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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F49B9 it is the complementary color #D0B646. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F49B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F49B9 shade: #3449B4, #455BC7, #566DDA, #677FED and #7891FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F49B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F49B9 shade: #2F49B9, #1E37A6, #0D2593, #001380 and #00016D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F49B9 shade: #2F48B6, #3A2FB6, #5E2FB6, #832FB6 and #A72FB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F49B9 shade: #2F48B6 and #2F2FB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F49B9 shade matches the following richer shades: #2F48B6, #1C3CC9 and #0931DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F49B9 shade: #2F48B6, #4154A3, #545F91, #666B7E and #79766C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F49B9 shade: #2F92B6, #2F6EB6, #2F4AB6, #382FB6 and #5C2FB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F49B9 shade: #1E2E74, #263B95, #2F48B6, #405BCD and #6177D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F49B9 shade: #2F49B9, #B62FB6 and #80B62F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F49B9 shade: #2F49B9, #B62F4A and #4AB62F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F49B9 shade: #2F49B9, #B62FB6, #B69B2F and #2FB62F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F49B9 shade: #2F49B9, #B62F8D, #B69B2F and #2FB657

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 61 / 0 / 27

HEX #2F49B9

RGB 47 73 185

HSL 228.7, 0.59%, 0.45%

LAB 35.74, 29.98, -61.91

 

Complementary color

CMYK 0 / 13 / 66 / 18

HEX #D0B646

RGB 208 182 70

HSL 48.7, 0.59%, 0.55%

LAB 74.39, -3.26, 58.34

 

CMYK 71 / 59 / 0 / 29

HEX #3449B4

RGB 52 73 180

HSL 230.16, 0.55%, 0.45%

LAB 35.58, 28.77, -59.21

 

CMYK 65 / 54 / 0 / 22

HEX #455BC7

RGB 69 91 199

HSL 229.85, 0.54%, 0.53%

LAB 42.57, 26.5, -58.92

 

CMYK 61 / 50 / 0 / 15

HEX #566DDA

RGB 86 109 218

HSL 229.55, 0.64%, 0.6%

LAB 49.47, 24.62, -58.61

 

CMYK 57 / 46 / 0 / 7

HEX #677FED

RGB 103 127 237

HSL 229.25, 0.79%, 0.67%

LAB 56.26, 23.06, -58.32

 

CMYK 53 / 43 / 0 / 0

HEX #7891FF

RGB 120 145 255

HSL 228.89, 1%, 0.74%

LAB 62.9, 21.42, -57.59

 

CMYK 75 / 61 / 0 / 27

HEX #2F49B9

RGB 47 73 185

HSL 228.7, 0.59%, 0.45%

LAB 35.74, 29.98, -61.91

 

CMYK 82 / 67 / 0 / 35

HEX #1E37A6

RGB 30 55 166

HSL 228.97, 0.69%, 0.38%

LAB 28.8, 32.95, -61.97

 

CMYK 91 / 75 / 0 / 42

HEX #0D2593

RGB 13 37 147

HSL 229.25, 0.84%, 0.31%

LAB 22, 36.33, -61.61

 

CMYK 100 / 85 / 0 / 50

HEX #001380

RGB 0 19 128

HSL 231.09, 1%, 0.25%

LAB 15.61, 39.5, -60.3

 

CMYK 100 / 99 / 0 / 57

HEX #00016D

RGB 0 1 109

HSL 239.45, 1%, 0.21%

LAB 10, 41.83, -57.4

 

CMYK 74 / 60 / 0 / 29

HEX #2F48B6

RGB 47 72 182

HSL 228.89, 0.59%, 0.45%

LAB 35.24, 29.53, -60.96

 

CMYK 68 / 74 / 0 / 29

HEX #3A2FB6

RGB 58 47 182

HSL 244.89, 0.59%, 0.45%

LAB 30.18, 46.11, -69.22

 

CMYK 48 / 74 / 0 / 29

HEX #5E2FB6

RGB 94 47 182

HSL 260.89, 0.59%, 0.45%

LAB 33.54, 50.99, -63.58

 

CMYK 28 / 74 / 0 / 29

HEX #832FB6

RGB 131 47 182

HSL 277.33, 0.59%, 0.45%

LAB 38.26, 57.54, -55.68

 

CMYK 8 / 74 / 0 / 29

HEX #A72FB6

RGB 167 47 182

HSL 293.33, 0.59%, 0.45%

LAB 43.69, 64.75, -46.66

 

CMYK 74 / 60 / 0 / 29

HEX #2F48B6

RGB 47 72 182

HSL 228.89, 0.59%, 0.45%

LAB 35.24, 29.53, -60.96

 

CMYK 74 / 74 / 0 / 29

HEX #2F2FB6

RGB 47 47 182

HSL 240, 0.59%, 0.45%

LAB 29.45, 45.01, -70.46

 

CMYK 74 / 60 / 0 / 29

HEX #2F48B6

RGB 47 72 182

HSL 228.89, 0.59%, 0.45%

LAB 35.24, 29.53, -60.96

 

CMYK 86 / 70 / 0 / 21

HEX #1C3CC9

RGB 28 60 201

HSL 228.9, 0.76%, 0.45%

LAB 33.34, 42.52, -75.24

 

CMYK 96 / 78 / 0 / 14

HEX #0931DB

RGB 9 49 219

HSL 228.57, 0.92%, 0.45%

LAB 32.63, 54.42, -86.85

 

CMYK 74 / 60 / 0 / 29

HEX #2F48B6

RGB 47 72 182

HSL 228.89, 0.59%, 0.45%

LAB 35.24, 29.53, -60.96

 

CMYK 60 / 48 / 0 / 36

HEX #4154A3

RGB 65 84 163

HSL 228.37, 0.43%, 0.45%

LAB 38.04, 17.64, -45.09

 

CMYK 42 / 34 / 0 / 43

HEX #545F91

RGB 84 95 145

HSL 229.18, 0.27%, 0.45%

LAB 41.4, 9.29, -28.9

 

CMYK 19 / 15 / 0 / 51

HEX #666B7E

RGB 102 107 126

HSL 227.5, 0.11%, 0.45%

LAB 45.42, 2.43, -11.17

 

CMYK 0 / 2 / 11 / 53

HEX #79766C

RGB 121 118 108

HSL 46.15, 0.06%, 0.45%

LAB 49.62, -0.76, 5.91

 

CMYK 74 / 20 / 0 / 29

HEX #2F92B6

RGB 47 146 182

HSL 196, 0.59%, 0.45%

LAB 56.62, -16.16, -26.94

 

CMYK 74 / 40 / 0 / 29

HEX #2F6EB6

RGB 47 110 182

HSL 212, 0.59%, 0.45%

LAB 45.82, 4.9, -43.9

 

CMYK 74 / 59 / 0 / 29

HEX #2F4AB6

RGB 47 74 182

HSL 228, 0.59%, 0.45%

LAB 35.75, 28.22, -60.12

 

CMYK 69 / 74 / 0 / 29

HEX #382FB6

RGB 56 47 182

HSL 244, 0.59%, 0.45%

LAB 30.04, 45.89, -69.47

 

CMYK 49 / 74 / 0 / 29

HEX #5C2FB6

RGB 92 47 182

HSL 260, 0.59%, 0.45%

LAB 33.32, 50.68, -63.95

 

CMYK 74 / 60 / 0 / 55

HEX #1E2E74

RGB 30 46 116

HSL 228.84, 0.59%, 0.29%

LAB 21.91, 19.65, -42.23

 

CMYK 74 / 60 / 0 / 42

HEX #263B95

RGB 38 59 149

HSL 228.65, 0.59%, 0.37%

LAB 28.67, 24.63, -51.85

 

CMYK 74 / 60 / 0 / 29

HEX #2F48B6

RGB 47 72 182

HSL 228.89, 0.59%, 0.45%

LAB 35.24, 29.53, -60.96

 

CMYK 69 / 56 / 0 / 20

HEX #405BCD

RGB 64 91 205

HSL 228.51, 0.59%, 0.53%

LAB 42.73, 27.86, -62.13

 

CMYK 55 / 44 / 0 / 16

HEX #6177D6

RGB 97 119 214

HSL 228.72, 0.59%, 0.61%

LAB 52.5, 19.3, -51.46

 

CMYK 75 / 61 / 0 / 27

HEX #2F49B9

RGB 47 73 185

HSL 228.7, 0.59%, 0.45%

LAB 35.74, 29.98, -61.91

 

CMYK 0 / 74 / 0 / 29

HEX #B62FB6

RGB 182 47 182

HSL 300, 0.59%, 0.45%

LAB 46.12, 67.9, -42.65

 

CMYK 30 / 0 / 74 / 29

HEX #80B62F

RGB 128 182 47

HSL 84, 0.59%, 0.45%

LAB 68.2, -37.78, 59.06

 

CMYK 75 / 61 / 0 / 27

HEX #2F49B9

RGB 47 73 185

HSL 228.7, 0.59%, 0.45%

LAB 35.74, 29.98, -61.91

 

CMYK 0 / 74 / 59 / 29

HEX #B62F4A

RGB 182 47 74

HSL 348, 0.59%, 0.45%

LAB 41.96, 55.04, 17.04

 

CMYK 59 / 0 / 74 / 29

HEX #4AB62F

RGB 74 182 47

HSL 108, 0.59%, 0.45%

LAB 65.84, -55.04, 55.93

 

CMYK 75 / 61 / 0 / 27

HEX #2F49B9

RGB 47 73 185

HSL 228.7, 0.59%, 0.45%

LAB 35.74, 29.98, -61.91

 

CMYK 0 / 74 / 0 / 29

HEX #B62FB6

RGB 182 47 182

HSL 300, 0.59%, 0.45%

LAB 46.12, 67.9, -42.65

 

CMYK 0 / 15 / 74 / 29

HEX #B69B2F

RGB 182 155 47

HSL 48, 0.59%, 0.45%

LAB 64.64, -1.47, 57

 

CMYK 74 / 0 / 74 / 29

HEX #2FB62F

RGB 47 182 47

HSL 120, 0.59%, 0.45%

LAB 65.17, -60.57, 55.04

 

CMYK 75 / 61 / 0 / 27

HEX #2F49B9

RGB 47 73 185

HSL 228.7, 0.59%, 0.45%

LAB 35.74, 29.98, -61.91

 

CMYK 0 / 74 / 23 / 29

HEX #B62F8D

RGB 182 47 141

HSL 318.22, 0.59%, 0.45%

LAB 44.09, 61.84, -21.36

 

CMYK 0 / 15 / 74 / 29

HEX #B69B2F

RGB 182 155 47

HSL 48, 0.59%, 0.45%

LAB 64.64, -1.47, 57

 

CMYK 74 / 0 / 52 / 29

HEX #2FB657

RGB 47 182 87

HSL 137.78, 0.59%, 0.45%

LAB 65.55, -56.02, 38.03

 

Description

Color code: HEX #2F49B9 | qconv.com Color code: HEX #2F49B9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 73 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 73 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 61 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 61% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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