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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FD19B it is the complementary color #D02E64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FD19B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FD19B shade: #34D196, #45E3A9, #56F5BC, #67FFCF and #78FFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FD19B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FD19B shade: #2FD19B, #1EBF88, #0DAD75, #009B62 and #00894F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FD19B shade: #2ED19B, #2ED16F, #2ED143, #45D12E and #71D12E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FD19B shade: #2ED19B, #2ED1C7, #2EAFD1, #2E83D1 and #2E57D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FD19B shade matches the following richer shades: #2ED19B, #19E6A2 and #05FAA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FD19B shade: #2ED19B, #43BC94, #57A88D, #6C9386 and #807F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FD19B shade: #2ED144, #2ED16F, #2ED19B, #2ED1C6 and #2EB0D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FD19B shade: #1F8D69, #26AF82, #2ED19B, #50D9AB and #72E0BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FD19B shade: #2FD19B, #2E44D1 and #D1592E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FD19B shade: #2FD19B, #9B2ED1 and #D19B2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FD19B shade: #2FD19B, #2E44D1, #D12E64 and #D1BB2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FD19B shade: #2FD19B, #492ED1, #D12E64 and #B6D12E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 26 / 18

HEX #2FD19B

RGB 47 209 155

HSL 160, 0.64%, 0.5%

LAB 75.18, -53.02, 15.41

 

Complementary color

CMYK 0 / 78 / 52 / 18

HEX #D02E64

RGB 208 46 100

HSL 340, 0.64%, 0.5%

LAB 47.34, 64.69, 9.1

 

CMYK 75 / 0 / 28 / 18

HEX #34D196

RGB 52 209 150

HSL 157.45, 0.63%, 0.51%

LAB 75.16, -53.55, 18.04

 

CMYK 70 / 0 / 26 / 11

HEX #45E3A9

RGB 69 227 169

HSL 157.97, 0.74%, 0.58%

LAB 81.33, -54.16, 16.68

 

CMYK 65 / 0 / 23 / 4

HEX #56F5BC

RGB 86 245 188

HSL 158.49, 0.89%, 0.65%

LAB 87.44, -54.55, 15.42

 

CMYK 60 / 0 / 19 / 0

HEX #67FFCF

RGB 103 255 207

HSL 161.05, 1%, 0.7%

LAB 91.19, -51.49, 10.99

 

CMYK 53 / 0 / 11 / 0

HEX #78FFE2

RGB 120 255 226

HSL 167.11, 1%, 0.74%

LAB 92.13, -43.87, 2.59

 

CMYK 78 / 0 / 26 / 18

HEX #2FD19B

RGB 47 209 155

HSL 160, 0.64%, 0.5%

LAB 75.18, -53.02, 15.41

 

CMYK 84 / 0 / 29 / 25

HEX #1EBF88

RGB 30 191 136

HSL 159.5, 0.73%, 0.43%

LAB 68.98, -51.98, 16.9

 

CMYK 92 / 0 / 32 / 32

HEX #0DAD75

RGB 13 173 117

HSL 159, 0.86%, 0.36%

LAB 62.72, -50.5, 18.55

 

CMYK 100 / 0 / 37 / 39

HEX #009B62

RGB 0 155 98

HSL 157.94, 1%, 0.3%

LAB 56.41, -48.53, 20.38

 

CMYK 100 / 0 / 42 / 46

HEX #00894F

RGB 0 137 79

HSL 154.6, 1%, 0.27%

LAB 50.04, -45.86, 22.41

 

CMYK 78 / 0 / 26 / 18

HEX #2ED19B

RGB 46 209 155

HSL 160.12, 0.64%, 0.5%

LAB 75.17, -53.13, 15.39

 

CMYK 78 / 0 / 47 / 18

HEX #2ED16F

RGB 46 209 111

HSL 143.93, 0.64%, 0.5%

LAB 74.4, -61.8, 37.16

 

CMYK 78 / 0 / 68 / 18

HEX #2ED143

RGB 46 209 67

HSL 127.73, 0.64%, 0.5%

LAB 73.92, -67.5, 56.59

 

CMYK 67 / 0 / 78 / 18

HEX #45D12E

RGB 69 209 46

HSL 111.53, 0.64%, 0.5%

LAB 74.23, -65.4, 64.41

 

CMYK 46 / 0 / 78 / 18

HEX #71D12E

RGB 113 209 46

HSL 95.34, 0.64%, 0.5%

LAB 75.64, -54.19, 66.24

 

CMYK 78 / 0 / 26 / 18

HEX #2ED19B

RGB 46 209 155

HSL 160.12, 0.64%, 0.5%

LAB 75.17, -53.13, 15.39

 

CMYK 78 / 0 / 5 / 18

HEX #2ED1C7

RGB 46 209 199

HSL 176.32, 0.64%, 0.5%

LAB 76.26, -41.9, -6.65

 

CMYK 78 / 16 / 0 / 18

HEX #2EAFD1

RGB 46 175 209

HSL 192.52, 0.64%, 0.5%

LAB 66.4, -22.62, -26.99

 

CMYK 78 / 37 / 0 / 18

HEX #2E83D1

RGB 46 131 209

HSL 208.71, 0.64%, 0.5%

LAB 53.4, 1.93, -47.32

 

CMYK 78 / 58 / 0 / 18

HEX #2E57D1

RGB 46 87 209

HSL 224.91, 0.64%, 0.5%

LAB 41.22, 29.7, -66.93

 

CMYK 78 / 0 / 26 / 18

HEX #2ED19B

RGB 46 209 155

HSL 160.12, 0.64%, 0.5%

LAB 75.17, -53.13, 15.39

 

CMYK 89 / 0 / 30 / 10

HEX #19E6A2

RGB 25 230 162

HSL 160.1, 0.8%, 0.5%

LAB 81.52, -61.2, 20.5

 

CMYK 98 / 0 / 33 / 2

HEX #05FAA8

RGB 5 250 168

HSL 159.92, 0.96%, 0.5%

LAB 87.6, -67.78, 25.75

 

CMYK 78 / 0 / 26 / 18

HEX #2ED19B

RGB 46 209 155

HSL 160.12, 0.64%, 0.5%

LAB 75.17, -53.13, 15.39

 

CMYK 64 / 0 / 21 / 26

HEX #43BC94

RGB 67 188 148

HSL 160.17, 0.47%, 0.5%

LAB 68.97, -43.15, 10.47

 

CMYK 48 / 0 / 16 / 34

HEX #57A88D

RGB 87 168 141

HSL 160, 0.32%, 0.5%

LAB 63.31, -31.43, 6.35

 

CMYK 27 / 0 / 9 / 42

HEX #6C9386

RGB 108 147 134

HSL 160, 0.15%, 0.5%

LAB 57.82, -16.32, 2.53

 

CMYK 0 / 1 / 1 / 50

HEX #807F7F

RGB 128 127 127

HSL 0, 0%, 0.5%

LAB 53.28, 0.38, 0.13

 

CMYK 78 / 0 / 67 / 18

HEX #2ED144

RGB 46 209 68

HSL 128.1, 0.64%, 0.5%

LAB 73.93, -67.41, 56.2

 

CMYK 78 / 0 / 47 / 18

HEX #2ED16F

RGB 46 209 111

HSL 143.93, 0.64%, 0.5%

LAB 74.4, -61.8, 37.16

 

CMYK 78 / 0 / 26 / 18

HEX #2ED19B

RGB 46 209 155

HSL 160.12, 0.64%, 0.5%

LAB 75.17, -53.13, 15.39

 

CMYK 78 / 0 / 5 / 18

HEX #2ED1C6

RGB 46 209 198

HSL 175.95, 0.64%, 0.5%

LAB 76.23, -42.18, -6.16

 

CMYK 78 / 16 / 0 / 18

HEX #2EB0D1

RGB 46 176 209

HSL 192.15, 0.64%, 0.5%

LAB 66.7, -23.13, -26.53

 

CMYK 78 / 0 / 26 / 45

HEX #1F8D69

RGB 31 141 105

HSL 160.36, 0.64%, 0.34%

LAB 52.24, -38.94, 10.76

 

CMYK 78 / 0 / 26 / 31

HEX #26AF82

RGB 38 175 130

HSL 160.29, 0.64%, 0.42%

LAB 63.9, -46.23, 13.11

 

CMYK 78 / 0 / 26 / 18

HEX #2ED19B

RGB 46 209 155

HSL 160.12, 0.64%, 0.5%

LAB 75.17, -53.13, 15.39

 

CMYK 63 / 0 / 21 / 15

HEX #50D9AB

RGB 80 217 171

HSL 159.85, 0.64%, 0.58%

LAB 78.62, -47.86, 11.84

 

CMYK 49 / 0 / 17 / 12

HEX #72E0BB

RGB 114 224 187

HSL 159.82, 0.64%, 0.66%

LAB 82.1, -40.29, 8.47

 

CMYK 78 / 0 / 26 / 18

HEX #2FD19B

RGB 47 209 155

HSL 160, 0.64%, 0.5%

LAB 75.18, -53.02, 15.41

 

CMYK 78 / 67 / 0 / 18

HEX #2E44D1

RGB 46 68 209

HSL 231.9, 0.64%, 0.5%

LAB 36.59, 41.72, -74.51

 

CMYK 0 / 57 / 78 / 18

HEX #D1592E

RGB 209 89 46

HSL 15.83, 0.64%, 0.5%

LAB 52.84, 45.08, 46.98

 

CMYK 78 / 0 / 26 / 18

HEX #2FD19B

RGB 47 209 155

HSL 160, 0.64%, 0.5%

LAB 75.18, -53.02, 15.41

 

CMYK 26 / 78 / 0 / 18

HEX #9B2ED1

RGB 155 46 209

HSL 280.12, 0.64%, 0.5%

LAB 43.55, 67.93, -62.71

 

CMYK 0 / 26 / 78 / 18

HEX #D19B2E

RGB 209 155 46

HSL 40.12, 0.64%, 0.5%

LAB 67.42, 10.4, 61

 

CMYK 78 / 0 / 26 / 18

HEX #2FD19B

RGB 47 209 155

HSL 160, 0.64%, 0.5%

LAB 75.18, -53.02, 15.41

 

CMYK 78 / 67 / 0 / 18

HEX #2E44D1

RGB 46 68 209

HSL 231.9, 0.64%, 0.5%

LAB 36.59, 41.72, -74.51

 

CMYK 0 / 78 / 52 / 18

HEX #D12E64

RGB 209 46 100

HSL 340.12, 0.64%, 0.5%

LAB 47.53, 64.96, 9.4

 

CMYK 0 / 11 / 78 / 18

HEX #D1BB2E

RGB 209 187 46

HSL 51.9, 0.64%, 0.5%

LAB 75.63, -6.55, 68.51

 

CMYK 78 / 0 / 26 / 18

HEX #2FD19B

RGB 47 209 155

HSL 160, 0.64%, 0.5%

LAB 75.18, -53.02, 15.41

 

CMYK 65 / 78 / 0 / 18

HEX #492ED1

RGB 73 46 209

HSL 249.94, 0.64%, 0.5%

LAB 33.93, 56.39, -78.84

 

CMYK 0 / 78 / 52 / 18

HEX #D12E64

RGB 209 46 100

HSL 340.12, 0.64%, 0.5%

LAB 47.53, 64.96, 9.4

 

CMYK 13 / 0 / 78 / 18

HEX #B6D12E

RGB 182 209 46

HSL 69.94, 0.64%, 0.5%

LAB 79.47, -28.9, 71.17

 

Description

Color code: HEX #2FD19B | qconv.com Color code: HEX #2FD19B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 209 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 209 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 26 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 26% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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