / 41 / 0 / 13

HEX #3182DD

RGB 49 130 221

HSL 211.74, 0.72%, 0.53%

LAB 53.86, 7.29, -53.35

 

CMYK 78 / 0 / 43 / 13

HEX #31DD7F

RGB 49 221 127

HSL 147.21, 0.72%, 0.53%

LAB 78.4, -62.9, 34.3

 

CMYK 88 / 0 / 48 / 5

HEX #1DF17D

RGB 29 241 125

HSL 147.17, 0.88%, 0.53%

LAB 84.3, -71.71, 42.79

 

CMYK 78 / 0 / 43 / 13

HEX #31DD7F

RGB 49 221 127

HSL 147.21, 0.72%, 0.53%

LAB 78.4, -62.9, 34.3

 

CMYK 66 / 0 / 36 / 21

HEX #44CA81

RGB 68 202 129

HSL 147.31, 0.56%, 0.53%

LAB 72.93, -52.74, 26.11

 

CMYK 52 / 0 / 28 / 28

HEX #58B783

RGB 88 183 131

HSL 147.16, 0.4%, 0.53%

LAB 67.71, -40.23, 18.05

 

CMYK 34 / 0 / 18 / 36

HEX #6BA385

RGB 107 163 133

HSL 147.86, 0.23%, 0.53%

LAB 62.52, -25.1, 9.81

 

CMYK 13 / 0 / 7 / 44

HEX #7E9086

RGB 126 144 134

HSL 146.67, 0.08%, 0.53%

LAB 58.14, -8.51, 3.13

 

CMYK 71 / 0 / 78 / 13

HEX #3FDD31

RGB 63 221 49

HSL 115.12, 0.72%, 0.53%

LAB 77.87, -70.1, 66.94

 

CMYK 78 / 0 / 64 / 13

HEX #31DD50

RGB 49 221 80

HSL 130.81, 0.72%, 0.53%

LAB 77.84, -69.55, 55.6

 

CMYK 78 / 0 / 43 / 13

HEX #31DD7F

RGB 49 221 127

HSL 147.21, 0.72%, 0.53%

LAB 78.4, -62.9, 34.3

 

CMYK 78 / 0 / 22 / 13

HEX #31DDAD

RGB 49 221 173

HSL 163.26, 0.72%, 0.53%

LAB 79.26, -53.37, 11.61

 

CMYK 78 / 0 / 1 / 13

HEX #31DDDB

RGB 49 221 219

HSL 179.3, 0.72%, 0.53%

LAB 80.45, -41.32, -11.13

 

CMYK 84 / 0 / 45 / 37

HEX #1AA158

RGB 26 161 88

HSL 147.56, 0.72%, 0.37%

LAB 58.43, -51.02, 28.49

 

CMYK 84 / 0 / 46 / 23

HEX #20C56B

RGB 32 197 107

HSL 147.27, 0.72%, 0.45%

LAB 70.39, -59.81, 34.02

 

CMYK 78 / 0 / 43 / 13

HEX #31DD7F

RGB 49 221 127

HSL 147.21, 0.72%, 0.53%

LAB 78.4, -62.9, 34.3

 

CMYK 63 / 0 / 34 / 11

HEX #54E395

RGB 84 227 149

HSL 147.27, 0.72%, 0.61%

LAB 81.29, -55.75, 27.06

 

CMYK 48 / 0 / 27 / 9

HEX #78E9AB

RGB 120 233 171

HSL 147.08, 0.72%, 0.69%

LAB 84.59, -46.11, 20.4

 

CMYK 79 / 0 / 43 / 13

HEX #2FDD7E

RGB 47 221 126

HSL 147.24, 0.72%, 0.53%

LAB 78.36, -63.31, 34.74

 

CMYK 78 / 51 / 0 / 13

HEX #316DDD

RGB 49 109 221

HSL 219.07, 0.72%, 0.53%

LAB 48.02, 20.38, -62.73

 

CMYK 0 / 74 / 78 / 13

HEX #DD3931

RGB 221 57 49

HSL 2.79, 0.72%, 0.53%

LAB 50.12, 62.24, 43.34

 

CMYK 79 / 0 / 43 / 13

HEX #2FDD7E

RGB 47 221 126

HSL 147.24, 0.72%, 0.53%

LAB 78.36, -63.31, 34.74

 

CMYK 43 / 78 / 0 / 13

HEX #7F31DD

RGB 127 49 221

HSL 267.21, 0.72%, 0.53%

LAB 41.1, 65, -73.75

 

CMYK 0 / 43 / 78 / 13

HEX #DD7F31

RGB 221 127 49

HSL 27.21, 0.72%, 0.53%

LAB 62.32, 30.66, 55.5

 

CMYK 79 / 0 / 43 / 13

HEX #2FDD7E

RGB 47 221 126

HSL 147.24, 0.72%, 0.53%

LAB 78.36, -63.31, 34.74

 

CMYK 78 / 51 / 0 / 13

HEX #316DDD

RGB 49 109 221

HSL 219.07, 0.72%, 0.53%

LAB 48.02, 20.38, -62.73

 

CMYK 0 / 78 / 35 / 13

HEX #DD3190

RGB 221 49 144

HSL 326.86, 0.72%, 0.53%

LAB 51.36, 71.25, -11.45

 

CMYK 0 / 27 / 78 / 13

HEX #DDA131

RGB 221 161 49

HSL 39.07, 0.72%, 0.53%

LAB 70.23, 12.49, 62.99

 

CMYK 79 / 0 / 43 / 13

HEX #2FDD7E

RGB 47 221 126

HSL 147.24, 0.72%, 0.53%

LAB 78.36, -63.31, 34.74

 

CMYK 78 / 74 / 0 / 13

HEX #3139DD

RGB 49 57 221

HSL 237.21, 0.72%, 0.53%

LAB 35.6, 52.42, -83.06

 

CMYK 0 / 78 / 35 / 13

HEX #DD3190

RGB 221 49 144

HSL 326.86, 0.72%, 0.53%

LAB 51.36, 71.25, -11.45

 

CMYK 0 / 4 / 78 / 13

HEX #DDD531

RGB 221 213 49

HSL 57.21, 0.72%, 0.53%

LAB 83.54, -14.5, 75.08

 

Description

Color code: HEX #2FDD7E | qconv.com Color code: HEX #2FDD7E | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 221 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 221 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 43 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 43% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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