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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F9968 it is the complementary color #D06697. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F9968. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F9968 shade: #349963, #45AB76, #56BD89, #67CF9C and #78E1AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F9968. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F9968 shade: #2F9968, #1E8755, #0D7542, #00632F and #00511C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F9968 shade: #2F9867, #2F984B, #2F982F, #4B982F and #68982F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F9968 shade: #2F9867, #2F9884, #2F9098, #2F7498 and #2F5798

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F9968 shade matches the following richer shades: #2F9867, #1FA869 and #0FB86A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F9968 shade: #2F9867, #3F8866, #4F7865, #5F6864 and #6F5863

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F9968 shade: #2F982F, #2F984B, #2F9867, #2F9883 and #2F9198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F9968 shade: #1B593D, #257952, #2F9867, #38B87D and #50C991

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F9968 shade: #2F9968, #2F4B98 and #983D2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F9968 shade: #2F9968, #672F98 and #98672F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F9968 shade: #2F9968, #2F4B98, #982F60 and #987C2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F9968 shade: #2F9968, #322F98, #982F60 and #95982F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 32 / 40

HEX #2F9968

RGB 47 153 104

HSL 152.26, 0.53%, 0.39%

LAB 56.47, -41.81, 17.24

 

Complementary color

CMYK 0 / 51 / 27 / 18

HEX #D06697

RGB 208 102 151

HSL 332.26, 0.53%, 0.61%

LAB 57.22, 47.33, -7.03

 

CMYK 66 / 0 / 35 / 40

HEX #349963

RGB 52 153 99

HSL 147.92, 0.49%, 0.4%

LAB 56.5, -41.94, 20.07

 

CMYK 60 / 0 / 31 / 33

HEX #45AB76

RGB 69 171 118

HSL 148.82, 0.43%, 0.47%

LAB 63.09, -42.11, 18.67

 

CMYK 54 / 0 / 28 / 26

HEX #56BD89

RGB 86 189 137

HSL 149.71, 0.44%, 0.54%

LAB 69.6, -42.1, 17.41

 

CMYK 50 / 0 / 25 / 19

HEX #67CF9C

RGB 103 207 156

HSL 150.58, 0.52%, 0.61%

LAB 76.01, -42, 16.25

 

CMYK 47 / 0 / 22 / 12

HEX #78E1AF

RGB 120 225 175

HSL 151.43, 0.64%, 0.68%

LAB 82.35, -41.83, 15.17

 

CMYK 69 / 0 / 32 / 40

HEX #2F9968

RGB 47 153 104

HSL 152.26, 0.53%, 0.39%

LAB 56.47, -41.81, 17.24

 

CMYK 78 / 0 / 37 / 47

HEX #1E8755

RGB 30 135 85

HSL 151.43, 0.64%, 0.32%

LAB 49.81, -41.19, 18.8

 

CMYK 89 / 0 / 44 / 54

HEX #0D7542

RGB 13 117 66

HSL 150.58, 0.8%, 0.25%

LAB 43.07, -40.03, 20.56

 

CMYK 100 / 0 / 53 / 61

HEX #00632F

RGB 0 99 47

HSL 148.48, 1%, 0.19%

LAB 36.23, -38.1, 22.54

 

CMYK 100 / 0 / 65 / 68

HEX #00511C

RGB 0 81 28

HSL 140.74, 1%, 0.16%

LAB 29.33, -34.76, 24.66

 

CMYK 69 / 0 / 32 / 40

HEX #2F9867

RGB 47 152 103

HSL 152, 0.53%, 0.39%

LAB 56.13, -41.61, 17.32

 

CMYK 69 / 0 / 51 / 40

HEX #2F984B

RGB 47 152 75

HSL 136, 0.53%, 0.39%

LAB 55.65, -46.88, 31.87

 

CMYK 69 / 0 / 69 / 40

HEX #2F982F

RGB 47 152 47

HSL 120, 0.53%, 0.39%

LAB 55.35, -50.48, 44.85

 

CMYK 51 / 0 / 69 / 40

HEX #4B982F

RGB 75 152 47

HSL 104, 0.53%, 0.39%

LAB 56.25, -43.36, 46.07

 

CMYK 32 / 0 / 69 / 40

HEX #68982F

RGB 104 152 47

HSL 87.43, 0.53%, 0.39%

LAB 57.66, -33.32, 47.99

 

CMYK 69 / 0 / 32 / 40

HEX #2F9867

RGB 47 152 103

HSL 152, 0.53%, 0.39%

LAB 56.13, -41.61, 17.32

 

CMYK 69 / 0 / 13 / 40

HEX #2F9884

RGB 47 152 132

HSL 168.57, 0.53%, 0.39%

LAB 56.81, -34.54, 1.88

 

CMYK 69 / 5 / 0 / 40

HEX #2F9098

RGB 47 144 152

HSL 184.57, 0.53%, 0.39%

LAB 54.88, -24.86, -12.43

 

CMYK 69 / 24 / 0 / 40

HEX #2F7498

RGB 47 116 152

HSL 200.57, 0.53%, 0.39%

LAB 46.13, -9.61, -25.83

 

CMYK 69 / 43 / 0 / 40

HEX #2F5798

RGB 47 87 152

HSL 217.14, 0.53%, 0.39%

LAB 37.28, 8.34, -39.77

 

CMYK 69 / 0 / 32 / 40

HEX #2F9867

RGB 47 152 103

HSL 152, 0.53%, 0.39%

LAB 56.13, -41.61, 17.32

 

CMYK 82 / 0 / 38 / 34

HEX #1FA869

RGB 31 168 105

HSL 152.41, 0.69%, 0.39%

LAB 61.06, -49.79, 22.85

 

CMYK 92 / 0 / 42 / 28

HEX #0FB86A

RGB 15 184 106

HSL 152.31, 0.85%, 0.39%

LAB 66.08, -56.69, 28.93

 

CMYK 69 / 0 / 32 / 40

HEX #2F9867

RGB 47 152 103

HSL 152, 0.53%, 0.39%

LAB 56.13, -41.61, 17.32

 

CMYK 54 / 0 / 25 / 47

HEX #3F8866

RGB 63 136 102

HSL 152.05, 0.37%, 0.39%

LAB 51.41, -31.29, 11.44

 

CMYK 34 / 0 / 16 / 53

HEX #4F7865

RGB 79 120 101

HSL 152.2, 0.21%, 0.39%

LAB 47.02, -18.8, 5.92

 

CMYK 9 / 0 / 4 / 59

HEX #5F6864

RGB 95 104 100

HSL 153.33, 0.05%, 0.39%

LAB 43.14, -4.3, 1.06

 

CMYK 0 / 21 / 11 / 56

HEX #6F5863

RGB 111 88 99

HSL 331.3, 0.12%, 0.39%

LAB 40.01, 11.45, -2.73

 

CMYK 69 / 0 / 69 / 40

HEX #2F982F

RGB 47 152 47

HSL 120, 0.53%, 0.39%

LAB 55.35, -50.48, 44.85

 

CMYK 69 / 0 / 51 / 40

HEX #2F984B

RGB 47 152 75

HSL 136, 0.53%, 0.39%

LAB 55.65, -46.88, 31.87

 

CMYK 69 / 0 / 32 / 40

HEX #2F9867

RGB 47 152 103

HSL 152, 0.53%, 0.39%

LAB 56.13, -41.61, 17.32

 

CMYK 69 / 0 / 14 / 40

HEX #2F9883

RGB 47 152 131

HSL 168, 0.53%, 0.39%

LAB 56.78, -34.81, 2.41

 

CMYK 69 / 5 / 0 / 40

HEX #2F9198

RGB 47 145 152

HSL 184, 0.53%, 0.39%

LAB 55.2, -25.37, -11.96

 

CMYK 70 / 0 / 31 / 65

HEX #1B593D

RGB 27 89 61

HSL 152.9, 0.53%, 0.23%

LAB 33.38, -27.18, 10.55

 

CMYK 69 / 0 / 32 / 53

HEX #257952

RGB 37 121 82

HSL 152.14, 0.53%, 0.31%

LAB 45.19, -34.81, 14.27

 

CMYK 69 / 0 / 32 / 40

HEX #2F9867

RGB 47 152 103

HSL 152, 0.53%, 0.39%

LAB 56.13, -41.61, 17.32

 

CMYK 70 / 0 / 32 / 28

HEX #38B87D

RGB 56 184 125

HSL 152.34, 0.53%, 0.47%

LAB 66.98, -48.48, 20.14

 

CMYK 60 / 0 / 28 / 21

HEX #50C991

RGB 80 201 145

HSL 152.23, 0.53%, 0.55%

LAB 73.24, -46.85, 18.13

 

CMYK 69 / 0 / 32 / 40

HEX #2F9968

RGB 47 153 104

HSL 152.26, 0.53%, 0.39%

LAB 56.47, -41.81, 17.24

 

CMYK 69 / 51 / 0 / 40

HEX #2F4B98

RGB 47 75 152

HSL 224, 0.53%, 0.39%

LAB 33.78, 16.29, -45.37

 

CMYK 0 / 60 / 69 / 40

HEX #983D2F

RGB 152 61 47

HSL 8, 0.53%, 0.39%

LAB 38.23, 37.23, 27.78

 

CMYK 69 / 0 / 32 / 40

HEX #2F9968

RGB 47 153 104

HSL 152.26, 0.53%, 0.39%

LAB 56.47, -41.81, 17.24

 

CMYK 32 / 69 / 0 / 40

HEX #672F98

RGB 103 47 152

HSL 272, 0.53%, 0.39%

LAB 32.22, 44.9, -47.64

 

CMYK 0 / 32 / 69 / 40

HEX #98672F

RGB 152 103 47

HSL 32, 0.53%, 0.39%

LAB 47.73, 14.09, 38.62

 

CMYK 69 / 0 / 32 / 40

HEX #2F9968

RGB 47 153 104

HSL 152.26, 0.53%, 0.39%

LAB 56.47, -41.81, 17.24

 

CMYK 69 / 51 / 0 / 40

HEX #2F4B98

RGB 47 75 152

HSL 224, 0.53%, 0.39%

LAB 33.78, 16.29, -45.37

 

CMYK 0 / 69 / 37 / 40

HEX #982F60

RGB 152 47 96

HSL 332, 0.53%, 0.39%

LAB 37.03, 47.95, -4.63

 

CMYK 0 / 18 / 69 / 40

HEX #987C2F

RGB 152 124 47

HSL 44, 0.53%, 0.39%

LAB 53.27, 2.09, 44.57

 

CMYK 69 / 0 / 32 / 40

HEX #2F9968

RGB 47 153 104

HSL 152.26, 0.53%, 0.39%

LAB 56.47, -41.81, 17.24

 

CMYK 67 / 69 / 0 / 40

HEX #322F98

RGB 50 47 152

HSL 241.71, 0.53%, 0.39%

LAB 26.67, 35.18, -56.92

 

CMYK 0 / 69 / 37 / 40

HEX #982F60

RGB 152 47 96

HSL 332, 0.53%, 0.39%

LAB 37.03, 47.95, -4.63

 

CMYK 2 / 0 / 69 / 40

HEX #95982F

RGB 149 152 47

HSL 61.71, 0.53%, 0.39%

LAB 60.83, -14.53, 52.25

 

Description

Color code: HEX #2F9968 | qconv.com Color code: HEX #2F9968 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 153 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 153 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 32 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 32% 40% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - ロレックス買取.com|どこよりも高額な...
Link: http://www.rxkaitori.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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