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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FCA6B it is the complementary color #D03594. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FCA6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FCA6B shade: #34CA66, #45DC79, #56EE8C, #67FF9F and #78FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FCA6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FCA6B shade: #2FCA6B, #1EB858, #0DA645, #009432 and #00821F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FCA6B shade: #2FCA6B, #2FCA41, #47CA2F, #70CA2F and #9ACA2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FCA6B shade: #2FCA6B, #2FCA95, #2FCABF, #2FACCA and #2F82CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FCA6B shade matches the following richer shades: #2FCA6B, #1BDE66 and #07F262

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FCA6B shade: #2FCA6B, #43B670, #57A174, #6C8D79 and #80797D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FCA6B shade: #46CA2F, #2FCA41, #2FCA6A, #2FCA94 and #2FCABD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FCA6B shade: #1F8747, #27A859, #2FCA6B, #4DD582 and #6FDD99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FCA6B shade: #2FCA6B, #2F70CA and #CA2F32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FCA6B shade: #2FCA6B, #6A2FCA and #CA6A2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FCA6B shade: #2FCA6B, #2F70CA, #CA2F8F and #CA892F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FCA6B shade: #2FCA6B, #2F41CA, #CA2F8F and #CAB82F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 47 / 21

HEX #2FCA6B

RGB 47 202 107

HSL 143.23, 0.62%, 0.49%

LAB 72.17, -59.9, 36.33

 

Complementary color

CMYK 0 / 75 / 29 / 18

HEX #D03594

RGB 208 53 148

HSL 323.23, 0.62%, 0.51%

LAB 49.61, 67.3, -16.72

 

CMYK 74 / 0 / 50 / 21

HEX #34CA66

RGB 52 202 102

HSL 140, 0.59%, 0.5%

LAB 72.18, -60.01, 38.85

 

CMYK 69 / 0 / 45 / 14

HEX #45DC79

RGB 69 220 121

HSL 140.66, 0.68%, 0.57%

LAB 78.36, -60.73, 37.33

 

CMYK 64 / 0 / 41 / 7

HEX #56EE8C

RGB 86 238 140

HSL 141.32, 0.82%, 0.64%

LAB 84.49, -61.16, 35.87

 

CMYK 60 / 0 / 38 / 0

HEX #67FF9F

RGB 103 255 159

HSL 142.11, 1%, 0.7%

LAB 90.28, -61, 34.11

 

CMYK 53 / 0 / 30 / 0

HEX #78FFB2

RGB 120 255 178

HSL 145.78, 1%, 0.74%

LAB 91.11, -53.95, 25.78

 

CMYK 77 / 0 / 47 / 21

HEX #2FCA6B

RGB 47 202 107

HSL 143.23, 0.62%, 0.49%

LAB 72.17, -59.9, 36.33

 

CMYK 84 / 0 / 52 / 28

HEX #1EB858

RGB 30 184 88

HSL 142.6, 0.72%, 0.42%

LAB 65.95, -58.66, 37.97

 

CMYK 92 / 0 / 58 / 35

HEX #0DA645

RGB 13 166 69

HSL 141.96, 0.85%, 0.35%

LAB 59.7, -56.82, 39.65

 

CMYK 100 / 0 / 66 / 42

HEX #009432

RGB 0 148 50

HSL 140.27, 1%, 0.29%

LAB 53.4, -54.24, 41.24

 

CMYK 100 / 0 / 76 / 49

HEX #00821F

RGB 0 130 31

HSL 134.31, 1%, 0.25%

LAB 47.06, -50.6, 42.44

 

CMYK 77 / 0 / 47 / 21

HEX #2FCA6B

RGB 47 202 107

HSL 143.23, 0.62%, 0.49%

LAB 72.17, -59.9, 36.33

 

CMYK 77 / 0 / 68 / 21

HEX #2FCA41

RGB 47 202 65

HSL 126.97, 0.62%, 0.49%

LAB 71.71, -65.37, 55.02

 

CMYK 65 / 0 / 77 / 21

HEX #47CA2F

RGB 71 202 47

HSL 110.71, 0.62%, 0.49%

LAB 72.09, -62.63, 62.05

 

CMYK 45 / 0 / 77 / 21

HEX #70CA2F

RGB 112 202 47

HSL 94.84, 0.62%, 0.49%

LAB 73.47, -51.73, 63.87

 

CMYK 24 / 0 / 77 / 21

HEX #9ACA2F

RGB 154 202 47

HSL 78.58, 0.62%, 0.49%

LAB 75.65, -36.79, 66.69

 

CMYK 77 / 0 / 47 / 21

HEX #2FCA6B

RGB 47 202 107

HSL 143.23, 0.62%, 0.49%

LAB 72.17, -59.9, 36.33

 

CMYK 77 / 0 / 26 / 21

HEX #2FCA95

RGB 47 202 149

HSL 159.48, 0.62%, 0.49%

LAB 72.9, -51.63, 15.42

 

CMYK 77 / 0 / 5 / 21

HEX #2FCABF

RGB 47 202 191

HSL 175.74, 0.62%, 0.49%

LAB 73.94, -40.93, -5.76

 

CMYK 77 / 15 / 0 / 21

HEX #2FACCA

RGB 47 172 202

HSL 191.61, 0.62%, 0.49%

LAB 65.26, -23.26, -24.87

 

CMYK 77 / 36 / 0 / 21

HEX #2F82CA

RGB 47 130 202

HSL 207.87, 0.62%, 0.49%

LAB 52.77, 0.07, -44.35

 

CMYK 77 / 0 / 47 / 21

HEX #2FCA6B

RGB 47 202 107

HSL 143.23, 0.62%, 0.49%

LAB 72.17, -59.9, 36.33

 

CMYK 88 / 0 / 54 / 13

HEX #1BDE66

RGB 27 222 102

HSL 143.08, 0.78%, 0.49%

LAB 78.13, -69.24, 46.09

 

CMYK 97 / 0 / 60 / 5

HEX #07F262

RGB 7 242 98

HSL 143.23, 0.94%, 0.49%

LAB 84.19, -76.76, 55.03

 

CMYK 77 / 0 / 47 / 21

HEX #2FCA6B

RGB 47 202 107

HSL 143.23, 0.62%, 0.49%

LAB 72.17, -59.9, 36.33

 

CMYK 63 / 0 / 38 / 29

HEX #43B670

RGB 67 182 112

HSL 143.48, 0.46%, 0.49%

LAB 66.38, -48.25, 26.33

 

CMYK 46 / 0 / 28 / 37

HEX #57A174

RGB 87 161 116

HSL 143.51, 0.3%, 0.49%

LAB 60.58, -33.57, 16.43

 

CMYK 23 / 0 / 14 / 45

HEX #6C8D79

RGB 108 141 121

HSL 143.64, 0.13%, 0.49%

LAB 55.7, -15.89, 6.91

 

CMYK 0 / 5 / 2 / 50

HEX #80797D

RGB 128 121 125

HSL 325.71, 0.03%, 0.49%

LAB 51.55, 3.45, -1.23

 

CMYK 65 / 0 / 77 / 21

HEX #46CA2F

RGB 70 202 47

HSL 111.1, 0.62%, 0.49%

LAB 72.06, -62.84, 62.01

 

CMYK 77 / 0 / 68 / 21

HEX #2FCA41

RGB 47 202 65

HSL 126.97, 0.62%, 0.49%

LAB 71.71, -65.37, 55.02

 

CMYK 77 / 0 / 48 / 21

HEX #2FCA6A

RGB 47 202 106

HSL 142.84, 0.62%, 0.49%

LAB 72.15, -60.06, 36.81

 

CMYK 77 / 0 / 27 / 21

HEX #2FCA94

RGB 47 202 148

HSL 159.1, 0.62%, 0.49%

LAB 72.88, -51.85, 15.92

 

CMYK 77 / 0 / 6 / 21

HEX #2FCABD

RGB 47 202 189

HSL 174.97, 0.62%, 0.49%

LAB 73.88, -41.49, -4.76

 

CMYK 77 / 0 / 47 / 47

HEX #1F8747

RGB 31 135 71

HSL 143.08, 0.63%, 0.33%

LAB 49.59, -43.81, 26.27

 

CMYK 77 / 0 / 47 / 34

HEX #27A859

RGB 39 168 89

HSL 143.26, 0.62%, 0.41%

LAB 60.92, -51.83, 31.19

 

CMYK 77 / 0 / 47 / 21

HEX #2FCA6B

RGB 47 202 107

HSL 143.23, 0.62%, 0.49%

LAB 72.17, -59.9, 36.33

 

CMYK 64 / 0 / 39 / 16

HEX #4DD582

RGB 77 213 130

HSL 143.38, 0.62%, 0.57%

LAB 76.54, -55.15, 30.45

 

CMYK 50 / 0 / 31 / 13

HEX #6FDD99

RGB 111 221 153

HSL 142.91, 0.62%, 0.65%

LAB 80.4, -46.65, 23.92

 

CMYK 77 / 0 / 47 / 21

HEX #2FCA6B

RGB 47 202 107

HSL 143.23, 0.62%, 0.49%

LAB 72.17, -59.9, 36.33

 

CMYK 77 / 45 / 0 / 21

HEX #2F70CA

RGB 47 112 202

HSL 214.84, 0.62%, 0.49%

LAB 47.57, 11.13, -52.64

 

CMYK 0 / 77 / 75 / 21

HEX #CA2F32

RGB 202 47 50

HSL 358.84, 0.62%, 0.49%

LAB 45.39, 59.77, 36.64

 

CMYK 77 / 0 / 47 / 21

HEX #2FCA6B

RGB 47 202 107

HSL 143.23, 0.62%, 0.49%

LAB 72.17, -59.9, 36.33

 

CMYK 48 / 77 / 0 / 21

HEX #6A2FCA

RGB 106 47 202

HSL 262.84, 0.62%, 0.49%

LAB 36.67, 58.07, -70.15

 

CMYK 0 / 48 / 77 / 21

HEX #CA6A2F

RGB 202 106 47

HSL 22.84, 0.62%, 0.49%

LAB 55.14, 33.87, 48.46

 

CMYK 77 / 0 / 47 / 21

HEX #2FCA6B

RGB 47 202 107

HSL 143.23, 0.62%, 0.49%

LAB 72.17, -59.9, 36.33

 

CMYK 77 / 45 / 0 / 21

HEX #2F70CA

RGB 47 112 202

HSL 214.84, 0.62%, 0.49%

LAB 47.57, 11.13, -52.64

 

CMYK 0 / 77 / 29 / 21

HEX #CA2F8F

RGB 202 47 143

HSL 322.84, 0.62%, 0.49%

LAB 47.72, 67.04, -16.7

 

CMYK 0 / 32 / 77 / 21

HEX #CA892F

RGB 202 137 47

HSL 34.84, 0.62%, 0.49%

LAB 62.21, 17.17, 55.41

 

CMYK 77 / 0 / 47 / 21

HEX #2FCA6B

RGB 47 202 107

HSL 143.23, 0.62%, 0.49%

LAB 72.17, -59.9, 36.33

 

CMYK 77 / 68 / 0 / 21

HEX #2F41CA

RGB 47 65 202

HSL 233.03, 0.62%, 0.49%

LAB 35.3, 41.19, -72.57

 

CMYK 0 / 77 / 29 / 21

HEX #CA2F8F

RGB 202 47 143

HSL 322.84, 0.62%, 0.49%

LAB 47.72, 67.04, -16.7

 

CMYK 0 / 9 / 77 / 21

HEX #CAB82F

RGB 202 184 47

HSL 53.03, 0.62%, 0.49%

LAB 74.22, -8, 66.67

 

Description

Color code: HEX #2FCA6B | qconv.com Color code: HEX #2FCA6B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 202 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 202 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 47 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 47% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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