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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F7C93 it is the complementary color #D0836C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F7C93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F7C93 shade: #347C8E, #458EA1, #56A0B4, #67B2C7 and #78C4DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F7C93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F7C93 shade: #2F7C93, #1E6A80, #0D586D, #00465A and #003447

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F7C93 shade: #2F7C93, #2F6193, #2F4693, #322F93 and #4E2F93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F7C93 shade: #2F7C93, #2F6193, #2F4693 and #2F2F93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F7C93 shade matches the following richer shades: #2F7C93, #1F85A3 and #0F8DB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F7C93 shade: #2F7C93, #3E7484, #4E6B74, #5E6364 and #6D5A55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F7C93 shade: #2F9373, #2F938E, #2F7D93, #2F6393 and #2F4893

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F7C93 shade: #1B4755, #256274, #2F7C93, #3897B3 and #4DABC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F7C93 shade: #2F7C93, #592F93 and #93812F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F7C93 shade: #2F7C93, #932F7D and #7D932F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F7C93 shade: #2F7C93, #592F93, #93442F and #69932F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F7C93 shade: #2F7C93, #772F93, #93442F and #4B932F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 16 / 0 / 42

HEX #2F7C93

RGB 47 124 147

HSL 193.8, 0.52%, 0.38%

LAB 48.42, -15.85, -19.35

 

Complementary color

CMYK 0 / 37 / 48 / 18

HEX #D0836C

RGB 208 131 108

HSL 13.8, 0.52%, 0.62%

LAB 62.27, 27.15, 24.83

 

CMYK 63 / 13 / 0 / 44

HEX #347C8E

RGB 52 124 142

HSL 192, 0.46%, 0.38%

LAB 48.38, -16.6, -16.45

 

CMYK 57 / 12 / 0 / 37

HEX #458EA1

RGB 69 142 161

HSL 192.39, 0.4%, 0.45%

LAB 55.26, -17.08, -16.97

 

CMYK 52 / 11 / 0 / 29

HEX #56A0B4

RGB 86 160 180

HSL 192.77, 0.39%, 0.52%

LAB 62.01, -17.41, -17.45

 

CMYK 48 / 11 / 0 / 22

HEX #67B2C7

RGB 103 178 199

HSL 193.13, 0.46%, 0.59%

LAB 68.64, -17.64, -17.9

 

CMYK 45 / 10 / 0 / 15

HEX #78C4DA

RGB 120 196 218

HSL 193.47, 0.57%, 0.66%

LAB 75.16, -17.8, -18.34

 

CMYK 68 / 16 / 0 / 42

HEX #2F7C93

RGB 47 124 147

HSL 193.8, 0.52%, 0.38%

LAB 48.42, -15.85, -19.35

 

CMYK 77 / 17 / 0 / 50

HEX #1E6A80

RGB 30 106 128

HSL 193.47, 0.62%, 0.31%

LAB 41.44, -14.86, -18.78

 

CMYK 88 / 19 / 0 / 57

HEX #0D586D

RGB 13 88 109

HSL 193.13, 0.79%, 0.24%

LAB 34.33, -13.37, -18.11

 

CMYK 100 / 22 / 0 / 65

HEX #00465A

RGB 0 70 90

HSL 193.33, 1%, 0.18%

LAB 27.07, -11.21, -17.31

 

CMYK 100 / 27 / 0 / 72

HEX #003447

RGB 0 52 71

HSL 196.06, 1%, 0.14%

LAB 19.68, -7.83, -16.23

 

CMYK 68 / 16 / 0 / 42

HEX #2F7C93

RGB 47 124 147

HSL 193.8, 0.52%, 0.38%

LAB 48.42, -15.85, -19.35

 

CMYK 68 / 34 / 0 / 42

HEX #2F6193

RGB 47 97 147

HSL 210, 0.52%, 0.38%

LAB 40.02, 0.08, -32.41

 

CMYK 68 / 52 / 0 / 42

HEX #2F4693

RGB 47 70 147

HSL 226.2, 0.52%, 0.38%

LAB 32.01, 17.76, -45.18

 

CMYK 66 / 68 / 0 / 42

HEX #322F93

RGB 50 47 147

HSL 241.8, 0.52%, 0.38%

LAB 26.21, 33.46, -54.61

 

CMYK 47 / 68 / 0 / 42

HEX #4E2F93

RGB 78 47 147

HSL 258.6, 0.52%, 0.38%

LAB 28.8, 38.34, -50.28

 

CMYK 68 / 16 / 0 / 42

HEX #2F7C93

RGB 47 124 147

HSL 193.8, 0.52%, 0.38%

LAB 48.42, -15.85, -19.35

 

CMYK 68 / 34 / 0 / 42

HEX #2F6193

RGB 47 97 147

HSL 210, 0.52%, 0.38%

LAB 40.02, 0.08, -32.41

 

CMYK 68 / 52 / 0 / 42

HEX #2F4693

RGB 47 70 147

HSL 226.2, 0.52%, 0.38%

LAB 32.01, 17.76, -45.18

 

CMYK 68 / 68 / 0 / 42

HEX #2F2F93

RGB 47 47 147

HSL 240, 0.52%, 0.38%

LAB 25.99, 33.03, -54.97

 

CMYK 68 / 16 / 0 / 42

HEX #2F7C93

RGB 47 124 147

HSL 193.8, 0.52%, 0.38%

LAB 48.42, -15.85, -19.35

 

CMYK 81 / 18 / 0 / 36

HEX #1F85A3

RGB 31 133 163

HSL 193.64, 0.68%, 0.38%

LAB 51.51, -17.44, -23.96

 

CMYK 92 / 21 / 0 / 30

HEX #0F8DB3

RGB 15 141 179

HSL 193.9, 0.85%, 0.38%

LAB 54.46, -17.31, -28.63

 

CMYK 68 / 16 / 0 / 42

HEX #2F7C93

RGB 47 124 147

HSL 193.8, 0.52%, 0.38%

LAB 48.42, -15.85, -19.35

 

CMYK 53 / 12 / 0 / 48

HEX #3E7484

RGB 62 116 132

HSL 193.71, 0.36%, 0.38%

LAB 45.88, -13.16, -14.3

 

CMYK 33 / 8 / 0 / 55

HEX #4E6B74

RGB 78 107 116

HSL 194.21, 0.2%, 0.38%

LAB 43.35, -8.16, -8.44

 

CMYK 6 / 1 / 0 / 61

HEX #5E6364

RGB 94 99 100

HSL 190, 0.03%, 0.38%

LAB 41.57, -1.72, -1.24

 

CMYK 0 / 17 / 22 / 57

HEX #6D5A55

RGB 109 90 85

HSL 12.5, 0.12%, 0.38%

LAB 39.95, 6.88, 5.78

 

CMYK 68 / 0 / 22 / 42

HEX #2F9373

RGB 47 147 115

HSL 160.8, 0.52%, 0.38%

LAB 54.77, -36.66, 8.66

 

CMYK 68 / 0 / 3 / 42

HEX #2F938E

RGB 47 147 142

HSL 177, 0.52%, 0.38%

LAB 55.51, -29.36, -5.75

 

CMYK 68 / 15 / 0 / 42

HEX #2F7D93

RGB 47 125 147

HSL 193.2, 0.52%, 0.38%

LAB 48.73, -16.4, -18.87

 

CMYK 68 / 33 / 0 / 42

HEX #2F6393

RGB 47 99 147

HSL 208.8, 0.52%, 0.38%

LAB 40.63, -1.17, -31.45

 

CMYK 68 / 51 / 0 / 42

HEX #2F4893

RGB 47 72 147

HSL 225, 0.52%, 0.38%

LAB 32.58, 16.42, -44.26

 

CMYK 68 / 16 / 0 / 67

HEX #1B4755

RGB 27 71 85

HSL 194.48, 0.52%, 0.22%

LAB 27.83, -10.15, -12.84

 

CMYK 68 / 16 / 0 / 55

HEX #256274

RGB 37 98 116

HSL 193.67, 0.52%, 0.3%

LAB 38.53, -13.38, -15.93

 

CMYK 68 / 16 / 0 / 42

HEX #2F7C93

RGB 47 124 147

HSL 193.8, 0.52%, 0.38%

LAB 48.42, -15.85, -19.35

 

CMYK 69 / 16 / 0 / 30

HEX #3897B3

RGB 56 151 179

HSL 193.66, 0.52%, 0.46%

LAB 58.25, -18.58, -22.71

 

CMYK 61 / 14 / 0 / 22

HEX #4DABC7

RGB 77 171 199

HSL 193.77, 0.52%, 0.54%

LAB 65.61, -19.36, -22.6

 

CMYK 68 / 16 / 0 / 42

HEX #2F7C93

RGB 47 124 147

HSL 193.8, 0.52%, 0.38%

LAB 48.42, -15.85, -19.35

 

CMYK 39 / 68 / 0 / 42

HEX #592F93

RGB 89 47 147

HSL 265.2, 0.52%, 0.38%

LAB 30.07, 40.6, -48.16

 

CMYK 0 / 12 / 68 / 42

HEX #93812F

RGB 147 129 47

HSL 49.2, 0.52%, 0.38%

LAB 54.14, -2.99, 45.33

 

CMYK 68 / 16 / 0 / 42

HEX #2F7C93

RGB 47 124 147

HSL 193.8, 0.52%, 0.38%

LAB 48.42, -15.85, -19.35

 

CMYK 0 / 68 / 15 / 42

HEX #932F7D

RGB 147 47 125

HSL 313.2, 0.52%, 0.38%

LAB 37.33, 50.46, -22.49

 

CMYK 15 / 0 / 68 / 42

HEX #7D932F

RGB 125 147 47

HSL 73.2, 0.52%, 0.38%

LAB 57.49, -22.37, 48.25

 

CMYK 68 / 16 / 0 / 42

HEX #2F7C93

RGB 47 124 147

HSL 193.8, 0.52%, 0.38%

LAB 48.42, -15.85, -19.35

 

CMYK 39 / 68 / 0 / 42

HEX #592F93

RGB 89 47 147

HSL 265.2, 0.52%, 0.38%

LAB 30.07, 40.6, -48.16

 

CMYK 0 / 54 / 68 / 42

HEX #93442F

RGB 147 68 47

HSL 12.6, 0.52%, 0.38%

LAB 38.8, 31.65, 28.25

 

CMYK 29 / 0 / 68 / 42

HEX #69932F

RGB 105 147 47

HSL 85.2, 0.52%, 0.38%

LAB 56.16, -30.6, 46.45

 

CMYK 68 / 16 / 0 / 42

HEX #2F7C93

RGB 47 124 147

HSL 193.8, 0.52%, 0.38%

LAB 48.42, -15.85, -19.35

 

CMYK 19 / 68 / 0 / 42

HEX #772F93

RGB 119 47 147

HSL 283.2, 0.52%, 0.38%

LAB 34.11, 47.37, -41.43

 

CMYK 0 / 54 / 68 / 42

HEX #93442F

RGB 147 68 47

HSL 12.6, 0.52%, 0.38%

LAB 38.8, 31.65, 28.25

 

CMYK 49 / 0 / 68 / 42

HEX #4B932F

RGB 75 147 47

HSL 103.2, 0.52%, 0.38%

LAB 54.63, -41.32, 44.35

 

Description

Color code: HEX #2F7C93 | qconv.com Color code: HEX #2F7C93 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 124 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 124 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 16 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 16% 0% 42% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

27% - Obeya FBW - APB:Db
Link: http://apbdb.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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