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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FA120 it is the complementary color #D05EDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FA120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2FA120: #34A11B, #45B32E, #56C541, #67D754 and #78E967

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FA120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2FA120: #2FA120, #1E8F0D, #0D7D00, #006B00 and #005900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 80 / 37

HEX #2FA120

RGB 47 161 32

HSL 113.02, 0.67%, 0.38%

LAB 58.22, -54.76, 53.26

 

Complementary color

CMYK 7 / 58 / 0 / 13

HEX #D05EDF

RGB 208 94 223

HSL 293.02, 0.67%, 0.62%

LAB 58.74, 62.69, -45.94

 

CMYK 68 / 0 / 83 / 37

HEX #34A11B

RGB 52 161 27

HSL 108.81, 0.71%, 0.37%

LAB 58.32, -54.05, 54.86

 

CMYK 61 / 0 / 74 / 30

HEX #45B32E

RGB 69 179 46

HSL 109.62, 0.59%, 0.44%

LAB 64.73, -55.26, 55.12

 

CMYK 56 / 0 / 67 / 23

HEX #56C541

RGB 86 197 65

HSL 110.45, 0.53%, 0.51%

LAB 71.07, -55.99, 54.61

 

CMYK 52 / 0 / 61 / 16

HEX #67D754

RGB 103 215 84

HSL 111.3, 0.62%, 0.59%

LAB 77.36, -56.4, 53.71

 

CMYK 48 / 0 / 56 / 9

HEX #78E967

RGB 120 233 103

HSL 112.15, 0.75%, 0.66%

LAB 83.57, -56.6, 52.62

 

CMYK 71 / 0 / 80 / 37

HEX #2FA120

RGB 47 161 32

HSL 113.02, 0.67%, 0.38%

LAB 58.22, -54.76, 53.26

 

CMYK 79 / 0 / 91 / 44

HEX #1E8F0D

RGB 30 143 13

HSL 112.15, 0.83%, 0.31%

LAB 51.78, -52.78, 52.19

 

CMYK 90 / 0 / 100 / 51

HEX #0D7D00

RGB 13 125 0

HSL 113.76, 1%, 0.25%

LAB 45.29, -49.74, 49.2

 

CMYK 100 / 0 / 100 / 58

HEX #006B00

RGB 0 107 0

HSL 120, 1%, 0.21%

LAB 38.75, -45.49, 43.9

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 71 / 0 / 80 / 37

HEX #2FA120

RGB 47 161 32

HSL 113.02, 0.67%, 0.38%

LAB 58.22, -54.76, 53.26

 

CMYK 81 / 0 / 76 / 37

HEX #1FA126

RGB 31 161 38

HSL 123.23, 0.68%, 0.38%

LAB 57.96, -56.9, 50.92

 

CMYK 81 / 0 / 63 / 37

HEX #1FA13C

RGB 31 161 60

HSL 133.38, 0.68%, 0.38%

LAB 58.14, -54.72, 42.12

 

CMYK 81 / 0 / 50 / 37

HEX #1FA151

RGB 31 161 81

HSL 143.08, 0.68%, 0.38%

LAB 58.39, -51.69, 32.12

 

CMYK 81 / 0 / 36 / 37

HEX #1FA167

RGB 31 161 103

HSL 153.23, 0.68%, 0.38%

LAB 58.75, -47.53, 20.84

 

CMYK 71 / 0 / 80 / 37

HEX #2FA120

RGB 47 161 32

HSL 113.02, 0.67%, 0.38%

LAB 58.22, -54.76, 53.26

 

CMYK 71 / 0 / 80 / 17

HEX #3ED42A

RGB 62 212 42

HSL 112.94, 0.67%, 0.5%

LAB 75, -67.88, 66.24

 

CMYK 75 / 0 / 75 / 97

HEX #020802

RGB 2 8 2

HSL 120, 0.6%, 0.02%

LAB 1.72, -2.4, 1.72

 

CMYK 71 / 0 / 80 / 77

HEX #113B0C

RGB 17 59 12

HSL 113.62, 0.66%, 0.14%

LAB 21.11, -25.17, 23.78

 

CMYK 71 / 0 / 80 / 57

HEX #206E16

RGB 32 110 22

HSL 113.18, 0.67%, 0.26%

LAB 40.44, -40.74, 39.35

 

CMYK 71 / 0 / 80 / 37

HEX #2FA120

RGB 47 161 32

HSL 113.02, 0.67%, 0.38%

LAB 58.22, -54.76, 53.26

 

CMYK 81 / 6 / 0 / 37

HEX #1F97A1

RGB 31 151 161

HSL 184.62, 0.68%, 0.38%

LAB 57.07, -27.5, -14.32

 

CMYK 0 / 81 / 39 / 37

HEX #A11F63

RGB 161 31 99

HSL 328.62, 0.68%, 0.38%

LAB 36.85, 56.32, -6.62

 

CMYK 71 / 0 / 80 / 37

HEX #2FA120

RGB 47 161 32

HSL 113.02, 0.67%, 0.38%

LAB 58.22, -54.76, 53.26

 

CMYK 81 / 71 / 0 / 37

HEX #1F2FA1

RGB 31 47 161

HSL 232.62, 0.68%, 0.38%

LAB 26.44, 36.32, -62.83

 

CMYK 0 / 81 / 71 / 37

HEX #A11F2F

RGB 161 31 47

HSL 352.62, 0.68%, 0.38%

LAB 35.52, 52.27, 24.92

 

CMYK 71 / 0 / 80 / 37

HEX #2FA120

RGB 47 161 32

HSL 113.02, 0.67%, 0.38%

LAB 58.22, -54.76, 53.26

 

CMYK 81 / 6 / 0 / 37

HEX #1F97A1

RGB 31 151 161

HSL 184.62, 0.68%, 0.38%

LAB 57.07, -27.5, -14.32

 

CMYK 9 / 81 / 0 / 37

HEX #921FA1

RGB 146 31 161

HSL 293.08, 0.68%, 0.38%

LAB 37.23, 61.75, -44.69

 

CMYK 0 / 74 / 81 / 37

HEX #A12A1F

RGB 161 42 31

HSL 5.08, 0.68%, 0.38%

LAB 36.62, 47.98, 35.7

 

CMYK 71 / 0 / 80 / 37

HEX #2FA120

RGB 47 161 32

HSL 113.02, 0.67%, 0.38%

LAB 58.22, -54.76, 53.26

 

CMYK 81 / 30 / 0 / 37

HEX #1F70A1

RGB 31 112 161

HSL 202.62, 0.68%, 0.38%

LAB 44.88, -6.16, -33.13

 

CMYK 9 / 81 / 0 / 37

HEX #921FA1

RGB 146 31 161

HSL 293.08, 0.68%, 0.38%

LAB 37.23, 61.75, -44.69

 

CMYK 0 / 50 / 81 / 37

HEX #A1511F

RGB 161 81 31

HSL 23.08, 0.68%, 0.38%

LAB 43.6, 29.65, 42.54

 

Description

Color code: HEX #2FA120 | qconv.com Color code: HEX #2FA120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 161 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 161 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 80 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 80% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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