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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FD33F it is the complementary color #D02CC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FD33F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FD33F shade: #34D33A, #45E54D, #56F760, #67FF73 and #78FF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FD33F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FD33F shade: #2FD33F, #1EC12C, #0DAF19, #009D06 and #008B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FD33F shade: #31D341, #4DD331, #79D331, #A4D331 and #D0D331

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FD33F shade: #31D341, #31D36C, #31D398, #31D3C4 and #31B7D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FD33F shade matches the following richer shades: #31D341, #1DE730 and #08FC20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FD33F shade: #31D341, #45BF51, #59AB61, #6D9771 and #828282

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FD33F shade: #7AD331, #4FD331, #31D33E, #31D36A and #31D395

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FD33F shade: #1F932A, #26B534, #31D341, #53DA60 and #75E280

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FD33F shade: #2FD33F, #31A5D3 and #D33164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FD33F shade: #2FD33F, #3E31D3 and #D33E31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FD33F shade: #2FD33F, #31A5D3, #D331C6 and #D35F31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FD33F shade: #2FD33F, #3175D3, #D331C6 and #D39031

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 70 / 17

HEX #2FD33F

RGB 47 211 63

HSL 125.85, 0.65%, 0.51%

LAB 74.54, -68.36, 58.79

 

Complementary color

CMYK 0 / 79 / 8 / 18

HEX #D02CC0

RGB 208 44 192

HSL 305.85, 0.65%, 0.49%

LAB 50.71, 75.66, -40.94

 

CMYK 75 / 0 / 73 / 17

HEX #34D33A

RGB 52 211 58

HSL 122.26, 0.64%, 0.52%

LAB 74.59, -68.09, 60.69

 

CMYK 70 / 0 / 66 / 10

HEX #45E54D

RGB 69 229 77

HSL 123, 0.75%, 0.58%

LAB 80.65, -69.44, 59.99

 

CMYK 65 / 0 / 61 / 3

HEX #56F760

RGB 86 247 96

HSL 123.73, 0.91%, 0.65%

LAB 86.67, -70.35, 58.99

 

CMYK 60 / 0 / 55 / 0

HEX #67FF73

RGB 103 255 115

HSL 124.74, 1%, 0.7%

LAB 89.69, -67.47, 54.33

 

CMYK 53 / 0 / 47 / 0

HEX #78FF86

RGB 120 255 134

HSL 126.22, 1%, 0.74%

LAB 90.43, -61.1, 46.57

 

CMYK 78 / 0 / 70 / 17

HEX #2FD33F

RGB 47 211 63

HSL 125.85, 0.65%, 0.51%

LAB 74.54, -68.36, 58.79

 

CMYK 84 / 0 / 77 / 24

HEX #1EC12C

RGB 30 193 44

HSL 125.15, 0.73%, 0.44%

LAB 68.46, -66.35, 59.23

 

CMYK 93 / 0 / 86 / 31

HEX #0DAF19

RGB 13 175 25

HSL 124.44, 0.86%, 0.37%

LAB 62.35, -63.55, 58.81

 

CMYK 100 / 0 / 96 / 38

HEX #009D06

RGB 0 157 6

HSL 122.29, 1%, 0.31%

LAB 56.21, -59.81, 56.97

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 77 / 0 / 69 / 17

HEX #31D341

RGB 49 211 65

HSL 125.93, 0.65%, 0.51%

LAB 74.59, -67.92, 58.09

 

CMYK 64 / 0 / 77 / 17

HEX #4DD331

RGB 77 211 49

HSL 109.63, 0.65%, 0.51%

LAB 75.07, -64.22, 64.36

 

CMYK 43 / 0 / 77 / 17

HEX #79D331

RGB 121 211 49

HSL 93.33, 0.65%, 0.51%

LAB 76.6, -52.28, 66.36

 

CMYK 22 / 0 / 77 / 17

HEX #A4D331

RGB 164 211 49

HSL 77.41, 0.65%, 0.51%

LAB 78.87, -36.87, 69.3

 

CMYK 1 / 0 / 77 / 17

HEX #D0D331

RGB 208 211 49

HSL 61.11, 0.65%, 0.51%

LAB 81.96, -18.98, 73.27

 

CMYK 77 / 0 / 69 / 17

HEX #31D341

RGB 49 211 65

HSL 125.93, 0.65%, 0.51%

LAB 74.59, -67.92, 58.09

 

CMYK 77 / 0 / 49 / 17

HEX #31D36C

RGB 49 211 108

HSL 141.85, 0.65%, 0.51%

LAB 75.03, -62.6, 39.45

 

CMYK 77 / 0 / 28 / 17

HEX #31D398

RGB 49 211 152

HSL 158.15, 0.65%, 0.51%

LAB 75.77, -54.25, 17.82

 

CMYK 77 / 0 / 7 / 17

HEX #31D3C4

RGB 49 211 196

HSL 174.44, 0.65%, 0.51%

LAB 76.82, -43.32, -4.21

 

CMYK 77 / 13 / 0 / 17

HEX #31B7D3

RGB 49 183 211

HSL 190.37, 0.65%, 0.51%

LAB 68.91, -25.73, -24.23

 

CMYK 77 / 0 / 69 / 17

HEX #31D341

RGB 49 211 65

HSL 125.93, 0.65%, 0.51%

LAB 74.59, -67.92, 58.09

 

CMYK 87 / 0 / 79 / 9

HEX #1DE730

RGB 29 231 48

HSL 125.64, 0.81%, 0.51%

LAB 80.53, -77.11, 69.6

 

CMYK 97 / 0 / 87 / 1

HEX #08FC20

RGB 8 252 32

HSL 125.9, 0.98%, 0.51%

LAB 86.89, -84.51, 78.96

 

CMYK 77 / 0 / 69 / 17

HEX #31D341

RGB 49 211 65

HSL 125.93, 0.65%, 0.51%

LAB 74.59, -67.92, 58.09

 

CMYK 64 / 0 / 58 / 25

HEX #45BF51

RGB 69 191 81

HSL 125.9, 0.49%, 0.51%

LAB 68.84, -56.06, 44.98

 

CMYK 48 / 0 / 43 / 33

HEX #59AB61

RGB 89 171 97

HSL 125.85, 0.33%, 0.51%

LAB 63.44, -40.89, 30.53

 

CMYK 28 / 0 / 25 / 41

HEX #6D9771

RGB 109 151 113

HSL 125.71, 0.17%, 0.51%

LAB 58.58, -22.33, 15.51

 

CMYK 0 / 0 / 0 / 49

HEX #828282

RGB 130 130 130

HSL 0, 0%, 0.51%

LAB 54.37, 0, -0.01

 

CMYK 42 / 0 / 77 / 17

HEX #7AD331

RGB 122 211 49

HSL 92.96, 0.65%, 0.51%

LAB 76.65, -51.96, 66.42

 

CMYK 63 / 0 / 77 / 17

HEX #4FD331

RGB 79 211 49

HSL 108.89, 0.65%, 0.51%

LAB 75.12, -63.79, 64.43

 

CMYK 77 / 0 / 71 / 17

HEX #31D33E

RGB 49 211 62

HSL 124.81, 0.65%, 0.51%

LAB 74.57, -68.18, 59.2

 

CMYK 77 / 0 / 50 / 17

HEX #31D36A

RGB 49 211 106

HSL 141.11, 0.65%, 0.51%

LAB 75, -62.91, 40.4

 

CMYK 77 / 0 / 29 / 17

HEX #31D395

RGB 49 211 149

HSL 157.04, 0.65%, 0.51%

LAB 75.71, -54.91, 19.32

 

CMYK 79 / 0 / 71 / 42

HEX #1F932A

RGB 31 147 42

HSL 125.69, 0.65%, 0.35%

LAB 53.3, -52.02, 44.65

 

CMYK 79 / 0 / 71 / 29

HEX #26B534

RGB 38 181 52

HSL 125.87, 0.65%, 0.43%

LAB 64.73, -61.15, 52.69

 

CMYK 77 / 0 / 69 / 17

HEX #31D341

RGB 49 211 65

HSL 125.93, 0.65%, 0.51%

LAB 74.59, -67.92, 58.09

 

CMYK 62 / 0 / 56 / 15

HEX #53DA60

RGB 83 218 96

HSL 125.78, 0.65%, 0.59%

LAB 77.77, -60.95, 48.67

 

CMYK 48 / 0 / 43 / 11

HEX #75E280

RGB 117 226 128

HSL 126.06, 0.65%, 0.67%

LAB 81.69, -51.37, 38.4

 

CMYK 78 / 0 / 70 / 17

HEX #2FD33F

RGB 47 211 63

HSL 125.85, 0.65%, 0.51%

LAB 74.54, -68.36, 58.79

 

CMYK 77 / 22 / 0 / 17

HEX #31A5D3

RGB 49 165 211

HSL 197.04, 0.65%, 0.51%

LAB 63.56, -16.38, -32.48

 

CMYK 0 / 77 / 53 / 17

HEX #D33164

RGB 211 49 100

HSL 341.11, 0.65%, 0.51%

LAB 48.22, 64.63, 10.41

 

CMYK 78 / 0 / 70 / 17

HEX #2FD33F

RGB 47 211 63

HSL 125.85, 0.65%, 0.51%

LAB 74.54, -68.36, 58.79

 

CMYK 71 / 77 / 0 / 17

HEX #3E31D3

RGB 62 49 211

HSL 244.81, 0.65%, 0.51%

LAB 33.82, 54.5, -80.2

 

CMYK 0 / 71 / 77 / 17

HEX #D33E31

RGB 211 62 49

HSL 4.81, 0.65%, 0.51%

LAB 48.9, 57.39, 41.49

 

CMYK 78 / 0 / 70 / 17

HEX #2FD33F

RGB 47 211 63

HSL 125.85, 0.65%, 0.51%

LAB 74.54, -68.36, 58.79

 

CMYK 77 / 22 / 0 / 17

HEX #31A5D3

RGB 49 165 211

HSL 197.04, 0.65%, 0.51%

LAB 63.56, -16.38, -32.48

 

CMYK 0 / 77 / 6 / 17

HEX #D331C6

RGB 211 49 198

HSL 304.81, 0.65%, 0.51%

LAB 51.98, 75.84, -42.37

 

CMYK 0 / 55 / 77 / 17

HEX #D35F31

RGB 211 95 49

HSL 17.04, 0.65%, 0.51%

LAB 54.3, 43.05, 47.09

 

CMYK 78 / 0 / 70 / 17

HEX #2FD33F

RGB 47 211 63

HSL 125.85, 0.65%, 0.51%

LAB 74.54, -68.36, 58.79

 

CMYK 77 / 45 / 0 / 17

HEX #3175D3

RGB 49 117 211

HSL 214.81, 0.65%, 0.51%

LAB 49.59, 11.6, -54.53

 

CMYK 0 / 77 / 6 / 17

HEX #D331C6

RGB 211 49 198

HSL 304.81, 0.65%, 0.51%

LAB 51.98, 75.84, -42.37

 

CMYK 0 / 32 / 77 / 17

HEX #D39031

RGB 211 144 49

HSL 35.19, 0.65%, 0.51%

LAB 64.98, 17.33, 57.63

 

Description

Color code: HEX #2FD33F | qconv.com Color code: HEX #2FD33F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 211 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 211 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 70 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 70% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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