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Color name
HEX #2F29234C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F29234C it is the complementary color #D0D6DC4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F29234C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F29234C shade: #34291E4C, #453B314C, #564D444C, #675F574C and #78716A4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F29234C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F29234C shade: #2F29234C, #1E17104C, #0D05004C and #0000004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F29234C shade: #2F2923, #2F2523 and #2F2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F29234C shade: #2F2923, #2F2C23, #2E2F23, #2B2F23 and #282F23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F29234C shade matches the following richer shades: #2F2923, #36291C, #3C2915, #43290F and #492908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F29234C shade: #2F2923, #282929, #222930, #1B2936 and #15293D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F29234C shade: #2F2323, #2F2623, #2F2923, #2F2C23 and #2F2F23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F29234C shade: #000000, #171411, #2F2923, #473D34 and #5E5246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F29234C shade: #2F2923, #262F23 and #24232F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F29234C shade: #2F2923, #232F29 and #29232F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F29234C shade: #2F2923, #262F23, #23292F and #2B232F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F29234C shade: #2F2923, #232F23, #23292F and #2F232F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 8 / 24

HEX #2F29234C

RGBA 47 41 35 0.3

HSLA 30, 0.15%, 0.16%, 0.3

LABA 17.04, 1.53, 4.95, 0.3

 

Complementary color

CMYK 2 / 1 / 0 / 4

HEX #D0D6DC4C

RGBA 208 214 220 0.3

HSLA 210, 0.15%, 0.84%, 0.3

LABA 85.34, -0.9, -3.67, 0.3

 

CMYK 0 / 6 / 13 / 24

HEX #34291E4C

RGBA 52 41 30 0.3

HSLA 30, 0.27%, 0.16%, 0.3

LABA 17.51, 3.15, 9.14, 0.3

 

CMYK 0 / 4 / 9 / 22

HEX #453B314C

RGBA 69 59 49 0.3

HSLA 30, 0.17%, 0.23%, 0.3

LABA 25.61, 2.5, 7.81, 0.3

 

CMYK 0 / 3 / 6 / 20

HEX #564D444C

RGBA 86 77 68 0.3

HSLA 30, 0.12%, 0.3%, 0.3

LABA 33.36, 2.04, 6.7, 0.3

 

CMYK 0 / 2 / 5 / 18

HEX #675F574C

RGBA 103 95 87 0.3

HSLA 30, 0.08%, 0.37%, 0.3

LABA 40.83, 1.69, 5.73, 0.3

 

CMYK 0 / 2 / 3 / 16

HEX #78716A4C

RGBA 120 113 106 0.3

HSLA 30, 0.06%, 0.44%, 0.3

LABA 48.06, 1.39, 4.85, 0.3

 

CMYK 0 / 4 / 8 / 24

HEX #2F29234C

RGBA 47 41 35 0.3

HSLA 30, 0.15%, 0.16%, 0.3

LABA 17.04, 1.53, 4.95, 0.3

 

CMYK 0 / 7 / 14 / 26

HEX #1E17104C

RGBA 30 23 16 0.3

HSLA 30, 0.3%, 0.09%, 0.3

LABA 8.36, 2.14, 5.55, 0.3

 

CMYK 0 / 18 / 30 / 28

HEX #0D05004C

RGBA 13 5 0 0.3

HSLA 23.08, 1%, 0.03%, 0.3

LABA 1.75, 1.46, 2.65, 0.3

 

CMYK 0 / 0 / 0 / 100

HEX #0000004C

RGBA 0 0 0 0.3

HSLA 0, 0%, 0%, 0.3

LABA 0, 0, 0, 0.3

 

CMYK 0 / 13 / 26 / 82

HEX #2F2923

RGB 47 41 35

HSL 30, 0.15%, 0.16%

LAB 17.04, 1.53, 4.95

 

CMYK 0 / 21 / 26 / 82

HEX #2F2523

RGB 47 37 35

HSL 10, 0.15%, 0.16%

LAB 15.74, 4.31, 3.1

 

CMYK 0 / 26 / 26 / 82

HEX #2F2323

RGB 47 35 35

HSL 0, 0.15%, 0.16%

LAB 15.1, 5.71, 2.18

 

CMYK 0 / 13 / 26 / 82

HEX #2F2923

RGB 47 41 35

HSL 30, 0.15%, 0.16%

LAB 17.04, 1.53, 4.95

 

CMYK 0 / 6 / 26 / 82

HEX #2F2C23

RGB 47 44 35

HSL 45, 0.15%, 0.16%

LAB 18.04, -0.52, 6.34

 

CMYK 2 / 0 / 26 / 82

HEX #2E2F23

RGB 46 47 35

HSL 65, 0.15%, 0.16%

LAB 18.95, -3.02, 7.59

 

CMYK 9 / 0 / 26 / 82

HEX #2B2F23

RGB 43 47 35

HSL 80, 0.15%, 0.16%

LAB 18.66, -4.45, 7.14

 

CMYK 15 / 0 / 26 / 82

HEX #282F23

RGB 40 47 35

HSL 95, 0.15%, 0.16%

LAB 18.39, -5.84, 6.72

 

CMYK 0 / 13 / 26 / 82

HEX #2F2923

RGB 47 41 35

HSL 30, 0.15%, 0.16%

LAB 17.04, 1.53, 4.95

 

CMYK 0 / 24 / 48 / 79

HEX #36291C

RGB 54 41 28

HSL 30, 0.32%, 0.16%

LAB 17.71, 3.87, 10.83

 

CMYK 0 / 32 / 65 / 76

HEX #3C2915

RGB 60 41 21

HSL 30.77, 0.48%, 0.16%

LAB 18.37, 6.13, 16.49

 

CMYK 0 / 39 / 78 / 74

HEX #43290F

RGB 67 41 15

HSL 30, 0.63%, 0.16%

LAB 19.28, 9.27, 21.42

 

CMYK 0 / 44 / 89 / 71

HEX #492908

RGB 73 41 8

HSL 30.46, 0.8%, 0.16%

LAB 20.12, 11.97, 25.77

 

CMYK 0 / 13 / 26 / 82

HEX #2F2923

RGB 47 41 35

HSL 30, 0.15%, 0.16%

LAB 17.04, 1.53, 4.95

 

CMYK 2 / 0 / 0 / 84

HEX #282929

RGB 40 41 41

HSL 180, 0.01%, 0.16%

LAB 16.49, -0.45, -0.16

 

CMYK 29 / 15 / 0 / 81

HEX #222930

RGB 34 41 48

HSL 210, 0.17%, 0.16%

LAB 16.2, -1.08, -5.58

 

CMYK 50 / 24 / 0 / 79

HEX #1B2936

RGB 27 41 54

HSL 208.89, 0.33%, 0.16%

LAB 15.93, -1.67, -10.26

 

CMYK 66 / 33 / 0 / 76

HEX #15293D

RGB 21 41 61

HSL 210, 0.49%, 0.16%

LAB 15.91, -0.81, -15.21

 

CMYK 0 / 26 / 26 / 82

HEX #2F2323

RGB 47 35 35

HSL 0, 0.15%, 0.16%

LAB 15.1, 5.71, 2.18

 

CMYK 0 / 19 / 26 / 82

HEX #2F2623

RGB 47 38 35

HSL 15, 0.15%, 0.16%

LAB 16.06, 3.61, 3.56

 

CMYK 0 / 13 / 26 / 82

HEX #2F2923

RGB 47 41 35

HSL 30, 0.15%, 0.16%

LAB 17.04, 1.53, 4.95

 

CMYK 0 / 6 / 26 / 82

HEX #2F2C23

RGB 47 44 35

HSL 45, 0.15%, 0.16%

LAB 18.04, -0.52, 6.34

 

CMYK 0 / 0 / 26 / 82

HEX #2F2F23

RGB 47 47 35

HSL 60, 0.15%, 0.16%

LAB 19.05, -2.54, 7.74

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 13 / 26 / 91

HEX #171411

RGB 23 20 17

HSL 30, 0.15%, 0.08%

LAB 6.53, 0.72, 2.21

 

CMYK 0 / 13 / 26 / 82

HEX #2F2923

RGB 47 41 35

HSL 30, 0.15%, 0.16%

LAB 17.04, 1.53, 4.95

 

CMYK 0 / 14 / 27 / 72

HEX #473D34

RGB 71 61 52

HSL 28.42, 0.15%, 0.24%

LAB 26.52, 2.65, 7.15

 

CMYK 0 / 13 / 26 / 63

HEX #5E5246

RGB 94 82 70

HSL 30, 0.15%, 0.32%

LAB 35.71, 2.8, 8.86

 

CMYK 0 / 13 / 26 / 82

HEX #2F2923

RGB 47 41 35

HSL 30, 0.15%, 0.16%

LAB 17.04, 1.53, 4.95

 

CMYK 19 / 0 / 26 / 82

HEX #262F23

RGB 38 47 35

HSL 105, 0.15%, 0.16%

LAB 18.22, -6.76, 6.46

 

CMYK 23 / 26 / 0 / 82

HEX #24232F

RGB 36 35 47

HSL 245, 0.15%, 0.16%

LAB 14.3, 3.69, -7.73

 

CMYK 0 / 13 / 26 / 82

HEX #2F2923

RGB 47 41 35

HSL 30, 0.15%, 0.16%

LAB 17.04, 1.53, 4.95

 

CMYK 26 / 0 / 13 / 82

HEX #232F29

RGB 35 47 41

HSL 150, 0.15%, 0.16%

LAB 18.15, -6.66, 2.19

 

CMYK 13 / 26 / 0 / 82

HEX #29232F

RGB 41 35 47

HSL 270, 0.15%, 0.16%

LAB 14.84, 5.77, -6.87

 

CMYK 0 / 13 / 26 / 82

HEX #2F2923

RGB 47 41 35

HSL 30, 0.15%, 0.16%

LAB 17.04, 1.53, 4.95

 

CMYK 19 / 0 / 26 / 82

HEX #262F23

RGB 38 47 35

HSL 105, 0.15%, 0.16%

LAB 18.22, -6.76, 6.46

 

CMYK 26 / 13 / 0 / 82

HEX #23292F

RGB 35 41 47

HSL 210, 0.15%, 0.16%

LAB 16.25, -0.98, -4.8

 

CMYK 9 / 26 / 0 / 82

HEX #2B232F

RGB 43 35 47

HSL 280, 0.15%, 0.16%

LAB 15.07, 6.63, -6.5

 

CMYK 0 / 13 / 26 / 82

HEX #2F2923

RGB 47 41 35

HSL 30, 0.15%, 0.16%

LAB 17.04, 1.53, 4.95

 

CMYK 26 / 0 / 26 / 82

HEX #232F23

RGB 35 47 35

HSL 120, 0.15%, 0.16%

LAB 17.97, -8.09, 6.08

 

CMYK 26 / 13 / 0 / 82

HEX #23292F

RGB 35 41 47

HSL 210, 0.15%, 0.16%

LAB 16.25, -0.98, -4.8

 

CMYK 0 / 26 / 0 / 82

HEX #2F232F

RGB 47 35 47

HSL 300, 0.15%, 0.16%

LAB 15.55, 8.35, -5.72

 

Description

Color code: HEX #2F29234C | qconv.com Color code: HEX #2F29234C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 41 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 41 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 8 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 8% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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