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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FD44E it is the complementary color #D02BB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FD44E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FD44E shade: #34D449, #45E65C, #56F86F, #67FF82 and #78FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FD44E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FD44E shade: #2FD44E, #1EC23B, #0DB028, #009E15 and #008C02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FD44E shade: #2FD44E, #3DD42F, #69D42F, #96D42F and #C2D42F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FD44E shade: #2FD44E, #2FD47B, #2FD4A7, #2FD4D3 and #2FA8D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FD44E shade matches the following richer shades: #2FD44E, #1BE841 and #07FC35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FD44E shade: #2FD44E, #43C05B, #58AC67, #6C9774 and #808381

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FD44E shade: #69D42F, #3DD42F, #2FD44D, #2FD479 and #2FD4A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FD44E shade: #1E9334, #25B540, #2FD44E, #51DB6B and #74E288

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FD44E shade: #2FD44E, #2F95D4 and #D42F53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FD44E shade: #2FD44E, #4D2FD4 and #D44D2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FD44E shade: #2FD44E, #2F95D4, #D42FB6 and #D46E2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FD44E shade: #2FD44E, #2F63D4, #D42FB6 and #D4A02F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 63 / 17

HEX #2FD44E

RGB 47 212 78

HSL 131.27, 0.66%, 0.51%

LAB 74.98, -67.19, 53.23

 

Complementary color

CMYK 0 / 79 / 15 / 18

HEX #D02BB1

RGB 208 43 177

HSL 311.27, 0.66%, 0.49%

LAB 49.87, 73.81, -33.5

 

CMYK 75 / 0 / 66 / 17

HEX #34D449

RGB 52 212 73

HSL 127.88, 0.65%, 0.52%

LAB 75.01, -67.05, 55.38

 

CMYK 70 / 0 / 60 / 10

HEX #45E65C

RGB 69 230 92

HSL 128.57, 0.76%, 0.59%

LAB 81.09, -68.19, 54.24

 

CMYK 65 / 0 / 55 / 3

HEX #56F86F

RGB 86 248 111

HSL 129.26, 0.92%, 0.65%

LAB 87.12, -68.95, 52.97

 

CMYK 60 / 0 / 49 / 0

HEX #67FF82

RGB 103 255 130

HSL 130.66, 1%, 0.7%

LAB 89.87, -65.52, 47.65

 

CMYK 53 / 0 / 42 / 0

HEX #78FF95

RGB 120 255 149

HSL 132.89, 1%, 0.74%

LAB 90.64, -58.91, 39.61

 

CMYK 78 / 0 / 63 / 17

HEX #2FD44E

RGB 47 212 78

HSL 131.27, 0.66%, 0.51%

LAB 74.98, -67.19, 53.23

 

CMYK 85 / 0 / 70 / 24

HEX #1EC23B

RGB 30 194 59

HSL 130.61, 0.73%, 0.44%

LAB 68.88, -65.43, 54.3

 

CMYK 93 / 0 / 77 / 31

HEX #0DB028

RGB 13 176 40

HSL 129.94, 0.86%, 0.37%

LAB 62.75, -62.94, 54.9

 

CMYK 100 / 0 / 87 / 38

HEX #009E15

RGB 0 158 21

HSL 127.97, 1%, 0.31%

LAB 56.59, -59.57, 54.56

 

CMYK 100 / 0 / 99 / 45

HEX #008C02

RGB 0 140 2

HSL 120.86, 1%, 0.27%

LAB 50.41, -55.1, 52.88

 

CMYK 78 / 0 / 63 / 17

HEX #2FD44E

RGB 47 212 78

HSL 131.27, 0.66%, 0.51%

LAB 74.98, -67.19, 53.23

 

CMYK 71 / 0 / 78 / 17

HEX #3DD42F

RGB 61 212 47

HSL 114.91, 0.66%, 0.51%

LAB 75, -67.76, 64.78

 

CMYK 50 / 0 / 78 / 17

HEX #69D42F

RGB 105 212 47

HSL 98.91, 0.66%, 0.51%

LAB 76.25, -57.64, 66.41

 

CMYK 29 / 0 / 78 / 17

HEX #96D42F

RGB 150 212 47

HSL 82.55, 0.66%, 0.51%

LAB 78.33, -42.72, 69.1

 

CMYK 8 / 0 / 78 / 17

HEX #C2D42F

RGB 194 212 47

HSL 66.55, 0.66%, 0.51%

LAB 81.16, -25.37, 72.73

 

CMYK 78 / 0 / 63 / 17

HEX #2FD44E

RGB 47 212 78

HSL 131.27, 0.66%, 0.51%

LAB 74.98, -67.19, 53.23

 

CMYK 78 / 0 / 42 / 17

HEX #2FD47B

RGB 47 212 123

HSL 147.64, 0.66%, 0.51%

LAB 75.53, -60.67, 32.58

 

CMYK 78 / 0 / 21 / 17

HEX #2FD4A7

RGB 47 212 167

HSL 163.64, 0.66%, 0.51%

LAB 76.36, -51.41, 10.68

 

CMYK 78 / 0 / 0 / 17

HEX #2FD4D3

RGB 47 212 211

HSL 179.64, 0.66%, 0.51%

LAB 77.52, -39.74, -11.23

 

CMYK 78 / 21 / 0 / 17

HEX #2FA8D4

RGB 47 168 212

HSL 196, 0.66%, 0.51%

LAB 64.45, -17.86, -31.65

 

CMYK 78 / 0 / 63 / 17

HEX #2FD44E

RGB 47 212 78

HSL 131.27, 0.66%, 0.51%

LAB 74.98, -67.19, 53.23

 

CMYK 88 / 0 / 72 / 9

HEX #1BE841

RGB 27 232 65

HSL 131.12, 0.82%, 0.51%

LAB 80.92, -76.34, 64.59

 

CMYK 97 / 0 / 79 / 1

HEX #07FC35

RGB 7 252 53

HSL 131.27, 0.98%, 0.51%

LAB 86.96, -83.57, 74.24

 

CMYK 78 / 0 / 63 / 17

HEX #2FD44E

RGB 47 212 78

HSL 131.27, 0.66%, 0.51%

LAB 74.98, -67.19, 53.23

 

CMYK 65 / 0 / 53 / 25

HEX #43C05B

RGB 67 192 91

HSL 131.52, 0.5%, 0.51%

LAB 69.22, -55.5, 40.66

 

CMYK 49 / 0 / 40 / 33

HEX #58AC67

RGB 88 172 103

HSL 130.71, 0.34%, 0.51%

LAB 63.8, -40.63, 27.83

 

CMYK 28 / 0 / 23 / 41

HEX #6C9774

RGB 108 151 116

HSL 131.16, 0.17%, 0.51%

LAB 58.59, -22.11, 13.82

 

CMYK 2 / 0 / 2 / 49

HEX #808381

RGB 128 131 129

HSL 140, 0.01%, 0.51%

LAB 54.46, -1.51, 0.68

 

CMYK 50 / 0 / 78 / 17

HEX #69D42F

RGB 105 212 47

HSL 98.91, 0.66%, 0.51%

LAB 76.25, -57.64, 66.41

 

CMYK 71 / 0 / 78 / 17

HEX #3DD42F

RGB 61 212 47

HSL 114.91, 0.66%, 0.51%

LAB 75, -67.76, 64.78

 

CMYK 78 / 0 / 64 / 17

HEX #2FD44D

RGB 47 212 77

HSL 130.91, 0.66%, 0.51%

LAB 74.97, -67.3, 53.65

 

CMYK 78 / 0 / 43 / 17

HEX #2FD479

RGB 47 212 121

HSL 146.91, 0.66%, 0.51%

LAB 75.5, -61.03, 33.55

 

CMYK 78 / 0 / 22 / 17

HEX #2FD4A5

RGB 47 212 165

HSL 162.91, 0.66%, 0.51%

LAB 76.32, -51.89, 11.68

 

CMYK 80 / 0 / 65 / 42

HEX #1E9334

RGB 30 147 52

HSL 131.28, 0.66%, 0.35%

LAB 53.38, -51.1, 40.39

 

CMYK 80 / 0 / 65 / 29

HEX #25B540

RGB 37 181 64

HSL 131.25, 0.66%, 0.43%

LAB 64.81, -60.07, 47.86

 

CMYK 78 / 0 / 63 / 17

HEX #2FD44E

RGB 47 212 78

HSL 131.27, 0.66%, 0.51%

LAB 74.98, -67.19, 53.23

 

CMYK 63 / 0 / 51 / 14

HEX #51DB6B

RGB 81 219 107

HSL 131.3, 0.66%, 0.59%

LAB 78.15, -60.27, 43.96

 

CMYK 49 / 0 / 40 / 11

HEX #74E288

RGB 116 226 136

HSL 130.91, 0.65%, 0.67%

LAB 81.77, -50.4, 34.5

 

CMYK 78 / 0 / 63 / 17

HEX #2FD44E

RGB 47 212 78

HSL 131.27, 0.66%, 0.51%

LAB 74.98, -67.19, 53.23

 

CMYK 78 / 30 / 0 / 17

HEX #2F95D4

RGB 47 149 212

HSL 202.91, 0.66%, 0.51%

LAB 58.84, -7.41, -40.42

 

CMYK 0 / 78 / 61 / 17

HEX #D42F53

RGB 212 47 83

HSL 346.91, 0.66%, 0.51%

LAB 47.82, 64.31, 20.31

 

CMYK 78 / 0 / 63 / 17

HEX #2FD44E

RGB 47 212 78

HSL 131.27, 0.66%, 0.51%

LAB 74.98, -67.19, 53.23

 

CMYK 64 / 78 / 0 / 17

HEX #4D2FD4

RGB 77 47 212

HSL 250.91, 0.66%, 0.51%

LAB 34.73, 57.19, -79.24

 

CMYK 0 / 64 / 78 / 17

HEX #D44D2F

RGB 212 77 47

HSL 10.91, 0.66%, 0.51%

LAB 51.28, 51.64, 45.07

 

CMYK 78 / 0 / 63 / 17

HEX #2FD44E

RGB 47 212 78

HSL 131.27, 0.66%, 0.51%

LAB 74.98, -67.19, 53.23

 

CMYK 78 / 30 / 0 / 17

HEX #2F95D4

RGB 47 149 212

HSL 202.91, 0.66%, 0.51%

LAB 58.84, -7.41, -40.42

 

CMYK 0 / 78 / 14 / 17

HEX #D42FB6

RGB 212 47 182

HSL 310.91, 0.66%, 0.51%

LAB 51.16, 74.31, -34.36

 

CMYK 0 / 48 / 78 / 17

HEX #D46E2F

RGB 212 110 47

HSL 22.91, 0.66%, 0.51%

LAB 57.42, 35.81, 51.2

 

CMYK 78 / 0 / 63 / 17

HEX #2FD44E

RGB 47 212 78

HSL 131.27, 0.66%, 0.51%

LAB 74.98, -67.19, 53.23

 

CMYK 78 / 53 / 0 / 17

HEX #2F63D4

RGB 47 99 212

HSL 221.09, 0.66%, 0.51%

LAB 44.63, 23.19, -63.1

 

CMYK 0 / 78 / 14 / 17

HEX #D42FB6

RGB 212 47 182

HSL 310.91, 0.66%, 0.51%

LAB 51.16, 74.31, -34.36

 

CMYK 0 / 25 / 78 / 17

HEX #D4A02F

RGB 212 160 47

HSL 41.09, 0.66%, 0.51%

LAB 69, 9.05, 62.22

 

Description

Color code: HEX #2FD44E | qconv.com Color code: HEX #2FD44E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 212 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 212 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 63 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 63% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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