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Color name
HEX #2F6F19

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F6F19 it is the complementary color #D090E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F6F19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F6F19 shade: #346F14, #458127, #56933A, #67A54D and #78B760

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F6F19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F6F19 shade: #2F6F19, #1E5D06, #0D4B00, #003900 and #002700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F6F19 shade: #307019, #477019, #5E7019, #706B19 and #705319

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F6F19 shade: #307019, #19701B, #197032, #197049 and #197061

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F6F19 shade matches the following richer shades: #307019, #2A7B0E and #258703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F6F19 shade: #307019, #356525, #3B5A30, #404F3B and #454446

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F6F19 shade: #5F7019, #487019, #317019, #197019 and #197031

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F6F19 shade: #132D0A, #214F12, #307019, #3E9221 and #4CB329

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F6F19 shade: #2F6F19, #19706A and #701953

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F6F19 shade: #2F6F19, #193170 and #701931

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F6F19 shade: #2F6F19, #19706A, #591970 and #70191F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F6F19 shade: #2F6F19, #195C70, #591970 and #702E19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 77 / 56

HEX #2F6F19

RGB 47 111 25

HSL 104.65, 0.63%, 0.27%

LAB 41.29, -37.01, 39.22

 

Complementary color

CMYK 10 / 37 / 0 / 10

HEX #D090E6

RGB 208 144 230

HSL 284.65, 0.63%, 0.73%

LAB 68.8, 38.82, -34.08

 

CMYK 53 / 0 / 82 / 56

HEX #346F14

RGB 52 111 20

HSL 98.9, 0.69%, 0.26%

LAB 41.45, -35.82, 41.27

 

CMYK 47 / 0 / 70 / 49

HEX #458127

RGB 69 129 39

HSL 100, 0.54%, 0.33%

LAB 48.4, -36.38, 41.08

 

CMYK 41 / 0 / 61 / 42

HEX #56933A

RGB 86 147 58

HSL 101.12, 0.43%, 0.4%

LAB 55.23, -36.6, 40.17

 

CMYK 38 / 0 / 53 / 35

HEX #67A54D

RGB 103 165 77

HSL 102.27, 0.36%, 0.47%

LAB 61.94, -36.63, 39.02

 

CMYK 34 / 0 / 48 / 28

HEX #78B760

RGB 120 183 96

HSL 103.45, 0.38%, 0.55%

LAB 68.54, -36.55, 37.8

 

CMYK 58 / 0 / 77 / 56

HEX #2F6F19

RGB 47 111 25

HSL 104.65, 0.63%, 0.27%

LAB 41.29, -37.01, 39.22

 

CMYK 68 / 0 / 94 / 64

HEX #1E5D06

RGB 30 93 6

HSL 103.45, 0.88%, 0.19%

LAB 34.23, -35.85, 38.62

 

CMYK 83 / 0 / 100 / 71

HEX #0D4B00

RGB 13 75 0

HSL 109.6, 1%, 0.15%

LAB 27.07, -33.41, 34.56

 

CMYK 100 / 0 / 100 / 78

HEX #003900

RGB 0 57 0

HSL 120, 1%, 0.11%

LAB 19.75, -29.7, 27.07

 

CMYK 100 / 0 / 100 / 85

HEX #002700

RGB 0 39 0

HSL 120, 1%, 0.08%

LAB 12.29, -23.27, 17.74

 

CMYK 57 / 0 / 78 / 56

HEX #307019

RGB 48 112 25

HSL 104.14, 0.64%, 0.27%

LAB 41.67, -37.12, 39.62

 

CMYK 37 / 0 / 78 / 56

HEX #477019

RGB 71 112 25

HSL 88.28, 0.64%, 0.27%

LAB 42.76, -29.09, 41.06

 

CMYK 16 / 0 / 78 / 56

HEX #5E7019

RGB 94 112 25

HSL 72.41, 0.64%, 0.27%

LAB 44.29, -19.3, 43.06

 

CMYK 0 / 4 / 78 / 56

HEX #706B19

RGB 112 107 25

HSL 56.55, 0.64%, 0.27%

LAB 44.28, -8.18, 43.59

 

CMYK 0 / 26 / 78 / 56

HEX #705319

RGB 112 83 25

HSL 40, 0.64%, 0.27%

LAB 37.3, 5.91, 36.87

 

CMYK 57 / 0 / 78 / 56

HEX #307019

RGB 48 112 25

HSL 104.14, 0.64%, 0.27%

LAB 41.67, -37.12, 39.62

 

CMYK 78 / 0 / 76 / 56

HEX #19701B

RGB 25 112 27

HSL 121.38, 0.64%, 0.27%

LAB 41.02, -42.42, 37.95

 

CMYK 78 / 0 / 55 / 56

HEX #197032

RGB 25 112 50

HSL 137.24, 0.64%, 0.27%

LAB 41.26, -39.52, 27.18

 

CMYK 78 / 0 / 35 / 56

HEX #197049

RGB 25 112 73

HSL 153.1, 0.64%, 0.27%

LAB 41.65, -35.02, 14.66

 

CMYK 78 / 0 / 13 / 56

HEX #197061

RGB 25 112 97

HSL 169.66, 0.64%, 0.27%

LAB 42.24, -28.75, 1.16

 

CMYK 57 / 0 / 78 / 56

HEX #307019

RGB 48 112 25

HSL 104.14, 0.64%, 0.27%

LAB 41.67, -37.12, 39.62

 

CMYK 66 / 0 / 89 / 52

HEX #2A7B0E

RGB 42 123 14

HSL 104.59, 0.8%, 0.27%

LAB 45.21, -43.63, 46.33

 

CMYK 73 / 0 / 98 / 47

HEX #258703

RGB 37 135 3

HSL 104.55, 0.96%, 0.27%

LAB 49.16, -49.3, 51.88

 

CMYK 57 / 0 / 78 / 56

HEX #307019

RGB 48 112 25

HSL 104.14, 0.64%, 0.27%

LAB 41.67, -37.12, 39.62

 

CMYK 48 / 0 / 63 / 60

HEX #356525

RGB 53 101 37

HSL 105, 0.46%, 0.27%

LAB 38.2, -29.59, 30.59

 

CMYK 34 / 0 / 47 / 65

HEX #3B5A30

RGB 59 90 48

HSL 104.29, 0.3%, 0.27%

LAB 34.91, -20.45, 20.68

 

CMYK 19 / 0 / 25 / 69

HEX #404F3B

RGB 64 79 59

HSL 105, 0.14%, 0.27%

LAB 31.8, -10.33, 9.91

 

CMYK 1 / 3 / 0 / 73

HEX #454446

RGB 69 68 70

HSL 270, 0.01%, 0.27%

LAB 29.01, 0.86, -1.06

 

CMYK 15 / 0 / 78 / 56

HEX #5F7019

RGB 95 112 25

HSL 71.72, 0.64%, 0.27%

LAB 44.36, -18.85, 43.16

 

CMYK 36 / 0 / 78 / 56

HEX #487019

RGB 72 112 25

HSL 87.59, 0.64%, 0.27%

LAB 42.82, -28.69, 41.13

 

CMYK 56 / 0 / 78 / 56

HEX #317019

RGB 49 112 25

HSL 103.45, 0.64%, 0.27%

LAB 41.71, -36.82, 39.67

 

CMYK 78 / 0 / 78 / 56

HEX #197019

RGB 25 112 25

HSL 120, 0.64%, 0.27%

LAB 41, -42.59, 38.73

 

CMYK 78 / 0 / 56 / 56

HEX #197031

RGB 25 112 49

HSL 136.55, 0.64%, 0.27%

LAB 41.24, -39.68, 27.7

 

CMYK 58 / 0 / 78 / 82

HEX #132D0A

RGB 19 45 10

HSL 104.57, 0.64%, 0.11%

LAB 15.68, -18.17, 18.26

 

CMYK 58 / 0 / 77 / 69

HEX #214F12

RGB 33 79 18

HSL 105.25, 0.63%, 0.19%

LAB 29.31, -28.44, 29.79

 

CMYK 57 / 0 / 78 / 56

HEX #307019

RGB 48 112 25

HSL 104.14, 0.64%, 0.27%

LAB 41.67, -37.12, 39.62

 

CMYK 58 / 0 / 77 / 43

HEX #3E9221

RGB 62 146 33

HSL 104.6, 0.63%, 0.35%

LAB 53.7, -45.88, 48.72

 

CMYK 58 / 0 / 77 / 30

HEX #4CB329

RGB 76 179 41

HSL 104.78, 0.63%, 0.43%

LAB 64.91, -53.86, 57.08

 

CMYK 58 / 0 / 77 / 56

HEX #2F6F19

RGB 47 111 25

HSL 104.65, 0.63%, 0.27%

LAB 41.29, -37.01, 39.22

 

CMYK 78 / 0 / 5 / 56

HEX #19706A

RGB 25 112 106

HSL 175.86, 0.64%, 0.27%

LAB 42.51, -26.05, -3.88

 

CMYK 0 / 78 / 26 / 56

HEX #701953

RGB 112 25 83

HSL 320, 0.64%, 0.27%

LAB 26.05, 43.13, -13.47

 

CMYK 58 / 0 / 77 / 56

HEX #2F6F19

RGB 47 111 25

HSL 104.65, 0.63%, 0.27%

LAB 41.29, -37.01, 39.22

 

CMYK 78 / 56 / 0 / 56

HEX #193170

RGB 25 49 112

HSL 223.45, 0.64%, 0.27%

LAB 22.21, 15.17, -39.19

 

CMYK 0 / 78 / 56 / 56

HEX #701931

RGB 112 25 49

HSL 343.45, 0.64%, 0.27%

LAB 24.83, 39.25, 7.75

 

CMYK 58 / 0 / 77 / 56

HEX #2F6F19

RGB 47 111 25

HSL 104.65, 0.63%, 0.27%

LAB 41.29, -37.01, 39.22

 

CMYK 78 / 0 / 5 / 56

HEX #19706A

RGB 25 112 106

HSL 175.86, 0.64%, 0.27%

LAB 42.51, -26.05, -3.88

 

CMYK 21 / 78 / 0 / 56

HEX #591970

RGB 89 25 112

HSL 284.14, 0.64%, 0.27%

LAB 23.63, 42.59, -36.56

 

CMYK 0 / 78 / 72 / 56

HEX #70191F

RGB 112 25 31

HSL 355.86, 0.64%, 0.27%

LAB 24.45, 37.98, 19.45

 

CMYK 58 / 0 / 77 / 56

HEX #2F6F19

RGB 47 111 25

HSL 104.65, 0.63%, 0.27%

LAB 41.29, -37.01, 39.22

 

CMYK 78 / 18 / 0 / 56

HEX #195C70

RGB 25 92 112

HSL 193.79, 0.64%, 0.27%

LAB 36.04, -13.23, -17.32

 

CMYK 21 / 78 / 0 / 56

HEX #591970

RGB 89 25 112

HSL 284.14, 0.64%, 0.27%

LAB 23.63, 42.59, -36.56

 

CMYK 0 / 59 / 78 / 56

HEX #702E19

RGB 112 46 25

HSL 14.48, 0.64%, 0.27%

LAB 28.03, 27.81, 27.32

 

Description

Color code: HEX #2F6F19 | qconv.com Color code: HEX #2F6F19 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 111 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 111 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 77 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 77% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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