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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F70ECCE it is the complementary color #D08F13CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F70ECCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F70ECCE shade: #3470E7CE, #4582FACE, #5694FFCE, #67A6FFCE and #78B8FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F70ECCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F70ECCE shade: #2F70ECCE, #1E5ED9CE, #0D4CC6CE, #003AB3CE and #0028A0CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F70ECCE shade: #2D6FEB, #2D3BEB, #522DEB, #862DEB and #B92DEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F70ECCE shade: #2D6FEB, #2D3BEB and #2D2DEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F70ECCE shade matches the following richer shades: #2D6FEB and #1A69FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F70ECCE shade: #2D6FEB, #4074D9, #527AC6, #6580B4 and #7786A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F70ECCE shade: #2DD5EB, #2DA2EB, #2D70EB, #2D3DEB and #502DEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F70ECCE shade: #1149B5, #1459DB, #2D6FEB, #5388EF and #79A2F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F70ECCE shade: #2F70EC, #CF2DEB and #BCEB2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F70ECCE shade: #2F70EC, #EB2D70 and #70EB2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F70ECCE shade: #2F70EC, #CF2DEB, #EBA92D and #4AEB2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F70ECCE shade: #2F70EC, #EB2DCF, #EBA92D and #2DEB4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 43 / 0 / 6

HEX #2F70ECCE

RGBA 47 112 236 0.81

HSLA 219.37, 0.83%, 0.55%, 0.81

LABA 49.8, 23.89, -68.31, 0.81

 

Complementary color

CMYK 0 / 25 / 74 / 15

HEX #D08F13CE

RGBA 208 143 19 0.81

HSLA 39.37, 0.83%, 0.45%, 0.81

LABA 64.24, 15.73, 66.21, 0.81

 

CMYK 63 / 42 / 0 / 8

HEX #3470E7CE

RGBA 52 112 231 0.81

HSLA 219.89, 0.79%, 0.55%, 0.81

LABA 49.6, 22.51, -65.81, 0.81

 

CMYK 59 / 39 / 0 / 2

HEX #4582FACE

RGBA 69 130 250 0.81

HSLA 219.78, 0.95%, 0.63%, 0.81

LABA 56.22, 20.17, -65.68, 0.81

 

CMYK 54 / 34 / 0 / 0

HEX #5694FFCE

RGBA 86 148 255 0.81

HSLA 217.99, 1%, 0.67%, 0.81

LABA 61.98, 13.44, -59.15, 0.81

 

CMYK 48 / 28 / 0 / 0

HEX #67A6FFCE

RGBA 103 166 255 0.81

HSLA 215.13, 1%, 0.7%, 0.81

LABA 67.56, 5.84, -50.25, 0.81

 

CMYK 43 / 23 / 0 / 0

HEX #78B8FFCE

RGBA 120 184 255 0.81

HSLA 211.56, 1%, 0.74%, 0.81

LABA 73.22, -0.9, -41.31, 0.81

 

CMYK 65 / 43 / 0 / 6

HEX #2F70ECCE

RGBA 47 112 236 0.81

HSLA 219.37, 0.83%, 0.55%, 0.81

LABA 49.8, 23.89, -68.31, 0.81

 

CMYK 70 / 46 / 0 / 12

HEX #1E5ED9CE

RGBA 30 94 217 0.81

HSLA 219.47, 0.76%, 0.48%, 0.81

LABA 43.2, 26.89, -68.31, 0.81

 

CMYK 76 / 50 / 0 / 18

HEX #0D4CC6CE

RGBA 13 76 198 0.81

HSLA 219.57, 0.88%, 0.41%, 0.81

LABA 36.62, 30.45, -68.12, 0.81

 

CMYK 81 / 55 / 0 / 24

HEX #003AB3CE

RGBA 0 58 179 0.81

HSLA 220.56, 1%, 0.35%, 0.81

LABA 30.11, 34.5, -67.63, 0.81

 

CMYK 81 / 61 / 0 / 30

HEX #0028A0CE

RGBA 0 40 160 0.81

HSLA 225, 1%, 0.31%, 0.81

LABA 23.85, 38.83, -66.53, 0.81

 

CMYK 81 / 53 / 0 / 8

HEX #2D6FEB

RGB 45 111 235

HSL 219.16, 0.83%, 0.55%

LAB 49.4, 23.97, -68.39

 

CMYK 81 / 75 / 0 / 8

HEX #2D3BEB

RGB 45 59 235

HSL 235.58, 0.83%, 0.55%

LAB 37.27, 55.6, -88.28

 

CMYK 65 / 81 / 0 / 8

HEX #522DEB

RGB 82 45 235

HSL 251.68, 0.83%, 0.55%

LAB 37.24, 64.97, -88.25

 

CMYK 43 / 81 / 0 / 8

HEX #862DEB

RGB 134 45 235

HSL 268.11, 0.83%, 0.55%

LAB 42.68, 70.67, -79.1

 

CMYK 21 / 81 / 0 / 8

HEX #B92DEB

RGB 185 45 235

HSL 284.21, 0.83%, 0.55%

LAB 49.72, 78.27, -67.31

 

CMYK 81 / 53 / 0 / 8

HEX #2D6FEB

RGB 45 111 235

HSL 219.16, 0.83%, 0.55%

LAB 49.4, 23.97, -68.39

 

CMYK 81 / 75 / 0 / 8

HEX #2D3BEB

RGB 45 59 235

HSL 235.58, 0.83%, 0.55%

LAB 37.27, 55.6, -88.28

 

CMYK 81 / 81 / 0 / 8

HEX #2D2DEB

RGB 45 45 235

HSL 240, 0.83%, 0.55%

LAB 34.87, 62.54, -92.26

 

CMYK 81 / 53 / 0 / 8

HEX #2D6FEB

RGB 45 111 235

HSL 219.16, 0.83%, 0.55%

LAB 49.4, 23.97, -68.39

 

CMYK 90 / 59 / 0 / 0

HEX #1A69FE

RGB 26 105 254

HSL 219.21, 0.99%, 0.55%

LAB 48.86, 33.67, -79.89

 

CMYK 81 / 53 / 0 / 8

HEX #2D6FEB

RGB 45 111 235

HSL 219.16, 0.83%, 0.55%

LAB 49.4, 23.97, -68.39

 

CMYK 71 / 47 / 0 / 15

HEX #4074D9

RGB 64 116 217

HSL 219.61, 0.67%, 0.55%

LAB 50.2, 16.35, -56.92

 

CMYK 59 / 38 / 0 / 22

HEX #527AC6

RGB 82 122 198

HSL 219.31, 0.5%, 0.55%

LAB 51.6, 9.12, -43.84

 

CMYK 44 / 29 / 0 / 29

HEX #6580B4

RGB 101 128 180

HSL 219.49, 0.34%, 0.55%

LAB 53.49, 4.28, -30.48

 

CMYK 26 / 17 / 0 / 37

HEX #7786A1

RGB 119 134 161

HSL 218.57, 0.18%, 0.55%

LAB 55.63, 0.86, -16.16

 

CMYK 81 / 9 / 0 / 8

HEX #2DD5EB

RGB 45 213 235

HSL 186.95, 0.83%, 0.55%

LAB 78.55, -33.23, -22.54

 

CMYK 81 / 31 / 0 / 8

HEX #2DA2EB

RGB 45 162 235

HSL 203.05, 0.83%, 0.55%

LAB 63.67, -6.8, -45.57

 

CMYK 81 / 52 / 0 / 8

HEX #2D70EB

RGB 45 112 235

HSL 218.84, 0.83%, 0.55%

LAB 49.67, 23.33, -67.95

 

CMYK 81 / 74 / 0 / 8

HEX #2D3DEB

RGB 45 61 235

HSL 234.95, 0.83%, 0.55%

LAB 37.65, 54.52, -87.65

 

CMYK 66 / 81 / 0 / 8

HEX #502DEB

RGB 80 45 235

HSL 251.05, 0.83%, 0.55%

LAB 37.08, 64.8, -88.53

 

CMYK 91 / 60 / 0 / 29

HEX #1149B5

RGB 17 73 181

HSL 219.51, 0.83%, 0.39%

LAB 34.44, 25.92, -61.71

 

CMYK 91 / 59 / 0 / 14

HEX #1459DB

RGB 20 89 219

HSL 219.2, 0.83%, 0.47%

LAB 41.86, 30.36, -71.65

 

CMYK 81 / 53 / 0 / 8

HEX #2D6FEB

RGB 45 111 235

HSL 219.16, 0.83%, 0.55%

LAB 49.4, 23.97, -68.39

 

CMYK 65 / 43 / 0 / 6

HEX #5388EF

RGB 83 136 239

HSL 219.62, 0.83%, 0.63%

LAB 57.73, 14.69, -57.14

 

CMYK 50 / 33 / 0 / 5

HEX #79A2F3

RGB 121 162 243

HSL 219.84, 0.84%, 0.71%

LAB 66.81, 8.1, -44.83

 

CMYK 80 / 53 / 0 / 7

HEX #2F70EC

RGB 47 112 236

HSL 219.37, 0.83%, 0.55%

LAB 49.8, 23.89, -68.31

 

CMYK 12 / 81 / 0 / 8

HEX #CF2DEB

RGB 207 45 235

HSL 291.16, 0.83%, 0.55%

LAB 53.1, 81.97, -61.69

 

CMYK 20 / 0 / 81 / 8

HEX #BCEB2D

RGB 188 235 45

HSL 74.84, 0.83%, 0.55%

LAB 87.14, -38.49, 78.43

 

CMYK 80 / 53 / 0 / 7

HEX #2F70EC

RGB 47 112 236

HSL 219.37, 0.83%, 0.55%

LAB 49.8, 23.89, -68.31

 

CMYK 0 / 81 / 52 / 8

HEX #EB2D70

RGB 235 45 112

HSL 338.84, 0.83%, 0.55%

LAB 52.63, 72.93, 9.97

 

CMYK 52 / 0 / 81 / 8

HEX #70EB2D

RGB 112 235 45

HSL 98.84, 0.83%, 0.55%

LAB 83.47, -64.11, 73.75

 

CMYK 80 / 53 / 0 / 7

HEX #2F70EC

RGB 47 112 236

HSL 219.37, 0.83%, 0.55%

LAB 49.8, 23.89, -68.31

 

CMYK 12 / 81 / 0 / 8

HEX #CF2DEB

RGB 207 45 235

HSL 291.16, 0.83%, 0.55%

LAB 53.1, 81.97, -61.69

 

CMYK 0 / 28 / 81 / 8

HEX #EBA92D

RGB 235 169 45

HSL 39.16, 0.83%, 0.55%

LAB 73.69, 14.1, 68.08

 

CMYK 69 / 0 / 81 / 8

HEX #4AEB2D

RGB 74 235 45

HSL 110.84, 0.83%, 0.55%

LAB 82.41, -72.75, 72.4

 

CMYK 80 / 53 / 0 / 7

HEX #2F70EC

RGB 47 112 236

HSL 219.37, 0.83%, 0.55%

LAB 49.8, 23.89, -68.31

 

CMYK 0 / 81 / 12 / 8

HEX #EB2DCF

RGB 235 45 207

HSL 308.84, 0.83%, 0.55%

LAB 56.13, 82.96, -40.71

 

CMYK 0 / 28 / 81 / 8

HEX #EBA92D

RGB 235 169 45

HSL 39.16, 0.83%, 0.55%

LAB 73.69, 14.1, 68.08

 

CMYK 81 / 0 / 69 / 8

HEX #2DEB4A

RGB 45 235 74

HSL 129.16, 0.83%, 0.55%

LAB 82.09, -74.88, 62.58

 

Description

Color code: HEX #2F70ECCE | qconv.com Color code: HEX #2F70ECCE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 112 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 112 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 43 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 43% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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