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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F5592 it is the complementary color #D0AA6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F5592. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F5592 shade: #34558D, #4567A0, #5679B3, #678BC6 and #789DD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F5592. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F5592 shade: #2F5592, #1E437F, #0D316C, #001F59 and #000D46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F5592 shade: #2F5592, #2F3B92, #3F2F92, #5A2F92 and #742F92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F5592 shade: #2F5592, #2F3B92 and #2F2F92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F5592 shade matches the following richer shades: #2F5592, #2052A2, #104EB2 and #004AC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F5592 shade: #2F5592, #3F5983, #4F5D73, #5F6063 and #6E6454

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F5592 shade: #2F8C92, #2F7192, #2F5792, #2F3D92 and #3D2F92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F5592 shade: #1B3154, #254373, #2F5592, #3A68B1 and #4F7CC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F5592 shade: #2F5592, #7F2F92 and #7F922F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F5592 shade: #2F5592, #922F57 and #57922F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F5592 shade: #2F5592, #7F2F92, #926B2F and #43922F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F5592 shade: #2F5592, #922F88, #926B2F and #2F9239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 42 / 0 / 43

HEX #2F5592

RGB 47 85 146

HSL 216.97, 0.51%, 0.38%

LAB 36.32, 7.4, -37.66

 

Complementary color

CMYK 0 / 18 / 48 / 18

HEX #D0AA6D

RGB 208 170 109

HSL 36.97, 0.51%, 0.62%

LAB 71.73, 6.11, 36.55

 

CMYK 63 / 40 / 0 / 45

HEX #34558D

RGB 52 85 141

HSL 217.75, 0.46%, 0.38%

LAB 36.27, 6.51, -34.69

 

CMYK 57 / 36 / 0 / 37

HEX #4567A0

RGB 69 103 160

HSL 217.58, 0.4%, 0.45%

LAB 43.51, 5.32, -34.58

 

CMYK 52 / 32 / 0 / 30

HEX #5679B3

RGB 86 121 179

HSL 217.42, 0.38%, 0.52%

LAB 50.58, 4.41, -34.52

 

CMYK 48 / 30 / 0 / 22

HEX #678BC6

RGB 103 139 198

HSL 217.26, 0.45%, 0.59%

LAB 57.49, 3.68, -34.5

 

CMYK 45 / 28 / 0 / 15

HEX #789DD9

RGB 120 157 217

HSL 217.11, 0.56%, 0.66%

LAB 64.26, 3.09, -34.52

 

CMYK 68 / 42 / 0 / 43

HEX #2F5592

RGB 47 85 146

HSL 216.97, 0.51%, 0.38%

LAB 36.32, 7.4, -37.66

 

CMYK 76 / 47 / 0 / 50

HEX #1E437F

RGB 30 67 127

HSL 217.11, 0.62%, 0.31%

LAB 28.96, 9.34, -37.79

 

CMYK 88 / 55 / 0 / 58

HEX #0D316C

RGB 13 49 108

HSL 217.26, 0.79%, 0.24%

LAB 21.45, 12.08, -37.86

 

CMYK 100 / 65 / 0 / 65

HEX #001F59

RGB 0 31 89

HSL 219.1, 1%, 0.17%

LAB 13.83, 15.88, -37.76

 

CMYK 100 / 81 / 0 / 73

HEX #000D46

RGB 0 13 70

HSL 228.86, 1%, 0.14%

LAB 6.59, 20.61, -36.6

 

CMYK 68 / 42 / 0 / 43

HEX #2F5592

RGB 47 85 146

HSL 216.97, 0.51%, 0.38%

LAB 36.32, 7.4, -37.66

 

CMYK 68 / 60 / 0 / 43

HEX #2F3B92

RGB 47 59 146

HSL 232.73, 0.51%, 0.38%

LAB 28.92, 24.8, -49.58

 

CMYK 57 / 68 / 0 / 43

HEX #3F2F92

RGB 63 47 146

HSL 249.7, 0.51%, 0.38%

LAB 27.2, 35.22, -52.33

 

CMYK 38 / 68 / 0 / 43

HEX #5A2F92

RGB 90 47 146

HSL 266.06, 0.51%, 0.38%

LAB 30.11, 40.55, -47.46

 

CMYK 21 / 68 / 0 / 43

HEX #742F92

RGB 116 47 146

HSL 281.82, 0.51%, 0.38%

LAB 33.61, 46.45, -41.65

 

CMYK 68 / 42 / 0 / 43

HEX #2F5592

RGB 47 85 146

HSL 216.97, 0.51%, 0.38%

LAB 36.32, 7.4, -37.66

 

CMYK 68 / 60 / 0 / 43

HEX #2F3B92

RGB 47 59 146

HSL 232.73, 0.51%, 0.38%

LAB 28.92, 24.8, -49.58

 

CMYK 68 / 68 / 0 / 43

HEX #2F2F92

RGB 47 47 146

HSL 240, 0.51%, 0.38%

LAB 25.9, 32.68, -54.51

 

CMYK 68 / 42 / 0 / 43

HEX #2F5592

RGB 47 85 146

HSL 216.97, 0.51%, 0.38%

LAB 36.32, 7.4, -37.66

 

CMYK 80 / 49 / 0 / 36

HEX #2052A2

RGB 32 82 162

HSL 216.92, 0.67%, 0.38%

LAB 35.89, 13.44, -48.03

 

CMYK 91 / 56 / 0 / 30

HEX #104EB2

RGB 16 78 178

HSL 217.04, 0.84%, 0.38%

LAB 35.54, 21.3, -58.13

 

CMYK 100 / 62 / 0 / 24

HEX #004AC1

RGB 0 74 193

HSL 216.99, 1%, 0.38%

LAB 35.49, 29.39, -67.05

 

CMYK 68 / 42 / 0 / 43

HEX #2F5592

RGB 47 85 146

HSL 216.97, 0.51%, 0.38%

LAB 36.32, 7.4, -37.66

 

CMYK 52 / 32 / 0 / 49

HEX #3F5983

RGB 63 89 131

HSL 217.06, 0.35%, 0.38%

LAB 37.55, 2.97, -26.53

 

CMYK 31 / 19 / 0 / 55

HEX #4F5D73

RGB 79 93 115

HSL 216.67, 0.19%, 0.38%

LAB 39.12, 0.28, -14.22

 

CMYK 4 / 3 / 0 / 61

HEX #5F6063

RGB 95 96 99

HSL 225, 0.02%, 0.38%

LAB 40.73, 0.25, -1.85

 

CMYK 0 / 9 / 24 / 57

HEX #6E6454

RGB 110 100 84

HSL 36.92, 0.13%, 0.38%

LAB 42.87, 1.12, 10.52

 

CMYK 68 / 4 / 0 / 43

HEX #2F8C92

RGB 47 140 146

HSL 183.64, 0.51%, 0.38%

LAB 53.42, -24.67, -11.17

 

CMYK 68 / 23 / 0 / 43

HEX #2F7192

RGB 47 113 146

HSL 200, 0.51%, 0.38%

LAB 44.93, -9.95, -24.14

 

CMYK 68 / 40 / 0 / 43

HEX #2F5792

RGB 47 87 146

HSL 215.76, 0.51%, 0.38%

LAB 36.92, 6.1, -36.71

 

CMYK 68 / 58 / 0 / 43

HEX #2F3D92

RGB 47 61 146

HSL 231.52, 0.51%, 0.38%

LAB 29.46, 23.46, -48.71

 

CMYK 58 / 68 / 0 / 43

HEX #3D2F92

RGB 61 47 146

HSL 248.48, 0.51%, 0.38%

LAB 27.02, 34.87, -52.63

 

CMYK 68 / 42 / 0 / 67

HEX #1B3154

RGB 27 49 84

HSL 216.84, 0.51%, 0.22%

LAB 20.32, 4.06, -23.89

 

CMYK 68 / 42 / 0 / 55

HEX #254373

RGB 37 67 115

HSL 216.92, 0.51%, 0.3%

LAB 28.5, 5.77, -30.97

 

CMYK 68 / 42 / 0 / 43

HEX #2F5592

RGB 47 85 146

HSL 216.97, 0.51%, 0.38%

LAB 36.32, 7.4, -37.66

 

CMYK 67 / 41 / 0 / 31

HEX #3A68B1

RGB 58 104 177

HSL 216.81, 0.51%, 0.46%

LAB 44.2, 8.5, -43.54

 

CMYK 60 / 37 / 0 / 22

HEX #4F7CC6

RGB 79 124 198

HSL 217.31, 0.51%, 0.54%

LAB 52.01, 7.31, -43.2

 

CMYK 68 / 42 / 0 / 43

HEX #2F5592

RGB 47 85 146

HSL 216.97, 0.51%, 0.38%

LAB 36.32, 7.4, -37.66

 

CMYK 13 / 68 / 0 / 43

HEX #7F2F92

RGB 127 47 146

HSL 288.48, 0.51%, 0.38%

LAB 35.24, 49.07, -38.94

 

CMYK 13 / 0 / 68 / 43

HEX #7F922F

RGB 127 146 47

HSL 71.52, 0.51%, 0.38%

LAB 57.34, -21.01, 48.14

 

CMYK 68 / 42 / 0 / 43

HEX #2F5592

RGB 47 85 146

HSL 216.97, 0.51%, 0.38%

LAB 36.32, 7.4, -37.66

 

CMYK 0 / 68 / 40 / 43

HEX #922F57

RGB 146 47 87

HSL 335.76, 0.51%, 0.38%

LAB 35.66, 45.05, -1.03

 

CMYK 40 / 0 / 68 / 43

HEX #57922F

RGB 87 146 47

HSL 95.76, 0.51%, 0.38%

LAB 54.85, -36.88, 44.76

 

CMYK 68 / 42 / 0 / 43

HEX #2F5592

RGB 47 85 146

HSL 216.97, 0.51%, 0.38%

LAB 36.32, 7.4, -37.66

 

CMYK 13 / 68 / 0 / 43

HEX #7F2F92

RGB 127 47 146

HSL 288.48, 0.51%, 0.38%

LAB 35.24, 49.07, -38.94

 

CMYK 0 / 27 / 68 / 43

HEX #926B2F

RGB 146 107 47

HSL 36.36, 0.51%, 0.38%

LAB 48.05, 9.06, 38.76

 

CMYK 54 / 0 / 68 / 43

HEX #43922F

RGB 67 146 47

HSL 107.88, 0.51%, 0.38%

LAB 53.98, -43.32, 43.56

 

CMYK 68 / 42 / 0 / 43

HEX #2F5592

RGB 47 85 146

HSL 216.97, 0.51%, 0.38%

LAB 36.32, 7.4, -37.66

 

CMYK 0 / 68 / 7 / 43

HEX #922F88

RGB 146 47 136

HSL 306.06, 0.51%, 0.38%

LAB 37.7, 51.97, -28.72

 

CMYK 0 / 27 / 68 / 43

HEX #926B2F

RGB 146 107 47

HSL 36.36, 0.51%, 0.38%

LAB 48.05, 9.06, 38.76

 

CMYK 68 / 0 / 61 / 43

HEX #2F9239

RGB 47 146 57

HSL 126.06, 0.51%, 0.38%

LAB 53.45, -47.19, 38.23

 

Description

Color code: HEX #2F5592 | qconv.com Color code: HEX #2F5592 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 85 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 85 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 42 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 42% 0% 43% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

33% - 三重電設工業株式会社
Link: http://miedensetsu.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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