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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FD5D8 it is the complementary color #D02A27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FD5D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FD5D8 shade: #34D5D3, #45E7E6, #56F9F9, #67FFFF and #78FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FD5D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FD5D8 shade: #2FD5D8, #1EC3C5, #0DB1B2, #009F9F and #008D8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FD5D8 shade: #31D5D8, #31A8D8, #317BD8, #314ED8 and #4131D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FD5D8 shade: #31D5D8, #31A8D8, #317BD8, #314ED8 and #3131D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FD5D8 shade matches the following richer shades: #31D5D8 and #1EE8EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FD5D8 shade: #31D5D8, #45C2C4, #59AFB0, #6D9C9C and #818889

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FD5D8 shade: #31D882, #31D8AE, #31D5D8, #31A9D8 and #317CD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FD5D8 shade: #1D9799, #24B9BC, #31D5D8, #54DCDE and #77E3E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FD5D8 shade: #2FD5D8, #5531D8 and #D89831

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FD5D8 shade: #2FD5D8, #D831D5 and #D5D831

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FD5D8 shade: #2FD5D8, #5531D8, #D83431 and #B4D831

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FD5D8 shade: #2FD5D8, #8731D8, #D83431 and #82D831

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 1 / 0 / 15

HEX #2FD5D8

RGB 47 213 216

HSL 181.07, 0.68%, 0.52%

LAB 77.96, -38.75, -13.24

 

Complementary color

CMYK 0 / 80 / 81 / 18

HEX #D02A27

RGB 208 42 39

HSL 1.07, 0.68%, 0.48%

LAB 45.92, 62.61, 43.65

 

CMYK 76 / 0 / 1 / 16

HEX #34D5D3

RGB 52 213 211

HSL 179.25, 0.66%, 0.52%

LAB 77.89, -39.71, -10.67

 

CMYK 70 / 0 / 0 / 9

HEX #45E7E6

RGB 69 231 230

HSL 179.63, 0.77%, 0.59%

LAB 84.03, -40.58, -11.58

 

CMYK 65 / 0 / 0 / 2

HEX #56F9F9

RGB 86 249 249

HSL 180, 0.93%, 0.66%

LAB 90.12, -41.24, -12.41

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 53 / 0 / 0 / 0

HEX #78FFFF

RGB 120 255 255

HSL 180, 1%, 0.74%

LAB 92.9, -36.79, -11.29

 

CMYK 78 / 1 / 0 / 15

HEX #2FD5D8

RGB 47 213 216

HSL 181.07, 0.68%, 0.52%

LAB 77.96, -38.75, -13.24

 

CMYK 85 / 1 / 0 / 23

HEX #1EC3C5

RGB 30 195 197

HSL 180.72, 0.74%, 0.45%

LAB 71.78, -37.46, -12.25

 

CMYK 93 / 1 / 0 / 30

HEX #0DB1B2

RGB 13 177 178

HSL 180.36, 0.86%, 0.37%

LAB 65.55, -35.81, -11.15

 

CMYK 100 / 0 / 0 / 38

HEX #009F9F

RGB 0 159 159

HSL 180, 1%, 0.31%

LAB 59.25, -33.78, -9.93

 

CMYK 100 / 0 / 1 / 45

HEX #008D8C

RGB 0 141 140

HSL 179.57, 1%, 0.28%

LAB 52.89, -31.25, -8.57

 

CMYK 77 / 1 / 0 / 15

HEX #31D5D8

RGB 49 213 216

HSL 181.08, 0.68%, 0.52%

LAB 77.99, -38.57, -13.2

 

CMYK 77 / 22 / 0 / 15

HEX #31A8D8

RGB 49 168 216

HSL 197.25, 0.68%, 0.52%

LAB 64.66, -16.3, -33.55

 

CMYK 77 / 43 / 0 / 15

HEX #317BD8

RGB 49 123 216

HSL 213.41, 0.68%, 0.52%

LAB 51.58, 9.73, -54.17

 

CMYK 77 / 64 / 0 / 15

HEX #314ED8

RGB 49 78 216

HSL 229.58, 0.68%, 0.52%

LAB 39.68, 38.27, -73.46

 

CMYK 70 / 77 / 0 / 15

HEX #4131D8

RGB 65 49 216

HSL 245.75, 0.68%, 0.52%

LAB 34.56, 56.27, -81.87

 

CMYK 77 / 1 / 0 / 15

HEX #31D5D8

RGB 49 213 216

HSL 181.08, 0.68%, 0.52%

LAB 77.99, -38.57, -13.2

 

CMYK 77 / 22 / 0 / 15

HEX #31A8D8

RGB 49 168 216

HSL 197.25, 0.68%, 0.52%

LAB 64.66, -16.3, -33.55

 

CMYK 77 / 43 / 0 / 15

HEX #317BD8

RGB 49 123 216

HSL 213.41, 0.68%, 0.52%

LAB 51.58, 9.73, -54.17

 

CMYK 77 / 64 / 0 / 15

HEX #314ED8

RGB 49 78 216

HSL 229.58, 0.68%, 0.52%

LAB 39.68, 38.27, -73.46

 

CMYK 77 / 77 / 0 / 15

HEX #3131D8

RGB 49 49 216

HSL 240, 0.68%, 0.52%

LAB 33.58, 55.05, -83.52

 

CMYK 77 / 1 / 0 / 15

HEX #31D5D8

RGB 49 213 216

HSL 181.08, 0.68%, 0.52%

LAB 77.99, -38.57, -13.2

 

CMYK 87 / 2 / 0 / 7

HEX #1EE8EC

RGB 30 232 236

HSL 181.17, 0.84%, 0.52%

LAB 83.99, -42.65, -14.86

 

CMYK 77 / 1 / 0 / 15

HEX #31D5D8

RGB 49 213 216

HSL 181.08, 0.68%, 0.52%

LAB 77.99, -38.57, -13.2

 

CMYK 65 / 1 / 0 / 23

HEX #45C2C4

RGB 69 194 196

HSL 180.94, 0.52%, 0.52%

LAB 72.12, -33.04, -11.14

 

CMYK 49 / 1 / 0 / 31

HEX #59AFB0

RGB 89 175 176

HSL 180.69, 0.36%, 0.52%

LAB 66.46, -25.58, -8.52

 

CMYK 30 / 0 / 0 / 39

HEX #6D9C9C

RGB 109 156 156

HSL 180, 0.19%, 0.52%

LAB 61.16, -15.69, -5.08

 

CMYK 6 / 1 / 0 / 46

HEX #818889

RGB 129 136 137

HSL 187.5, 0.03%, 0.52%

LAB 56.17, -2.36, -1.43

 

CMYK 77 / 0 / 40 / 15

HEX #31D882

RGB 49 216 130

HSL 149.1, 0.68%, 0.52%

LAB 76.91, -60.59, 30.82

 

CMYK 77 / 0 / 19 / 15

HEX #31D8AE

RGB 49 216 174

HSL 164.91, 0.68%, 0.52%

LAB 77.77, -51.12, 8.95

 

CMYK 77 / 1 / 0 / 15

HEX #31D5D8

RGB 49 213 216

HSL 181.08, 0.68%, 0.52%

LAB 77.99, -38.57, -13.2

 

CMYK 77 / 22 / 0 / 15

HEX #31A9D8

RGB 49 169 216

HSL 196.89, 0.68%, 0.52%

LAB 64.95, -16.84, -33.09

 

CMYK 77 / 43 / 0 / 15

HEX #317CD8

RGB 49 124 216

HSL 213.05, 0.68%, 0.52%

LAB 51.87, 9.11, -53.72

 

CMYK 81 / 1 / 0 / 40

HEX #1D9799

RGB 29 151 153

HSL 180.97, 0.68%, 0.36%

LAB 56.78, -30.2, -10.2

 

CMYK 81 / 2 / 0 / 26

HEX #24B9BC

RGB 36 185 188

HSL 181.18, 0.68%, 0.44%

LAB 68.54, -35.07, -12.18

 

CMYK 77 / 1 / 0 / 15

HEX #31D5D8

RGB 49 213 216

HSL 181.08, 0.68%, 0.52%

LAB 77.99, -38.57, -13.2

 

CMYK 62 / 1 / 0 / 13

HEX #54DCDE

RGB 84 220 222

HSL 180.87, 0.68%, 0.6%

LAB 80.93, -35.66, -11.93

 

CMYK 48 / 1 / 0 / 10

HEX #77E3E5

RGB 119 227 229

HSL 181.09, 0.68%, 0.68%

LAB 84.23, -30.53, -10.6

 

CMYK 78 / 1 / 0 / 15

HEX #2FD5D8

RGB 47 213 216

HSL 181.07, 0.68%, 0.52%

LAB 77.96, -38.75, -13.24

 

CMYK 61 / 77 / 0 / 15

HEX #5531D8

RGB 85 49 216

HSL 252.93, 0.68%, 0.52%

LAB 36.15, 58.25, -79.19

 

CMYK 0 / 30 / 77 / 15

HEX #D89831

RGB 216 152 49

HSL 37.01, 0.68%, 0.52%

LAB 67.48, 15.16, 60.22

 

CMYK 78 / 1 / 0 / 15

HEX #2FD5D8

RGB 47 213 216

HSL 181.07, 0.68%, 0.52%

LAB 77.96, -38.75, -13.24

 

CMYK 0 / 77 / 1 / 15

HEX #D831D5

RGB 216 49 213

HSL 301.08, 0.68%, 0.52%

LAB 53.6, 79.1, -48.35

 

CMYK 1 / 0 / 77 / 15

HEX #D5D831

RGB 213 216 49

HSL 61.08, 0.68%, 0.52%

LAB 83.69, -19.34, 74.97

 

CMYK 78 / 1 / 0 / 15

HEX #2FD5D8

RGB 47 213 216

HSL 181.07, 0.68%, 0.52%

LAB 77.96, -38.75, -13.24

 

CMYK 61 / 77 / 0 / 15

HEX #5531D8

RGB 85 49 216

HSL 252.93, 0.68%, 0.52%

LAB 36.15, 58.25, -79.19

 

CMYK 0 / 76 / 77 / 15

HEX #D83431

RGB 216 52 49

HSL 1.08, 0.68%, 0.52%

LAB 48.61, 62.34, 41.46

 

CMYK 17 / 0 / 77 / 15

HEX #B4D831

RGB 180 216 49

HSL 72.93, 0.68%, 0.52%

LAB 81.31, -32.86, 71.93

 

CMYK 78 / 1 / 0 / 15

HEX #2FD5D8

RGB 47 213 216

HSL 181.07, 0.68%, 0.52%

LAB 77.96, -38.75, -13.24

 

CMYK 38 / 77 / 0 / 15

HEX #8731D8

RGB 135 49 216

HSL 270.9, 0.68%, 0.52%

LAB 41.7, 65.06, -69.87

 

CMYK 0 / 76 / 77 / 15

HEX #D83431

RGB 216 52 49

HSL 1.08, 0.68%, 0.52%

LAB 48.61, 62.34, 41.46

 

CMYK 40 / 0 / 77 / 15

HEX #82D831

RGB 130 216 49

HSL 90.9, 0.68%, 0.52%

LAB 78.51, -51.33, 68.31

 

Description

Color code: HEX #2FD5D8 | qconv.com Color code: HEX #2FD5D8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 213 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 213 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 1 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 1% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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