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Color name
HEX #2FDD77

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FDD77 it is the complementary color #D02288. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FDD77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FDD77 shade: #34DD72, #45EF85, #56FF98, #67FFAB and #78FFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FDD77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FDD77 shade: #2FDD77, #1ECB64, #0DB951, #00A73E and #00952B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FDD77 shade: #31DD78, #31DD4A, #47DD31, #75DD31 and #A4DD31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FDD77 shade: #31DD78, #31DDA7, #31DDD5, #31B7DD and #3188DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FDD77 shade matches the following richer shades: #31DD78 and #1DF175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FDD77 shade: #31DD78, #44CA7C, #58B77F, #6BA382 and #7E9086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FDD77 shade: #48DD31, #31DD48, #31DD76, #31DDA4 and #31DDD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FDD77 shade: #1AA152, #20C564, #31DD78, #54E38F and #78E9A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FDD77 shade: #2FDD77, #3176DD and #DD3131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FDD77 shade: #2FDD77, #7631DD and #DD7631

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FDD77 shade: #2FDD77, #3176DD, #DD3198 and #DD9831

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FDD77 shade: #2FDD77, #3142DD, #DD3198 and #DDCC31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 46 / 13

HEX #2FDD77

RGB 47 221 119

HSL 144.83, 0.72%, 0.53%

LAB 78.26, -64.5, 38.1

 

Complementary color

CMYK 0 / 84 / 35 / 18

HEX #D02288

RGB 208 34 136

HSL 324.83, 0.72%, 0.47%

LAB 47.41, 70.98, -12.83

 

CMYK 76 / 0 / 48 / 13

HEX #34DD72

RGB 52 221 114

HSL 142.01, 0.71%, 0.54%

LAB 78.26, -64.7, 40.58

 

CMYK 71 / 0 / 44 / 6

HEX #45EF85

RGB 69 239 133

HSL 142.59, 0.84%, 0.6%

LAB 84.32, -65.54, 39.04

 

CMYK 66 / 0 / 40 / 0

HEX #56FF98

RGB 86 255 152

HSL 143.43, 1%, 0.67%

LAB 89.75, -65.36, 36.8

 

CMYK 60 / 0 / 33 / 0

HEX #67FFAB

RGB 103 255 171

HSL 146.84, 1%, 0.7%

LAB 90.48, -58.85, 28.38

 

CMYK 53 / 0 / 25 / 0

HEX #78FFBE

RGB 120 255 190

HSL 151.11, 1%, 0.74%

LAB 91.34, -51.64, 19.99

 

CMYK 79 / 0 / 46 / 13

HEX #2FDD77

RGB 47 221 119

HSL 144.83, 0.72%, 0.53%

LAB 78.26, -64.5, 38.1

 

CMYK 85 / 0 / 51 / 20

HEX #1ECB64

RGB 30 203 100

HSL 144.28, 0.74%, 0.46%

LAB 72.17, -63.16, 39.75

 

CMYK 93 / 0 / 56 / 27

HEX #0DB951

RGB 13 185 81

HSL 143.72, 0.87%, 0.39%

LAB 66.04, -61.27, 41.45

 

CMYK 100 / 0 / 63 / 35

HEX #00A73E

RGB 0 167 62

HSL 142.28, 1%, 0.33%

LAB 59.88, -58.73, 43.11

 

CMYK 100 / 0 / 71 / 42

HEX #00952B

RGB 0 149 43

HSL 137.32, 1%, 0.29%

LAB 53.67, -55.31, 44.54

 

CMYK 78 / 0 / 46 / 13

HEX #31DD78

RGB 49 221 120

HSL 144.77, 0.72%, 0.53%

LAB 78.3, -64.1, 37.67

 

CMYK 78 / 0 / 67 / 13

HEX #31DD4A

RGB 49 221 74

HSL 128.72, 0.72%, 0.53%

LAB 77.79, -70.17, 57.99

 

CMYK 68 / 0 / 78 / 13

HEX #47DD31

RGB 71 221 49

HSL 112.33, 0.72%, 0.53%

LAB 78.04, -68.69, 67.16

 

CMYK 47 / 0 / 78 / 13

HEX #75DD31

RGB 117 221 49

HSL 96.28, 0.72%, 0.53%

LAB 79.45, -57.38, 69

 

CMYK 26 / 0 / 78 / 13

HEX #A4DD31

RGB 164 221 49

HSL 79.88, 0.72%, 0.53%

LAB 81.74, -41.32, 71.96

 

CMYK 78 / 0 / 46 / 13

HEX #31DD78

RGB 49 221 120

HSL 144.77, 0.72%, 0.53%

LAB 78.3, -64.1, 37.67

 

CMYK 78 / 0 / 24 / 13

HEX #31DDA7

RGB 49 221 167

HSL 161.16, 0.72%, 0.53%

LAB 79.13, -54.77, 14.59

 

CMYK 78 / 0 / 4 / 13

HEX #31DDD5

RGB 49 221 213

HSL 177.21, 0.72%, 0.53%

LAB 80.28, -43.01, -8.19

 

CMYK 78 / 17 / 0 / 13

HEX #31B7DD

RGB 49 183 221

HSL 193.26, 0.72%, 0.53%

LAB 69.28, -22.5, -29.14

 

CMYK 78 / 38 / 0 / 13

HEX #3188DD

RGB 49 136 221

HSL 209.65, 0.72%, 0.53%

LAB 55.57, 3.66, -50.63

 

CMYK 78 / 0 / 46 / 13

HEX #31DD78

RGB 49 221 120

HSL 144.77, 0.72%, 0.53%

LAB 78.3, -64.1, 37.67

 

CMYK 88 / 0 / 51 / 5

HEX #1DF175

RGB 29 241 117

HSL 144.91, 0.88%, 0.53%

LAB 84.2, -72.94, 46.47

 

CMYK 78 / 0 / 46 / 13

HEX #31DD78

RGB 49 221 120

HSL 144.77, 0.72%, 0.53%

LAB 78.3, -64.1, 37.67

 

CMYK 66 / 0 / 39 / 21

HEX #44CA7C

RGB 68 202 124

HSL 145.07, 0.56%, 0.53%

LAB 72.84, -53.68, 28.61

 

CMYK 52 / 0 / 31 / 28

HEX #58B77F

RGB 88 183 127

HSL 144.63, 0.4%, 0.53%

LAB 67.63, -41.02, 20.1

 

CMYK 34 / 0 / 20 / 36

HEX #6BA382

RGB 107 163 130

HSL 144.64, 0.23%, 0.53%

LAB 62.45, -25.71, 11.39

 

CMYK 13 / 0 / 7 / 44

HEX #7E9086

RGB 126 144 134

HSL 146.67, 0.08%, 0.53%

LAB 58.14, -8.51, 3.13

 

CMYK 67 / 0 / 78 / 13

HEX #48DD31

RGB 72 221 49

HSL 111.98, 0.72%, 0.53%

LAB 78.06, -68.5, 67.19

 

CMYK 78 / 0 / 67 / 13

HEX #31DD48

RGB 49 221 72

HSL 128.02, 0.72%, 0.53%

LAB 77.78, -70.36, 58.76

 

CMYK 78 / 0 / 47 / 13

HEX #31DD76

RGB 49 221 118

HSL 144.07, 0.72%, 0.53%

LAB 78.27, -64.43, 38.62

 

CMYK 78 / 0 / 26 / 13

HEX #31DDA4

RGB 49 221 164

HSL 160.12, 0.72%, 0.53%

LAB 79.07, -55.45, 16.09

 

CMYK 78 / 0 / 5 / 13

HEX #31DDD2

RGB 49 221 210

HSL 176.16, 0.72%, 0.53%

LAB 80.19, -43.84, -6.72

 

CMYK 84 / 0 / 49 / 37

HEX #1AA152

RGB 26 161 82

HSL 144.89, 0.72%, 0.37%

LAB 58.34, -52.07, 31.52

 

CMYK 84 / 0 / 49 / 23

HEX #20C564

RGB 32 197 100

HSL 144.73, 0.72%, 0.45%

LAB 70.29, -60.98, 37.41

 

CMYK 78 / 0 / 46 / 13

HEX #31DD78

RGB 49 221 120

HSL 144.77, 0.72%, 0.53%

LAB 78.3, -64.1, 37.67

 

CMYK 63 / 0 / 37 / 11

HEX #54E38F

RGB 84 227 143

HSL 144.76, 0.72%, 0.61%

LAB 81.18, -56.86, 29.99

 

CMYK 48 / 0 / 28 / 9

HEX #78E9A7

RGB 120 233 167

HSL 144.96, 0.72%, 0.69%

LAB 84.52, -46.88, 22.36

 

CMYK 79 / 0 / 46 / 13

HEX #2FDD77

RGB 47 221 119

HSL 144.83, 0.72%, 0.53%

LAB 78.26, -64.5, 38.1

 

CMYK 78 / 47 / 0 / 13

HEX #3176DD

RGB 49 118 221

HSL 215.93, 0.72%, 0.53%

LAB 50.49, 14.7, -58.75

 

CMYK 0 / 78 / 78 / 13

HEX #DD3131

RGB 221 49 49

HSL 0, 0.72%, 0.53%

LAB 49.24, 64.7, 42.42

 

CMYK 79 / 0 / 46 / 13

HEX #2FDD77

RGB 47 221 119

HSL 144.83, 0.72%, 0.53%

LAB 78.26, -64.5, 38.1

 

CMYK 47 / 78 / 0 / 13

HEX #7631DD

RGB 118 49 221

HSL 264.07, 0.72%, 0.53%

LAB 40.03, 63.71, -75.55

 

CMYK 0 / 47 / 78 / 13

HEX #DD7631

RGB 221 118 49

HSL 24.07, 0.72%, 0.53%

LAB 60.38, 35.36, 53.63

 

CMYK 79 / 0 / 46 / 13

HEX #2FDD77

RGB 47 221 119

HSL 144.83, 0.72%, 0.53%

LAB 78.26, -64.5, 38.1

 

CMYK 78 / 47 / 0 / 13

HEX #3176DD

RGB 49 118 221

HSL 215.93, 0.72%, 0.53%

LAB 50.49, 14.7, -58.75

 

CMYK 0 / 78 / 31 / 13

HEX #DD3198

RGB 221 49 152

HSL 324.07, 0.72%, 0.53%

LAB 51.65, 72.11, -15.78

 

CMYK 0 / 31 / 78 / 13

HEX #DD9831

RGB 221 152 49

HSL 35.93, 0.72%, 0.53%

LAB 68.06, 17.31, 60.96

 

CMYK 79 / 0 / 46 / 13

HEX #2FDD77

RGB 47 221 119

HSL 144.83, 0.72%, 0.53%

LAB 78.26, -64.5, 38.1

 

CMYK 78 / 70 / 0 / 13

HEX #3142DD

RGB 49 66 221

HSL 234.07, 0.72%, 0.53%

LAB 37.43, 47.31, -80.03

 

CMYK 0 / 78 / 31 / 13

HEX #DD3198

RGB 221 49 152

HSL 324.07, 0.72%, 0.53%

LAB 51.65, 72.11, -15.78

 

CMYK 0 / 8 / 78 / 13

HEX #DDCC31

RGB 221 204 49

HSL 54.07, 0.72%, 0.53%

LAB 81.17, -9.99, 72.96

 

Description

Color code: HEX #2FDD77 | qconv.com Color code: HEX #2FDD77 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 221 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 221 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 46 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 46% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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