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Color name
HEX #2F9631

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F9631 it is the complementary color #D069CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F9631. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F9631 shade: #34962C, #45A83F, #56BA52, #67CC65 and #78DE78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F9631. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F9631 shade: #2F9631, #1E841E, #0D720B, #006000 and #004E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F9631 shade: #309732, #4A9730, #669730, #819730 and #979130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F9631 shade: #309732, #30974E, #30976A, #309785 and #308D97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F9631 shade matches the following richer shades: #309732, #20A722 and #10B713

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F9631 shade: #309732, #408741, #507751, #606760 and #705770

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F9631 shade: #659730, #4A9730, #309731, #30974D and #309769

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F9631 shade: #1C581D, #267827, #309732, #3AB73C and #51C854

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F9631 shade: #2F9631, #308197 and #973057

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F9631 shade: #2F9631, #313097 and #973130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F9631 shade: #2F9631, #308197, #973095 and #974630

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F9631 shade: #2F9631, #306297, #973095 and #976530

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 67 / 41

HEX #2F9631

RGB 47 150 49

HSL 121.17, 0.52%, 0.39%

LAB 54.7, -49.57, 43.29

 

Complementary color

CMYK 0 / 50 / 1 / 18

HEX #D069CE

RGB 208 105 206

HSL 301.17, 0.52%, 0.61%

LAB 59.86, 54.47, -34.59

 

CMYK 65 / 0 / 71 / 41

HEX #34962C

RGB 52 150 44

HSL 115.47, 0.55%, 0.38%

LAB 54.79, -48.98, 45.54

 

CMYK 59 / 0 / 63 / 34

HEX #45A83F

RGB 69 168 63

HSL 116.57, 0.45%, 0.45%

LAB 61.33, -49.68, 44.61

 

CMYK 54 / 0 / 56 / 27

HEX #56BA52

RGB 86 186 82

HSL 117.69, 0.43%, 0.53%

LAB 67.8, -50.01, 43.42

 

CMYK 50 / 0 / 50 / 20

HEX #67CC65

RGB 103 204 101

HSL 118.83, 0.5%, 0.6%

LAB 74.2, -50.11, 42.15

 

CMYK 46 / 0 / 46 / 13

HEX #78DE78

RGB 120 222 120

HSL 120, 0.61%, 0.67%

LAB 80.51, -50.07, 40.87

 

CMYK 69 / 0 / 67 / 41

HEX #2F9631

RGB 47 150 49

HSL 121.17, 0.52%, 0.39%

LAB 54.7, -49.57, 43.29

 

CMYK 77 / 0 / 77 / 48

HEX #1E841E

RGB 30 132 30

HSL 120, 0.63%, 0.32%

LAB 48.1, -48.21, 43.98

 

CMYK 89 / 0 / 90 / 55

HEX #0D720B

RGB 13 114 11

HSL 118.83, 0.82%, 0.25%

LAB 41.44, -45.86, 43.5

 

CMYK 100 / 0 / 100 / 62

HEX #006000

RGB 0 96 0

HSL 120, 1%, 0.19%

LAB 34.73, -42.15, 40.68

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 68 / 0 / 67 / 41

HEX #309732

RGB 48 151 50

HSL 121.17, 0.52%, 0.39%

LAB 55.06, -49.61, 43.26

 

CMYK 51 / 0 / 68 / 41

HEX #4A9730

RGB 74 151 48

HSL 104.85, 0.52%, 0.39%

LAB 55.89, -43.17, 45.26

 

CMYK 32 / 0 / 68 / 41

HEX #669730

RGB 102 151 48

HSL 88.54, 0.52%, 0.39%

LAB 57.24, -33.55, 47.11

 

CMYK 15 / 0 / 68 / 41

HEX #819730

RGB 129 151 48

HSL 72.82, 0.52%, 0.39%

LAB 58.99, -22.62, 49.47

 

CMYK 0 / 4 / 68 / 41

HEX #979130

RGB 151 145 48

HSL 56.5, 0.52%, 0.39%

LAB 59.01, -9.87, 50.06

 

CMYK 68 / 0 / 67 / 41

HEX #309732

RGB 48 151 50

HSL 121.17, 0.52%, 0.39%

LAB 55.06, -49.61, 43.26

 

CMYK 68 / 0 / 48 / 41

HEX #30974E

RGB 48 151 78

HSL 137.48, 0.52%, 0.39%

LAB 55.39, -45.82, 29.98

 

CMYK 68 / 0 / 30 / 41

HEX #30976A

RGB 48 151 106

HSL 153.79, 0.52%, 0.39%

LAB 55.89, -40.35, 15.32

 

CMYK 68 / 0 / 12 / 41

HEX #309785

RGB 48 151 133

HSL 169.51, 0.52%, 0.39%

LAB 56.54, -33.64, 0.93

 

CMYK 68 / 7 / 0 / 41

HEX #308D97

RGB 48 141 151

HSL 185.83, 0.52%, 0.39%

LAB 53.93, -23.48, -13.29

 

CMYK 68 / 0 / 67 / 41

HEX #309732

RGB 48 151 50

HSL 121.17, 0.52%, 0.39%

LAB 55.06, -49.61, 43.26

 

CMYK 81 / 0 / 80 / 35

HEX #20A722

RGB 32 167 34

HSL 120.89, 0.68%, 0.39%

LAB 59.94, -58.93, 54.18

 

CMYK 91 / 0 / 90 / 28

HEX #10B713

RGB 16 183 19

HSL 121.08, 0.84%, 0.39%

LAB 64.98, -65.89, 62.38

 

CMYK 68 / 0 / 67 / 41

HEX #309732

RGB 48 151 50

HSL 121.17, 0.52%, 0.39%

LAB 55.06, -49.61, 43.26

 

CMYK 53 / 0 / 52 / 47

HEX #408741

RGB 64 135 65

HSL 120.85, 0.36%, 0.39%

LAB 50.45, -37.48, 30.77

 

CMYK 33 / 0 / 32 / 53

HEX #507751

RGB 80 119 81

HSL 121.54, 0.2%, 0.39%

LAB 46.3, -22.03, 16.66

 

CMYK 7 / 0 / 7 / 60

HEX #606760

RGB 96 103 96

HSL 120, 0.04%, 0.39%

LAB 42.81, -4.17, 3.02

 

CMYK 0 / 22 / 0 / 56

HEX #705770

RGB 112 87 112

HSL 300, 0.13%, 0.39%

LAB 40.3, 15.05, -10.31

 

CMYK 33 / 0 / 68 / 41

HEX #659730

RGB 101 151 48

HSL 89.13, 0.52%, 0.39%

LAB 57.19, -33.93, 47.03

 

CMYK 51 / 0 / 68 / 41

HEX #4A9730

RGB 74 151 48

HSL 104.85, 0.52%, 0.39%

LAB 55.89, -43.17, 45.26

 

CMYK 68 / 0 / 68 / 41

HEX #309731

RGB 48 151 49

HSL 120.58, 0.52%, 0.39%

LAB 55.06, -49.72, 43.69

 

CMYK 68 / 0 / 49 / 41

HEX #30974D

RGB 48 151 77

HSL 136.89, 0.52%, 0.39%

LAB 55.38, -45.98, 30.48

 

CMYK 68 / 0 / 30 / 41

HEX #309769

RGB 48 151 105

HSL 153.2, 0.52%, 0.39%

LAB 55.87, -40.57, 15.85

 

CMYK 68 / 0 / 67 / 65

HEX #1C581D

RGB 28 88 29

HSL 121, 0.52%, 0.23%

LAB 32.51, -32.48, 27.93

 

CMYK 68 / 0 / 68 / 53

HEX #267827

RGB 38 120 39

HSL 120.73, 0.52%, 0.31%

LAB 44.22, -41.53, 36.23

 

CMYK 68 / 0 / 67 / 41

HEX #309732

RGB 48 151 50

HSL 121.17, 0.52%, 0.39%

LAB 55.06, -49.61, 43.26

 

CMYK 68 / 0 / 67 / 28

HEX #3AB73C

RGB 58 183 60

HSL 120.96, 0.52%, 0.47%

LAB 65.82, -57.81, 50.77

 

CMYK 60 / 0 / 58 / 22

HEX #51C854

RGB 81 200 84

HSL 121.51, 0.52%, 0.55%

LAB 72.03, -56.32, 47.41

 

CMYK 69 / 0 / 67 / 41

HEX #2F9631

RGB 47 150 49

HSL 121.17, 0.52%, 0.39%

LAB 54.7, -49.57, 43.29

 

CMYK 68 / 15 / 0 / 41

HEX #308197

RGB 48 129 151

HSL 192.82, 0.52%, 0.39%

LAB 50.17, -17.11, -19

 

CMYK 0 / 68 / 42 / 41

HEX #973057

RGB 151 48 87

HSL 337.28, 0.52%, 0.39%

LAB 36.71, 46.21, 0.62

 

CMYK 69 / 0 / 67 / 41

HEX #2F9631

RGB 47 150 49

HSL 121.17, 0.52%, 0.39%

LAB 54.7, -49.57, 43.29

 

CMYK 68 / 68 / 0 / 41

HEX #313097

RGB 49 48 151

HSL 240.58, 0.52%, 0.39%

LAB 26.74, 34.08, -56.2

 

CMYK 0 / 68 / 68 / 41

HEX #973130

RGB 151 49 48

HSL 0.58, 0.52%, 0.39%

LAB 35.96, 42.53, 24.39

 

CMYK 69 / 0 / 67 / 41

HEX #2F9631

RGB 47 150 49

HSL 121.17, 0.52%, 0.39%

LAB 54.7, -49.57, 43.29

 

CMYK 68 / 15 / 0 / 41

HEX #308197

RGB 48 129 151

HSL 192.82, 0.52%, 0.39%

LAB 50.17, -17.11, -19

 

CMYK 0 / 68 / 1 / 41

HEX #973095

RGB 151 48 149

HSL 301.17, 0.52%, 0.39%

LAB 39.35, 55.03, -34.01

 

CMYK 0 / 54 / 68 / 41

HEX #974630

RGB 151 70 48

HSL 12.82, 0.52%, 0.39%

LAB 39.87, 32.27, 29.09

 

CMYK 69 / 0 / 67 / 41

HEX #2F9631

RGB 47 150 49

HSL 121.17, 0.52%, 0.39%

LAB 54.7, -49.57, 43.29

 

CMYK 68 / 35 / 0 / 41

HEX #306297

RGB 48 98 151

HSL 210.87, 0.52%, 0.39%

LAB 40.57, 1.09, -33.94

 

CMYK 0 / 68 / 1 / 41

HEX #973095

RGB 151 48 149

HSL 301.17, 0.52%, 0.39%

LAB 39.35, 55.03, -34.01

 

CMYK 0 / 33 / 68 / 41

HEX #976530

RGB 151 101 48

HSL 30.87, 0.52%, 0.39%

LAB 47.11, 14.86, 37.38

 

Description

Color code: HEX #2F9631 | qconv.com Color code: HEX #2F9631 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 150 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 150 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 67 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 67% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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