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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F65CD it is the complementary color #D09A32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F65CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F65CD shade: #3465C8, #4577DB, #5689EE, #679BFF and #78ADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F65CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F65CD shade: #2F65CD, #1E53BA, #0D41A7, #002F94 and #001D81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F65CD shade: #2E64CC, #2E3ACC, #4D2ECC, #782ECC and #A22ECC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F65CD shade: #2E64CC, #2E3ACC and #2E2ECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F65CD shade matches the following richer shades: #2E64CC, #1A5EE0 and #0657F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F65CD shade: #2E64CC, #426AB7, #5771A3, #6B778F and #7F7E7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F65CD shade: #2EB9CC, #2E8FCC, #2E65CC, #2E3BCC and #4B2ECC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F65CD shade: #1F4388, #2754AA, #2E64CC, #4D7CD7 and #6E95DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F65CD shade: #2F65CD, #B42ECC and #A4CC2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F65CD shade: #2F65CD, #CC2E65 and #65CC2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F65CD shade: #2F65CD, #B42ECC, #CC952E and #46CC2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F65CD shade: #2F65CD, #CC2EB4, #CC952E and #2ECC46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 51 / 0 / 20

HEX #2F65CD

RGB 47 101 205

HSL 219.49, 0.63%, 0.49%

LAB 44.69, 19.27, -59

 

Complementary color

CMYK 0 / 26 / 76 / 18

HEX #D09A32

RGB 208 154 50

HSL 39.49, 0.63%, 0.51%

LAB 67.09, 10.66, 59.14

 

CMYK 74 / 50 / 0 / 22

HEX #3465C8

RGB 52 101 200

HSL 220.14, 0.59%, 0.49%

LAB 44.53, 17.99, -56.37

 

CMYK 68 / 46 / 0 / 14

HEX #4577DB

RGB 69 119 219

HSL 220, 0.68%, 0.56%

LAB 51.35, 15.93, -56.2

 

CMYK 64 / 42 / 0 / 7

HEX #5689EE

RGB 86 137 238

HSL 219.87, 0.82%, 0.64%

LAB 58.08, 14.25, -56.02

 

CMYK 60 / 39 / 0 / 0

HEX #679BFF

RGB 103 155 255

HSL 219.47, 1%, 0.7%

LAB 64.6, 12.21, -54.93

 

CMYK 53 / 32 / 0 / 0

HEX #78ADFF

RGB 120 173 255

HSL 216.44, 1%, 0.74%

LAB 70.25, 5.24, -45.96

 

CMYK 77 / 51 / 0 / 20

HEX #2F65CD

RGB 47 101 205

HSL 219.49, 0.63%, 0.49%

LAB 44.69, 19.27, -59

 

CMYK 84 / 55 / 0 / 27

HEX #1E53BA

RGB 30 83 186

HSL 219.62, 0.72%, 0.42%

LAB 37.86, 22.07, -59.07

 

CMYK 92 / 61 / 0 / 35

HEX #0D41A7

RGB 13 65 167

HSL 219.74, 0.86%, 0.35%

LAB 31.01, 25.53, -58.97

 

CMYK 100 / 68 / 0 / 42

HEX #002F94

RGB 0 47 148

HSL 220.95, 1%, 0.29%

LAB 24.23, 29.61, -58.55

 

CMYK 100 / 78 / 0 / 49

HEX #001D81

RGB 0 29 129

HSL 226.51, 1%, 0.25%

LAB 17.75, 34.07, -57.38

 

CMYK 77 / 51 / 0 / 20

HEX #2E64CC

RGB 46 100 204

HSL 219.49, 0.63%, 0.49%

LAB 44.31, 19.43, -59.04

 

CMYK 77 / 72 / 0 / 20

HEX #2E3ACC

RGB 46 58 204

HSL 235.44, 0.63%, 0.49%

LAB 33.91, 45.98, -76.02

 

CMYK 62 / 77 / 0 / 20

HEX #4D2ECC

RGB 77 46 204

HSL 251.77, 0.63%, 0.49%

LAB 33.76, 55.36, -76.21

 

CMYK 41 / 77 / 0 / 20

HEX #782ECC

RGB 120 46 204

HSL 268.1, 0.63%, 0.49%

LAB 38.39, 61.08, -68.43

 

CMYK 21 / 77 / 0 / 20

HEX #A22ECC

RGB 162 46 204

HSL 284.05, 0.63%, 0.49%

LAB 44.23, 68.18, -58.68

 

CMYK 77 / 51 / 0 / 20

HEX #2E64CC

RGB 46 100 204

HSL 219.49, 0.63%, 0.49%

LAB 44.31, 19.43, -59.04

 

CMYK 77 / 72 / 0 / 20

HEX #2E3ACC

RGB 46 58 204

HSL 235.44, 0.63%, 0.49%

LAB 33.91, 45.98, -76.02

 

CMYK 77 / 77 / 0 / 20

HEX #2E2ECC

RGB 46 46 204

HSL 240, 0.63%, 0.49%

LAB 31.57, 52.61, -79.9

 

CMYK 77 / 51 / 0 / 20

HEX #2E64CC

RGB 46 100 204

HSL 219.49, 0.63%, 0.49%

LAB 44.31, 19.43, -59.04

 

CMYK 88 / 58 / 0 / 12

HEX #1A5EE0

RGB 26 94 224

HSL 219.39, 0.79%, 0.49%

LAB 43.66, 29.34, -71.54

 

CMYK 98 / 64 / 0 / 4

HEX #0657F4

RGB 6 87 244

HSL 219.58, 0.95%, 0.49%

LAB 43.34, 40.69, -83.37

 

CMYK 77 / 51 / 0 / 20

HEX #2E64CC

RGB 46 100 204

HSL 219.49, 0.63%, 0.49%

LAB 44.31, 19.43, -59.04

 

CMYK 64 / 42 / 0 / 28

HEX #426AB7

RGB 66 106 183

HSL 219.49, 0.47%, 0.49%

LAB 45.48, 10.79, -44.98

 

CMYK 47 / 31 / 0 / 36

HEX #5771A3

RGB 87 113 163

HSL 219.47, 0.3%, 0.49%

LAB 47.6, 4.49, -29.87

 

CMYK 25 / 17 / 0 / 44

HEX #6B778F

RGB 107 119 143

HSL 220, 0.14%, 0.49%

LAB 49.86, 1.2, -14.52

 

CMYK 0 / 1 / 3 / 50

HEX #7F7E7B

RGB 127 126 123

HSL 45, 0.02%, 0.49%

LAB 52.8, -0.21, 1.76

 

CMYK 77 / 9 / 0 / 20

HEX #2EB9CC

RGB 46 185 204

HSL 187.22, 0.63%, 0.49%

LAB 69.21, -29.24, -19.94

 

CMYK 77 / 30 / 0 / 20

HEX #2E8FCC

RGB 46 143 204

HSL 203.16, 0.63%, 0.49%

LAB 56.67, -6.94, -39.33

 

CMYK 77 / 50 / 0 / 20

HEX #2E65CC

RGB 46 101 204

HSL 219.11, 0.63%, 0.49%

LAB 44.59, 18.78, -58.59

 

CMYK 77 / 71 / 0 / 20

HEX #2E3BCC

RGB 46 59 204

HSL 235.06, 0.63%, 0.49%

LAB 34.12, 45.4, -75.67

 

CMYK 63 / 77 / 0 / 20

HEX #4B2ECC

RGB 75 46 204

HSL 251.01, 0.63%, 0.49%

LAB 33.58, 55.14, -76.5

 

CMYK 77 / 51 / 0 / 47

HEX #1F4388

RGB 31 67 136

HSL 219.43, 0.63%, 0.33%

LAB 29.62, 13.1, -42.32

 

CMYK 77 / 51 / 0 / 33

HEX #2754AA

RGB 39 84 170

HSL 219.39, 0.63%, 0.41%

LAB 37.25, 16.06, -50.59

 

CMYK 77 / 51 / 0 / 20

HEX #2E64CC

RGB 46 100 204

HSL 219.49, 0.63%, 0.49%

LAB 44.31, 19.43, -59.04

 

CMYK 64 / 42 / 0 / 16

HEX #4D7CD7

RGB 77 124 215

HSL 219.57, 0.63%, 0.57%

LAB 52.84, 12.74, -51.54

 

CMYK 50 / 33 / 0 / 13

HEX #6E95DE

RGB 110 149 222

HSL 219.11, 0.63%, 0.65%

LAB 61.73, 6.77, -41.28

 

CMYK 77 / 51 / 0 / 20

HEX #2F65CD

RGB 47 101 205

HSL 219.49, 0.63%, 0.49%

LAB 44.69, 19.27, -59

 

CMYK 12 / 77 / 0 / 20

HEX #B42ECC

RGB 180 46 204

HSL 290.89, 0.63%, 0.49%

LAB 47, 71.52, -54.07

 

CMYK 20 / 0 / 77 / 20

HEX #A4CC2E

RGB 164 204 46

HSL 75.19, 0.63%, 0.49%

LAB 76.85, -33.82, 68.33

 

CMYK 77 / 51 / 0 / 20

HEX #2F65CD

RGB 47 101 205

HSL 219.49, 0.63%, 0.49%

LAB 44.69, 19.27, -59

 

CMYK 0 / 77 / 50 / 20

HEX #CC2E65

RGB 204 46 101

HSL 339.11, 0.63%, 0.49%

LAB 46.62, 63.68, 7.36

 

CMYK 50 / 0 / 77 / 20

HEX #65CC2E

RGB 101 204 46

HSL 99.11, 0.63%, 0.49%

LAB 73.64, -55.88, 64.18

 

CMYK 77 / 51 / 0 / 20

HEX #2F65CD

RGB 47 101 205

HSL 219.49, 0.63%, 0.49%

LAB 44.69, 19.27, -59

 

CMYK 12 / 77 / 0 / 20

HEX #B42ECC

RGB 180 46 204

HSL 290.89, 0.63%, 0.49%

LAB 47, 71.52, -54.07

 

CMYK 0 / 27 / 77 / 20

HEX #CC952E

RGB 204 149 46

HSL 39.11, 0.63%, 0.49%

LAB 65.38, 11.46, 58.9

 

CMYK 66 / 0 / 77 / 20

HEX #46CC2E

RGB 70 204 46

HSL 110.89, 0.63%, 0.49%

LAB 72.68, -63.57, 62.93

 

CMYK 77 / 51 / 0 / 20

HEX #2F65CD

RGB 47 101 205

HSL 219.49, 0.63%, 0.49%

LAB 44.69, 19.27, -59

 

CMYK 0 / 77 / 12 / 20

HEX #CC2EB4

RGB 204 46 180

HSL 309.11, 0.63%, 0.49%

LAB 49.6, 72.58, -35.73

 

CMYK 0 / 27 / 77 / 20

HEX #CC952E

RGB 204 149 46

HSL 39.11, 0.63%, 0.49%

LAB 65.38, 11.46, 58.9

 

CMYK 77 / 0 / 66 / 20

HEX #2ECC46

RGB 46 204 70

HSL 129.11, 0.63%, 0.49%

LAB 72.37, -65.64, 53.7

 

Description

Color code: HEX #2F65CD | qconv.com Color code: HEX #2F65CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 101 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 101 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 51 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 51% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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