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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F5E5A it is the complementary color #D0A1A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F5E5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F5E5A shade: #345E55, #457068, #56827B, #67948E and #78A6A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F5E5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F5E5A shade: #2F5E5A, #1E4C47, #0D3A34, #002821 and #00160E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F5E5A shade: #305F5B, #305F4E, #305F42, #305F35 and #385F30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F5E5A shade: #305F5B, #30565F, #304A5F, #303D5F and #30305F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F5E5A shade matches the following richer shades: #305F5B, #246B65, #19766E, #0D8278 and #028D81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F5E5A shade: #305F5B, #3B5351, #474848, #523C3E and #5E3135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F5E5A shade: #305F41, #305F4E, #305F5A, #30575F and #304B5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F5E5A shade: #142826, #224441, #305F5B, #3E7A75 and #4B9690

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F5E5A shade: #2F5E5A, #35305F and #5F4730

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F5E5A shade: #2F5E5A, #5A305F and #5F5A30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F5E5A shade: #2F5E5A, #35305F, #5F3035 and #5A5F30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F5E5A shade: #2F5E5A, #43305F, #5F3035 and #4C5F30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 4 / 63

HEX #2F5E5A

RGB 47 94 90

HSL 174.89, 0.33%, 0.28%

LAB 36.65, -17.13, -2.68

 

Complementary color

CMYK 0 / 23 / 21 / 18

HEX #D0A1A5

RGB 208 161 165

HSL 354.89, 0.33%, 0.72%

LAB 70.61, 17.98, 4.63

 

CMYK 45 / 0 / 10 / 63

HEX #345E55

RGB 52 94 85

HSL 167.14, 0.29%, 0.29%

LAB 36.73, -17.11, 0.57

 

CMYK 38 / 0 / 7 / 56

HEX #457068

RGB 69 112 104

HSL 168.84, 0.24%, 0.35%

LAB 44.02, -16.93, -0.28

 

CMYK 34 / 0 / 5 / 49

HEX #56827B

RGB 86 130 123

HSL 170.45, 0.2%, 0.42%

LAB 51.12, -16.76, -1.04

 

CMYK 30 / 0 / 4 / 42

HEX #67948E

RGB 103 148 142

HSL 172, 0.18%, 0.49%

LAB 58.05, -16.6, -1.74

 

CMYK 28 / 0 / 3 / 35

HEX #78A6A1

RGB 120 166 161

HSL 173.48, 0.21%, 0.56%

LAB 64.83, -16.47, -2.4

 

CMYK 50 / 0 / 4 / 63

HEX #2F5E5A

RGB 47 94 90

HSL 174.89, 0.33%, 0.28%

LAB 36.65, -17.13, -2.68

 

CMYK 61 / 0 / 7 / 70

HEX #1E4C47

RGB 30 76 71

HSL 173.48, 0.43%, 0.21%

LAB 29.16, -17.08, -1.78

 

CMYK 78 / 0 / 10 / 77

HEX #0D3A34

RGB 13 58 52

HSL 172, 0.63%, 0.14%

LAB 21.43, -16.74, -0.69

 

CMYK 100 / 0 / 18 / 84

HEX #002821

RGB 0 40 33

HSL 169.5, 1%, 0.08%

LAB 13.4, -15.94, 0.71

 

CMYK 100 / 0 / 36 / 91

HEX #00160E

RGB 0 22 14

HSL 158.18, 1%, 0.04%

LAB 5.47, -8.58, 2.09

 

CMYK 49 / 0 / 4 / 63

HEX #305F5B

RGB 48 95 91

HSL 174.89, 0.33%, 0.28%

LAB 37.06, -17.13, -2.69

 

CMYK 49 / 0 / 18 / 63

HEX #305F4E

RGB 48 95 78

HSL 158.3, 0.33%, 0.28%

LAB 36.67, -20.64, 4.8

 

CMYK 49 / 0 / 31 / 63

HEX #305F42

RGB 48 95 66

HSL 142.98, 0.33%, 0.28%

LAB 36.38, -23.48, 11.75

 

CMYK 49 / 0 / 44 / 63

HEX #305F35

RGB 48 95 53

HSL 126.38, 0.33%, 0.28%

LAB 36.12, -26.08, 19.18

 

CMYK 41 / 0 / 49 / 63

HEX #385F30

RGB 56 95 48

HSL 109.79, 0.33%, 0.28%

LAB 36.44, -24.15, 22.57

 

CMYK 49 / 0 / 4 / 63

HEX #305F5B

RGB 48 95 91

HSL 174.89, 0.33%, 0.28%

LAB 37.06, -17.13, -2.69

 

CMYK 49 / 9 / 0 / 63

HEX #30565F

RGB 48 86 95

HSL 191.49, 0.33%, 0.28%

LAB 34.21, -10.79, -9.43

 

CMYK 49 / 22 / 0 / 63

HEX #304A5F

RGB 48 74 95

HSL 206.81, 0.33%, 0.28%

LAB 30.28, -3.41, -15.42

 

CMYK 49 / 36 / 0 / 63

HEX #303D5F

RGB 48 61 95

HSL 223.4, 0.33%, 0.28%

LAB 26.13, 5.15, -21.87

 

CMYK 49 / 49 / 0 / 63

HEX #30305F

RGB 48 48 95

HSL 240, 0.33%, 0.28%

LAB 22.19, 14.12, -28.1

 

CMYK 49 / 0 / 4 / 63

HEX #305F5B

RGB 48 95 91

HSL 174.89, 0.33%, 0.28%

LAB 37.06, -17.13, -2.69

 

CMYK 66 / 0 / 6 / 58

HEX #246B65

RGB 36 107 101

HSL 174.93, 0.5%, 0.28%

LAB 40.94, -23.32, -3.14

 

CMYK 79 / 0 / 7 / 54

HEX #19766E

RGB 25 118 110

HSL 174.84, 0.65%, 0.28%

LAB 44.65, -27.79, -3.13

 

CMYK 90 / 0 / 8 / 49

HEX #0D8278

RGB 13 130 120

HSL 174.87, 0.82%, 0.28%

LAB 48.77, -31.6, -3

 

CMYK 99 / 0 / 9 / 45

HEX #028D81

RGB 2 141 129

HSL 174.82, 0.97%, 0.28%

LAB 52.56, -34.57, -2.67

 

CMYK 49 / 0 / 4 / 63

HEX #305F5B

RGB 48 95 91

HSL 174.89, 0.33%, 0.28%

LAB 37.06, -17.13, -2.69

 

CMYK 29 / 0 / 2 / 67

HEX #3B5351

RGB 59 83 81

HSL 175, 0.17%, 0.28%

LAB 33.37, -9.59, -1.79

 

CMYK 1 / 0 / 0 / 72

HEX #474848

RGB 71 72 72

HSL 180, 0.01%, 0.28%

LAB 30.5, -0.41, -0.15

 

CMYK 0 / 27 / 24 / 68

HEX #523C3E

RGB 82 60 62

HSL 354.55, 0.15%, 0.28%

LAB 27.77, 10.02, 2.54

 

CMYK 0 / 48 / 44 / 63

HEX #5E3135

RGB 94 49 53

HSL 354.67, 0.31%, 0.28%

LAB 26.25, 20.83, 6.56

 

CMYK 49 / 0 / 32 / 63

HEX #305F41

RGB 48 95 65

HSL 141.7, 0.33%, 0.28%

LAB 36.36, -23.69, 12.32

 

CMYK 49 / 0 / 18 / 63

HEX #305F4E

RGB 48 95 78

HSL 158.3, 0.33%, 0.28%

LAB 36.67, -20.64, 4.8

 

CMYK 49 / 0 / 5 / 63

HEX #305F5A

RGB 48 95 90

HSL 173.62, 0.33%, 0.28%

LAB 37.02, -17.42, -2.12

 

CMYK 49 / 8 / 0 / 63

HEX #30575F

RGB 48 87 95

HSL 190.21, 0.33%, 0.28%

LAB 34.54, -11.38, -8.94

 

CMYK 49 / 21 / 0 / 63

HEX #304B5F

RGB 48 75 95

HSL 205.53, 0.33%, 0.28%

LAB 30.61, -4.04, -14.92

 

CMYK 50 / 0 / 5 / 84

HEX #142826

RGB 20 40 38

HSL 174, 0.33%, 0.12%

LAB 14.44, -8.71, -1.23

 

CMYK 50 / 0 / 4 / 73

HEX #224441

RGB 34 68 65

HSL 174.71, 0.33%, 0.2%

LAB 26.32, -13.25, -2.04

 

CMYK 49 / 0 / 4 / 63

HEX #305F5B

RGB 48 95 91

HSL 174.89, 0.33%, 0.28%

LAB 37.06, -17.13, -2.69

 

CMYK 49 / 0 / 4 / 52

HEX #3E7A75

RGB 62 122 117

HSL 175, 0.33%, 0.36%

LAB 47.27, -20.8, -3.3

 

CMYK 50 / 0 / 4 / 41

HEX #4B9690

RGB 75 150 144

HSL 175.2, 0.33%, 0.44%

LAB 57.39, -24.79, -4.01

 

CMYK 50 / 0 / 4 / 63

HEX #2F5E5A

RGB 47 94 90

HSL 174.89, 0.33%, 0.28%

LAB 36.65, -17.13, -2.68

 

CMYK 44 / 49 / 0 / 63

HEX #35305F

RGB 53 48 95

HSL 246.38, 0.33%, 0.28%

LAB 22.64, 15.52, -27.36

 

CMYK 0 / 25 / 49 / 63

HEX #5F4730

RGB 95 71 48

HSL 29.36, 0.33%, 0.28%

LAB 32.15, 6.96, 17.77

 

CMYK 50 / 0 / 4 / 63

HEX #2F5E5A

RGB 47 94 90

HSL 174.89, 0.33%, 0.28%

LAB 36.65, -17.13, -2.68

 

CMYK 5 / 49 / 0 / 63

HEX #5A305F

RGB 90 48 95

HSL 293.62, 0.33%, 0.28%

LAB 27.06, 27.32, -20.1

 

CMYK 0 / 5 / 49 / 63

HEX #5F5A30

RGB 95 90 48

HSL 53.62, 0.33%, 0.28%

LAB 37.77, -4.63, 24.87

 

CMYK 50 / 0 / 4 / 63

HEX #2F5E5A

RGB 47 94 90

HSL 174.89, 0.33%, 0.28%

LAB 36.65, -17.13, -2.68

 

CMYK 44 / 49 / 0 / 63

HEX #35305F

RGB 53 48 95

HSL 246.38, 0.33%, 0.28%

LAB 22.64, 15.52, -27.36

 

CMYK 0 / 49 / 44 / 63

HEX #5F3035

RGB 95 48 53

HSL 353.62, 0.33%, 0.28%

LAB 26.17, 21.85, 6.46

 

CMYK 5 / 0 / 49 / 63

HEX #5A5F30

RGB 90 95 48

HSL 66.38, 0.33%, 0.28%

LAB 38.85, -9.86, 26.09

 

CMYK 50 / 0 / 4 / 63

HEX #2F5E5A

RGB 47 94 90

HSL 174.89, 0.33%, 0.28%

LAB 36.65, -17.13, -2.68

 

CMYK 29 / 49 / 0 / 63

HEX #43305F

RGB 67 48 95

HSL 264.26, 0.33%, 0.28%

LAB 24.11, 19.78, -24.94

 

CMYK 0 / 49 / 44 / 63

HEX #5F3035

RGB 95 48 53

HSL 353.62, 0.33%, 0.28%

LAB 26.17, 21.85, 6.46

 

CMYK 20 / 0 / 49 / 63

HEX #4C5F30

RGB 76 95 48

HSL 84.26, 0.33%, 0.28%

LAB 37.72, -16.1, 24.45

 

Description

Color code: HEX #2F5E5A | qconv.com Color code: HEX #2F5E5A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 94 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 94 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 4 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 4% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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