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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F7DACCE it is the complementary color #D08253CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F7DACCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F7DACCE shade: #347DA7CE, #458FBACE, #56A1CDCE, #67B3E0CE and #78C5F3CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F7DACCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F7DACCE shade: #2F7DACCE, #1E6B99CE, #0D5986CE, #004773CE and #003560CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F7DACCE shade: #2F7DAC, #2F5BAC, #2F3AAC, #462FAC and #682FAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F7DACCE shade: #2F7DAC, #2F5BAC, #2F3AAC and #2F2FAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F7DACCE shade matches the following richer shades: #2F7DAC, #1D82BE and #0C86D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F7DACCE shade: #2F7DAC, #41799A, #537489, #647077 and #766C65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F7DACCE shade: #2FAC97, #2FA0AC, #2F7EAC, #2F5DAC and #2F3CAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F7DACCE shade: #1D4E6B, #26668C, #2F7DAC, #3B94C9 and #5CA6D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F7DACCE shade: #2F7DAC, #762FAC and #ACA82F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F7DACCE shade: #2F7DAC, #AC2F7E and #7EAC2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F7DACCE shade: #2F7DAC, #762FAC, #AC5D2F and #65AC2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F7DACCE shade: #2F7DAC, #9B2FAC, #AC5D2F and #40AC2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 22 / 0 / 26

HEX #2F7DACCE

RGBA 47 125 172 0.81

HSLA 202.56, 0.57%, 0.43%, 0.81

LABA 49.8, -7.81, -31.81, 0.81

 

Complementary color

CMYK 0 / 30 / 49 / 15

HEX #D08253CE

RGBA 208 130 83 0.81

HSLA 22.56, 0.57%, 0.57%, 0.81

LABA 61.65, 25.56, 37.73, 0.81

 

CMYK 56 / 20 / 0 / 28

HEX #347DA7CE

RGBA 52 125 167 0.81

HSLA 201.91, 0.53%, 0.43%, 0.81

LABA 49.72, -8.8, -29.01, 0.81

 

CMYK 51 / 19 / 0 / 22

HEX #458FBACE

RGBA 69 143 186 0.81

HSLA 202.05, 0.46%, 0.5%, 0.81

LABA 56.54, -9.74, -29.29, 0.81

 

CMYK 47 / 17 / 0 / 16

HEX #56A1CDCE

RGBA 86 161 205 0.81

HSLA 202.18, 0.54%, 0.57%, 0.81

LABA 63.24, -10.44, -29.55, 0.81

 

CMYK 44 / 16 / 0 / 10

HEX #67B3E0CE

RGBA 103 179 224 0.81

HSLA 202.31, 0.66%, 0.64%, 0.81

LABA 69.83, -10.99, -29.81, 0.81

 

CMYK 41 / 15 / 0 / 4

HEX #78C5F3CE

RGBA 120 197 243 0.81

HSLA 202.44, 0.84%, 0.71%, 0.81

LABA 76.31, -11.43, -30.06, 0.81

 

CMYK 59 / 22 / 0 / 26

HEX #2F7DACCE

RGBA 47 125 172 0.81

HSLA 202.56, 0.57%, 0.43%, 0.81

LABA 49.8, -7.81, -31.81, 0.81

 

CMYK 65 / 24 / 0 / 32

HEX #1E6B99CE

RGBA 30 107 153 0.81

HSLA 202.44, 0.67%, 0.36%, 0.81

LABA 42.9, -6.28, -31.5, 0.81

 

CMYK 73 / 27 / 0 / 38

HEX #0D5986CE

RGBA 13 89 134 0.81

HSLA 202.31, 0.82%, 0.29%, 0.81

LABA 35.89, -4.17, -31.11, 0.81

 

CMYK 81 / 31 / 0 / 44

HEX #004773CE

RGBA 0 71 115 0.81

HSLA 202.96, 1%, 0.23%, 0.81

LABA 28.76, -1.33, -30.62, 0.81

 

CMYK 81 / 36 / 0 / 51

HEX #003560CE

RGBA 0 53 96 0.81

HSLA 206.88, 1%, 0.19%, 0.81

LABA 21.55, 2.66, -29.92, 0.81

 

CMYK 73 / 27 / 0 / 33

HEX #2F7DAC

RGB 47 125 172

HSL 202.56, 0.57%, 0.43%

LAB 49.8, -7.81, -31.81

 

CMYK 73 / 47 / 0 / 33

HEX #2F5BAC

RGB 47 91 172

HSL 218.88, 0.57%, 0.43%

LAB 39.69, 13.27, -47.83

 

CMYK 73 / 66 / 0 / 33

HEX #2F3AAC

RGB 47 58 172

HSL 234.72, 0.57%, 0.43%

LAB 30.9, 34.92, -62.1

 

CMYK 59 / 73 / 0 / 33

HEX #462FAC

RGB 70 47 172

HSL 251.04, 0.57%, 0.43%

LAB 30.19, 44.48, -63.21

 

CMYK 40 / 73 / 0 / 33

HEX #682FAC

RGB 104 47 172

HSL 267.36, 0.57%, 0.43%

LAB 33.89, 50.1, -57.01

 

CMYK 73 / 27 / 0 / 33

HEX #2F7DAC

RGB 47 125 172

HSL 202.56, 0.57%, 0.43%

LAB 49.8, -7.81, -31.81

 

CMYK 73 / 47 / 0 / 33

HEX #2F5BAC

RGB 47 91 172

HSL 218.88, 0.57%, 0.43%

LAB 39.69, 13.27, -47.83

 

CMYK 73 / 66 / 0 / 33

HEX #2F3AAC

RGB 47 58 172

HSL 234.72, 0.57%, 0.43%

LAB 30.9, 34.92, -62.1

 

CMYK 73 / 73 / 0 / 33

HEX #2F2FAC

RGB 47 47 172

HSL 240, 0.57%, 0.43%

LAB 28.42, 41.66, -66.18

 

CMYK 73 / 27 / 0 / 33

HEX #2F7DAC

RGB 47 125 172

HSL 202.56, 0.57%, 0.43%

LAB 49.8, -7.81, -31.81

 

CMYK 85 / 32 / 0 / 25

HEX #1D82BE

RGB 29 130 190

HSL 202.36, 0.74%, 0.43%

LAB 51.77, -6.15, -39.1

 

CMYK 94 / 36 / 0 / 18

HEX #0C86D0

RGB 12 134 208

HSL 202.65, 0.89%, 0.43%

LAB 53.69, -2.68, -46.33

 

CMYK 73 / 27 / 0 / 33

HEX #2F7DAC

RGB 47 125 172

HSL 202.56, 0.57%, 0.43%

LAB 49.8, -7.81, -31.81

 

CMYK 58 / 21 / 0 / 40

HEX #41799A

RGB 65 121 154

HSL 202.25, 0.41%, 0.43%

LAB 48.43, -8.4, -23.39

 

CMYK 39 / 15 / 0 / 46

HEX #537489

RGB 83 116 137

HSL 203.33, 0.25%, 0.43%

LAB 47.15, -6.1, -15.24

 

CMYK 16 / 6 / 0 / 53

HEX #647077

RGB 100 112 119

HSL 202.11, 0.09%, 0.43%

LAB 46.48, -2.91, -5.41

 

CMYK 0 / 8 / 14 / 54

HEX #766C65

RGB 118 108 101

HSL 24.71, 0.08%, 0.43%

LAB 46.33, 2.62, 5.32

 

CMYK 73 / 0 / 12 / 33

HEX #2FAC97

RGB 47 172 151

HSL 169.92, 0.57%, 0.43%

LAB 63.63, -38.51, 1.09

 

CMYK 73 / 7 / 0 / 33

HEX #2FA0AC

RGB 47 160 172

HSL 185.76, 0.57%, 0.43%

LAB 60.54, -26.73, -15.29

 

CMYK 73 / 27 / 0 / 33

HEX #2F7EAC

RGB 47 126 172

HSL 202.08, 0.57%, 0.43%

LAB 50.1, -8.39, -31.33

 

CMYK 73 / 46 / 0 / 33

HEX #2F5DAC

RGB 47 93 172

HSL 217.92, 0.57%, 0.43%

LAB 40.27, 11.97, -46.91

 

CMYK 73 / 65 / 0 / 33

HEX #2F3CAC

RGB 47 60 172

HSL 233.76, 0.57%, 0.43%

LAB 31.38, 33.65, -61.32

 

CMYK 73 / 27 / 0 / 58

HEX #1D4E6B

RGB 29 78 107

HSL 202.31, 0.57%, 0.27%

LAB 31.28, -5.99, -21.56

 

CMYK 73 / 27 / 0 / 45

HEX #26668C

RGB 38 102 140

HSL 202.35, 0.57%, 0.35%

LAB 40.91, -7.04, -26.83

 

CMYK 73 / 27 / 0 / 33

HEX #2F7DAC

RGB 47 125 172

HSL 202.56, 0.57%, 0.43%

LAB 49.8, -7.81, -31.81

 

CMYK 71 / 26 / 0 / 21

HEX #3B94C9

RGB 59 148 201

HSL 202.39, 0.57%, 0.51%

LAB 58.35, -9.17, -34.99

 

CMYK 56 / 21 / 0 / 18

HEX #5CA6D2

RGB 92 166 210

HSL 202.37, 0.57%, 0.59%

LAB 65.12, -10.43, -29.4

 

CMYK 73 / 27 / 0 / 33

HEX #2F7DAC

RGB 47 125 172

HSL 202.56, 0.57%, 0.43%

LAB 49.8, -7.81, -31.81

 

CMYK 31 / 73 / 0 / 33

HEX #762FAC

RGB 118 47 172

HSL 274.08, 0.57%, 0.43%

LAB 35.72, 52.77, -53.95

 

CMYK 0 / 2 / 73 / 33

HEX #ACA82F

RGB 172 168 47

HSL 58.08, 0.57%, 0.43%

LAB 67.26, -12.77, 59.22

 

CMYK 73 / 27 / 0 / 33

HEX #2F7DAC

RGB 47 125 172

HSL 202.56, 0.57%, 0.43%

LAB 49.8, -7.81, -31.81

 

CMYK 0 / 73 / 27 / 33

HEX #AC2F7E

RGB 172 47 126

HSL 322.08, 0.57%, 0.43%

LAB 41.7, 57.31, -16

 

CMYK 27 / 0 / 73 / 33

HEX #7EAC2F

RGB 126 172 47

HSL 82.08, 0.57%, 0.43%

LAB 65.08, -34.02, 55.95

 

CMYK 73 / 27 / 0 / 33

HEX #2F7DAC

RGB 47 125 172

HSL 202.56, 0.57%, 0.43%

LAB 49.8, -7.81, -31.81

 

CMYK 31 / 73 / 0 / 33

HEX #762FAC

RGB 118 47 172

HSL 274.08, 0.57%, 0.43%

LAB 35.72, 52.77, -53.95

 

CMYK 0 / 46 / 73 / 33

HEX #AC5D2F

RGB 172 93 47

HSL 22.08, 0.57%, 0.43%

LAB 48.01, 28.45, 39.7

 

CMYK 41 / 0 / 73 / 33

HEX #65AC2F

RGB 101 172 47

HSL 94.08, 0.57%, 0.43%

LAB 63.74, -43.19, 54.16

 

CMYK 73 / 27 / 0 / 33

HEX #2F7DAC

RGB 47 125 172

HSL 202.56, 0.57%, 0.43%

LAB 49.8, -7.81, -31.81

 

CMYK 10 / 73 / 0 / 33

HEX #9B2FAC

RGB 155 47 172

HSL 291.84, 0.57%, 0.43%

LAB 41.18, 60.42, -44.86

 

CMYK 0 / 46 / 73 / 33

HEX #AC5D2F

RGB 172 93 47

HSL 22.08, 0.57%, 0.43%

LAB 48.01, 28.45, 39.7

 

CMYK 63 / 0 / 73 / 33

HEX #40AC2F

RGB 64 172 47

HSL 111.84, 0.57%, 0.43%

LAB 62.34, -53.87, 52.29

 

Description

Color code: HEX #2F7DACCE | qconv.com Color code: HEX #2F7DACCE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 125 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 125 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 22 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 22% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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