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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F4FD2 it is the complementary color #D0B02D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F4FD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F4FD2 shade: #344FCD, #4561E0, #5673F3, #6785FF and #7897FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F4FD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F4FD2 shade: #2F4FD2, #1E3DBF, #0D2BAC, #001999 and #000786

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F4FD2 shade: #2E4ED1, #3A2ED1, #662ED1, #922ED1 and #BE2ED1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F4FD2 shade: #2E4ED1 and #2E2ED1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F4FD2 shade matches the following richer shades: #2E4ED1, #1941E6 and #0535FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F4FD2 shade: #2E4ED1, #435ABC, #5767A8, #6C7493 and #80807F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F4FD2 shade: #2EA6D1, #2E7AD1, #2E4FD1, #392ED1 and #642ED1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F4FD2 shade: #1F358D, #2641AF, #2E4ED1, #506BD9 and #7287E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F4FD2 shade: #2F4FD2, #D12ED1 and #90D12E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F4FD2 shade: #2F4FD2, #D12E4F and #4FD12E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F4FD2 shade: #2F4FD2, #D12ED1, #D1B02E and #2ED12E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F4FD2 shade: #2F4FD2, #D12EA0, #D1B02E and #2ED15F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 62 / 0 / 18

HEX #2F4FD2

RGB 47 79 210

HSL 228.22, 0.64%, 0.5%

LAB 39.33, 35.29, -70.6

 

Complementary color

CMYK 0 / 15 / 78 / 18

HEX #D0B02D

RGB 208 176 45

HSL 48.22, 0.64%, 0.5%

LAB 72.66, -1.29, 66.11

 

CMYK 75 / 61 / 0 / 20

HEX #344FCD

RGB 52 79 205

HSL 229.41, 0.6%, 0.5%

LAB 39.12, 33.99, -68.04

 

CMYK 69 / 57 / 0 / 12

HEX #4561E0

RGB 69 97 224

HSL 229.16, 0.71%, 0.57%

LAB 45.9, 31.48, -67.83

 

CMYK 65 / 53 / 0 / 5

HEX #5673F3

RGB 86 115 243

HSL 228.92, 0.87%, 0.65%

LAB 52.63, 29.36, -67.55

 

CMYK 60 / 48 / 0 / 0

HEX #6785FF

RGB 103 133 255

HSL 228.16, 1%, 0.7%

LAB 58.86, 25.27, -64.1

 

CMYK 53 / 41 / 0 / 0

HEX #7897FF

RGB 120 151 255

HSL 226.22, 1%, 0.74%

LAB 64.44, 17.9, -55.13

 

CMYK 78 / 62 / 0 / 18

HEX #2F4FD2

RGB 47 79 210

HSL 228.22, 0.64%, 0.5%

LAB 39.33, 35.29, -70.6

 

CMYK 84 / 68 / 0 / 25

HEX #1E3DBF

RGB 30 61 191

HSL 228.45, 0.73%, 0.43%

LAB 32.65, 38.39, -70.53

 

CMYK 92 / 75 / 0 / 33

HEX #0D2BAC

RGB 13 43 172

HSL 228.68, 0.86%, 0.36%

LAB 26.13, 41.78, -70.01

 

CMYK 100 / 84 / 0 / 40

HEX #001999

RGB 0 25 153

HSL 230.2, 1%, 0.3%

LAB 20.02, 44.88, -68.6

 

CMYK 100 / 95 / 0 / 47

HEX #000786

RGB 0 7 134

HSL 236.87, 1%, 0.26%

LAB 14.81, 46.46, -65.45

 

CMYK 78 / 63 / 0 / 18

HEX #2E4ED1

RGB 46 78 209

HSL 228.22, 0.64%, 0.5%

LAB 38.96, 35.47, -70.63

 

CMYK 72 / 78 / 0 / 18

HEX #3A2ED1

RGB 58 46 209

HSL 244.42, 0.64%, 0.5%

LAB 32.83, 55.05, -80.7

 

CMYK 51 / 78 / 0 / 18

HEX #662ED1

RGB 102 46 209

HSL 260.61, 0.64%, 0.5%

LAB 36.71, 59.75, -74.16

 

CMYK 30 / 78 / 0 / 18

HEX #922ED1

RGB 146 46 209

HSL 276.81, 0.64%, 0.5%

LAB 42.26, 66.4, -64.86

 

CMYK 9 / 78 / 0 / 18

HEX #BE2ED1

RGB 190 46 209

HSL 293.01, 0.64%, 0.5%

LAB 48.89, 74.27, -53.82

 

CMYK 78 / 63 / 0 / 18

HEX #2E4ED1

RGB 46 78 209

HSL 228.22, 0.64%, 0.5%

LAB 38.96, 35.47, -70.63

 

CMYK 78 / 78 / 0 / 18

HEX #2E2ED1

RGB 46 46 209

HSL 240, 0.64%, 0.5%

LAB 32.12, 54.19, -81.89

 

CMYK 78 / 63 / 0 / 18

HEX #2E4ED1

RGB 46 78 209

HSL 228.22, 0.64%, 0.5%

LAB 38.96, 35.47, -70.63

 

CMYK 89 / 72 / 0 / 10

HEX #1941E6

RGB 25 65 230

HSL 228.29, 0.8%, 0.5%

LAB 37.3, 49.6, -85.41

 

CMYK 98 / 79 / 0 / 2

HEX #0535FA

RGB 5 53 250

HSL 228.24, 0.96%, 0.5%

LAB 36.89, 62.25, -97.4

 

CMYK 78 / 63 / 0 / 18

HEX #2E4ED1

RGB 46 78 209

HSL 228.22, 0.64%, 0.5%

LAB 38.96, 35.47, -70.63

 

CMYK 64 / 52 / 0 / 26

HEX #435ABC

RGB 67 90 188

HSL 228.6, 0.47%, 0.5%

LAB 41.43, 22.94, -54.38

 

CMYK 48 / 39 / 0 / 34

HEX #5767A8

RGB 87 103 168

HSL 228.15, 0.32%, 0.5%

LAB 45.02, 12.2, -36.86

 

CMYK 27 / 21 / 0 / 42

HEX #6C7493

RGB 108 116 147

HSL 227.69, 0.15%, 0.5%

LAB 49.23, 4.32, -17.82

 

CMYK 0 / 0 / 1 / 50

HEX #80807F

RGB 128 128 127

HSL 60, 0%, 0.5%

LAB 53.56, -0.2, 0.54

 

CMYK 78 / 21 / 0 / 18

HEX #2EA6D1

RGB 46 166 209

HSL 195.83, 0.64%, 0.5%

LAB 63.72, -17.91, -31.13

 

CMYK 78 / 42 / 0 / 18

HEX #2E7AD1

RGB 46 122 209

HSL 212.02, 0.64%, 0.5%

LAB 50.81, 7.41, -51.45

 

CMYK 78 / 62 / 0 / 18

HEX #2E4FD1

RGB 46 79 209

HSL 227.85, 0.64%, 0.5%

LAB 39.2, 34.83, -70.23

 

CMYK 73 / 78 / 0 / 18

HEX #392ED1

RGB 57 46 209

HSL 244.05, 0.64%, 0.5%

LAB 32.76, 54.97, -80.81

 

CMYK 52 / 78 / 0 / 18

HEX #642ED1

RGB 100 46 209

HSL 259.88, 0.64%, 0.5%

LAB 36.49, 59.49, -74.53

 

CMYK 78 / 62 / 0 / 45

HEX #1F358D

RGB 31 53 141

HSL 228, 0.64%, 0.34%

LAB 26.04, 24.77, -51.22

 

CMYK 78 / 63 / 0 / 31

HEX #2641AF

RGB 38 65 175

HSL 228.18, 0.64%, 0.42%

LAB 32.45, 30.51, -61.37

 

CMYK 78 / 63 / 0 / 18

HEX #2E4ED1

RGB 46 78 209

HSL 228.22, 0.64%, 0.5%

LAB 38.96, 35.47, -70.63

 

CMYK 63 / 51 / 0 / 15

HEX #506BD9

RGB 80 107 217

HSL 228.18, 0.64%, 0.58%

LAB 48.55, 24.47, -59.54

 

CMYK 49 / 40 / 0 / 12

HEX #7287E0

RGB 114 135 224

HSL 228.55, 0.64%, 0.66%

LAB 58.31, 16.54, -47.77

 

CMYK 78 / 62 / 0 / 18

HEX #2F4FD2

RGB 47 79 210

HSL 228.22, 0.64%, 0.5%

LAB 39.33, 35.29, -70.6

 

CMYK 0 / 78 / 0 / 18

HEX #D12ED1

RGB 209 46 209

HSL 300, 0.64%, 0.5%

LAB 51.96, 77.9, -48.73

 

CMYK 31 / 0 / 78 / 18

HEX #90D12E

RGB 144 209 46

HSL 83.93, 0.64%, 0.5%

LAB 77.12, -43.69, 68.15

 

CMYK 78 / 62 / 0 / 18

HEX #2F4FD2

RGB 47 79 210

HSL 228.22, 0.64%, 0.5%

LAB 39.33, 35.29, -70.6

 

CMYK 0 / 78 / 62 / 18

HEX #D12E4F

RGB 209 46 79

HSL 347.85, 0.64%, 0.5%

LAB 47.07, 63.52, 21.66

 

CMYK 62 / 0 / 78 / 18

HEX #4FD12E

RGB 79 209 46

HSL 107.85, 0.64%, 0.5%

LAB 74.48, -63.3, 64.74

 

CMYK 78 / 62 / 0 / 18

HEX #2F4FD2

RGB 47 79 210

HSL 228.22, 0.64%, 0.5%

LAB 39.33, 35.29, -70.6

 

CMYK 0 / 78 / 0 / 18

HEX #D12ED1

RGB 209 46 209

HSL 300, 0.64%, 0.5%

LAB 51.96, 77.9, -48.73

 

CMYK 0 / 16 / 78 / 18

HEX #D1B02E

RGB 209 176 46

HSL 47.85, 0.64%, 0.5%

LAB 72.76, -0.81, 65.91

 

CMYK 78 / 0 / 78 / 18

HEX #2ED12E

RGB 46 209 46

HSL 120, 0.64%, 0.5%

LAB 73.79, -69.17, 63.83

 

CMYK 78 / 62 / 0 / 18

HEX #2F4FD2

RGB 47 79 210

HSL 228.22, 0.64%, 0.5%

LAB 39.33, 35.29, -70.6

 

CMYK 0 / 78 / 23 / 18

HEX #D12EA0

RGB 209 46 160

HSL 318.04, 0.64%, 0.5%

LAB 49.55, 71.04, -23.94

 

CMYK 0 / 16 / 78 / 18

HEX #D1B02E

RGB 209 176 46

HSL 47.85, 0.64%, 0.5%

LAB 72.76, -0.81, 65.91

 

CMYK 78 / 0 / 55 / 18

HEX #2ED15F

RGB 46 209 95

HSL 138.04, 0.64%, 0.5%

LAB 74.19, -64.23, 44.68

 

Description

Color code: HEX #2F4FD2 | qconv.com Color code: HEX #2F4FD2 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 79 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 79 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 62 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 62% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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