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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FC7B0 it is the complementary color #D0384F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FC7B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FC7B0 shade: #34C7AB, #45D9BE, #56EBD1, #67FDE4 and #78FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FC7B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FC7B0 shade: #2FC7B0, #1EB59D, #0DA38A, #009177 and #007F64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FC7B0 shade: #2FC6AF, #2FC686, #2FC65D, #2FC635 and #51C62F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FC7B0 shade: #2FC6AF, #2FB4C6, #2F8BC6, #2F62C6 and #2F3AC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FC7B0 shade matches the following richer shades: #2FC6AF, #1BDABD and #07EECB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FC7B0 shade: #2FC6AF, #42B2A2, #569F94, #6A8B86 and #7E7778

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FC7B0 shade: #2FC65C, #2FC685, #2FC6AD, #2FB7C6 and #2F8FC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FC7B0 shade: #1F8374, #27A592, #2FC6AF, #4AD4BF and #6BDCCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FC7B0 shade: #2FC7B0, #342FC6 and #C6702F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FC7B0 shade: #2FC7B0, #AD2FC6 and #C6AD2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FC7B0 shade: #2FC7B0, #342FC6, #C62F48 and #C1C62F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FC7B0 shade: #2FC7B0, #612FC6, #C62F48 and #94C62F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 12 / 22

HEX #2FC7B0

RGB 47 199 176

HSL 170.92, 0.62%, 0.48%

LAB 72.62, -43.7, 0.44

 

Complementary color

CMYK 0 / 73 / 62 / 18

HEX #D0384F

RGB 208 56 79

HSL 350.92, 0.62%, 0.52%

LAB 48.01, 60.07, 22.85

 

CMYK 74 / 0 / 14 / 22

HEX #34C7AB

RGB 52 199 171

HSL 168.57, 0.59%, 0.49%

LAB 72.57, -44.44, 3.1

 

CMYK 68 / 0 / 12 / 15

HEX #45D9BE

RGB 69 217 190

HSL 169.05, 0.66%, 0.56%

LAB 78.82, -45.05, 1.98

 

CMYK 63 / 0 / 11 / 8

HEX #56EBD1

RGB 86 235 209

HSL 169.53, 0.79%, 0.63%

LAB 85, -45.47, 0.95

 

CMYK 59 / 0 / 10 / 1

HEX #67FDE4

RGB 103 253 228

HSL 170, 0.97%, 0.7%

LAB 91.11, -45.75, 0.01

 

CMYK 53 / 0 / 3 / 0

HEX #78FFF7

RGB 120 255 247

HSL 176.44, 1%, 0.74%

LAB 92.68, -38.81, -7.48

 

CMYK 76 / 0 / 12 / 22

HEX #2FC7B0

RGB 47 199 176

HSL 170.92, 0.62%, 0.48%

LAB 72.62, -43.7, 0.44

 

CMYK 83 / 0 / 13 / 29

HEX #1EB59D

RGB 30 181 157

HSL 170.46, 0.72%, 0.41%

LAB 66.33, -42.66, 1.67

 

CMYK 92 / 0 / 15 / 36

HEX #0DA38A

RGB 13 163 138

HSL 170, 0.85%, 0.35%

LAB 59.99, -41.22, 3.04

 

CMYK 100 / 0 / 18 / 43

HEX #009177

RGB 0 145 119

HSL 169.24, 1%, 0.28%

LAB 53.58, -39.33, 4.58

 

CMYK 100 / 0 / 21 / 50

HEX #007F64

RGB 0 127 100

HSL 167.24, 1%, 0.25%

LAB 47.1, -36.83, 6.33

 

CMYK 76 / 0 / 12 / 22

HEX #2FC6AF

RGB 47 198 175

HSL 170.86, 0.62%, 0.48%

LAB 72.29, -43.54, 0.5

 

CMYK 76 / 0 / 32 / 22

HEX #2FC686

RGB 47 198 134

HSL 154.57, 0.62%, 0.48%

LAB 71.36, -53.36, 21.29

 

CMYK 76 / 0 / 53 / 22

HEX #2FC65D

RGB 47 198 93

HSL 138.28, 0.62%, 0.48%

LAB 70.72, -60.68, 41.42

 

CMYK 76 / 0 / 73 / 22

HEX #2FC635

RGB 47 198 53

HSL 122.38, 0.62%, 0.48%

LAB 70.35, -65.16, 58.14

 

CMYK 59 / 0 / 76 / 22

HEX #51C62F

RGB 81 198 47

HSL 106.49, 0.62%, 0.48%

LAB 71.11, -58.99, 61.19

 

CMYK 76 / 0 / 12 / 22

HEX #2FC6AF

RGB 47 198 175

HSL 170.86, 0.62%, 0.48%

LAB 72.29, -43.54, 0.5

 

CMYK 76 / 9 / 0 / 22

HEX #2FB4C6

RGB 47 180 198

HSL 187.15, 0.62%, 0.48%

LAB 67.52, -28.55, -19.21

 

CMYK 76 / 30 / 0 / 22

HEX #2F8BC6

RGB 47 139 198

HSL 203.44, 0.62%, 0.48%

LAB 55.22, -6.67, -38.21

 

CMYK 76 / 51 / 0 / 22

HEX #2F62C6

RGB 47 98 198

HSL 219.74, 0.62%, 0.48%

LAB 43.38, 18.56, -57.07

 

CMYK 76 / 71 / 0 / 22

HEX #2F3AC6

RGB 47 58 198

HSL 235.63, 0.62%, 0.48%

LAB 33.37, 44.02, -73.42

 

CMYK 76 / 0 / 12 / 22

HEX #2FC6AF

RGB 47 198 175

HSL 170.86, 0.62%, 0.48%

LAB 72.29, -43.54, 0.5

 

CMYK 88 / 0 / 13 / 15

HEX #1BDABD

RGB 27 218 189

HSL 170.89, 0.78%, 0.48%

LAB 78.49, -49.9, 1.96

 

CMYK 97 / 0 / 15 / 7

HEX #07EECB

RGB 7 238 203

HSL 170.91, 0.94%, 0.48%

LAB 84.74, -55.1, 3.62

 

CMYK 76 / 0 / 12 / 22

HEX #2FC6AF

RGB 47 198 175

HSL 170.86, 0.62%, 0.48%

LAB 72.29, -43.54, 0.5

 

CMYK 63 / 0 / 9 / 30

HEX #42B2A2

RGB 66 178 162

HSL 171.43, 0.46%, 0.48%

LAB 66.22, -35.37, -1.19

 

CMYK 46 / 0 / 7 / 38

HEX #569F94

RGB 86 159 148

HSL 170.96, 0.3%, 0.48%

LAB 60.7, -25.59, -1.36

 

CMYK 24 / 0 / 4 / 45

HEX #6A8B86

RGB 106 139 134

HSL 170.91, 0.13%, 0.48%

LAB 55.33, -12.66, -1.12

 

CMYK 0 / 6 / 5 / 51

HEX #7E7778

RGB 126 119 120

HSL 351.43, 0.03%, 0.48%

LAB 50.67, 2.87, 0.41

 

CMYK 76 / 0 / 54 / 22

HEX #2FC65C

RGB 47 198 92

HSL 137.88, 0.62%, 0.48%

LAB 70.71, -60.83, 41.89

 

CMYK 76 / 0 / 33 / 22

HEX #2FC685

RGB 47 198 133

HSL 154.17, 0.62%, 0.48%

LAB 71.34, -53.57, 21.79

 

CMYK 76 / 0 / 13 / 22

HEX #2FC6AD

RGB 47 198 173

HSL 170.07, 0.62%, 0.48%

LAB 72.23, -44.07, 1.51

 

CMYK 76 / 8 / 0 / 22

HEX #2FB7C6

RGB 47 183 198

HSL 185.96, 0.62%, 0.48%

LAB 68.42, -30.02, -17.84

 

CMYK 76 / 28 / 0 / 22

HEX #2F8FC6

RGB 47 143 198

HSL 201.85, 0.62%, 0.48%

LAB 56.41, -8.96, -36.34

 

CMYK 76 / 0 / 11 / 49

HEX #1F8374

RGB 31 131 116

HSL 171, 0.62%, 0.32%

LAB 49.23, -31.51, 0.06

 

CMYK 76 / 0 / 12 / 35

HEX #27A592

RGB 39 165 146

HSL 170.95, 0.62%, 0.4%

LAB 61.15, -37.74, 0.26

 

CMYK 76 / 0 / 12 / 22

HEX #2FC6AF

RGB 47 198 175

HSL 170.86, 0.62%, 0.48%

LAB 72.29, -43.54, 0.5

 

CMYK 65 / 0 / 10 / 17

HEX #4AD4BF

RGB 74 212 191

HSL 170.87, 0.62%, 0.56%

LAB 77.46, -41.86, -0.52

 

CMYK 51 / 0 / 8 / 14

HEX #6BDCCB

RGB 107 220 203

HSL 170.97, 0.62%, 0.64%

LAB 81.08, -36.32, -1.51

 

CMYK 76 / 0 / 12 / 22

HEX #2FC7B0

RGB 47 199 176

HSL 170.92, 0.62%, 0.48%

LAB 72.62, -43.7, 0.44

 

CMYK 74 / 76 / 0 / 22

HEX #342FC6

RGB 52 47 198

HSL 241.99, 0.62%, 0.48%

LAB 31.44, 50.63, -76.59

 

CMYK 0 / 43 / 76 / 22

HEX #C6702F

RGB 198 112 47

HSL 25.83, 0.62%, 0.48%

LAB 55.89, 29.04, 49.02

 

CMYK 76 / 0 / 12 / 22

HEX #2FC7B0

RGB 47 199 176

HSL 170.92, 0.62%, 0.48%

LAB 72.62, -43.7, 0.44

 

CMYK 13 / 76 / 0 / 22

HEX #AD2FC6

RGB 173 47 198

HSL 290.07, 0.62%, 0.48%

LAB 45.63, 68.81, -52.86

 

CMYK 0 / 13 / 76 / 22

HEX #C6AD2F

RGB 198 173 47

HSL 50.07, 0.62%, 0.48%

LAB 70.94, -4, 63.51

 

CMYK 76 / 0 / 12 / 22

HEX #2FC7B0

RGB 47 199 176

HSL 170.92, 0.62%, 0.48%

LAB 72.62, -43.7, 0.44

 

CMYK 74 / 76 / 0 / 22

HEX #342FC6

RGB 52 47 198

HSL 241.99, 0.62%, 0.48%

LAB 31.44, 50.63, -76.59

 

CMYK 0 / 76 / 64 / 22

HEX #C62F48

RGB 198 47 72

HSL 350.07, 0.62%, 0.48%

LAB 44.95, 59.66, 22.78

 

CMYK 3 / 0 / 76 / 22

HEX #C1C62F

RGB 193 198 47

HSL 61.99, 0.62%, 0.48%

LAB 77.24, -18.95, 69.15

 

CMYK 76 / 0 / 12 / 22

HEX #2FC7B0

RGB 47 199 176

HSL 170.92, 0.62%, 0.48%

LAB 72.62, -43.7, 0.44

 

CMYK 51 / 76 / 0 / 22

HEX #612FC6

RGB 97 47 198

HSL 259.87, 0.62%, 0.48%

LAB 35.3, 55.74, -70.09

 

CMYK 0 / 76 / 64 / 22

HEX #C62F48

RGB 198 47 72

HSL 350.07, 0.62%, 0.48%

LAB 44.95, 59.66, 22.78

 

CMYK 25 / 0 / 76 / 22

HEX #94C62F

RGB 148 198 47

HSL 79.87, 0.62%, 0.48%

LAB 74.12, -37.31, 65.13

 

Description

Color code: HEX #2FC7B0 | qconv.com Color code: HEX #2FC7B0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 199 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 199 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 12 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 12% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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