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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F9462 it is the complementary color #D06B9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F9462. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F9462 shade: #34945D, #45A670, #56B883, #67CA96 and #78DCA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F9462. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F9462 shade: #2F9462, #1E824F, #0D703C, #005E29 and #004C16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F9462 shade: #2F9361, #2F9346, #32932F, #4D932F and #68932F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F9462 shade: #2F9361, #2F937D, #2F8F93, #2F7493 and #2F5893

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F9462 shade matches the following richer shades: #2F9361, #1FA362 and #0FB362

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F9462 shade: #2F9361, #3E8461, #4E7461, #5E6461 and #6D5561

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F9462 shade: #32932F, #2F9346, #2F9361, #2F937C and #2F9093

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F9462 shade: #1B5538, #25744D, #2F9361, #38B376 and #4DC78B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F9462 shade: #2F9462, #2F4D93 and #93392F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F9462 shade: #2F9462, #612F93 and #93612F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F9462 shade: #2F9462, #2F4D93, #932F61 and #93752F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F9462 shade: #2F9462, #2F2F93, #932F61 and #93932F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 34 / 42

HEX #2F9462

RGB 47 148 98

HSL 150.3, 0.52%, 0.38%

LAB 54.73, -41.01, 18.21

 

Complementary color

CMYK 0 / 49 / 25 / 18

HEX #D06B9D

RGB 208 107 157

HSL 330.3, 0.52%, 0.62%

LAB 58.38, 45.66, -8.79

 

CMYK 65 / 0 / 37 / 42

HEX #34945D

RGB 52 148 93

HSL 145.63, 0.48%, 0.39%

LAB 54.76, -41.07, 21.06

 

CMYK 58 / 0 / 33 / 35

HEX #45A670

RGB 69 166 112

HSL 146.6, 0.41%, 0.46%

LAB 61.4, -41.19, 19.64

 

CMYK 53 / 0 / 29 / 28

HEX #56B883

RGB 86 184 131

HSL 147.55, 0.41%, 0.53%

LAB 67.95, -41.15, 18.36

 

CMYK 49 / 0 / 26 / 21

HEX #67CA96

RGB 103 202 150

HSL 148.48, 0.48%, 0.6%

LAB 74.4, -41.02, 17.19

 

CMYK 45 / 0 / 23 / 14

HEX #78DCA9

RGB 120 220 169

HSL 149.4, 0.59%, 0.67%

LAB 80.76, -40.83, 16.11

 

CMYK 68 / 0 / 34 / 42

HEX #2F9462

RGB 47 148 98

HSL 150.3, 0.52%, 0.38%

LAB 54.73, -41.01, 18.21

 

CMYK 77 / 0 / 39 / 49

HEX #1E824F

RGB 30 130 79

HSL 149.4, 0.63%, 0.31%

LAB 48.01, -40.44, 19.78

 

CMYK 88 / 0 / 46 / 56

HEX #0D703C

RGB 13 112 60

HSL 148.48, 0.79%, 0.25%

LAB 41.22, -39.3, 21.56

 

CMYK 100 / 0 / 56 / 63

HEX #005E29

RGB 0 94 41

HSL 146.17, 1%, 0.18%

LAB 34.33, -37.35, 23.53

 

CMYK 100 / 0 / 71 / 70

HEX #004C16

RGB 0 76 22

HSL 137.37, 1%, 0.15%

LAB 27.37, -33.84, 25.55

 

CMYK 68 / 0 / 34 / 42

HEX #2F9361

RGB 47 147 97

HSL 150, 0.52%, 0.38%

LAB 54.38, -40.8, 18.29

 

CMYK 68 / 0 / 52 / 42

HEX #2F9346

RGB 47 147 70

HSL 133.8, 0.52%, 0.38%

LAB 53.94, -45.75, 32.33

 

CMYK 66 / 0 / 68 / 42

HEX #32932F

RGB 50 147 47

HSL 118.2, 0.52%, 0.38%

LAB 53.76, -48.05, 43.16

 

CMYK 48 / 0 / 68 / 42

HEX #4D932F

RGB 77 147 47

HSL 102, 0.52%, 0.38%

LAB 54.71, -40.68, 44.47

 

CMYK 29 / 0 / 68 / 42

HEX #68932F

RGB 104 147 47

HSL 85.8, 0.52%, 0.38%

LAB 56.1, -30.99, 46.36

 

CMYK 68 / 0 / 34 / 42

HEX #2F9361

RGB 47 147 97

HSL 150, 0.52%, 0.38%

LAB 54.38, -40.8, 18.29

 

CMYK 68 / 0 / 15 / 42

HEX #2F937D

RGB 47 147 125

HSL 166.8, 0.52%, 0.38%

LAB 55.02, -34.1, 3.3

 

CMYK 68 / 3 / 0 / 42

HEX #2F8F93

RGB 47 143 147

HSL 182.4, 0.52%, 0.38%

LAB 54.4, -25.89, -10.28

 

CMYK 68 / 21 / 0 / 42

HEX #2F7493

RGB 47 116 147

HSL 198.6, 0.52%, 0.38%

LAB 45.91, -11.34, -23.21

 

CMYK 68 / 40 / 0 / 42

HEX #2F5893

RGB 47 88 147

HSL 215.4, 0.52%, 0.38%

LAB 37.28, 5.82, -36.74

 

CMYK 68 / 0 / 34 / 42

HEX #2F9361

RGB 47 147 97

HSL 150, 0.52%, 0.38%

LAB 54.38, -40.8, 18.29

 

CMYK 81 / 0 / 40 / 36

HEX #1FA362

RGB 31 163 98

HSL 150.45, 0.68%, 0.38%

LAB 59.31, -49.32, 24.31

 

CMYK 92 / 0 / 45 / 30

HEX #0FB362

RGB 15 179 98

HSL 150.37, 0.85%, 0.38%

LAB 64.34, -56.42, 30.84

 

CMYK 68 / 0 / 34 / 42

HEX #2F9361

RGB 47 147 97

HSL 150, 0.52%, 0.38%

LAB 54.38, -40.8, 18.29

 

CMYK 53 / 0 / 27 / 48

HEX #3E8461

RGB 62 132 97

HSL 150, 0.36%, 0.38%

LAB 49.97, -30.77, 12.3

 

CMYK 33 / 0 / 16 / 55

HEX #4E7461

RGB 78 116 97

HSL 150, 0.2%, 0.38%

LAB 45.6, -17.89, 6.25

 

CMYK 6 / 0 / 3 / 61

HEX #5E6461

RGB 94 100 97

HSL 150, 0.03%, 0.38%

LAB 41.78, -2.96, 0.89

 

CMYK 0 / 22 / 11 / 57

HEX #6D5561

RGB 109 85 97

HSL 330, 0.12%, 0.38%

LAB 38.92, 12.1, -3.14

 

CMYK 66 / 0 / 68 / 42

HEX #32932F

RGB 50 147 47

HSL 118.2, 0.52%, 0.38%

LAB 53.76, -48.05, 43.16

 

CMYK 68 / 0 / 52 / 42

HEX #2F9346

RGB 47 147 70

HSL 133.8, 0.52%, 0.38%

LAB 53.94, -45.75, 32.33

 

CMYK 68 / 0 / 34 / 42

HEX #2F9361

RGB 47 147 97

HSL 150, 0.52%, 0.38%

LAB 54.38, -40.8, 18.29

 

CMYK 68 / 0 / 16 / 42

HEX #2F937C

RGB 47 147 124

HSL 166.2, 0.52%, 0.38%

LAB 55, -34.36, 3.83

 

CMYK 68 / 2 / 0 / 42

HEX #2F9093

RGB 47 144 147

HSL 181.8, 0.52%, 0.38%

LAB 54.72, -26.39, -9.8

 

CMYK 68 / 0 / 34 / 67

HEX #1B5538

RGB 27 85 56

HSL 150, 0.52%, 0.22%

LAB 31.84, -26.49, 11.53

 

CMYK 68 / 0 / 34 / 55

HEX #25744D

RGB 37 116 77

HSL 150.38, 0.52%, 0.3%

LAB 43.39, -33.73, 14.72

 

CMYK 68 / 0 / 34 / 42

HEX #2F9361

RGB 47 147 97

HSL 150, 0.52%, 0.38%

LAB 54.38, -40.8, 18.29

 

CMYK 69 / 0 / 34 / 30

HEX #38B376

RGB 56 179 118

HSL 150.24, 0.52%, 0.46%

LAB 65.27, -47.93, 21.58

 

CMYK 61 / 0 / 30 / 22

HEX #4DC78B

RGB 77 199 139

HSL 150.49, 0.52%, 0.54%

LAB 72.42, -47.86, 20.19

 

CMYK 68 / 0 / 34 / 42

HEX #2F9462

RGB 47 148 98

HSL 150.3, 0.52%, 0.38%

LAB 54.73, -41.01, 18.21

 

CMYK 68 / 48 / 0 / 42

HEX #2F4D93

RGB 47 77 147

HSL 222, 0.52%, 0.38%

LAB 34.02, 13.06, -41.95

 

CMYK 0 / 61 / 68 / 42

HEX #93392F

RGB 147 57 47

HSL 6, 0.52%, 0.38%

LAB 36.62, 37.3, 25.64

 

CMYK 68 / 0 / 34 / 42

HEX #2F9462

RGB 47 148 98

HSL 150.3, 0.52%, 0.38%

LAB 54.73, -41.01, 18.21

 

CMYK 34 / 68 / 0 / 42

HEX #612F93

RGB 97 47 147

HSL 270, 0.52%, 0.38%

LAB 31.07, 42.34, -46.49

 

CMYK 0 / 34 / 68 / 42

HEX #93612F

RGB 147 97 47

HSL 30, 0.52%, 0.38%

LAB 45.58, 15.3, 36.06

 

CMYK 68 / 0 / 34 / 42

HEX #2F9462

RGB 47 148 98

HSL 150.3, 0.52%, 0.38%

LAB 54.73, -41.01, 18.21

 

CMYK 68 / 48 / 0 / 42

HEX #2F4D93

RGB 47 77 147

HSL 222, 0.52%, 0.38%

LAB 34.02, 13.06, -41.95

 

CMYK 0 / 68 / 34 / 42

HEX #932F61

RGB 147 47 97

HSL 330, 0.52%, 0.38%

LAB 36.17, 46.55, -6.63

 

CMYK 0 / 20 / 68 / 42

HEX #93752F

RGB 147 117 47

HSL 42, 0.52%, 0.38%

LAB 50.84, 3.77, 41.83

 

CMYK 68 / 0 / 34 / 42

HEX #2F9462

RGB 47 148 98

HSL 150.3, 0.52%, 0.38%

LAB 54.73, -41.01, 18.21

 

CMYK 68 / 68 / 0 / 42

HEX #2F2F93

RGB 47 47 147

HSL 240, 0.52%, 0.38%

LAB 25.99, 33.03, -54.97

 

CMYK 0 / 68 / 34 / 42

HEX #932F61

RGB 147 47 97

HSL 330, 0.52%, 0.38%

LAB 36.17, 46.55, -6.63

 

CMYK 0 / 0 / 68 / 42

HEX #93932F

RGB 147 147 47

HSL 60, 0.52%, 0.38%

LAB 59.23, -12.78, 50.58

 

Description

Color code: HEX #2F9462 | qconv.com Color code: HEX #2F9462 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 148 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 148 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 34 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 34% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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