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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FD12E it is the complementary color #D02ED1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FD12E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FD12E shade: #34D129, #45E33C, #56F54F, #67FF62 and #78FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FD12E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FD12E shade: #2FD12E, #1EBF1B, #0DAD08, #009B00 and #008900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FD12E shade: #2FD12E, #5BD12E, #87D12E, #B3D12E and #D1C32E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FD12E shade: #2FD12E, #2ED159, #2ED185, #2ED1B1 and #2EC5D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FD12E shade matches the following richer shades: #2FD12E, #1BE619 and #06FA05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FD12E shade: #2FD12E, #43BC43, #58A857, #6C936C and #807F80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FD12E shade: #88D12E, #5CD12E, #31D12E, #2ED157 and #2ED182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FD12E shade: #208D1F, #27AF26, #2FD12E, #51D950 and #72E072

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FD12E shade: #2FD12E, #2EB3D1 and #D12E72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FD12E shade: #2FD12E, #2E31D1 and #D12E31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FD12E shade: #2FD12E, #2EB3D1, #CE2ED1 and #D14C2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FD12E shade: #2FD12E, #2E82D1, #CE2ED1 and #D17D2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 78 / 18

HEX #2FD12E

RGB 47 209 46

HSL 119.63, 0.64%, 0.5%

LAB 73.81, -69.03, 63.85

 

Complementary color

CMYK 0 / 78 / 0 / 18

HEX #D02ED1

RGB 208 46 209

HSL 299.63, 0.64%, 0.5%

LAB 51.8, 77.7, -49

 

CMYK 75 / 0 / 80 / 18

HEX #34D129

RGB 52 209 41

HSL 116.07, 0.67%, 0.49%

LAB 73.86, -68.63, 65.39

 

CMYK 70 / 0 / 74 / 11

HEX #45E33C

RGB 69 227 60

HSL 116.77, 0.75%, 0.56%

LAB 79.91, -70.22, 65.48

 

CMYK 65 / 0 / 68 / 4

HEX #56F54F

RGB 86 245 79

HSL 117.47, 0.89%, 0.64%

LAB 85.93, -71.33, 64.98

 

CMYK 60 / 0 / 62 / 0

HEX #67FF62

RGB 103 255 98

HSL 118.09, 1%, 0.69%

LAB 89.53, -69.37, 61.48

 

CMYK 53 / 0 / 54 / 0

HEX #78FF75

RGB 120 255 117

HSL 118.7, 1%, 0.73%

LAB 90.23, -63.29, 54.19

 

CMYK 78 / 0 / 78 / 18

HEX #2FD12E

RGB 47 209 46

HSL 119.63, 0.64%, 0.5%

LAB 73.81, -69.03, 63.85

 

CMYK 84 / 0 / 86 / 25

HEX #1EBF1B

RGB 30 191 27

HSL 118.9, 0.75%, 0.43%

LAB 67.74, -66.73, 63.21

 

CMYK 92 / 0 / 95 / 32

HEX #0DAD08

RGB 13 173 8

HSL 118.18, 0.91%, 0.35%

LAB 61.65, -63.56, 61.22

 

CMYK 100 / 0 / 100 / 39

HEX #009B00

RGB 0 155 0

HSL 120, 1%, 0.3%

LAB 55.53, -59.42, 57.35

 

CMYK 100 / 0 / 100 / 46

HEX #008900

RGB 0 137 0

HSL 120, 1%, 0.27%

LAB 49.36, -54.3, 52.41

 

CMYK 78 / 0 / 78 / 18

HEX #2FD12E

RGB 47 209 46

HSL 119.63, 0.64%, 0.5%

LAB 73.81, -69.03, 63.85

 

CMYK 56 / 0 / 78 / 18

HEX #5BD12E

RGB 91 209 46

HSL 103.44, 0.64%, 0.5%

LAB 74.84, -60.41, 65.2

 

CMYK 35 / 0 / 78 / 18

HEX #87D12E

RGB 135 209 46

HSL 87.24, 0.64%, 0.5%

LAB 76.65, -46.91, 67.55

 

CMYK 14 / 0 / 78 / 18

HEX #B3D12E

RGB 179 209 46

HSL 71.04, 0.64%, 0.5%

LAB 79.26, -30.12, 70.91

 

CMYK 0 / 7 / 78 / 18

HEX #D1C32E

RGB 209 195 46

HSL 54.85, 0.64%, 0.5%

LAB 77.75, -10.66, 70.41

 

CMYK 78 / 0 / 78 / 18

HEX #2FD12E

RGB 47 209 46

HSL 119.63, 0.64%, 0.5%

LAB 73.81, -69.03, 63.85

 

CMYK 78 / 0 / 57 / 18

HEX #2ED159

RGB 46 209 89

HSL 135.83, 0.64%, 0.5%

LAB 74.13, -65.03, 47.39

 

CMYK 78 / 0 / 36 / 18

HEX #2ED185

RGB 46 209 133

HSL 152.02, 0.64%, 0.5%

LAB 74.75, -57.82, 26.39

 

CMYK 78 / 0 / 15 / 18

HEX #2ED1B1

RGB 46 209 177

HSL 168.22, 0.64%, 0.5%

LAB 75.67, -47.8, 4.33

 

CMYK 78 / 6 / 0 / 18

HEX #2EC5D1

RGB 46 197 209

HSL 184.42, 0.64%, 0.5%

LAB 72.97, -33.48, -16.98

 

CMYK 78 / 0 / 78 / 18

HEX #2FD12E

RGB 47 209 46

HSL 119.63, 0.64%, 0.5%

LAB 73.81, -69.03, 63.85

 

CMYK 88 / 0 / 89 / 10

HEX #1BE619

RGB 27 230 25

HSL 119.41, 0.8%, 0.5%

LAB 80.12, -78, 74.37

 

CMYK 98 / 0 / 98 / 2

HEX #06FA05

RGB 6 250 5

HSL 119.76, 0.96%, 0.5%

LAB 86.22, -84.65, 81.58

 

CMYK 78 / 0 / 78 / 18

HEX #2FD12E

RGB 47 209 46

HSL 119.63, 0.64%, 0.5%

LAB 73.81, -69.03, 63.85

 

CMYK 64 / 0 / 64 / 26

HEX #43BC43

RGB 67 188 67

HSL 120, 0.47%, 0.5%

LAB 67.7, -57.01, 49.94

 

CMYK 48 / 0 / 48 / 34

HEX #58A857

RGB 88 168 87

HSL 119.26, 0.32%, 0.5%

LAB 62.31, -41.41, 34.28

 

CMYK 27 / 0 / 27 / 42

HEX #6C936C

RGB 108 147 108

HSL 120, 0.15%, 0.5%

LAB 57.21, -21.55, 16.42

 

CMYK 0 / 1 / 0 / 50

HEX #807F80

RGB 128 127 128

HSL 300, 0%, 0.5%

LAB 53.3, 0.58, -0.42

 

CMYK 35 / 0 / 78 / 18

HEX #88D12E

RGB 136 209 46

HSL 86.87, 0.64%, 0.5%

LAB 76.7, -46.56, 67.61

 

CMYK 56 / 0 / 78 / 18

HEX #5CD12E

RGB 92 209 46

HSL 103.07, 0.64%, 0.5%

LAB 74.87, -60.16, 65.24

 

CMYK 77 / 0 / 78 / 18

HEX #31D12E

RGB 49 209 46

HSL 118.9, 0.64%, 0.5%

LAB 73.84, -68.76, 63.89

 

CMYK 78 / 0 / 58 / 18

HEX #2ED157

RGB 46 209 87

HSL 135.09, 0.64%, 0.5%

LAB 74.11, -65.29, 48.27

 

CMYK 78 / 0 / 38 / 18

HEX #2ED182

RGB 46 209 130

HSL 150.92, 0.64%, 0.5%

LAB 74.69, -58.4, 27.88

 

CMYK 77 / 0 / 78 / 45

HEX #208D1F

RGB 32 141 31

HSL 119.45, 0.64%, 0.34%

LAB 51.22, -50.82, 46.72

 

CMYK 78 / 0 / 78 / 31

HEX #27AF26

RGB 39 175 38

HSL 119.56, 0.64%, 0.42%

LAB 62.7, -60.22, 55.61

 

CMYK 78 / 0 / 78 / 18

HEX #2FD12E

RGB 47 209 46

HSL 119.63, 0.64%, 0.5%

LAB 73.81, -69.03, 63.85

 

CMYK 63 / 0 / 63 / 15

HEX #51D950

RGB 81 217 80

HSL 119.56, 0.64%, 0.58%

LAB 77.25, -62.84, 55.12

 

CMYK 49 / 0 / 49 / 12

HEX #72E072

RGB 114 224 114

HSL 120, 0.64%, 0.66%

LAB 80.8, -53.36, 44.09

 

CMYK 78 / 0 / 78 / 18

HEX #2FD12E

RGB 47 209 46

HSL 119.63, 0.64%, 0.5%

LAB 73.81, -69.03, 63.85

 

CMYK 78 / 14 / 0 / 18

HEX #2EB3D1

RGB 46 179 209

HSL 191.04, 0.64%, 0.5%

LAB 67.59, -24.66, -25.16

 

CMYK 0 / 78 / 45 / 18

HEX #D12E72

RGB 209 46 114

HSL 334.97, 0.64%, 0.5%

LAB 47.91, 66.12, 1.35

 

CMYK 78 / 0 / 78 / 18

HEX #2FD12E

RGB 47 209 46

HSL 119.63, 0.64%, 0.5%

LAB 73.81, -69.03, 63.85

 

CMYK 78 / 77 / 0 / 18

HEX #2E31D1

RGB 46 49 209

HSL 238.9, 0.64%, 0.5%

LAB 32.66, 52.64, -81

 

CMYK 0 / 78 / 77 / 18

HEX #D12E31

RGB 209 46 49

HSL 358.9, 0.64%, 0.5%

LAB 46.62, 62.09, 38.94

 

CMYK 78 / 0 / 78 / 18

HEX #2FD12E

RGB 47 209 46

HSL 119.63, 0.64%, 0.5%

LAB 73.81, -69.03, 63.85

 

CMYK 78 / 14 / 0 / 18

HEX #2EB3D1

RGB 46 179 209

HSL 191.04, 0.64%, 0.5%

LAB 67.59, -24.66, -25.16

 

CMYK 1 / 78 / 0 / 18

HEX #CE2ED1

RGB 206 46 209

HSL 298.9, 0.64%, 0.5%

LAB 51.47, 77.32, -49.55

 

CMYK 0 / 64 / 78 / 18

HEX #D14C2E

RGB 209 76 46

HSL 11.04, 0.64%, 0.5%

LAB 50.6, 50.99, 44.72

 

CMYK 78 / 0 / 78 / 18

HEX #2FD12E

RGB 47 209 46

HSL 119.63, 0.64%, 0.5%

LAB 73.81, -69.03, 63.85

 

CMYK 78 / 38 / 0 / 18

HEX #2E82D1

RGB 46 130 209

HSL 209.08, 0.64%, 0.5%

LAB 53.11, 2.53, -47.78

 

CMYK 1 / 78 / 0 / 18

HEX #CE2ED1

RGB 206 46 209

HSL 298.9, 0.64%, 0.5%

LAB 51.47, 77.32, -49.55

 

CMYK 0 / 40 / 78 / 18

HEX #D17D2E

RGB 209 125 46

HSL 29.08, 0.64%, 0.5%

LAB 60.27, 26.62, 54.25

 

Description

Color code: HEX #2FD12E | qconv.com Color code: HEX #2FD12E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 209 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 209 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 78 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 78% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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