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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F9A8F it is the complementary color #D06570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F9A8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F9A8F shade: #349A8A, #45AC9D, #56BEB0, #67D0C3 and #78E2D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F9A8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F9A8F shade: #2F9A8F, #1E887C, #0D7669, #006456 and #005243

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F9A8F shade: #2F988D, #2F9871, #2F9854, #2F9838 and #42982F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F9A8F shade: #2F988D, #2F8798, #2F6A98, #2F4E98 and #2F3198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F9A8F shade matches the following richer shades: #2F988D, #1FA89A and #0FB8A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F9A8F shade: #2F988D, #3F8881, #4F7874, #5F6867 and #6F585A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F9A8F shade: #2F9854, #2F9870, #2F988C, #2F8898 and #2F6C98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F9A8F shade: #1B5953, #257970, #2F988D, #38B8AB and #50C9BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F9A8F shade: #2F9A8F, #382F98 and #98622F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F9A8F shade: #2F9A8F, #8C2F98 and #988C2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F9A8F shade: #2F9A8F, #382F98, #982F3B and #8F982F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F9A8F shade: #2F9A8F, #572F98, #982F3B and #70982F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 7 / 40

HEX #2F9A8F

RGB 47 154 143

HSL 173.83, 0.53%, 0.39%

LAB 57.75, -32.44, -3.01

 

Complementary color

CMYK 0 / 51 / 46 / 18

HEX #D06570

RGB 208 101 112

HSL 353.83, 0.53%, 0.61%

LAB 55.97, 43.27, 13.98

 

CMYK 66 / 0 / 10 / 40

HEX #349A8A

RGB 52 154 138

HSL 170.59, 0.5%, 0.4%

LAB 57.73, -33.03, -0.18

 

CMYK 60 / 0 / 9 / 33

HEX #45AC9D

RGB 69 172 157

HSL 171.26, 0.43%, 0.47%

LAB 64.33, -33.34, -1.17

 

CMYK 55 / 0 / 7 / 25

HEX #56BEB0

RGB 86 190 176

HSL 171.92, 0.44%, 0.54%

LAB 70.83, -33.5, -2.07

 

CMYK 50 / 0 / 6 / 18

HEX #67D0C3

RGB 103 208 195

HSL 172.57, 0.53%, 0.61%

LAB 77.24, -33.56, -2.89

 

CMYK 47 / 0 / 5 / 11

HEX #78E2D6

RGB 120 226 214

HSL 173.21, 0.65%, 0.68%

LAB 83.57, -33.57, -3.65

 

CMYK 69 / 0 / 7 / 40

HEX #2F9A8F

RGB 47 154 143

HSL 173.83, 0.53%, 0.39%

LAB 57.75, -32.44, -3.01

 

CMYK 78 / 0 / 9 / 47

HEX #1E887C

RGB 30 136 124

HSL 173.21, 0.64%, 0.33%

LAB 51.08, -31.68, -1.91

 

CMYK 89 / 0 / 11 / 54

HEX #0D7669

RGB 13 118 105

HSL 172.57, 0.8%, 0.26%

LAB 44.32, -30.49, -0.64

 

CMYK 100 / 0 / 14 / 61

HEX #006456

RGB 0 100 86

HSL 171.6, 1%, 0.2%

LAB 37.46, -28.74, 0.85

 

CMYK 100 / 0 / 18 / 68

HEX #005243

RGB 0 82 67

HSL 169.02, 1%, 0.16%

LAB 30.5, -26.06, 2.64

 

CMYK 69 / 0 / 7 / 40

HEX #2F988D

RGB 47 152 141

HSL 173.71, 0.53%, 0.39%

LAB 57.06, -32.05, -2.88

 

CMYK 69 / 0 / 26 / 40

HEX #2F9871

RGB 47 152 113

HSL 157.71, 0.53%, 0.39%

LAB 56.34, -39.34, 12

 

CMYK 69 / 0 / 45 / 40

HEX #2F9854

RGB 47 152 84

HSL 141.14, 0.53%, 0.39%

LAB 55.79, -45.36, 27.29

 

CMYK 69 / 0 / 63 / 40

HEX #2F9838

RGB 47 152 56

HSL 125.14, 0.53%, 0.39%

LAB 55.43, -49.51, 40.96

 

CMYK 57 / 0 / 69 / 40

HEX #42982F

RGB 66 152 47

HSL 109.14, 0.53%, 0.39%

LAB 55.91, -45.96, 45.61

 

CMYK 69 / 0 / 7 / 40

HEX #2F988D

RGB 47 152 141

HSL 173.71, 0.53%, 0.39%

LAB 57.06, -32.05, -2.88

 

CMYK 69 / 11 / 0 / 40

HEX #2F8798

RGB 47 135 152

HSL 189.71, 0.53%, 0.39%

LAB 52.06, -20.18, -16.71

 

CMYK 69 / 30 / 0 / 40

HEX #2F6A98

RGB 47 106 152

HSL 206.29, 0.53%, 0.39%

LAB 43.03, -3.66, -30.66

 

CMYK 69 / 49 / 0 / 40

HEX #2F4E98

RGB 47 78 152

HSL 222.29, 0.53%, 0.39%

LAB 34.64, 14.28, -43.99

 

CMYK 69 / 68 / 0 / 40

HEX #2F3198

RGB 47 49 152

HSL 238.86, 0.53%, 0.39%

LAB 26.93, 33.52, -56.51

 

CMYK 69 / 0 / 7 / 40

HEX #2F988D

RGB 47 152 141

HSL 173.71, 0.53%, 0.39%

LAB 57.06, -32.05, -2.88

 

CMYK 82 / 0 / 8 / 34

HEX #1FA89A

RGB 31 168 154

HSL 173.87, 0.69%, 0.39%

LAB 62.19, -37.68, -2.72

 

CMYK 92 / 0 / 9 / 28

HEX #0FB8A7

RGB 15 184 167

HSL 173.96, 0.85%, 0.39%

LAB 67.41, -42.11, -2.31

 

CMYK 69 / 0 / 7 / 40

HEX #2F988D

RGB 47 152 141

HSL 173.71, 0.53%, 0.39%

LAB 57.06, -32.05, -2.88

 

CMYK 54 / 0 / 5 / 47

HEX #3F8881

RGB 63 136 129

HSL 174.25, 0.37%, 0.39%

LAB 52.12, -24.52, -3.19

 

CMYK 34 / 0 / 3 / 53

HEX #4F7874

RGB 79 120 116

HSL 174.15, 0.21%, 0.39%

LAB 47.44, -15.21, -2.37

 

CMYK 9 / 0 / 1 / 59

HEX #5F6867

RGB 95 104 103

HSL 173.33, 0.05%, 0.39%

LAB 43.23, -3.65, -0.62

 

CMYK 0 / 21 / 19 / 56

HEX #6F585A

RGB 111 88 90

HSL 354.78, 0.12%, 0.39%

LAB 39.74, 9.79, 2.43

 

CMYK 69 / 0 / 45 / 40

HEX #2F9854

RGB 47 152 84

HSL 141.14, 0.53%, 0.39%

LAB 55.79, -45.36, 27.29

 

CMYK 69 / 0 / 26 / 40

HEX #2F9870

RGB 47 152 112

HSL 157.14, 0.53%, 0.39%

LAB 56.32, -39.58, 12.54

 

CMYK 69 / 0 / 8 / 40

HEX #2F988C

RGB 47 152 140

HSL 173.14, 0.53%, 0.39%

LAB 57.03, -32.34, -2.36

 

CMYK 69 / 11 / 0 / 40

HEX #2F8898

RGB 47 136 152

HSL 189.14, 0.53%, 0.39%

LAB 52.38, -20.71, -16.23

 

CMYK 69 / 29 / 0 / 40

HEX #2F6C98

RGB 47 108 152

HSL 205.14, 0.53%, 0.39%

LAB 43.65, -4.87, -29.69

 

CMYK 70 / 0 / 7 / 65

HEX #1B5953

RGB 27 89 83

HSL 174.19, 0.53%, 0.23%

LAB 33.99, -21.07, -2.31

 

CMYK 69 / 0 / 7 / 53

HEX #257970

RGB 37 121 112

HSL 173.57, 0.53%, 0.31%

LAB 45.96, -26.96, -2.36

 

CMYK 69 / 0 / 7 / 40

HEX #2F988D

RGB 47 152 141

HSL 173.71, 0.53%, 0.39%

LAB 57.06, -32.05, -2.88

 

CMYK 70 / 0 / 7 / 28

HEX #38B8AB

RGB 56 184 171

HSL 173.91, 0.53%, 0.47%

LAB 68.07, -37.27, -3.48

 

CMYK 60 / 0 / 6 / 21

HEX #50C9BD

RGB 80 201 189

HSL 174.05, 0.53%, 0.55%

LAB 74.29, -36.4, -4.08

 

CMYK 69 / 0 / 7 / 40

HEX #2F9A8F

RGB 47 154 143

HSL 173.83, 0.53%, 0.39%

LAB 57.75, -32.44, -3.01

 

CMYK 63 / 69 / 0 / 40

HEX #382F98

RGB 56 47 152

HSL 245.14, 0.53%, 0.39%

LAB 27.13, 36.05, -56.15

 

CMYK 0 / 36 / 69 / 40

HEX #98622F

RGB 152 98 47

HSL 29.14, 0.53%, 0.39%

LAB 46.47, 16.97, 37.23

 

CMYK 69 / 0 / 7 / 40

HEX #2F9A8F

RGB 47 154 143

HSL 173.83, 0.53%, 0.39%

LAB 57.75, -32.44, -3.01

 

CMYK 8 / 69 / 0 / 40

HEX #8C2F98

RGB 140 47 152

HSL 293.14, 0.53%, 0.39%

LAB 37.62, 53.33, -38.69

 

CMYK 0 / 8 / 69 / 40

HEX #988C2F

RGB 152 140 47

HSL 53.14, 0.53%, 0.39%

LAB 57.69, -6.78, 49.15

 

CMYK 69 / 0 / 7 / 40

HEX #2F9A8F

RGB 47 154 143

HSL 173.83, 0.53%, 0.39%

LAB 57.75, -32.44, -3.01

 

CMYK 63 / 69 / 0 / 40

HEX #382F98

RGB 56 47 152

HSL 245.14, 0.53%, 0.39%

LAB 27.13, 36.05, -56.15

 

CMYK 0 / 69 / 61 / 40

HEX #982F3B

RGB 152 47 59

HSL 353.14, 0.53%, 0.39%

LAB 36.03, 44.45, 17.61

 

CMYK 6 / 0 / 69 / 40

HEX #8F982F

RGB 143 152 47

HSL 65.14, 0.53%, 0.39%

LAB 60.34, -17.16, 51.6

 

CMYK 69 / 0 / 7 / 40

HEX #2F9A8F

RGB 47 154 143

HSL 173.83, 0.53%, 0.39%

LAB 57.75, -32.44, -3.01

 

CMYK 43 / 69 / 0 / 40

HEX #572F98

RGB 87 47 152

HSL 262.86, 0.53%, 0.39%

LAB 30.22, 41.55, -50.98

 

CMYK 0 / 69 / 61 / 40

HEX #982F3B

RGB 152 47 59

HSL 353.14, 0.53%, 0.39%

LAB 36.03, 44.45, 17.61

 

CMYK 26 / 0 / 69 / 40

HEX #70982F

RGB 112 152 47

HSL 82.86, 0.53%, 0.39%

LAB 58.14, -30.19, 48.64

 

Description

Color code: HEX #2F9A8F | qconv.com Color code: HEX #2F9A8F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 154 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 154 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 7 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 7% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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