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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F7876 it is the complementary color #D08789. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F7876. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F7876 shade: #347871, #458A84, #569C97, #67AEAA and #78C0BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F7876. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F7876 shade: #2F7876, #1E6663, #0D5450, #00423D and #00302A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F7876 shade: #2F7977, #2F7963, #2F794F, #2F793B and #37792F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F7876 shade: #2F7977, #2F6779, #2F5379, #2F3F79 and #2F2F79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F7876 shade matches the following richer shades: #2F7977, #228784, #149491 and #06A29E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F7876 shade: #2F7977, #3D6C6A, #4A5E5D, #585051 and #664344

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F7876 shade: #2F794F, #2F7963, #2F7977, #2F6879 and #2F5479

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F7876 shade: #183E3D, #245B5A, #2F7977, #3B9794 and #46B5B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F7876 shade: #2F7876, #3B2F79 and #79592F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F7876 shade: #2F7876, #772F79 and #79772F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F7876 shade: #2F7876, #3B2F79, #792F32 and #6D792F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F7876 shade: #2F7876, #522F79, #792F32 and #57792F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 2 / 53

HEX #2F7876

RGB 47 120 118

HSL 178.36, 0.44%, 0.33%

LAB 46.1, -22.86, -5.68

 

Complementary color

CMYK 0 / 35 / 34 / 18

HEX #D08789

RGB 208 135 137

HSL 358.36, 0.44%, 0.67%

LAB 63.79, 28.23, 10.56

 

CMYK 57 / 0 / 6 / 53

HEX #347871

RGB 52 120 113

HSL 173.82, 0.4%, 0.34%

LAB 46.12, -23.25, -2.67

 

CMYK 50 / 0 / 4 / 46

HEX #458A84

RGB 69 138 132

HSL 174.78, 0.33%, 0.41%

LAB 53.07, -23.32, -3.51

 

CMYK 45 / 0 / 3 / 39

HEX #569C97

RGB 86 156 151

HSL 175.71, 0.29%, 0.47%

LAB 59.88, -23.31, -4.27

 

CMYK 41 / 0 / 2 / 32

HEX #67AEAA

RGB 103 174 170

HSL 176.62, 0.3%, 0.54%

LAB 66.56, -23.25, -4.97

 

CMYK 38 / 0 / 2 / 25

HEX #78C0BD

RGB 120 192 189

HSL 177.5, 0.36%, 0.61%

LAB 73.13, -23.16, -5.62

 

CMYK 61 / 0 / 2 / 53

HEX #2F7876

RGB 47 120 118

HSL 178.36, 0.44%, 0.33%

LAB 46.1, -22.86, -5.68

 

CMYK 71 / 0 / 3 / 60

HEX #1E6663

RGB 30 102 99

HSL 177.5, 0.55%, 0.26%

LAB 39.04, -22.39, -4.76

 

CMYK 85 / 0 / 5 / 67

HEX #0D5450

RGB 13 84 80

HSL 176.62, 0.73%, 0.19%

LAB 31.82, -21.5, -3.66

 

CMYK 100 / 0 / 8 / 74

HEX #00423D

RGB 0 66 61

HSL 175.45, 1%, 0.13%

LAB 24.43, -20.01, -2.32

 

CMYK 100 / 0 / 13 / 81

HEX #00302A

RGB 0 48 42

HSL 172.5, 1%, 0.09%

LAB 16.9, -17.09, -0.52

 

CMYK 61 / 0 / 2 / 53

HEX #2F7977

RGB 47 121 119

HSL 178.38, 0.44%, 0.33%

LAB 46.46, -23.08, -5.75

 

CMYK 61 / 0 / 18 / 53

HEX #2F7963

RGB 47 121 99

HSL 162.16, 0.44%, 0.33%

LAB 45.88, -28.64, 5.28

 

CMYK 61 / 0 / 35 / 53

HEX #2F794F

RGB 47 121 79

HSL 145.95, 0.44%, 0.33%

LAB 45.42, -33.34, 16.37

 

CMYK 61 / 0 / 51 / 53

HEX #2F793B

RGB 47 121 59

HSL 129.73, 0.44%, 0.33%

LAB 45.07, -37.06, 27.17

 

CMYK 55 / 0 / 61 / 53

HEX #37792F

RGB 55 121 47

HSL 113.51, 0.44%, 0.33%

LAB 45.21, -36.56, 33.65

 

CMYK 61 / 0 / 2 / 53

HEX #2F7977

RGB 47 121 119

HSL 178.38, 0.44%, 0.33%

LAB 46.46, -23.08, -5.75

 

CMYK 61 / 15 / 0 / 53

HEX #2F6779

RGB 47 103 121

HSL 194.59, 0.44%, 0.33%

LAB 40.71, -12.62, -15.62

 

CMYK 61 / 31 / 0 / 53

HEX #2F5379

RGB 47 83 121

HSL 210.81, 0.44%, 0.33%

LAB 34.34, -0.47, -25.48

 

CMYK 61 / 48 / 0 / 53

HEX #2F3F79

RGB 47 63 121

HSL 227.03, 0.44%, 0.33%

LAB 28.22, 12.82, -35.17

 

CMYK 61 / 61 / 0 / 53

HEX #2F2F79

RGB 47 47 121

HSL 240, 0.44%, 0.33%

LAB 23.73, 23.77, -42.41

 

CMYK 61 / 0 / 2 / 53

HEX #2F7977

RGB 47 121 119

HSL 178.38, 0.44%, 0.33%

LAB 46.46, -23.08, -5.75

 

CMYK 75 / 0 / 2 / 47

HEX #228784

RGB 34 135 132

HSL 178.22, 0.6%, 0.33%

LAB 51.08, -28.32, -6.58

 

CMYK 86 / 0 / 2 / 42

HEX #149491

RGB 20 148 145

HSL 178.59, 0.76%, 0.33%

LAB 55.45, -31.98, -7.6

 

CMYK 96 / 0 / 2 / 36

HEX #06A29E

RGB 6 162 158

HSL 178.46, 0.93%, 0.33%

LAB 60.2, -35.25, -7.94

 

CMYK 61 / 0 / 2 / 53

HEX #2F7977

RGB 47 121 119

HSL 178.38, 0.44%, 0.33%

LAB 46.46, -23.08, -5.75

 

CMYK 44 / 0 / 2 / 58

HEX #3D6C6A

RGB 61 108 106

HSL 177.45, 0.28%, 0.33%

LAB 42.4, -16.54, -3.92

 

CMYK 21 / 0 / 1 / 63

HEX #4A5E5D

RGB 74 94 93

HSL 177, 0.12%, 0.33%

LAB 38.29, -7.79, -1.94

 

CMYK 0 / 9 / 8 / 65

HEX #585051

RGB 88 80 81

HSL 352.5, 0.05%, 0.33%

LAB 34.81, 3.5, 0.6

 

CMYK 0 / 34 / 33 / 60

HEX #664344

RGB 102 67 68

HSL 358.29, 0.21%, 0.33%

LAB 32.38, 15.31, 5.58

 

CMYK 61 / 0 / 35 / 53

HEX #2F794F

RGB 47 121 79

HSL 145.95, 0.44%, 0.33%

LAB 45.42, -33.34, 16.37

 

CMYK 61 / 0 / 18 / 53

HEX #2F7963

RGB 47 121 99

HSL 162.16, 0.44%, 0.33%

LAB 45.88, -28.64, 5.28

 

CMYK 61 / 0 / 2 / 53

HEX #2F7977

RGB 47 121 119

HSL 178.38, 0.44%, 0.33%

LAB 46.46, -23.08, -5.75

 

CMYK 61 / 14 / 0 / 53

HEX #2F6879

RGB 47 104 121

HSL 193.78, 0.44%, 0.33%

LAB 41.03, -13.19, -15.13

 

CMYK 61 / 31 / 0 / 53

HEX #2F5479

RGB 47 84 121

HSL 210, 0.44%, 0.33%

LAB 34.65, -1.1, -24.99

 

CMYK 61 / 0 / 2 / 76

HEX #183E3D

RGB 24 62 61

HSL 178.42, 0.44%, 0.17%

LAB 23.59, -13.68, -3.49

 

CMYK 60 / 0 / 1 / 64

HEX #245B5A

RGB 36 91 90

HSL 178.91, 0.43%, 0.25%

LAB 35.19, -18.16, -4.88

 

CMYK 61 / 0 / 2 / 53

HEX #2F7977

RGB 47 121 119

HSL 178.38, 0.44%, 0.33%

LAB 46.46, -23.08, -5.75

 

CMYK 61 / 0 / 2 / 41

HEX #3B9794

RGB 59 151 148

HSL 178.04, 0.44%, 0.41%

LAB 57.27, -27.55, -6.53

 

CMYK 61 / 0 / 2 / 29

HEX #46B5B2

RGB 70 181 178

HSL 178.38, 0.44%, 0.49%

LAB 67.7, -31.74, -7.85

 

CMYK 61 / 0 / 2 / 53

HEX #2F7876

RGB 47 120 118

HSL 178.36, 0.44%, 0.33%

LAB 46.1, -22.86, -5.68

 

CMYK 51 / 61 / 0 / 53

HEX #3B2F79

RGB 59 47 121

HSL 249.73, 0.44%, 0.33%

LAB 24.78, 26.29, -40.66

 

CMYK 0 / 26 / 61 / 53

HEX #79592F

RGB 121 89 47

HSL 34.05, 0.44%, 0.33%

LAB 40.27, 8.08, 29.11

 

CMYK 61 / 0 / 2 / 53

HEX #2F7876

RGB 47 120 118

HSL 178.36, 0.44%, 0.33%

LAB 46.1, -22.86, -5.68

 

CMYK 2 / 61 / 0 / 53

HEX #772F79

RGB 119 47 121

HSL 298.38, 0.44%, 0.33%

LAB 32.56, 42.05, -27.78

 

CMYK 0 / 2 / 61 / 53

HEX #79772F

RGB 121 119 47

HSL 58.38, 0.44%, 0.33%

LAB 48.84, -9.31, 38.91

 

CMYK 61 / 0 / 2 / 53

HEX #2F7876

RGB 47 120 118

HSL 178.36, 0.44%, 0.33%

LAB 46.1, -22.86, -5.68

 

CMYK 51 / 61 / 0 / 53

HEX #3B2F79

RGB 59 47 121

HSL 249.73, 0.44%, 0.33%

LAB 24.78, 26.29, -40.66

 

CMYK 0 / 61 / 59 / 53

HEX #792F32

RGB 121 47 50

HSL 357.57, 0.44%, 0.33%

LAB 30.23, 32.61, 14.69

 

CMYK 10 / 0 / 61 / 53

HEX #6D792F

RGB 109 121 47

HSL 69.73, 0.44%, 0.33%

LAB 48.42, -15.81, 38.16

 

CMYK 61 / 0 / 2 / 53

HEX #2F7876

RGB 47 120 118

HSL 178.36, 0.44%, 0.33%

LAB 46.1, -22.86, -5.68

 

CMYK 32 / 61 / 0 / 53

HEX #522F79

RGB 82 47 121

HSL 268.38, 0.44%, 0.33%

LAB 27.32, 31.93, -36.44

 

CMYK 0 / 61 / 59 / 53

HEX #792F32

RGB 121 47 50

HSL 357.57, 0.44%, 0.33%

LAB 30.23, 32.61, 14.69

 

CMYK 28 / 0 / 61 / 53

HEX #57792F

RGB 87 121 47

HSL 87.57, 0.44%, 0.33%

LAB 46.85, -25.19, 35.97

 

Description

Color code: HEX #2F7876 | qconv.com Color code: HEX #2F7876 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 120 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 120 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 2 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 2% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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