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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FD74C it is the complementary color #D028B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FD74C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FD74C shade: #34D747, #45E95A, #56FB6D, #67FF80 and #78FF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FD74C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FD74C shade: #2FD74C, #1EC539, #0DB326, #00A113 and #008F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FD74C shade: #2DD74A, #3ED72D, #6BD72D, #99D72D and #C7D72D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FD74C shade: #2DD74A, #2DD778, #2DD7A6, #2DD7D4 and #2DACD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FD74C shade matches the following richer shades: #2DD74A and #19EB3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FD74C shade: #2DD74A, #41C358, #56AF65, #6A9A72 and #7E867F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FD74C shade: #6BD72D, #3ED72D, #2DD749, #2DD777 and #2DD7A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FD74C shade: #1C9531, #23B83D, #2DD74A, #50DE68 and #72E486

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FD74C shade: #2FD74C, #2D99D7 and #D72D55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FD74C shade: #2FD74C, #492DD7 and #D7492D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FD74C shade: #2FD74C, #2D99D7, #D72DBB and #D76B2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FD74C shade: #2FD74C, #2D66D7, #D72DBB and #D79E2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 65 / 16

HEX #2FD74C

RGB 47 215 76

HSL 130.36, 0.68%, 0.51%

LAB 75.9, -68.35, 55.1

 

Complementary color

CMYK 0 / 81 / 14 / 18

HEX #D028B3

RGB 208 40 179

HSL 310.36, 0.68%, 0.49%

LAB 49.72, 74.81, -34.91

 

CMYK 76 / 0 / 67 / 16

HEX #34D747

RGB 52 215 71

HSL 126.99, 0.67%, 0.52%

LAB 75.94, -68.19, 57.2

 

CMYK 70 / 0 / 61 / 9

HEX #45E95A

RGB 69 233 90

HSL 127.68, 0.79%, 0.59%

LAB 81.99, -69.4, 56.13

 

CMYK 66 / 0 / 57 / 2

HEX #56FB6D

RGB 86 251 109

HSL 128.36, 0.95%, 0.66%

LAB 88.01, -70.22, 54.9

 

CMYK 60 / 0 / 50 / 0

HEX #67FF80

RGB 103 255 128

HSL 129.87, 1%, 0.7%

LAB 89.84, -65.8, 48.55

 

CMYK 53 / 0 / 42 / 0

HEX #78FF93

RGB 120 255 147

HSL 132, 1%, 0.74%

LAB 90.61, -59.21, 40.55

 

CMYK 78 / 0 / 65 / 16

HEX #2FD74C

RGB 47 215 76

HSL 130.36, 0.68%, 0.51%

LAB 75.9, -68.35, 55.1

 

CMYK 85 / 0 / 71 / 23

HEX #1EC539

RGB 30 197 57

HSL 129.7, 0.74%, 0.45%

LAB 69.83, -66.52, 56.06

 

CMYK 93 / 0 / 79 / 30

HEX #0DB326

RGB 13 179 38

HSL 129.04, 0.86%, 0.38%

LAB 63.73, -63.96, 56.49

 

CMYK 100 / 0 / 88 / 37

HEX #00A113

RGB 0 161 19

HSL 127.08, 1%, 0.32%

LAB 57.59, -60.52, 55.91

 

CMYK 100 / 0 / 100 / 44

HEX #008F00

RGB 0 143 0

HSL 120, 1%, 0.28%

LAB 51.43, -56.02, 54.07

 

CMYK 79 / 0 / 66 / 16

HEX #2DD74A

RGB 45 215 74

HSL 130.24, 0.68%, 0.51%

LAB 75.86, -68.8, 55.87

 

CMYK 71 / 0 / 79 / 16

HEX #3ED72D

RGB 62 215 45

HSL 114, 0.68%, 0.51%

LAB 75.96, -68.65, 66.29

 

CMYK 50 / 0 / 79 / 16

HEX #6BD72D

RGB 107 215 45

HSL 98.12, 0.68%, 0.51%

LAB 77.23, -58.28, 67.94

 

CMYK 29 / 0 / 79 / 16

HEX #99D72D

RGB 153 215 45

HSL 81.88, 0.68%, 0.51%

LAB 79.36, -43, 70.69

 

CMYK 7 / 0 / 79 / 16

HEX #C7D72D

RGB 199 215 45

HSL 65.65, 0.68%, 0.51%

LAB 82.34, -24.81, 74.48

 

CMYK 79 / 0 / 66 / 16

HEX #2DD74A

RGB 45 215 74

HSL 130.24, 0.68%, 0.51%

LAB 75.86, -68.8, 55.87

 

CMYK 79 / 0 / 44 / 16

HEX #2DD778

RGB 45 215 120

HSL 146.47, 0.68%, 0.51%

LAB 76.38, -62.48, 35.2

 

CMYK 79 / 0 / 23 / 16

HEX #2DD7A6

RGB 45 215 166

HSL 162.71, 0.68%, 0.51%

LAB 77.23, -53.05, 12.43

 

CMYK 79 / 0 / 1 / 16

HEX #2DD7D4

RGB 45 215 212

HSL 178.94, 0.68%, 0.51%

LAB 78.41, -40.99, -10.43

 

CMYK 79 / 20 / 0 / 16

HEX #2DACD7

RGB 45 172 215

HSL 195.18, 0.68%, 0.51%

LAB 65.72, -19.17, -31.35

 

CMYK 79 / 0 / 66 / 16

HEX #2DD74A

RGB 45 215 74

HSL 130.24, 0.68%, 0.51%

LAB 75.86, -68.8, 55.87

 

CMYK 89 / 0 / 74 / 8

HEX #19EB3D

RGB 25 235 61

HSL 130.29, 0.84%, 0.51%

LAB 81.82, -77.63, 66.85

 

CMYK 79 / 0 / 66 / 16

HEX #2DD74A

RGB 45 215 74

HSL 130.24, 0.68%, 0.51%

LAB 75.86, -68.8, 55.87

 

CMYK 67 / 0 / 55 / 24

HEX #41C358

RGB 65 195 88

HSL 130.62, 0.52%, 0.51%

LAB 70.08, -57.39, 43.13

 

CMYK 51 / 0 / 42 / 31

HEX #56AF65

RGB 86 175 101

HSL 130.11, 0.36%, 0.51%

LAB 64.63, -42.8, 29.94

 

CMYK 31 / 0 / 26 / 40

HEX #6A9A72

RGB 106 154 114

HSL 130, 0.19%, 0.51%

LAB 59.33, -24.68, 15.96

 

CMYK 6 / 0 / 5 / 47

HEX #7E867F

RGB 126 134 127

HSL 127.5, 0.03%, 0.51%

LAB 55.09, -4.35, 2.74

 

CMYK 50 / 0 / 79 / 16

HEX #6BD72D

RGB 107 215 45

HSL 98.12, 0.68%, 0.51%

LAB 77.23, -58.28, 67.94

 

CMYK 71 / 0 / 79 / 16

HEX #3ED72D

RGB 62 215 45

HSL 114, 0.68%, 0.51%

LAB 75.96, -68.65, 66.29

 

CMYK 79 / 0 / 66 / 16

HEX #2DD749

RGB 45 215 73

HSL 129.88, 0.68%, 0.51%

LAB 75.85, -68.9, 56.26

 

CMYK 79 / 0 / 45 / 16

HEX #2DD777

RGB 45 215 119

HSL 146.12, 0.68%, 0.51%

LAB 76.37, -62.65, 35.68

 

CMYK 79 / 0 / 24 / 16

HEX #2DD7A4

RGB 45 215 164

HSL 162, 0.68%, 0.51%

LAB 77.18, -53.52, 13.43

 

CMYK 81 / 0 / 67 / 42

HEX #1C9531

RGB 28 149 49

HSL 130.41, 0.68%, 0.35%

LAB 53.99, -52.38, 42.41

 

CMYK 81 / 0 / 67 / 28

HEX #23B83D

RGB 35 184 61

HSL 130.47, 0.68%, 0.43%

LAB 65.73, -61.6, 50.13

 

CMYK 79 / 0 / 66 / 16

HEX #2DD74A

RGB 45 215 74

HSL 130.24, 0.68%, 0.51%

LAB 75.86, -68.8, 55.87

 

CMYK 64 / 0 / 53 / 13

HEX #50DE68

RGB 80 222 104

HSL 130.14, 0.68%, 0.59%

LAB 79.01, -61.96, 46.42

 

CMYK 50 / 0 / 41 / 11

HEX #72E486

RGB 114 228 134

HSL 130.53, 0.68%, 0.67%

LAB 82.26, -52.05, 36.13

 

CMYK 78 / 0 / 65 / 16

HEX #2FD74C

RGB 47 215 76

HSL 130.36, 0.68%, 0.51%

LAB 75.9, -68.35, 55.1

 

CMYK 79 / 29 / 0 / 16

HEX #2D99D7

RGB 45 153 215

HSL 201.88, 0.68%, 0.51%

LAB 60.11, -8.82, -40.09

 

CMYK 0 / 79 / 60 / 16

HEX #D72D55

RGB 215 45 85

HSL 345.88, 0.68%, 0.51%

LAB 48.23, 65.82, 19.74

 

CMYK 78 / 0 / 65 / 16

HEX #2FD74C

RGB 47 215 76

HSL 130.36, 0.68%, 0.51%

LAB 75.9, -68.35, 55.1

 

CMYK 66 / 79 / 0 / 16

HEX #492DD7

RGB 73 45 215

HSL 249.88, 0.68%, 0.51%

LAB 34.4, 58.58, -81.54

 

CMYK 0 / 66 / 79 / 16

HEX #D7492D

RGB 215 73 45

HSL 9.88, 0.68%, 0.51%

LAB 51.15, 54.27, 46.13

 

CMYK 78 / 0 / 65 / 16

HEX #2FD74C

RGB 47 215 76

HSL 130.36, 0.68%, 0.51%

LAB 75.9, -68.35, 55.1

 

CMYK 79 / 29 / 0 / 16

HEX #2D99D7

RGB 45 153 215

HSL 201.88, 0.68%, 0.51%

LAB 60.11, -8.82, -40.09

 

CMYK 0 / 79 / 13 / 16

HEX #D72DBB

RGB 215 45 187

HSL 309.88, 0.68%, 0.51%

LAB 51.74, 76.15, -36.33

 

CMYK 0 / 50 / 79 / 16

HEX #D76B2D

RGB 215 107 45

HSL 21.88, 0.68%, 0.51%

LAB 57.22, 38.47, 52.05

 

CMYK 78 / 0 / 65 / 16

HEX #2FD74C

RGB 47 215 76

HSL 130.36, 0.68%, 0.51%

LAB 75.9, -68.35, 55.1

 

CMYK 79 / 53 / 0 / 16

HEX #2D66D7

RGB 45 102 215

HSL 219.88, 0.68%, 0.51%

LAB 45.59, 22.19, -63.27

 

CMYK 0 / 79 / 13 / 16

HEX #D72DBB

RGB 215 45 187

HSL 309.88, 0.68%, 0.51%

LAB 51.74, 76.15, -36.33

 

CMYK 0 / 27 / 79 / 16

HEX #D79E2D

RGB 215 158 45

HSL 39.88, 0.68%, 0.51%

LAB 68.82, 11.36, 62.88

 

Description

Color code: HEX #2FD74C | qconv.com Color code: HEX #2FD74C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 215 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 215 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 65 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 65% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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