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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FAA72 it is the complementary color #D0558D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FAA72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FAA72 shade: #34AA6D, #45BC80, #56CE93, #67E0A6 and #78F2B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FAA72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FAA72 shade: #2FAA72, #1E985F, #0D864C, #007439 and #006226

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FAA72 shade: #2FAC73, #2FAC52, #2FAC30, #50AC2F and #72AC2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FAA72 shade: #2FAC73, #2FAC95, #2FA2AC, #2F80AC and #2F5EAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FAA72 shade matches the following richer shades: #2FAC73, #1DBE75 and #0CD076

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FAA72 shade: #2FAC73, #419A72, #538970, #64776E and #76656D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FAA72 shade: #2FAC2F, #2FAC50, #2FAC72, #2FAC93 and #2FA4AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FAA72 shade: #1D6B48, #268C5E, #2FAC73, #3BC989 and #5CD29C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FAA72 shade: #2FAA72, #2F50AC and #AC402F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FAA72 shade: #2FAA72, #722FAC and #AC722F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FAA72 shade: #2FAA72, #2F50AC, #AC2F69 and #AC8B2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FAA72 shade: #2FAA72, #332FAC, #AC2F69 and #A8AC2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 33 / 33

HEX #2FAA72

RGB 47 170 114

HSL 152.68, 0.57%, 0.43%

LAB 62.14, -46.61, 19.47

 

Complementary color

CMYK 0 / 59 / 32 / 18

HEX #D0558D

RGB 208 85 141

HSL 332.68, 0.57%, 0.57%

LAB 53.85, 54.11, -6.18

 

CMYK 69 / 0 / 36 / 33

HEX #34AA6D

RGB 52 170 109

HSL 148.98, 0.53%, 0.44%

LAB 62.15, -46.84, 22.22

 

CMYK 63 / 0 / 32 / 26

HEX #45BC80

RGB 69 188 128

HSL 149.75, 0.47%, 0.5%

LAB 68.6, -47.16, 20.79

 

CMYK 58 / 0 / 29 / 19

HEX #56CE93

RGB 86 206 147

HSL 150.5, 0.55%, 0.57%

LAB 74.97, -47.28, 19.49

 

CMYK 54 / 0 / 26 / 12

HEX #67E0A6

RGB 103 224 166

HSL 151.24, 0.66%, 0.64%

LAB 81.26, -47.27, 18.29

 

CMYK 50 / 0 / 24 / 5

HEX #78F2B9

RGB 120 242 185

HSL 151.97, 0.82%, 0.71%

LAB 87.49, -47.18, 17.18

 

CMYK 72 / 0 / 33 / 33

HEX #2FAA72

RGB 47 170 114

HSL 152.68, 0.57%, 0.43%

LAB 62.14, -46.61, 19.47

 

CMYK 80 / 0 / 38 / 40

HEX #1E985F

RGB 30 152 95

HSL 151.97, 0.67%, 0.36%

LAB 55.64, -45.83, 21.05

 

CMYK 90 / 0 / 43 / 47

HEX #0D864C

RGB 13 134 76

HSL 151.24, 0.82%, 0.29%

LAB 49.08, -44.5, 22.82

 

CMYK 100 / 0 / 51 / 55

HEX #007439

RGB 0 116 57

HSL 149.48, 1%, 0.23%

LAB 42.44, -42.47, 24.77

 

CMYK 100 / 0 / 61 / 62

HEX #006226

RGB 0 98 38

HSL 143.27, 1%, 0.19%

LAB 35.74, -39.28, 26.87

 

CMYK 73 / 0 / 33 / 33

HEX #2FAC73

RGB 47 172 115

HSL 152.64, 0.57%, 0.43%

LAB 62.8, -47.2, 19.82

 

CMYK 73 / 0 / 52 / 33

HEX #2FAC52

RGB 47 172 82

HSL 136.8, 0.57%, 0.43%

LAB 62.27, -53.2, 36.48

 

CMYK 73 / 0 / 72 / 33

HEX #2FAC30

RGB 47 172 48

HSL 120.48, 0.57%, 0.43%

LAB 61.93, -57.22, 51.37

 

CMYK 53 / 0 / 73 / 33

HEX #50AC2F

RGB 80 172 47

HSL 104.16, 0.57%, 0.43%

LAB 62.86, -49.75, 52.99

 

CMYK 34 / 0 / 73 / 33

HEX #72AC2F

RGB 114 172 47

HSL 87.84, 0.57%, 0.43%

LAB 64.39, -38.58, 55.04

 

CMYK 73 / 0 / 33 / 33

HEX #2FAC73

RGB 47 172 115

HSL 152.64, 0.57%, 0.43%

LAB 62.8, -47.2, 19.82

 

CMYK 73 / 0 / 13 / 33

HEX #2FAC95

RGB 47 172 149

HSL 168.96, 0.57%, 0.43%

LAB 63.57, -39.05, 2.12

 

CMYK 73 / 6 / 0 / 33

HEX #2FA2AC

RGB 47 162 172

HSL 184.8, 0.57%, 0.43%

LAB 61.15, -27.72, -14.36

 

CMYK 73 / 26 / 0 / 33

HEX #2F80AC

RGB 47 128 172

HSL 201.12, 0.57%, 0.43%

LAB 50.71, -9.55, -30.38

 

CMYK 73 / 45 / 0 / 33

HEX #2F5EAC

RGB 47 94 172

HSL 217.44, 0.57%, 0.43%

LAB 40.55, 11.32, -46.45

 

CMYK 73 / 0 / 33 / 33

HEX #2FAC73

RGB 47 172 115

HSL 152.64, 0.57%, 0.43%

LAB 62.8, -47.2, 19.82

 

CMYK 85 / 0 / 38 / 25

HEX #1DBE75

RGB 29 190 117

HSL 152.8, 0.74%, 0.43%

LAB 68.29, -55.73, 26.1

 

CMYK 94 / 0 / 43 / 18

HEX #0CD076

RGB 12 208 118

HSL 152.45, 0.89%, 0.43%

LAB 73.87, -62.88, 32.89

 

CMYK 73 / 0 / 33 / 33

HEX #2FAC73

RGB 47 172 115

HSL 152.64, 0.57%, 0.43%

LAB 62.8, -47.2, 19.82

 

CMYK 58 / 0 / 26 / 40

HEX #419A72

RGB 65 154 114

HSL 153.03, 0.41%, 0.43%

LAB 57.51, -36.41, 13.15

 

CMYK 39 / 0 / 18 / 46

HEX #538970

RGB 83 137 112

HSL 152.22, 0.25%, 0.43%

LAB 52.84, -23.92, 7.82

 

CMYK 16 / 0 / 8 / 53

HEX #64776E

RGB 100 119 110

HSL 151.58, 0.09%, 0.43%

LAB 48.3, -8.95, 2.6

 

CMYK 0 / 14 / 8 / 54

HEX #76656D

RGB 118 101 109

HSL 331.76, 0.08%, 0.43%

LAB 44.61, 8.27, -1.99

 

CMYK 73 / 0 / 73 / 33

HEX #2FAC2F

RGB 47 172 47

HSL 120, 0.57%, 0.43%

LAB 61.92, -57.31, 51.74

 

CMYK 73 / 0 / 53 / 33

HEX #2FAC50

RGB 47 172 80

HSL 135.84, 0.57%, 0.43%

LAB 62.24, -53.5, 37.45

 

CMYK 73 / 0 / 34 / 33

HEX #2FAC72

RGB 47 172 114

HSL 152.16, 0.57%, 0.43%

LAB 62.78, -47.41, 20.34

 

CMYK 73 / 0 / 15 / 33

HEX #2FAC93

RGB 47 172 147

HSL 168, 0.57%, 0.43%

LAB 63.52, -39.58, 3.16

 

CMYK 73 / 5 / 0 / 33

HEX #2FA4AC

RGB 47 164 172

HSL 183.84, 0.57%, 0.43%

LAB 61.77, -28.71, -13.43

 

CMYK 73 / 0 / 33 / 58

HEX #1D6B48

RGB 29 107 72

HSL 153.08, 0.57%, 0.27%

LAB 39.99, -32.41, 12.99

 

CMYK 73 / 0 / 33 / 45

HEX #268C5E

RGB 38 140 94

HSL 152.94, 0.57%, 0.35%

LAB 51.81, -40.08, 16.45

 

CMYK 73 / 0 / 33 / 33

HEX #2FAC73

RGB 47 172 115

HSL 152.64, 0.57%, 0.43%

LAB 62.8, -47.2, 19.82

 

CMYK 71 / 0 / 32 / 21

HEX #3BC989

RGB 59 201 137

HSL 152.96, 0.57%, 0.51%

LAB 72.57, -52.24, 21.38

 

CMYK 56 / 0 / 26 / 18

HEX #5CD29C

RGB 92 210 156

HSL 152.54, 0.57%, 0.59%

LAB 76.54, -45.82, 16.92

 

CMYK 72 / 0 / 33 / 33

HEX #2FAA72

RGB 47 170 114

HSL 152.68, 0.57%, 0.43%

LAB 62.14, -46.61, 19.47

 

CMYK 73 / 53 / 0 / 33

HEX #2F50AC

RGB 47 80 172

HSL 224.16, 0.57%, 0.43%

LAB 36.59, 20.51, -52.83

 

CMYK 0 / 63 / 73 / 33

HEX #AC402F

RGB 172 64 47

HSL 8.16, 0.57%, 0.43%

LAB 42.22, 43.24, 33.29

 

CMYK 72 / 0 / 33 / 33

HEX #2FAA72

RGB 47 170 114

HSL 152.68, 0.57%, 0.43%

LAB 62.14, -46.61, 19.47

 

CMYK 34 / 73 / 0 / 33

HEX #722FAC

RGB 114 47 172

HSL 272.16, 0.57%, 0.43%

LAB 35.18, 51.99, -54.85

 

CMYK 0 / 34 / 73 / 33

HEX #AC722F

RGB 172 114 47

HSL 32.16, 0.57%, 0.43%

LAB 52.96, 16.77, 44.95

 

CMYK 72 / 0 / 33 / 33

HEX #2FAA72

RGB 47 170 114

HSL 152.68, 0.57%, 0.43%

LAB 62.14, -46.61, 19.47

 

CMYK 73 / 53 / 0 / 33

HEX #2F50AC

RGB 47 80 172

HSL 224.16, 0.57%, 0.43%

LAB 36.59, 20.51, -52.83

 

CMYK 0 / 73 / 39 / 33

HEX #AC2F69

RGB 172 47 105

HSL 332.16, 0.57%, 0.43%

LAB 40.93, 54.83, -4.12

 

CMYK 0 / 19 / 73 / 33

HEX #AC8B2F

RGB 172 139 47

HSL 44.16, 0.57%, 0.43%

LAB 59.38, 2.79, 51.5

 

CMYK 72 / 0 / 33 / 33

HEX #2FAA72

RGB 47 170 114

HSL 152.68, 0.57%, 0.43%

LAB 62.14, -46.61, 19.47

 

CMYK 70 / 73 / 0 / 33

HEX #332FAC

RGB 51 47 172

HSL 241.92, 0.57%, 0.43%

LAB 28.68, 42.08, -65.74

 

CMYK 0 / 73 / 39 / 33

HEX #AC2F69

RGB 172 47 105

HSL 332.16, 0.57%, 0.43%

LAB 40.93, 54.83, -4.12

 

CMYK 2 / 0 / 73 / 33

HEX #A8AC2F

RGB 168 172 47

HSL 61.92, 0.57%, 0.43%

LAB 68.05, -16.57, 59.85

 

Description

Color code: HEX #2FAA72 | qconv.com Color code: HEX #2FAA72 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 170 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 170 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 33 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 33% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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