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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FD623 it is the complementary color #D029DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FD623. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FD623 shade: #34D61E, #45E831, #56FA44, #67FF57 and #78FF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FD623. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FD623 shade: #2FD623, #1EC410, #0DB200, #00A000 and #008E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FD623 shade: #2FD723, #60D723, #90D723, #C1D723 and #D7BD23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FD623 shade: #2FD723, #23D747, #23D778, #23D7A8 and #23D5D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FD623 shade matches the following richer shades: #2FD723 and #1EEB0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FD623 shade: #2FD723, #41C337, #52AE4B, #649A60 and #758674

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FD623 shade: #92D723, #62D723, #32D723, #23D744 and #23D774

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FD623 shade: #209017, #27B31D, #2FD723, #4DE043 and #6FE666

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FD623 shade: #2FD623, #23C2D7 and #D7237A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FD623 shade: #2FD623, #2332D7 and #D72332

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FD623 shade: #2FD623, #23C2D7, #C823D7 and #D73823

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FD623 shade: #2FD623, #238CD7, #C823D7 and #D76E23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 84 / 16

HEX #2FD623

RGB 47 214 35

HSL 115.98, 0.72%, 0.49%

LAB 75.34, -71.13, 68.25

 

Complementary color

CMYK 5 / 81 / 0 / 14

HEX #D029DC

RGB 208 41 220

HSL 295.98, 0.72%, 0.51%

LAB 52.02, 80.64, -54.93

 

CMYK 76 / 0 / 86 / 16

HEX #34D61E

RGB 52 214 30

HSL 112.83, 0.75%, 0.48%

LAB 75.4, -70.65, 69.46

 

CMYK 70 / 0 / 79 / 9

HEX #45E831

RGB 69 232 49

HSL 113.44, 0.8%, 0.55%

LAB 81.4, -72.49, 70.34

 

CMYK 66 / 0 / 73 / 2

HEX #56FA44

RGB 86 250 68

HSL 114.07, 0.95%, 0.62%

LAB 87.37, -73.81, 70.39

 

CMYK 60 / 0 / 66 / 0

HEX #67FF57

RGB 103 255 87

HSL 114.29, 1%, 0.67%

LAB 89.44, -70.41, 65.79

 

CMYK 53 / 0 / 58 / 0

HEX #78FF6A

RGB 120 255 106

HSL 114.36, 1%, 0.71%

LAB 90.12, -64.53, 58.91

 

CMYK 78 / 0 / 84 / 16

HEX #2FD623

RGB 47 214 35

HSL 115.98, 0.72%, 0.49%

LAB 75.34, -71.13, 68.25

 

CMYK 85 / 0 / 92 / 23

HEX #1EC410

RGB 30 196 16

HSL 115.33, 0.85%, 0.42%

LAB 69.32, -68.56, 66.62

 

CMYK 93 / 0 / 100 / 30

HEX #0DB200

RGB 13 178 0

HSL 115.62, 1%, 0.35%

LAB 63.28, -65.16, 63.6

 

CMYK 100 / 0 / 100 / 37

HEX #00A000

RGB 0 160 0

HSL 120, 1%, 0.31%

LAB 57.21, -60.83, 58.71

 

CMYK 100 / 0 / 100 / 44

HEX #008E00

RGB 0 142 0

HSL 120, 1%, 0.28%

LAB 51.09, -55.74, 53.8

 

CMYK 78 / 0 / 84 / 16

HEX #2FD723

RGB 47 215 35

HSL 116, 0.72%, 0.49%

LAB 75.65, -71.42, 68.54

 

CMYK 55 / 0 / 84 / 16

HEX #60D723

RGB 96 215 35

HSL 99.67, 0.72%, 0.49%

LAB 76.81, -61.77, 70

 

CMYK 33 / 0 / 84 / 16

HEX #90D723

RGB 144 215 35

HSL 83.67, 0.72%, 0.49%

LAB 78.84, -46.68, 72.58

 

CMYK 10 / 0 / 84 / 16

HEX #C1D723

RGB 193 215 35

HSL 67.33, 0.72%, 0.49%

LAB 81.87, -27.6, 76.37

 

CMYK 0 / 12 / 84 / 16

HEX #D7BD23

RGB 215 189 35

HSL 51.33, 0.72%, 0.49%

LAB 76.66, -5.33, 72.71

 

CMYK 78 / 0 / 84 / 16

HEX #2FD723

RGB 47 215 35

HSL 116, 0.72%, 0.49%

LAB 75.65, -71.42, 68.54

 

CMYK 84 / 0 / 67 / 16

HEX #23D747

RGB 35 215 71

HSL 132, 0.72%, 0.49%

LAB 75.71, -70.17, 56.88

 

CMYK 84 / 0 / 44 / 16

HEX #23D778

RGB 35 215 120

HSL 148.33, 0.72%, 0.49%

LAB 76.26, -63.47, 35.02

 

CMYK 84 / 0 / 22 / 16

HEX #23D7A8

RGB 35 215 168

HSL 164.33, 0.72%, 0.49%

LAB 77.15, -53.46, 11.25

 

CMYK 84 / 1 / 0 / 16

HEX #23D5D7

RGB 35 213 215

HSL 180.67, 0.72%, 0.49%

LAB 77.79, -39.99, -12.99

 

CMYK 78 / 0 / 84 / 16

HEX #2FD723

RGB 47 215 35

HSL 116, 0.72%, 0.49%

LAB 75.65, -71.42, 68.54

 

CMYK 87 / 0 / 94 / 8

HEX #1EEB0F

RGB 30 235 15

HSL 115.91, 0.88%, 0.49%

LAB 81.69, -79.4, 77.06

 

CMYK 78 / 0 / 84 / 16

HEX #2FD723

RGB 47 215 35

HSL 116, 0.72%, 0.49%

LAB 75.65, -71.42, 68.54

 

CMYK 67 / 0 / 72 / 24

HEX #41C337

RGB 65 195 55

HSL 115.71, 0.56%, 0.49%

LAB 69.77, -60.94, 56.94

 

CMYK 53 / 0 / 57 / 32

HEX #52AE4B

RGB 82 174 75

HSL 115.76, 0.4%, 0.49%

LAB 63.81, -47.2, 42

 

CMYK 35 / 0 / 38 / 40

HEX #649A60

RGB 100 154 96

HSL 115.86, 0.23%, 0.49%

LAB 58.66, -29.87, 24.94

 

CMYK 13 / 0 / 13 / 47

HEX #758674

RGB 117 134 116

HSL 116.67, 0.07%, 0.49%

LAB 54.13, -9.84, 7.63

 

CMYK 32 / 0 / 84 / 16

HEX #92D723

RGB 146 215 35

HSL 83, 0.72%, 0.49%

LAB 78.95, -45.96, 72.71

 

CMYK 54 / 0 / 84 / 16

HEX #62D723

RGB 98 215 35

HSL 99, 0.72%, 0.49%

LAB 76.87, -61.24, 70.09

 

CMYK 77 / 0 / 84 / 16

HEX #32D723

RGB 50 215 35

HSL 115, 0.72%, 0.49%

LAB 75.7, -71.02, 68.6

 

CMYK 84 / 0 / 68 / 16

HEX #23D744

RGB 35 215 68

HSL 131, 0.72%, 0.49%

LAB 75.68, -70.46, 58.04

 

CMYK 84 / 0 / 46 / 16

HEX #23D774

RGB 35 215 116

HSL 147, 0.72%, 0.49%

LAB 76.2, -64.16, 36.94

 

CMYK 78 / 0 / 84 / 44

HEX #209017

RGB 32 144 23

HSL 115.54, 0.72%, 0.33%

LAB 52.19, -52.33, 50.18

 

CMYK 78 / 0 / 84 / 30

HEX #27B31D

RGB 39 179 29

HSL 116, 0.72%, 0.41%

LAB 63.97, -61.99, 59.39

 

CMYK 78 / 0 / 84 / 16

HEX #2FD723

RGB 47 215 35

HSL 116, 0.72%, 0.49%

LAB 75.65, -71.42, 68.54

 

CMYK 66 / 0 / 70 / 12

HEX #4DE043

RGB 77 224 67

HSL 116.18, 0.72%, 0.57%

LAB 79.21, -67.22, 62.34

 

CMYK 52 / 0 / 56 / 10

HEX #6FE666

RGB 111 230 102

HSL 115.78, 0.72%, 0.65%

LAB 82.34, -57.98, 51.55

 

CMYK 78 / 0 / 84 / 16

HEX #2FD623

RGB 47 214 35

HSL 115.98, 0.72%, 0.49%

LAB 75.34, -71.13, 68.25

 

CMYK 84 / 10 / 0 / 16

HEX #23C2D7

RGB 35 194 215

HSL 187, 0.72%, 0.49%

LAB 72.13, -31.11, -21.53

 

CMYK 0 / 84 / 43 / 16

HEX #D7237A

RGB 215 35 122

HSL 331, 0.72%, 0.49%

LAB 48.33, 71.06, -2.8

 

CMYK 78 / 0 / 84 / 16

HEX #2FD623

RGB 47 214 35

HSL 115.98, 0.72%, 0.49%

LAB 75.34, -71.13, 68.25

 

CMYK 84 / 77 / 0 / 16

HEX #2332D7

RGB 35 50 215

HSL 235, 0.72%, 0.49%

LAB 33.02, 53.4, -83.89

 

CMYK 0 / 84 / 77 / 16

HEX #D72332

RGB 215 35 50

HSL 355, 0.72%, 0.49%

LAB 46.82, 66.63, 38.93

 

CMYK 78 / 0 / 84 / 16

HEX #2FD623

RGB 47 214 35

HSL 115.98, 0.72%, 0.49%

LAB 75.34, -71.13, 68.25

 

CMYK 84 / 10 / 0 / 16

HEX #23C2D7

RGB 35 194 215

HSL 187, 0.72%, 0.49%

LAB 72.13, -31.11, -21.53

 

CMYK 7 / 84 / 0 / 16

HEX #C823D7

RGB 200 35 215

HSL 295, 0.72%, 0.49%

LAB 49.96, 79.72, -55.45

 

CMYK 0 / 74 / 84 / 16

HEX #D73823

RGB 215 56 35

HSL 7, 0.72%, 0.49%

LAB 48.76, 60.33, 48.79

 

CMYK 78 / 0 / 84 / 16

HEX #2FD623

RGB 47 214 35

HSL 115.98, 0.72%, 0.49%

LAB 75.34, -71.13, 68.25

 

CMYK 84 / 35 / 0 / 16

HEX #238CD7

RGB 35 140 215

HSL 205, 0.72%, 0.49%

LAB 56.11, -2.25, -46.42

 

CMYK 7 / 84 / 0 / 16

HEX #C823D7

RGB 200 35 215

HSL 295, 0.72%, 0.49%

LAB 49.96, 79.72, -55.45

 

CMYK 0 / 49 / 84 / 16

HEX #D76E23

RGB 215 110 35

HSL 25, 0.72%, 0.49%

LAB 57.77, 36.62, 56.7

 

Description

Color code: HEX #2FD623 | qconv.com Color code: HEX #2FD623 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 214 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 214 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 84 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 84% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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