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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FA0AF it is the complementary color #D05F50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FA0AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FA0AF shade: #34A0AA, #45B2BD, #56C4D0, #67D6E3 and #78E8F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FA0AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FA0AF shade: #2FA0AF, #1E8E9C, #0D7C89, #006A76 and #005863

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FA0AF shade: #2FA2B1, #2F7FB1, #2F5CB1, #2F39B1 and #492FB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FA0AF shade: #2FA2B1, #2F7FB1, #2F5CB1, #2F39B1 and #2F2FB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FA0AF shade matches the following richer shades: #2FA2B1, #1DB0C3 and #0BBED6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FA0AF shade: #2FA2B1, #41949F, #53868D, #66787B and #786A69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FA0AF shade: #2FB17B, #2FB19E, #2FA2B1, #2F7FB1 and #2F5DB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FA0AF shade: #1E6670, #268491, #2FA2B1, #3EBBCC and #5FC7D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FA0AF shade: #2FA0AF, #582FB1 and #B18C2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FA0AF shade: #2FA0AF, #B12FA2 and #A2B12F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FA0AF shade: #2FA0AF, #582FB1, #B13E2F and #88B12F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FA0AF shade: #2FA0AF, #7F2FB1, #B13E2F and #61B12F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 9 / 0 / 31

HEX #2FA0AF

RGB 47 160 175

HSL 187.03, 0.58%, 0.44%

LAB 60.64, -25.79, -16.83

 

Complementary color

CMYK 0 / 54 / 62 / 18

HEX #D05F50

RGB 208 95 80

HSL 7.03, 0.58%, 0.56%

LAB 54.21, 43.57, 30.2

 

CMYK 69 / 6 / 0 / 33

HEX #34A0AA

RGB 52 160 170

HSL 185.08, 0.53%, 0.44%

LAB 60.58, -26.66, -14.09

 

CMYK 63 / 6 / 0 / 26

HEX #45B2BD

RGB 69 178 189

HSL 185.5, 0.48%, 0.51%

LAB 67.11, -27.3, -14.81

 

CMYK 59 / 6 / 0 / 18

HEX #56C4D0

RGB 86 196 208

HSL 185.9, 0.56%, 0.58%

LAB 73.55, -27.75, -15.47

 

CMYK 55 / 6 / 0 / 11

HEX #67D6E3

RGB 103 214 227

HSL 186.29, 0.69%, 0.65%

LAB 79.91, -28.07, -16.07

 

CMYK 51 / 6 / 0 / 4

HEX #78E8F6

RGB 120 232 246

HSL 186.67, 0.88%, 0.72%

LAB 86.19, -28.3, -16.64

 

CMYK 73 / 9 / 0 / 31

HEX #2FA0AF

RGB 47 160 175

HSL 187.03, 0.58%, 0.44%

LAB 60.64, -25.79, -16.83

 

CMYK 81 / 9 / 0 / 39

HEX #1E8E9C

RGB 30 142 156

HSL 186.67, 0.68%, 0.36%

LAB 54.05, -24.67, -16.03

 

CMYK 91 / 9 / 0 / 46

HEX #0D7C89

RGB 13 124 137

HSL 186.29, 0.83%, 0.29%

LAB 47.37, -23.11, -15.11

 

CMYK 100 / 10 / 0 / 54

HEX #006A76

RGB 0 106 118

HSL 186.1, 1%, 0.23%

LAB 40.6, -21.03, -14.05

 

CMYK 100 / 11 / 0 / 61

HEX #005863

RGB 0 88 99

HSL 186.67, 1%, 0.19%

LAB 33.73, -18.17, -12.79

 

CMYK 73 / 8 / 0 / 31

HEX #2FA2B1

RGB 47 162 177

HSL 186.92, 0.58%, 0.44%

LAB 61.32, -26.17, -16.92

 

CMYK 73 / 28 / 0 / 31

HEX #2F7FB1

RGB 47 127 177

HSL 203.08, 0.58%, 0.44%

LAB 50.64, -7.2, -33.39

 

CMYK 73 / 48 / 0 / 31

HEX #2F5CB1

RGB 47 92 177

HSL 219.23, 0.58%, 0.44%

LAB 40.3, 14.51, -49.8

 

CMYK 73 / 68 / 0 / 31

HEX #2F39B1

RGB 47 57 177

HSL 235.38, 0.58%, 0.44%

LAB 31.13, 37.33, -64.72

 

CMYK 59 / 73 / 0 / 31

HEX #492FB1

RGB 73 47 177

HSL 252, 0.58%, 0.44%

LAB 30.93, 46.42, -64.96

 

CMYK 73 / 8 / 0 / 31

HEX #2FA2B1

RGB 47 162 177

HSL 186.92, 0.58%, 0.44%

LAB 61.32, -26.17, -16.92

 

CMYK 73 / 28 / 0 / 31

HEX #2F7FB1

RGB 47 127 177

HSL 203.08, 0.58%, 0.44%

LAB 50.64, -7.2, -33.39

 

CMYK 73 / 48 / 0 / 31

HEX #2F5CB1

RGB 47 92 177

HSL 219.23, 0.58%, 0.44%

LAB 40.3, 14.51, -49.8

 

CMYK 73 / 68 / 0 / 31

HEX #2F39B1

RGB 47 57 177

HSL 235.38, 0.58%, 0.44%

LAB 31.13, 37.33, -64.72

 

CMYK 73 / 73 / 0 / 31

HEX #2F2FB1

RGB 47 47 177

HSL 240, 0.58%, 0.44%

LAB 28.93, 43.35, -68.33

 

CMYK 73 / 8 / 0 / 31

HEX #2FA2B1

RGB 47 162 177

HSL 186.92, 0.58%, 0.44%

LAB 61.32, -26.17, -16.92

 

CMYK 85 / 10 / 0 / 24

HEX #1DB0C3

RGB 29 176 195

HSL 186.87, 0.74%, 0.44%

LAB 65.94, -29.12, -19.97

 

CMYK 95 / 11 / 0 / 16

HEX #0BBED6

RGB 11 190 214

HSL 187.09, 0.9%, 0.44%

LAB 70.7, -30.69, -23.18

 

CMYK 73 / 8 / 0 / 31

HEX #2FA2B1

RGB 47 162 177

HSL 186.92, 0.58%, 0.44%

LAB 61.32, -26.17, -16.92

 

CMYK 59 / 7 / 0 / 38

HEX #41949F

RGB 65 148 159

HSL 187.02, 0.42%, 0.44%

LAB 56.89, -21.67, -13.38

 

CMYK 41 / 5 / 0 / 45

HEX #53868D

RGB 83 134 141

HSL 187.24, 0.26%, 0.44%

LAB 52.74, -15.15, -9.15

 

CMYK 17 / 2 / 0 / 52

HEX #66787B

RGB 102 120 123

HSL 188.57, 0.09%, 0.44%

LAB 49.12, -5.91, -3.87

 

CMYK 0 / 12 / 13 / 53

HEX #786A69

RGB 120 106 105

HSL 4, 0.07%, 0.44%

LAB 46.07, 5.33, 2.57

 

CMYK 73 / 0 / 31 / 31

HEX #2FB17B

RGB 47 177 123

HSL 155.08, 0.58%, 0.44%

LAB 64.55, -47.48, 17.86

 

CMYK 73 / 0 / 11 / 31

HEX #2FB19E

RGB 47 177 158

HSL 171.23, 0.58%, 0.44%

LAB 65.37, -38.86, -0.26

 

CMYK 73 / 8 / 0 / 31

HEX #2FA2B1

RGB 47 162 177

HSL 186.92, 0.58%, 0.44%

LAB 61.32, -26.17, -16.92

 

CMYK 73 / 28 / 0 / 31

HEX #2F7FB1

RGB 47 127 177

HSL 203.08, 0.58%, 0.44%

LAB 50.64, -7.2, -33.39

 

CMYK 73 / 47 / 0 / 31

HEX #2F5DB1

RGB 47 93 177

HSL 218.77, 0.58%, 0.44%

LAB 40.59, 13.86, -49.34

 

CMYK 73 / 9 / 0 / 56

HEX #1E6670

RGB 30 102 112

HSL 187.32, 0.58%, 0.28%

LAB 39.49, -18.16, -12.04

 

CMYK 74 / 9 / 0 / 43

HEX #268491

RGB 38 132 145

HSL 187.29, 0.58%, 0.36%

LAB 50.64, -22.17, -14.81

 

CMYK 73 / 8 / 0 / 31

HEX #2FA2B1

RGB 47 162 177

HSL 186.92, 0.58%, 0.44%

LAB 61.32, -26.17, -16.92

 

CMYK 70 / 8 / 0 / 20

HEX #3EBBCC

RGB 62 187 204

HSL 187.18, 0.58%, 0.52%

LAB 70.12, -28.32, -18.53

 

CMYK 55 / 6 / 0 / 17

HEX #5FC7D4

RGB 95 199 212

HSL 186.67, 0.58%, 0.6%

LAB 74.85, -26.41, -15.66

 

CMYK 73 / 9 / 0 / 31

HEX #2FA0AF

RGB 47 160 175

HSL 187.03, 0.58%, 0.44%

LAB 60.64, -25.79, -16.83

 

CMYK 50 / 73 / 0 / 31

HEX #582FB1

RGB 88 47 177

HSL 258.92, 0.58%, 0.44%

LAB 32.44, 48.67, -62.43

 

CMYK 0 / 21 / 73 / 31

HEX #B18C2F

RGB 177 140 47

HSL 42.92, 0.58%, 0.44%

LAB 60.17, 4.48, 52.46

 

CMYK 73 / 9 / 0 / 31

HEX #2FA0AF

RGB 47 160 175

HSL 187.03, 0.58%, 0.44%

LAB 60.64, -25.79, -16.83

 

CMYK 0 / 73 / 8 / 31

HEX #B12FA2

RGB 177 47 162

HSL 306.92, 0.58%, 0.44%

LAB 44.22, 63.64, -33.87

 

CMYK 8 / 0 / 73 / 31

HEX #A2B12F

RGB 162 177 47

HSL 66.92, 0.58%, 0.44%

LAB 68.99, -21.66, 60.59

 

CMYK 73 / 9 / 0 / 31

HEX #2FA0AF

RGB 47 160 175

HSL 187.03, 0.58%, 0.44%

LAB 60.64, -25.79, -16.83

 

CMYK 50 / 73 / 0 / 31

HEX #582FB1

RGB 88 47 177

HSL 258.92, 0.58%, 0.44%

LAB 32.44, 48.67, -62.43

 

CMYK 0 / 65 / 73 / 31

HEX #B13E2F

RGB 177 62 47

HSL 6.92, 0.58%, 0.44%

LAB 42.76, 45.93, 34.14

 

CMYK 23 / 0 / 73 / 31

HEX #88B12F

RGB 136 177 47

HSL 78.92, 0.58%, 0.44%

LAB 67.19, -32.39, 58.23

 

CMYK 73 / 9 / 0 / 31

HEX #2FA0AF

RGB 47 160 175

HSL 187.03, 0.58%, 0.44%

LAB 60.64, -25.79, -16.83

 

CMYK 28 / 73 / 0 / 31

HEX #7F2FB1

RGB 127 47 177

HSL 276.92, 0.58%, 0.44%

LAB 37.33, 55.67, -54.25

 

CMYK 0 / 65 / 73 / 31

HEX #B13E2F

RGB 177 62 47

HSL 6.92, 0.58%, 0.44%

LAB 42.76, 45.93, 34.14

 

CMYK 45 / 0 / 73 / 31

HEX #61B12F

RGB 97 177 47

HSL 96.92, 0.58%, 0.44%

LAB 65.11, -46.57, 55.48

 

Description

Color code: HEX #2FA0AF | qconv.com Color code: HEX #2FA0AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 160 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 160 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 9 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 9% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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