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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F9ACE it is the complementary color #D06531. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F9ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F9ACE shade: #349AC9, #45ACDC, #56BEEF, #67D0FF and #78E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F9ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F9ACE shade: #2F9ACE, #1E88BB, #0D76A8, #006495 and #005282

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F9ACE shade: #2F9BD0, #2F70D0, #2F45D0, #452FD0 and #702FD0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F9ACE shade: #2F9BD0, #2F70D0, #2F45D0 and #2F2FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F9ACE shade matches the following richer shades: #2F9BD0, #1BA2E4 and #06AAF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F9ACE shade: #2F9BD0, #4494BB, #588DA7, #6D8692 and #827F7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F9ACE shade: #2FD0AD, #2FC8D0, #2F9DD0, #2F72D0 and #2F47D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F9ACE shade: #20698D, #2882AE, #2F9BD0, #51ABD7 and #72BCDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F9ACE shade: #2F9ACE, #822FD0 and #D0C22F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F9ACE shade: #2F9ACE, #D02F9D and #9DD02F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F9ACE shade: #2F9ACE, #822FD0, #D0622F and #7DD02F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F9ACE shade: #2F9ACE, #B22FD0, #D0622F and #4DD02F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 25 / 0 / 19

HEX #2F9ACE

RGB 47 154 206

HSL 199.62, 0.63%, 0.5%

LAB 60.04, -12.32, -35.17

 

Complementary color

CMYK 0 / 51 / 76 / 18

HEX #D06531

RGB 208 101 49

HSL 19.62, 0.63%, 0.5%

LAB 55.01, 38.91, 47.67

 

CMYK 74 / 23 / 0 / 21

HEX #349AC9

RGB 52 154 201

HSL 198.93, 0.59%, 0.5%

LAB 59.94, -13.45, -32.52

 

CMYK 69 / 22 / 0 / 14

HEX #45ACDC

RGB 69 172 220

HSL 199.07, 0.68%, 0.57%

LAB 66.47, -14.58, -32.9

 

CMYK 64 / 21 / 0 / 6

HEX #56BEEF

RGB 86 190 239

HSL 199.22, 0.83%, 0.64%

LAB 72.92, -15.46, -33.25

 

CMYK 60 / 18 / 0 / 0

HEX #67D0FF

RGB 103 208 255

HSL 198.55, 1%, 0.7%

LAB 79.17, -17.06, -32.15

 

CMYK 53 / 11 / 0 / 0

HEX #78E2FF

RGB 120 226 255

HSL 192.89, 1%, 0.74%

LAB 84.79, -22.94, -23.48

 

CMYK 77 / 25 / 0 / 19

HEX #2F9ACE

RGB 47 154 206

HSL 199.62, 0.63%, 0.5%

LAB 60.04, -12.32, -35.17

 

CMYK 84 / 27 / 0 / 27

HEX #1E88BB

RGB 30 136 187

HSL 199.49, 0.72%, 0.43%

LAB 53.46, -10.64, -34.74

 

CMYK 92 / 30 / 0 / 34

HEX #0D76A8

RGB 13 118 168

HSL 199.35, 0.86%, 0.35%

LAB 46.8, -8.47, -34.22

 

CMYK 100 / 33 / 0 / 42

HEX #006495

RGB 0 100 149

HSL 199.73, 1%, 0.29%

LAB 40.06, -5.72, -33.62

 

CMYK 100 / 37 / 0 / 49

HEX #005282

RGB 0 82 130

HSL 202.15, 1%, 0.25%

LAB 33.24, -2.17, -32.87

 

CMYK 77 / 25 / 0 / 18

HEX #2F9BD0

RGB 47 155 208

HSL 199.75, 0.63%, 0.5%

LAB 60.43, -12.18, -35.69

 

CMYK 77 / 46 / 0 / 18

HEX #2F70D0

RGB 47 112 208

HSL 215.78, 0.63%, 0.5%

LAB 47.94, 13.39, -55.48

 

CMYK 77 / 67 / 0 / 18

HEX #2F45D0

RGB 47 69 208

HSL 231.8, 0.63%, 0.5%

LAB 36.77, 40.84, -73.64

 

CMYK 67 / 77 / 0 / 18

HEX #452FD0

RGB 69 47 208

HSL 248.2, 0.63%, 0.5%

LAB 33.67, 55.22, -78.69

 

CMYK 46 / 77 / 0 / 18

HEX #702FD0

RGB 112 47 208

HSL 264.22, 0.63%, 0.5%

LAB 37.9, 60.46, -71.59

 

CMYK 77 / 25 / 0 / 18

HEX #2F9BD0

RGB 47 155 208

HSL 199.75, 0.63%, 0.5%

LAB 60.43, -12.18, -35.69

 

CMYK 77 / 46 / 0 / 18

HEX #2F70D0

RGB 47 112 208

HSL 215.78, 0.63%, 0.5%

LAB 47.94, 13.39, -55.48

 

CMYK 77 / 67 / 0 / 18

HEX #2F45D0

RGB 47 69 208

HSL 231.8, 0.63%, 0.5%

LAB 36.77, 40.84, -73.64

 

CMYK 77 / 77 / 0 / 18

HEX #2F2FD0

RGB 47 47 208

HSL 240, 0.63%, 0.5%

LAB 32.24, 53.43, -81.11

 

CMYK 77 / 25 / 0 / 18

HEX #2F9BD0

RGB 47 155 208

HSL 199.75, 0.63%, 0.5%

LAB 60.43, -12.18, -35.69

 

CMYK 88 / 29 / 0 / 11

HEX #1BA2E4

RGB 27 162 228

HSL 199.7, 0.79%, 0.5%

LAB 63.07, -10.63, -42.67

 

CMYK 98 / 32 / 0 / 2

HEX #06AAF9

RGB 6 170 249

HSL 199.51, 0.95%, 0.5%

LAB 66.23, -8.27, -49.22

 

CMYK 77 / 25 / 0 / 18

HEX #2F9BD0

RGB 47 155 208

HSL 199.75, 0.63%, 0.5%

LAB 60.43, -12.18, -35.69

 

CMYK 64 / 21 / 0 / 27

HEX #4494BB

RGB 68 148 187

HSL 199.66, 0.47%, 0.5%

LAB 58.03, -12.38, -27.55

 

CMYK 47 / 16 / 0 / 35

HEX #588DA7

RGB 88 141 167

HSL 199.75, 0.31%, 0.5%

LAB 56, -10.38, -19.21

 

CMYK 25 / 8 / 0 / 43

HEX #6D8692

RGB 109 134 146

HSL 199.46, 0.15%, 0.5%

LAB 54.42, -6.06, -9.38

 

CMYK 0 / 2 / 4 / 49

HEX #827F7D

RGB 130 127 125

HSL 24, 0.02%, 0.5%

LAB 53.39, 0.74, 1.48

 

CMYK 77 / 0 / 17 / 18

HEX #2FD0AD

RGB 47 208 173

HSL 166.96, 0.63%, 0.5%

LAB 75.29, -48.3, 5.92

 

CMYK 77 / 4 / 0 / 18

HEX #2FC8D0

RGB 47 200 208

HSL 182.98, 0.63%, 0.5%

LAB 73.85, -35.1, -15.11

 

CMYK 77 / 25 / 0 / 18

HEX #2F9DD0

RGB 47 157 208

HSL 199.01, 0.63%, 0.5%

LAB 61.02, -13.28, -34.76

 

CMYK 77 / 45 / 0 / 18

HEX #2F72D0

RGB 47 114 208

HSL 215.03, 0.63%, 0.5%

LAB 48.5, 12.13, -54.57

 

CMYK 77 / 66 / 0 / 18

HEX #2F47D0

RGB 47 71 208

HSL 231.06, 0.63%, 0.5%

LAB 37.23, 39.6, -72.87

 

CMYK 77 / 26 / 0 / 45

HEX #20698D

RGB 32 105 141

HSL 199.82, 0.63%, 0.34%

LAB 41.74, -9.31, -26.14

 

CMYK 77 / 25 / 0 / 32

HEX #2882AE

RGB 40 130 174

HSL 199.7, 0.63%, 0.42%

LAB 51.24, -10.9, -30.74

 

CMYK 77 / 25 / 0 / 18

HEX #2F9BD0

RGB 47 155 208

HSL 199.75, 0.63%, 0.5%

LAB 60.43, -12.18, -35.69

 

CMYK 62 / 20 / 0 / 16

HEX #51ABD7

RGB 81 171 215

HSL 199.7, 0.63%, 0.58%

LAB 66.35, -13.7, -30.3

 

CMYK 49 / 16 / 0 / 13

HEX #72BCDF

RGB 114 188 223

HSL 199.27, 0.63%, 0.66%

LAB 72.81, -13.67, -24.65

 

CMYK 77 / 25 / 0 / 19

HEX #2F9ACE

RGB 47 154 206

HSL 199.62, 0.63%, 0.5%

LAB 60.04, -12.32, -35.17

 

CMYK 38 / 77 / 0 / 18

HEX #822FD0

RGB 130 47 208

HSL 270.93, 0.63%, 0.5%

LAB 40.14, 63.19, -67.84

 

CMYK 0 / 7 / 77 / 18

HEX #D0C22F

RGB 208 194 47

HSL 54.78, 0.63%, 0.5%

LAB 77.4, -10.54, 69.76

 

CMYK 77 / 25 / 0 / 19

HEX #2F9ACE

RGB 47 154 206

HSL 199.62, 0.63%, 0.5%

LAB 60.04, -12.32, -35.17

 

CMYK 0 / 77 / 25 / 18

HEX #D02F9D

RGB 208 47 157

HSL 319.01, 0.63%, 0.5%

LAB 49.35, 70.16, -22.49

 

CMYK 25 / 0 / 77 / 18

HEX #9DD02F

RGB 157 208 47

HSL 79.01, 0.63%, 0.5%

LAB 77.57, -38.32, 68.54

 

CMYK 77 / 25 / 0 / 19

HEX #2F9ACE

RGB 47 154 206

HSL 199.62, 0.63%, 0.5%

LAB 60.04, -12.32, -35.17

 

CMYK 38 / 77 / 0 / 18

HEX #822FD0

RGB 130 47 208

HSL 270.93, 0.63%, 0.5%

LAB 40.14, 63.19, -67.84

 

CMYK 0 / 53 / 77 / 18

HEX #D0622F

RGB 208 98 47

HSL 19.01, 0.63%, 0.5%

LAB 54.4, 40.34, 48.01

 

CMYK 40 / 0 / 77 / 18

HEX #7DD02F

RGB 125 208 47

HSL 90.93, 0.63%, 0.5%

LAB 75.87, -49.88, 66.35

 

CMYK 77 / 25 / 0 / 19

HEX #2F9ACE

RGB 47 154 206

HSL 199.62, 0.63%, 0.5%

LAB 60.04, -12.32, -35.17

 

CMYK 14 / 77 / 0 / 18

HEX #B22FD0

RGB 178 47 208

HSL 288.82, 0.63%, 0.5%

LAB 47.04, 71.55, -56.32

 

CMYK 0 / 53 / 77 / 18

HEX #D0622F

RGB 208 98 47

HSL 19.01, 0.63%, 0.5%

LAB 54.4, 40.34, 48.01

 

CMYK 63 / 0 / 77 / 18

HEX #4DD02F

RGB 77 208 47

HSL 108.82, 0.63%, 0.5%

LAB 74.12, -63.35, 64.07

 

Description

Color code: HEX #2F9ACE | qconv.com Color code: HEX #2F9ACE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 154 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 154 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 25 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 25% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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