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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F742A it is the complementary color #D08BD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F742A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F742A shade: #347425, #458638, #56984B, #67AA5E and #78BC71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F742A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F742A shade: #2F742A, #1E6217, #0D5004, #003E00 and #002C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F742A shade: #2F742A, #43742A, #57742A, #6B742A and #74692A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F742A shade: #2F742A, #2A7439, #2A744D, #2A7461 and #2A7374

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F742A shade matches the following richer shades: #2F742A, #24811D, #198E10 and #0E9B04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F742A shade: #2F742A, #3A6737, #455B43, #504E50 and #5B415D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F742A shade: #58742A, #44742A, #30742A, #2A7438 and #2A744B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F742A shade: #163814, #23561F, #2F742A, #3B9335 and #47B140

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F742A shade: #2F742A, #2A6C74 and #742A4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F742A shade: #2F742A, #2A3074 and #742A30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F742A shade: #2F742A, #2A6C74, #6E2A74 and #74332A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F742A shade: #2F742A, #2A5574, #6E2A74 and #74492A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 64 / 55

HEX #2F742A

RGB 47 116 42

HSL 115.95, 0.47%, 0.31%

LAB 43.16, -37.37, 33.69

 

Complementary color

CMYK 2 / 35 / 0 / 16

HEX #D08BD5

RGB 208 139 213

HSL 295.95, 0.47%, 0.69%

LAB 67.04, 38.19, -27.4

 

CMYK 55 / 0 / 68 / 55

HEX #347425

RGB 52 116 37

HSL 108.61, 0.52%, 0.3%

LAB 43.29, -36.49, 36.26

 

CMYK 49 / 0 / 58 / 47

HEX #458638

RGB 69 134 56

HSL 110, 0.41%, 0.37%

LAB 50.22, -36.74, 35.15

 

CMYK 43 / 0 / 51 / 40

HEX #56984B

RGB 86 152 75

HSL 111.43, 0.34%, 0.45%

LAB 57.02, -36.74, 33.86

 

CMYK 39 / 0 / 45 / 33

HEX #67AA5E

RGB 103 170 94

HSL 112.89, 0.31%, 0.52%

LAB 63.71, -36.62, 32.56

 

CMYK 36 / 0 / 40 / 26

HEX #78BC71

RGB 120 188 113

HSL 114.4, 0.36%, 0.59%

LAB 70.28, -36.43, 31.31

 

CMYK 59 / 0 / 64 / 55

HEX #2F742A

RGB 47 116 42

HSL 115.95, 0.47%, 0.31%

LAB 43.16, -37.37, 33.69

 

CMYK 69 / 0 / 77 / 62

HEX #1E6217

RGB 30 98 23

HSL 114.4, 0.62%, 0.24%

LAB 36.12, -36.61, 34.62

 

CMYK 84 / 0 / 95 / 69

HEX #0D5004

RGB 13 80 4

HSL 112.89, 0.9%, 0.16%

LAB 28.98, -34.89, 34.59

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 100 / 0 / 100 / 83

HEX #002C00

RGB 0 44 0

HSL 120, 1%, 0.09%

LAB 14.41, -25.26, 20.55

 

CMYK 59 / 0 / 64 / 55

HEX #2F742A

RGB 47 116 42

HSL 115.95, 0.47%, 0.31%

LAB 43.16, -37.37, 33.69

 

CMYK 42 / 0 / 64 / 55

HEX #43742A

RGB 67 116 42

HSL 99.73, 0.47%, 0.31%

LAB 44.02, -30.99, 34.9

 

CMYK 25 / 0 / 64 / 55

HEX #57742A

RGB 87 116 42

HSL 83.51, 0.47%, 0.31%

LAB 45.2, -23.16, 36.54

 

CMYK 8 / 0 / 64 / 55

HEX #6B742A

RGB 107 116 42

HSL 67.3, 0.47%, 0.31%

LAB 46.69, -14.42, 38.6

 

CMYK 0 / 9 / 64 / 55

HEX #74692A

RGB 116 105 42

HSL 51.08, 0.47%, 0.31%

LAB 44.21, -4.09, 36.12

 

CMYK 59 / 0 / 64 / 55

HEX #2F742A

RGB 47 116 42

HSL 115.95, 0.47%, 0.31%

LAB 43.16, -37.37, 33.69

 

CMYK 64 / 0 / 51 / 55

HEX #2A7439

RGB 42 116 57

HSL 132.16, 0.47%, 0.31%

LAB 43.18, -36.52, 25.86

 

CMYK 64 / 0 / 34 / 55

HEX #2A744D

RGB 42 116 77

HSL 148.38, 0.47%, 0.31%

LAB 43.53, -32.67, 14.95

 

CMYK 64 / 0 / 16 / 55

HEX #2A7461

RGB 42 116 97

HSL 164.59, 0.47%, 0.31%

LAB 44.01, -27.79, 3.77

 

CMYK 64 / 1 / 0 / 55

HEX #2A7374

RGB 42 115 116

HSL 180.81, 0.47%, 0.31%

LAB 44.25, -21.81, -7.26

 

CMYK 59 / 0 / 64 / 55

HEX #2F742A

RGB 47 116 42

HSL 115.95, 0.47%, 0.31%

LAB 43.16, -37.37, 33.69

 

CMYK 72 / 0 / 78 / 49

HEX #24811D

RGB 36 129 29

HSL 115.8, 0.63%, 0.31%

LAB 47.19, -46.18, 43.48

 

CMYK 82 / 0 / 89 / 44

HEX #198E10

RGB 25 142 16

HSL 115.71, 0.8%, 0.31%

LAB 51.37, -53.04, 51.17

 

CMYK 91 / 0 / 97 / 39

HEX #0E9B04

RGB 14 155 4

HSL 116.03, 0.95%, 0.31%

LAB 55.63, -58.44, 56.84

 

CMYK 59 / 0 / 64 / 55

HEX #2F742A

RGB 47 116 42

HSL 115.95, 0.47%, 0.31%

LAB 43.16, -37.37, 33.69

 

CMYK 44 / 0 / 47 / 60

HEX #3A6737

RGB 58 103 55

HSL 116.25, 0.3%, 0.31%

LAB 39.37, -26.28, 22.31

 

CMYK 24 / 0 / 26 / 64

HEX #455B43

RGB 69 91 67

HSL 115, 0.15%, 0.31%

LAB 36.28, -13.69, 11.19

 

CMYK 0 / 2 / 0 / 69

HEX #504E50

RGB 80 78 80

HSL 300, 0.01%, 0.31%

LAB 33.42, 1.25, -0.89

 

CMYK 2 / 30 / 0 / 64

HEX #5B415D

RGB 91 65 93

HSL 295.71, 0.18%, 0.31%

LAB 31.34, 16.72, -12.2

 

CMYK 24 / 0 / 64 / 55

HEX #58742A

RGB 88 116 42

HSL 82.7, 0.47%, 0.31%

LAB 45.27, -22.74, 36.63

 

CMYK 41 / 0 / 64 / 55

HEX #44742A

RGB 68 116 42

HSL 98.92, 0.47%, 0.31%

LAB 44.07, -30.63, 34.97

 

CMYK 59 / 0 / 64 / 55

HEX #30742A

RGB 48 116 42

HSL 115.14, 0.47%, 0.31%

LAB 43.19, -37.09, 33.74

 

CMYK 64 / 0 / 52 / 55

HEX #2A7438

RGB 42 116 56

HSL 131.35, 0.47%, 0.31%

LAB 43.17, -36.69, 26.39

 

CMYK 64 / 0 / 35 / 55

HEX #2A744B

RGB 42 116 75

HSL 146.76, 0.47%, 0.31%

LAB 43.49, -33.11, 16.06

 

CMYK 61 / 0 / 64 / 78

HEX #163814

RGB 22 56 20

HSL 116.67, 0.47%, 0.15%

LAB 20.24, -21.2, 18.58

 

CMYK 59 / 0 / 64 / 66

HEX #23561F

RGB 35 86 31

HSL 115.64, 0.47%, 0.23%

LAB 32.06, -29.43, 26.44

 

CMYK 59 / 0 / 64 / 55

HEX #2F742A

RGB 47 116 42

HSL 115.95, 0.47%, 0.31%

LAB 43.16, -37.37, 33.69

 

CMYK 60 / 0 / 64 / 42

HEX #3B9335

RGB 59 147 53

HSL 116.17, 0.47%, 0.39%

LAB 54.08, -45.27, 40.92

 

CMYK 60 / 0 / 64 / 31

HEX #47B140

RGB 71 177 64

HSL 116.28, 0.47%, 0.47%

LAB 64.29, -52.45, 47.49

 

CMYK 59 / 0 / 64 / 55

HEX #2F742A

RGB 47 116 42

HSL 115.95, 0.47%, 0.31%

LAB 43.16, -37.37, 33.69

 

CMYK 64 / 7 / 0 / 55

HEX #2A6C74

RGB 42 108 116

HSL 186.49, 0.47%, 0.31%

LAB 41.97, -18.06, -10.7

 

CMYK 0 / 64 / 33 / 55

HEX #742A4E

RGB 116 42 78

HSL 330.81, 0.47%, 0.31%

LAB 29.21, 36.41, -5.31

 

CMYK 59 / 0 / 64 / 55

HEX #2F742A

RGB 47 116 42

HSL 115.95, 0.47%, 0.31%

LAB 43.16, -37.37, 33.69

 

CMYK 64 / 59 / 0 / 55

HEX #2A3074

RGB 42 48 116

HSL 235.14, 0.47%, 0.31%

LAB 23.23, 20.29, -40.06

 

CMYK 0 / 64 / 59 / 55

HEX #742A30

RGB 116 42 48

HSL 355.14, 0.47%, 0.31%

LAB 28.33, 33.06, 13.32

 

CMYK 59 / 0 / 64 / 55

HEX #2F742A

RGB 47 116 42

HSL 115.95, 0.47%, 0.31%

LAB 43.16, -37.37, 33.69

 

CMYK 64 / 7 / 0 / 55

HEX #2A6C74

RGB 42 108 116

HSL 186.49, 0.47%, 0.31%

LAB 41.97, -18.06, -10.7

 

CMYK 5 / 64 / 0 / 55

HEX #6E2A74

RGB 110 42 116

HSL 295.14, 0.47%, 0.31%

LAB 29.99, 41, -28.77

 

CMYK 0 / 56 / 64 / 55

HEX #74332A

RGB 116 51 42

HSL 7.3, 0.47%, 0.31%

LAB 30.03, 27.83, 19.41

 

CMYK 59 / 0 / 64 / 55

HEX #2F742A

RGB 47 116 42

HSL 115.95, 0.47%, 0.31%

LAB 43.16, -37.37, 33.69

 

CMYK 64 / 27 / 0 / 55

HEX #2A5574

RGB 42 85 116

HSL 205.14, 0.47%, 0.31%

LAB 34.5, -4.59, -22.14

 

CMYK 5 / 64 / 0 / 55

HEX #6E2A74

RGB 110 42 116

HSL 295.14, 0.47%, 0.31%

LAB 29.99, 41, -28.77

 

CMYK 0 / 37 / 64 / 55

HEX #74492A

RGB 116 73 42

HSL 25.14, 0.47%, 0.31%

LAB 35.29, 14.98, 25.88

 

Description

Color code: HEX #2F742A | qconv.com Color code: HEX #2F742A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 116 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 116 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 64 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 64% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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