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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F5E08 it is the complementary color #D0A1F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F5E08. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F5E08 shade: #345E03, #457016, #568229, #67943C and #78A64F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F5E08. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F5E08 shade: #2F5E08, #1E4C00, #0D3A00, #002800 and #001600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F5E08 shade: #2F5E08, #465E08, #5D5E08, #5E4708 and #5E3008

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F5E08 shade: #2F5E08, #185E08, #085E10, #085E27 and #085E3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F5E08 shade matches the following richer shades: #2F5E08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F5E08 shade: #2F5E08, #305610, #314D19, #314521 and #323D29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F5E08 shade: #5E5E08, #475E08, #305E08, #195E08 and #085E0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F5E08 shade: #091202, #1C3805, #2F5E08, #42840B and #55AA0F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F5E08 shade: #2F5E08, #085E47 and #5E0852

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F5E08 shade: #2F5E08, #08305E and #5E0830

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F5E08 shade: #2F5E08, #085E47, #36085E and #5E081F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F5E08 shade: #2F5E08, #085B5E, #36085E and #5E0B08

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 91 / 63

HEX #2F5E08

RGB 47 94 8

HSL 92.79, 0.84%, 0.2%

LAB 35.26, -30.89, 39.18

 

Complementary color

CMYK 16 / 35 / 0 / 3

HEX #D0A1F7

RGB 208 161 247

HSL 272.79, 0.84%, 0.8%

LAB 73.3, 33.14, -36.39

 

CMYK 45 / 0 / 97 / 63

HEX #345E03

RGB 52 94 3

HSL 87.69, 0.94%, 0.19%

LAB 35.48, -29.28, 40.96

 

CMYK 38 / 0 / 80 / 56

HEX #457016

RGB 69 112 22

HSL 88.67, 0.67%, 0.26%

LAB 42.63, -30.06, 41.99

 

CMYK 34 / 0 / 68 / 49

HEX #568229

RGB 86 130 41

HSL 89.66, 0.52%, 0.34%

LAB 49.62, -30.49, 41.77

 

CMYK 30 / 0 / 59 / 42

HEX #67943C

RGB 103 148 60

HSL 90.68, 0.42%, 0.41%

LAB 56.48, -30.69, 40.89

 

CMYK 28 / 0 / 52 / 35

HEX #78A64F

RGB 120 166 79

HSL 91.72, 0.36%, 0.48%

LAB 63.2, -30.75, 39.77

 

CMYK 50 / 0 / 91 / 63

HEX #2F5E08

RGB 47 94 8

HSL 92.79, 0.84%, 0.2%

LAB 35.26, -30.89, 39.18

 

CMYK 61 / 0 / 100 / 70

HEX #1E4C00

RGB 30 76 0

HSL 96.32, 1%, 0.15%

LAB 27.97, -29.42, 35.54

 

CMYK 78 / 0 / 100 / 77

HEX #0D3A00

RGB 13 58 0

HSL 106.55, 1%, 0.11%

LAB 20.49, -27.05, 28

 

CMYK 100 / 0 / 100 / 84

HEX #002800

RGB 0 40 0

HSL 120, 1%, 0.08%

LAB 12.72, -23.74, 18.31

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 50 / 0 / 91 / 63

HEX #2F5E08

RGB 47 94 8

HSL 92.79, 0.84%, 0.2%

LAB 35.26, -30.89, 39.18

 

CMYK 26 / 0 / 91 / 63

HEX #465E08

RGB 70 94 8

HSL 76.74, 0.84%, 0.2%

LAB 36.6, -21.51, 40.87

 

CMYK 1 / 0 / 91 / 63

HEX #5D5E08

RGB 93 94 8

HSL 60.7, 0.84%, 0.2%

LAB 38.46, -10.63, 43.18

 

CMYK 0 / 24 / 91 / 63

HEX #5E4708

RGB 94 71 8

HSL 43.95, 0.84%, 0.2%

LAB 31.59, 3.6, 37.56

 

CMYK 0 / 49 / 91 / 63

HEX #5E3008

RGB 94 48 8

HSL 27.91, 0.84%, 0.2%

LAB 25.29, 17.91, 32.18

 

CMYK 50 / 0 / 91 / 63

HEX #2F5E08

RGB 47 94 8

HSL 92.79, 0.84%, 0.2%

LAB 35.26, -30.89, 39.18

 

CMYK 74 / 0 / 91 / 63

HEX #185E08

RGB 24 94 8

HSL 108.84, 0.84%, 0.2%

LAB 34.43, -37.53, 38.14

 

CMYK 91 / 0 / 83 / 63

HEX #085E10

RGB 8 94 16

HSL 125.58, 0.84%, 0.2%

LAB 34.18, -39.57, 35.27

 

CMYK 91 / 0 / 59 / 63

HEX #085E27

RGB 8 94 39

HSL 141.63, 0.84%, 0.2%

LAB 34.4, -36.79, 24.75

 

CMYK 91 / 0 / 34 / 63

HEX #085E3E

RGB 8 94 62

HSL 157.67, 0.84%, 0.2%

LAB 34.81, -32.02, 11.85

 

CMYK 50 / 0 / 91 / 63

HEX #2F5E08

RGB 47 94 8

HSL 92.79, 0.84%, 0.2%

LAB 35.26, -30.89, 39.18

 

CMYK 50 / 0 / 91 / 63

HEX #2F5E08

RGB 47 94 8

HSL 92.79, 0.84%, 0.2%

LAB 35.26, -30.89, 39.18

 

CMYK 44 / 0 / 81 / 66

HEX #305610

RGB 48 86 16

HSL 92.57, 0.69%, 0.2%

LAB 32.53, -26.43, 34.09

 

CMYK 36 / 0 / 68 / 70

HEX #314D19

RGB 49 77 25

HSL 92.31, 0.51%, 0.2%

LAB 29.49, -20.78, 26.85

 

CMYK 29 / 0 / 52 / 73

HEX #314521

RGB 49 69 33

HSL 93.33, 0.35%, 0.2%

LAB 26.79, -15.45, 19.18

 

CMYK 18 / 0 / 33 / 76

HEX #323D29

RGB 50 61 41

HSL 93, 0.2%, 0.2%

LAB 24.24, -8.97, 10.88

 

CMYK 0 / 0 / 91 / 63

HEX #5E5E08

RGB 94 94 8

HSL 60, 0.84%, 0.2%

LAB 38.56, -10.14, 43.29

 

CMYK 24 / 0 / 91 / 63

HEX #475E08

RGB 71 94 8

HSL 76.05, 0.84%, 0.2%

LAB 36.67, -21.06, 40.96

 

CMYK 49 / 0 / 91 / 63

HEX #305E08

RGB 48 94 8

HSL 92.09, 0.84%, 0.2%

LAB 35.3, -30.53, 39.24

 

CMYK 73 / 0 / 91 / 63

HEX #195E08

RGB 25 94 8

HSL 108.14, 0.84%, 0.2%

LAB 34.46, -37.31, 38.17

 

CMYK 91 / 0 / 85 / 63

HEX #085E0E

RGB 8 94 14

HSL 124.19, 0.84%, 0.2%

LAB 34.17, -39.72, 35.96

 

CMYK 50 / 0 / 89 / 93

HEX #091202

RGB 9 18 2

HSL 93.75, 0.8%, 0.04%

LAB 4.47, -5.35, 5.78

 

CMYK 50 / 0 / 91 / 78

HEX #1C3805

RGB 28 56 5

HSL 92.94, 0.84%, 0.12%

LAB 20.39, -20.65, 26.02

 

CMYK 50 / 0 / 91 / 63

HEX #2F5E08

RGB 47 94 8

HSL 92.79, 0.84%, 0.2%

LAB 35.26, -30.89, 39.18

 

CMYK 50 / 0 / 92 / 48

HEX #42840B

RGB 66 132 11

HSL 92.73, 0.85%, 0.28%

LAB 49.11, -40.3, 50.71

 

CMYK 50 / 0 / 91 / 33

HEX #55AA0F

RGB 85 170 15

HSL 92.9, 0.84%, 0.36%

LAB 62.27, -49.13, 61.37

 

CMYK 50 / 0 / 91 / 63

HEX #2F5E08

RGB 47 94 8

HSL 92.79, 0.84%, 0.2%

LAB 35.26, -30.89, 39.18

 

CMYK 91 / 0 / 24 / 63

HEX #085E47

RGB 8 94 71

HSL 163.95, 0.84%, 0.2%

LAB 35.03, -29.64, 6.63

 

CMYK 0 / 91 / 13 / 63

HEX #5E0852

RGB 94 8 82

HSL 308.37, 0.84%, 0.2%

LAB 20.68, 43.44, -21.43

 

CMYK 50 / 0 / 91 / 63

HEX #2F5E08

RGB 47 94 8

HSL 92.79, 0.84%, 0.2%

LAB 35.26, -30.89, 39.18

 

CMYK 91 / 49 / 0 / 63

HEX #08305E

RGB 8 48 94

HSL 212.09, 0.84%, 0.2%

LAB 19.94, 6.17, -31.17

 

CMYK 0 / 91 / 49 / 63

HEX #5E0830

RGB 94 8 48

HSL 332.09, 0.84%, 0.2%

LAB 19.08, 39.03, -0.28

 

CMYK 50 / 0 / 91 / 63

HEX #2F5E08

RGB 47 94 8

HSL 92.79, 0.84%, 0.2%

LAB 35.26, -30.89, 39.18

 

CMYK 91 / 0 / 24 / 63

HEX #085E47

RGB 8 94 71

HSL 163.95, 0.84%, 0.2%

LAB 35.03, -29.64, 6.63

 

CMYK 43 / 91 / 0 / 63

HEX #36085E

RGB 54 8 94

HSL 272.09, 0.84%, 0.2%

LAB 14.21, 38.15, -40.32

 

CMYK 0 / 91 / 67 / 63

HEX #5E081F

RGB 94 8 31

HSL 343.95, 0.84%, 0.2%

LAB 18.59, 37.61, 11.2

 

CMYK 50 / 0 / 91 / 63

HEX #2F5E08

RGB 47 94 8

HSL 92.79, 0.84%, 0.2%

LAB 35.26, -30.89, 39.18

 

CMYK 91 / 3 / 0 / 63

HEX #085B5E

RGB 8 91 94

HSL 182.09, 0.84%, 0.2%

LAB 34.69, -20.93, -8.21

 

CMYK 43 / 91 / 0 / 63

HEX #36085E

RGB 54 8 94

HSL 272.09, 0.84%, 0.2%

LAB 14.21, 38.15, -40.32

 

CMYK 0 / 88 / 91 / 63

HEX #5E0B08

RGB 94 11 8

HSL 2.09, 0.84%, 0.2%

LAB 18.53, 35.74, 24.98

 

Description

Color code: HEX #2F5E08 | qconv.com Color code: HEX #2F5E08 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 94 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 94 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 91 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 91% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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