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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F4451 it is the complementary color #D0BBAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F4451. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F4451 shade: #34444C, #45565F, #566872, #677A85 and #788C98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F4451. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F4451 shade: #2F4451, #1E323E, #0D202B, #000E18 and #000005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F4451 shade: #2F4451, #2F3B51, #2F3151, #352F51 and #3E2F51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F4451 shade: #2F4451, #2F3B51, #2F3151 and #2F2F51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F4451 shade matches the following richer shades: #2F4451, #24465B, #1A4966, #104B70 and #054E7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F4451 shade: #2F4451, #394147, #433F3C, #4D3D32 and #583A28

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F4451 shade: #2F514B, #2F4E51, #2F4451, #2F3B51 and #2F3251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F4451 shade: #10181D, #1F2E37, #2F4451, #3E5A6B and #4D7085

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F4451 shade: #2F4451, #422F51 and #51502F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F4451 shade: #2F4451, #512F44 and #44512F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F4451 shade: #2F4451, #422F51, #513B2F and #3D512F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F4451 shade: #2F4451, #4C2F51, #513B2F and #33512F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 16 / 0 / 68

HEX #2F4451

RGB 47 68 81

HSL 202.94, 0.27%, 0.25%

LAB 27.66, -4.36, -10.41

 

Complementary color

CMYK 0 / 10 / 16 / 18

HEX #D0BBAE

RGB 208 187 174

HSL 22.94, 0.27%, 0.75%

LAB 77.28, 5.33, 9.29

 

CMYK 32 / 11 / 0 / 70

HEX #34444C

RGB 52 68 76

HSL 200, 0.19%, 0.25%

LAB 27.81, -4.17, -6.91

 

CMYK 27 / 9 / 0 / 63

HEX #45565F

RGB 69 86 95

HSL 200.77, 0.16%, 0.32%

LAB 35.49, -4.23, -7.38

 

CMYK 25 / 9 / 0 / 55

HEX #566872

RGB 86 104 114

HSL 201.43, 0.14%, 0.39%

LAB 42.9, -4.29, -7.85

 

CMYK 23 / 8 / 0 / 48

HEX #677A85

RGB 103 122 133

HSL 202, 0.13%, 0.46%

LAB 50.09, -4.35, -8.31

 

CMYK 21 / 8 / 0 / 40

HEX #788C98

RGB 120 140 152

HSL 202.5, 0.13%, 0.53%

LAB 57.09, -4.42, -8.77

 

CMYK 42 / 16 / 0 / 68

HEX #2F4451

RGB 47 68 81

HSL 202.94, 0.27%, 0.25%

LAB 27.66, -4.36, -10.41

 

CMYK 52 / 19 / 0 / 76

HEX #1E323E

RGB 30 50 62

HSL 202.5, 0.35%, 0.18%

LAB 19.66, -4.11, -10.06

 

CMYK 70 / 26 / 0 / 83

HEX #0D202B

RGB 13 32 43

HSL 202, 0.54%, 0.11%

LAB 11.23, -3.63, -9.72

 

CMYK 100 / 42 / 0 / 91

HEX #000E18

RGB 0 14 24

HSL 205, 1%, 0.05%

LAB 3.43, -1.61, -7.25

 

CMYK 100 / 100 / 0 / 98

HEX #000005

RGB 0 0 5

HSL 240, 1%, 0.01%

LAB 0.1, 0.7, -1.89

 

CMYK 42 / 16 / 0 / 68

HEX #2F4451

RGB 47 68 81

HSL 202.94, 0.27%, 0.25%

LAB 27.66, -4.36, -10.41

 

CMYK 42 / 27 / 0 / 68

HEX #2F3B51

RGB 47 59 81

HSL 218.82, 0.27%, 0.25%

LAB 24.72, 1.54, -14.92

 

CMYK 42 / 40 / 0 / 68

HEX #2F3151

RGB 47 49 81

HSL 236.47, 0.27%, 0.25%

LAB 21.56, 8.4, -19.84

 

CMYK 35 / 42 / 0 / 68

HEX #352F51

RGB 53 47 81

HSL 250.59, 0.27%, 0.25%

LAB 21.52, 11.75, -19.87

 

CMYK 23 / 42 / 0 / 68

HEX #3E2F51

RGB 62 47 81

HSL 266.47, 0.27%, 0.25%

LAB 22.48, 14.85, -18.29

 

CMYK 42 / 16 / 0 / 68

HEX #2F4451

RGB 47 68 81

HSL 202.94, 0.27%, 0.25%

LAB 27.66, -4.36, -10.41

 

CMYK 42 / 27 / 0 / 68

HEX #2F3B51

RGB 47 59 81

HSL 218.82, 0.27%, 0.25%

LAB 24.72, 1.54, -14.92

 

CMYK 42 / 40 / 0 / 68

HEX #2F3151

RGB 47 49 81

HSL 236.47, 0.27%, 0.25%

LAB 21.56, 8.4, -19.84

 

CMYK 42 / 42 / 0 / 68

HEX #2F2F51

RGB 47 47 81

HSL 240, 0.27%, 0.25%

LAB 20.95, 9.8, -20.81

 

CMYK 42 / 16 / 0 / 68

HEX #2F4451

RGB 47 68 81

HSL 202.94, 0.27%, 0.25%

LAB 27.66, -4.36, -10.41

 

CMYK 60 / 23 / 0 / 64

HEX #24465B

RGB 36 70 91

HSL 202.91, 0.43%, 0.25%

LAB 28.14, -5.38, -16.21

 

CMYK 75 / 28 / 0 / 60

HEX #1A4966

RGB 26 73 102

HSL 202.89, 0.59%, 0.25%

LAB 29.27, -5.24, -21.54

 

CMYK 86 / 33 / 0 / 56

HEX #104B70

RGB 16 75 112

HSL 203.13, 0.75%, 0.25%

LAB 30.19, -3.89, -26.45

 

CMYK 96 / 36 / 0 / 52

HEX #054E7A

RGB 5 78 122

HSL 202.56, 0.92%, 0.25%

LAB 31.55, -2.59, -30.58

 

CMYK 42 / 16 / 0 / 68

HEX #2F4451

RGB 47 68 81

HSL 202.94, 0.27%, 0.25%

LAB 27.66, -4.36, -10.41

 

CMYK 20 / 8 / 0 / 72

HEX #394147

RGB 57 65 71

HSL 205.71, 0.11%, 0.25%

LAB 27.03, -1.77, -4.76

 

CMYK 0 / 6 / 10 / 74

HEX #433F3C

RGB 67 63 60

HSL 25.71, 0.06%, 0.25%

LAB 26.95, 1.08, 2.45

 

CMYK 0 / 21 / 35 / 70

HEX #4D3D32

RGB 77 61 50

HSL 24.44, 0.21%, 0.25%

LAB 27.15, 5.11, 9.43

 

CMYK 0 / 34 / 55 / 65

HEX #583A28

RGB 88 58 40

HSL 22.5, 0.38%, 0.25%

LAB 27.45, 10.93, 16.52

 

CMYK 42 / 0 / 7 / 68

HEX #2F514B

RGB 47 81 75

HSL 169.41, 0.27%, 0.25%

LAB 31.8, -14, -0.38

 

CMYK 42 / 4 / 0 / 68

HEX #2F4E51

RGB 47 78 81

HSL 185.29, 0.27%, 0.25%

LAB 30.99, -10.54, -5.4

 

CMYK 42 / 16 / 0 / 68

HEX #2F4451

RGB 47 68 81

HSL 202.94, 0.27%, 0.25%

LAB 27.66, -4.36, -10.41

 

CMYK 42 / 27 / 0 / 68

HEX #2F3B51

RGB 47 59 81

HSL 218.82, 0.27%, 0.25%

LAB 24.72, 1.54, -14.92

 

CMYK 42 / 38 / 0 / 68

HEX #2F3251

RGB 47 50 81

HSL 234.71, 0.27%, 0.25%

LAB 21.87, 7.71, -19.36

 

CMYK 45 / 17 / 0 / 89

HEX #10181D

RGB 16 24 29

HSL 203.08, 0.29%, 0.09%

LAB 7.7, -1.96, -4.7

 

CMYK 44 / 16 / 0 / 78

HEX #1F2E37

RGB 31 46 55

HSL 202.5, 0.28%, 0.17%

LAB 18.01, -3.44, -7.75

 

CMYK 42 / 16 / 0 / 68

HEX #2F4451

RGB 47 68 81

HSL 202.94, 0.27%, 0.25%

LAB 27.66, -4.36, -10.41

 

CMYK 42 / 16 / 0 / 58

HEX #3E5A6B

RGB 62 90 107

HSL 202.67, 0.27%, 0.33%

LAB 36.74, -5.53, -13.02

 

CMYK 42 / 16 / 0 / 48

HEX #4D7085

RGB 77 112 133

HSL 202.5, 0.27%, 0.41%

LAB 45.44, -6.64, -15.5

 

CMYK 42 / 16 / 0 / 68

HEX #2F4451

RGB 47 68 81

HSL 202.94, 0.27%, 0.25%

LAB 27.66, -4.36, -10.41

 

CMYK 19 / 42 / 0 / 68

HEX #422F51

RGB 66 47 81

HSL 273.53, 0.27%, 0.25%

LAB 22.95, 16.27, -17.53

 

CMYK 0 / 1 / 42 / 68

HEX #51502F

RGB 81 80 47

HSL 58.24, 0.27%, 0.25%

LAB 33.33, -5.33, 19.6

 

CMYK 42 / 16 / 0 / 68

HEX #2F4451

RGB 47 68 81

HSL 202.94, 0.27%, 0.25%

LAB 27.66, -4.36, -10.41

 

CMYK 0 / 42 / 16 / 68

HEX #512F44

RGB 81 47 68

HSL 322.94, 0.27%, 0.25%

LAB 24.32, 19.05, -6.55

 

CMYK 16 / 0 / 42 / 68

HEX #44512F

RGB 68 81 47

HSL 82.94, 0.27%, 0.25%

LAB 32.52, -11.85, 18.33

 

CMYK 42 / 16 / 0 / 68

HEX #2F4451

RGB 47 68 81

HSL 202.94, 0.27%, 0.25%

LAB 27.66, -4.36, -10.41

 

CMYK 19 / 42 / 0 / 68

HEX #422F51

RGB 66 47 81

HSL 273.53, 0.27%, 0.25%

LAB 22.95, 16.27, -17.53

 

CMYK 0 / 27 / 42 / 68

HEX #513B2F

RGB 81 59 47

HSL 21.18, 0.27%, 0.25%

LAB 26.97, 7.84, 11.21

 

CMYK 25 / 0 / 42 / 68

HEX #3D512F

RGB 61 81 47

HSL 95.29, 0.27%, 0.25%

LAB 31.99, -14.89, 17.54

 

CMYK 42 / 16 / 0 / 68

HEX #2F4451

RGB 47 68 81

HSL 202.94, 0.27%, 0.25%

LAB 27.66, -4.36, -10.41

 

CMYK 6 / 42 / 0 / 68

HEX #4C2F51

RGB 76 47 81

HSL 291.18, 0.27%, 0.25%

LAB 24.21, 19.89, -15.48

 

CMYK 0 / 27 / 42 / 68

HEX #513B2F

RGB 81 59 47

HSL 21.18, 0.27%, 0.25%

LAB 26.97, 7.84, 11.21

 

CMYK 37 / 0 / 42 / 68

HEX #33512F

RGB 51 81 47

HSL 112.94, 0.27%, 0.25%

LAB 31.33, -18.94, 16.56

 

Description

Color code: HEX #2F4451 | qconv.com Color code: HEX #2F4451 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 68 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 68 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 16 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 16% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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