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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F5EFE it is the complementary color #D0A101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F5EFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F5EFE shade: #345EF9, #4570FF, #5682FF, #6794FF and #78A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F5EFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F5EFE shade: #2F5EFE, #1E4CEB, #0D3AD8, #0028C5 and #0016B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F5EFE shade: #2F5EFE, #382FFE, #702FFE, #A72FFE and #DF2FFE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F5EFE shade: #2F5EFE and #2F2FFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F5EFE shade matches the following richer shades: #2F5EFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F5EFE shade: #2F5EFE, #4067ED, #5170DC, #627ACB and #7383BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F5EFE shade: #2FCEFE, #2F96FE, #2F5FFE, #362FFE and #6D2FFE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F5EFE shade: #0132D9, #063EFE, #2F5EFE, #587EFE and #819DFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F5EFE shade: #2F5EFE, #F72FFE and #B2FE2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F5EFE shade: #2F5EFE, #FE2F5F and #5FFE2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F5EFE shade: #2F5EFE, #F72FFE, #FECE2F and #36FE2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F5EFE shade: #2F5EFE, #FE2FC7, #FECE2F and #2FFE66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 63 / 0 / 0

HEX #2F5EFE

RGB 47 94 254

HSL 226.38, 0.99%, 0.59%

LAB 46.67, 41.76, -83.46

 

Complementary color

CMYK 0 / 23 / 100 / 18

HEX #D0A101

RGB 208 161 1

HSL 46.38, 0.99%, 0.41%

LAB 68.68, 5.79, 72.09

 

CMYK 79 / 62 / 0 / 2

HEX #345EF9

RGB 52 94 249

HSL 227.21, 0.94%, 0.59%

LAB 46.41, 40.37, -81.09

 

CMYK 73 / 56 / 0 / 0

HEX #4570FF

RGB 69 112 255

HSL 226.13, 1%, 0.64%

LAB 51.92, 33.05, -75.4

 

CMYK 66 / 49 / 0 / 0

HEX #5682FF

RGB 86 130 255

HSL 224.38, 1%, 0.67%

LAB 57.23, 24.28, -66.76

 

CMYK 60 / 42 / 0 / 0

HEX #6794FF

RGB 103 148 255

HSL 222.24, 1%, 0.7%

LAB 62.75, 16.32, -57.88

 

CMYK 53 / 35 / 0 / 0

HEX #78A6FF

RGB 120 166 255

HSL 219.56, 1%, 0.74%

LAB 68.38, 9.22, -48.9

 

CMYK 81 / 63 / 0 / 0

HEX #2F5EFE

RGB 47 94 254

HSL 226.38, 0.99%, 0.59%

LAB 46.67, 41.76, -83.46

 

CMYK 87 / 68 / 0 / 8

HEX #1E4CEB

RGB 30 76 235

HSL 226.54, 0.84%, 0.52%

LAB 40.32, 45, -83.26

 

CMYK 94 / 73 / 0 / 15

HEX #0D3AD8

RGB 13 58 216

HSL 226.7, 0.89%, 0.45%

LAB 34.13, 48.45, -82.65

 

CMYK 100 / 80 / 0 / 23

HEX #0028C5

RGB 0 40 197

HSL 227.82, 1%, 0.39%

LAB 28.24, 51.74, -81.36

 

CMYK 100 / 88 / 0 / 30

HEX #0016B2

RGB 0 22 178

HSL 232.58, 1%, 0.35%

LAB 22.96, 54.11, -78.89

 

CMYK 81 / 63 / 0 / 0

HEX #2F5EFE

RGB 47 94 254

HSL 226.38, 0.99%, 0.59%

LAB 46.67, 41.76, -83.46

 

CMYK 78 / 81 / 0 / 0

HEX #382FFE

RGB 56 47 254

HSL 242.61, 0.99%, 0.59%

LAB 37.9, 67.72, -97.93

 

CMYK 56 / 81 / 0 / 0

HEX #702FFE

RGB 112 47 254

HSL 258.84, 0.99%, 0.59%

LAB 42.21, 71.96, -90.66

 

CMYK 34 / 81 / 0 / 0

HEX #A72FFE

RGB 167 47 254

HSL 274.78, 0.99%, 0.59%

LAB 48.77, 78.68, -79.64

 

CMYK 12 / 81 / 0 / 0

HEX #DF2FFE

RGB 223 47 254

HSL 291.01, 0.99%, 0.59%

LAB 56.96, 87.37, -65.97

 

CMYK 81 / 63 / 0 / 0

HEX #2F5EFE

RGB 47 94 254

HSL 226.38, 0.99%, 0.59%

LAB 46.67, 41.76, -83.46

 

CMYK 81 / 81 / 0 / 0

HEX #2F2FFE

RGB 47 47 254

HSL 240, 0.99%, 0.59%

LAB 37.47, 67.31, -98.65

 

CMYK 81 / 63 / 0 / 0

HEX #2F5EFE

RGB 47 94 254

HSL 226.38, 0.99%, 0.59%

LAB 46.67, 41.76, -83.46

 

CMYK 81 / 63 / 0 / 0

HEX #2F5EFE

RGB 47 94 254

HSL 226.38, 0.99%, 0.59%

LAB 46.67, 41.76, -83.46

 

CMYK 73 / 57 / 0 / 7

HEX #4067ED

RGB 64 103 237

HSL 226.47, 0.83%, 0.59%

LAB 48.14, 31.69, -71.53

 

CMYK 63 / 49 / 0 / 14

HEX #5170DC

RGB 81 112 220

HSL 226.62, 0.67%, 0.59%

LAB 50.1, 22.56, -58.74

 

CMYK 52 / 40 / 0 / 20

HEX #627ACB

RGB 98 122 203

HSL 226.29, 0.5%, 0.59%

LAB 52.76, 14.18, -44.79

 

CMYK 38 / 30 / 0 / 27

HEX #7383BA

RGB 115 131 186

HSL 226.48, 0.34%, 0.59%

LAB 55.5, 8.04, -30.71

 

CMYK 81 / 19 / 0 / 0

HEX #2FCEFE

RGB 47 206 254

HSL 193.91, 0.99%, 0.59%

LAB 77.22, -23.62, -34.72

 

CMYK 81 / 41 / 0 / 0

HEX #2F96FE

RGB 47 150 254

HSL 210.14, 0.99%, 0.59%

LAB 61.28, 7.19, -59.78

 

CMYK 81 / 63 / 0 / 0

HEX #2F5FFE

RGB 47 95 254

HSL 226.09, 0.99%, 0.59%

LAB 46.9, 41.14, -83.08

 

CMYK 79 / 81 / 0 / 0

HEX #362FFE

RGB 54 47 254

HSL 242.03, 0.99%, 0.59%

LAB 37.79, 67.63, -98.1

 

CMYK 57 / 81 / 0 / 0

HEX #6D2FFE

RGB 109 47 254

HSL 257.97, 0.99%, 0.59%

LAB 41.91, 71.67, -91.16

 

CMYK 100 / 77 / 0 / 15

HEX #0132D9

RGB 1 50 217

HSL 226.39, 0.99%, 0.43%

LAB 32.47, 53.07, -85.97

 

CMYK 98 / 76 / 0 / 0

HEX #063EFE

RGB 6 62 254

HSL 226.45, 0.99%, 0.51%

LAB 38.97, 58.91, -96.19

 

CMYK 81 / 63 / 0 / 0

HEX #2F5EFE

RGB 47 94 254

HSL 226.38, 0.99%, 0.59%

LAB 46.67, 41.76, -83.46

 

CMYK 65 / 50 / 0 / 0

HEX #587EFE

RGB 88 126 254

HSL 226.27, 0.99%, 0.67%

LAB 56.24, 26.67, -67.81

 

CMYK 49 / 38 / 0 / 0

HEX #819DFE

RGB 129 157 254

HSL 226.56, 0.98%, 0.75%

LAB 66.47, 16.06, -51.33

 

CMYK 81 / 63 / 0 / 0

HEX #2F5EFE

RGB 47 94 254

HSL 226.38, 0.99%, 0.59%

LAB 46.67, 41.76, -83.46

 

CMYK 3 / 81 / 0 / 0

HEX #F72FFE

RGB 247 47 254

HSL 297.97, 0.99%, 0.59%

LAB 60.75, 91.48, -59.68

 

CMYK 30 / 0 / 81 / 0

HEX #B2FE2F

RGB 178 254 47

HSL 82.03, 0.99%, 0.59%

LAB 91.93, -50.31, 81.94

 

CMYK 81 / 63 / 0 / 0

HEX #2F5EFE

RGB 47 94 254

HSL 226.38, 0.99%, 0.59%

LAB 46.67, 41.76, -83.46

 

CMYK 0 / 81 / 63 / 0

HEX #FE2F5F

RGB 254 47 95

HSL 346.09, 0.99%, 0.59%

LAB 56.02, 76.24, 25.36

 

CMYK 63 / 0 / 81 / 0

HEX #5FFE2F

RGB 95 254 47

HSL 106.09, 0.99%, 0.59%

LAB 88.7, -74.49, 77.82

 

CMYK 81 / 63 / 0 / 0

HEX #2F5EFE

RGB 47 94 254

HSL 226.38, 0.99%, 0.59%

LAB 46.67, 41.76, -83.46

 

CMYK 3 / 81 / 0 / 0

HEX #F72FFE

RGB 247 47 254

HSL 297.97, 0.99%, 0.59%

LAB 60.75, 91.48, -59.68

 

CMYK 0 / 19 / 81 / 0

HEX #FECE2F

RGB 254 206 47

HSL 46.09, 0.99%, 0.59%

LAB 84.7, 2.96, 77.8

 

CMYK 79 / 0 / 81 / 0

HEX #36FE2F

RGB 54 254 47

HSL 117.97, 0.99%, 0.59%

LAB 87.91, -81.23, 76.81

 

CMYK 81 / 63 / 0 / 0

HEX #2F5EFE

RGB 47 94 254

HSL 226.38, 0.99%, 0.59%

LAB 46.67, 41.76, -83.46

 

CMYK 0 / 81 / 22 / 0

HEX #FE2FC7

RGB 254 47 199

HSL 315.94, 0.99%, 0.59%

LAB 59.18, 85.39, -31.12

 

CMYK 0 / 19 / 81 / 0

HEX #FECE2F

RGB 254 206 47

HSL 46.09, 0.99%, 0.59%

LAB 84.7, 2.96, 77.8

 

CMYK 81 / 0 / 60 / 0

HEX #2FFE66

RGB 47 254 102

HSL 135.94, 0.99%, 0.59%

LAB 88.18, -77.48, 57.98

 

Description

Color code: HEX #2F5EFE | qconv.com Color code: HEX #2F5EFE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 94 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 94 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 63 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 63% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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