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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FD8C0 it is the complementary color #D0273F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FD8C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FD8C0 shade: #34D8BB, #45EACE, #56FCE1, #67FFF4 and #78FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FD8C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FD8C0 shade: #2FD8C0, #1EC6AD, #0DB49A, #00A287 and #009074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FD8C0 shade: #31D8C0, #31D893, #31D866, #31D83A and #56D831

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FD8C0 shade: #31D8C0, #31C3D8, #3196D8, #3169D8 and #313CD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FD8C0 shade matches the following richer shades: #31D8C0 and #1EECCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FD8C0 shade: #31D8C0, #45C4B2, #59B0A4, #6D9C96 and #818987

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FD8C0 shade: #31D866, #31D892, #31D8BF, #31C4D8 and #3198D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FD8C0 shade: #1D9988, #24BCA6, #31D8C0, #54DECB and #77E5D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FD8C0 shade: #2FD8C0, #3A31D8 and #D87C31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FD8C0 shade: #2FD8C0, #BF31D8 and #D8BF31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FD8C0 shade: #2FD8C0, #3A31D8, #D8314A and #D0D831

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FD8C0 shade: #2FD8C0, #6C31D8, #D8314A and #9ED831

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 11 / 15

HEX #2FD8C0

RGB 47 216 192

HSL 171.48, 0.68%, 0.52%

LAB 78.18, -46.75, -0.06

 

Complementary color

CMYK 0 / 81 / 70 / 18

HEX #D0273F

RGB 208 39 63

HSL 351.48, 0.68%, 0.48%

LAB 45.93, 64.29, 29.91

 

CMYK 76 / 0 / 13 / 15

HEX #34D8BB

RGB 52 216 187

HSL 169.39, 0.68%, 0.53%

LAB 78.13, -47.54, 2.54

 

CMYK 71 / 0 / 12 / 8

HEX #45EACE

RGB 69 234 206

HSL 169.82, 0.8%, 0.59%

LAB 84.26, -48.27, 1.42

 

CMYK 66 / 0 / 11 / 1

HEX #56FCE1

RGB 86 252 225

HSL 170.24, 0.97%, 0.66%

LAB 90.34, -48.79, 0.39

 

CMYK 60 / 0 / 4 / 0

HEX #67FFF4

RGB 103 255 244

HSL 175.66, 1%, 0.7%

LAB 92.1, -42.64, -6.83

 

CMYK 53 / 0 / 0 / 0

HEX #78FFFF

RGB 120 255 255

HSL 180, 1%, 0.74%

LAB 92.9, -36.79, -11.29

 

CMYK 78 / 0 / 11 / 15

HEX #2FD8C0

RGB 47 216 192

HSL 171.48, 0.68%, 0.52%

LAB 78.18, -46.75, -0.06

 

CMYK 85 / 0 / 13 / 22

HEX #1EC6AD

RGB 30 198 173

HSL 171.07, 0.74%, 0.45%

LAB 72.01, -45.61, 1.16

 

CMYK 93 / 0 / 14 / 29

HEX #0DB49A

RGB 13 180 154

HSL 170.66, 0.87%, 0.38%

LAB 65.8, -44.09, 2.52

 

CMYK 100 / 0 / 17 / 36

HEX #00A287

RGB 0 162 135

HSL 170, 1%, 0.32%

LAB 59.52, -42.18, 4.03

 

CMYK 100 / 0 / 19 / 44

HEX #009074

RGB 0 144 116

HSL 168.33, 1%, 0.28%

LAB 53.18, -39.73, 5.72

 

CMYK 77 / 0 / 11 / 15

HEX #31D8C0

RGB 49 216 192

HSL 171.38, 0.68%, 0.52%

LAB 78.21, -46.55, -0.02

 

CMYK 77 / 0 / 32 / 15

HEX #31D893

RGB 49 216 147

HSL 155.21, 0.68%, 0.52%

LAB 77.2, -57.24, 22.43

 

CMYK 77 / 0 / 53 / 15

HEX #31D866

RGB 49 216 102

HSL 139.04, 0.68%, 0.52%

LAB 76.51, -65.19, 44.18

 

CMYK 77 / 0 / 73 / 15

HEX #31D83A

RGB 49 216 58

HSL 123.23, 0.68%, 0.52%

LAB 76.11, -70.04, 62.22

 

CMYK 60 / 0 / 77 / 15

HEX #56D831

RGB 86 216 49

HSL 106.71, 0.68%, 0.52%

LAB 76.87, -63.89, 66.17

 

CMYK 77 / 0 / 11 / 15

HEX #31D8C0

RGB 49 216 192

HSL 171.38, 0.68%, 0.52%

LAB 78.21, -46.55, -0.02

 

CMYK 77 / 10 / 0 / 15

HEX #31C3D8

RGB 49 195 216

HSL 187.54, 0.68%, 0.52%

LAB 72.65, -30.09, -21.26

 

CMYK 77 / 31 / 0 / 15

HEX #3196D8

RGB 49 150 216

HSL 203.71, 0.68%, 0.52%

LAB 59.36, -6.34, -41.82

 

CMYK 77 / 51 / 0 / 15

HEX #3169D8

RGB 49 105 216

HSL 219.88, 0.68%, 0.52%

LAB 46.6, 21.06, -62.2

 

CMYK 77 / 72 / 0 / 15

HEX #313CD8

RGB 49 60 216

HSL 236.05, 0.68%, 0.52%

LAB 35.68, 49.1, -80.05

 

CMYK 77 / 0 / 11 / 15

HEX #31D8C0

RGB 49 216 192

HSL 171.38, 0.68%, 0.52%

LAB 78.21, -46.55, -0.02

 

CMYK 87 / 0 / 13 / 7

HEX #1EECCE

RGB 30 236 206

HSL 171.26, 0.84%, 0.52%

LAB 84.34, -52.66, 1.47

 

CMYK 77 / 0 / 11 / 15

HEX #31D8C0

RGB 49 216 192

HSL 171.38, 0.68%, 0.52%

LAB 78.21, -46.55, -0.02

 

CMYK 65 / 0 / 9 / 23

HEX #45C4B2

RGB 69 196 178

HSL 171.5, 0.52%, 0.52%

LAB 72.2, -38.88, -1.21

 

CMYK 49 / 0 / 7 / 31

HEX #59B0A4

RGB 89 176 164

HSL 171.72, 0.36%, 0.52%

LAB 66.41, -29.2, -1.93

 

CMYK 30 / 0 / 4 / 39

HEX #6D9C96

RGB 109 156 150

HSL 172.34, 0.19%, 0.52%

LAB 60.98, -17.12, -1.95

 

CMYK 6 / 0 / 1 / 46

HEX #818987

RGB 129 137 135

HSL 165, 0.03%, 0.52%

LAB 56.39, -3.33, 0.05

 

CMYK 77 / 0 / 53 / 15

HEX #31D866

RGB 49 216 102

HSL 139.04, 0.68%, 0.52%

LAB 76.51, -65.19, 44.18

 

CMYK 77 / 0 / 32 / 15

HEX #31D892

RGB 49 216 146

HSL 154.85, 0.68%, 0.52%

LAB 77.19, -57.45, 22.93

 

CMYK 77 / 0 / 12 / 15

HEX #31D8BF

RGB 49 216 191

HSL 171.02, 0.68%, 0.52%

LAB 78.18, -46.81, 0.48

 

CMYK 77 / 9 / 0 / 15

HEX #31C4D8

RGB 49 196 216

HSL 187.19, 0.68%, 0.52%

LAB 72.95, -30.57, -20.8

 

CMYK 77 / 30 / 0 / 15

HEX #3198D8

RGB 49 152 216

HSL 202.99, 0.68%, 0.52%

LAB 59.95, -7.48, -40.9

 

CMYK 81 / 0 / 11 / 40

HEX #1D9988

RGB 29 153 136

HSL 171.77, 0.68%, 0.36%

LAB 56.9, -36.2, -0.3

 

CMYK 81 / 0 / 12 / 26

HEX #24BCA6

RGB 36 188 166

HSL 171.32, 0.68%, 0.44%

LAB 68.82, -42.73, 0.34

 

CMYK 77 / 0 / 11 / 15

HEX #31D8C0

RGB 49 216 192

HSL 171.38, 0.68%, 0.52%

LAB 78.21, -46.55, -0.02

 

CMYK 62 / 0 / 9 / 13

HEX #54DECB

RGB 84 222 203

HSL 171.74, 0.68%, 0.6%

LAB 80.98, -41.6, -1.74

 

CMYK 48 / 0 / 7 / 10

HEX #77E5D5

RGB 119 229 213

HSL 171.27, 0.68%, 0.68%

LAB 84.36, -35.43, -1.96

 

CMYK 78 / 0 / 11 / 15

HEX #2FD8C0

RGB 47 216 192

HSL 171.48, 0.68%, 0.52%

LAB 78.18, -46.75, -0.06

 

CMYK 73 / 77 / 0 / 15

HEX #3A31D8

RGB 58 49 216

HSL 243.23, 0.68%, 0.52%

LAB 34.1, 55.69, -82.65

 

CMYK 0 / 43 / 77 / 15

HEX #D87C31

RGB 216 124 49

HSL 26.95, 0.68%, 0.52%

LAB 60.99, 30.18, 53.99

 

CMYK 78 / 0 / 11 / 15

HEX #2FD8C0

RGB 47 216 192

HSL 171.48, 0.68%, 0.52%

LAB 78.18, -46.75, -0.06

 

CMYK 12 / 77 / 0 / 15

HEX #BF31D8

RGB 191 49 216

HSL 291.02, 0.68%, 0.52%

LAB 49.77, 74.8, -56.4

 

CMYK 0 / 12 / 77 / 15

HEX #D8BF31

RGB 216 191 49

HSL 51.02, 0.68%, 0.52%

LAB 77.33, -5.49, 69.33

 

CMYK 78 / 0 / 11 / 15

HEX #2FD8C0

RGB 47 216 192

HSL 171.48, 0.68%, 0.52%

LAB 78.18, -46.75, -0.06

 

CMYK 73 / 77 / 0 / 15

HEX #3A31D8

RGB 58 49 216

HSL 243.23, 0.68%, 0.52%

LAB 34.1, 55.69, -82.65

 

CMYK 0 / 77 / 66 / 15

HEX #D8314A

RGB 216 49 74

HSL 351.02, 0.68%, 0.52%

LAB 48.62, 64.34, 26.96

 

CMYK 4 / 0 / 77 / 15

HEX #D0D831

RGB 208 216 49

HSL 62.87, 0.68%, 0.52%

LAB 83.31, -21.42, 74.48

 

CMYK 78 / 0 / 11 / 15

HEX #2FD8C0

RGB 47 216 192

HSL 171.48, 0.68%, 0.52%

LAB 78.18, -46.75, -0.06

 

CMYK 50 / 77 / 0 / 15

HEX #6C31D8

RGB 108 49 216

HSL 261.2, 0.68%, 0.52%

LAB 38.45, 61.09, -75.32

 

CMYK 0 / 77 / 66 / 15

HEX #D8314A

RGB 216 49 74

HSL 351.02, 0.68%, 0.52%

LAB 48.62, 64.34, 26.96

 

CMYK 27 / 0 / 77 / 15

HEX #9ED831

RGB 158 216 49

HSL 80.84, 0.68%, 0.52%

LAB 79.96, -41.39, 70.18

 

Description

Color code: HEX #2FD8C0 | qconv.com Color code: HEX #2FD8C0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 216 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 216 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 11 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 11% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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