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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F2373 it is the complementary color #D0DC8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F2373. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F2373 shade: #34236E, #453581, #564794, #6759A7 and #786BBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F2373. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F2373 shade: #2F2373, #1E1160, #0D004D, #00003A and #000027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F2373 shade: #2F2371, #442371, #592371, #6E2371 and #71235F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F2373 shade: #2F2371 and #232371

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F2373 shade matches the following richer shades: #2F2371, #26177D and #1E0B89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F2373 shade: #2F2371, #372F65, #3F3B59, #48474D and #505341

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F2373 shade: #234171, #232C71, #2F2371, #432371 and #582371

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F2373 shade: #150F32, #221952, #2F2371, #3B2C91 and #4836B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F2373 shade: #2F2373, #712356 and #367123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F2373 shade: #2F2373, #712F23 and #23712F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F2373 shade: #2F2373, #712356, #657123 and #23713E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F2373 shade: #2F2373, #71233E, #657123 and #237156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 70 / 0 / 55

HEX #2F2373

RGB 47 35 115

HSL 249, 0.53%, 0.29%

LAB 20.22, 29.56, -44.29

 

Complementary color

CMYK 5 / 0 / 36 / 14

HEX #D0DC8C

RGB 208 220 140

HSL 69, 0.53%, 0.71%

LAB 85.25, -16.39, 37.98

 

CMYK 53 / 68 / 0 / 57

HEX #34236E

RGB 52 35 110

HSL 253.6, 0.52%, 0.28%

LAB 20.27, 28.87, -40.95

 

CMYK 47 / 59 / 0 / 49

HEX #453581

RGB 69 53 129

HSL 252.63, 0.42%, 0.36%

LAB 27.84, 27.31, -40.71

 

CMYK 42 / 52 / 0 / 42

HEX #564794

RGB 86 71 148

HSL 251.69, 0.35%, 0.43%

LAB 35.25, 25.94, -40.44

 

CMYK 38 / 47 / 0 / 35

HEX #6759A7

RGB 103 89 167

HSL 250.77, 0.31%, 0.5%

LAB 42.49, 24.78, -40.19

 

CMYK 35 / 42 / 0 / 27

HEX #786BBA

RGB 120 107 186

HSL 249.87, 0.36%, 0.57%

LAB 49.56, 23.78, -40.01

 

CMYK 59 / 70 / 0 / 55

HEX #2F2373

RGB 47 35 115

HSL 249, 0.53%, 0.29%

LAB 20.22, 29.56, -44.29

 

CMYK 69 / 82 / 0 / 62

HEX #1E1160

RGB 30 17 96

HSL 249.87, 0.7%, 0.22%

LAB 12.74, 31.39, -44.18

 

CMYK 83 / 100 / 0 / 70

HEX #0D004D

RGB 13 0 77

HSL 250.13, 1%, 0.15%

LAB 5.61, 32.41, -43.09

 

CMYK 100 / 100 / 0 / 77

HEX #00003A

RGB 0 0 58

HSL 240, 1%, 0.11%

LAB 2.76, 19.39, -34.26

 

CMYK 100 / 100 / 0 / 85

HEX #000027

RGB 0 0 39

HSL 240, 1%, 0.08%

LAB 1.32, 9.3, -22.27

 

CMYK 58 / 69 / 0 / 56

HEX #2F2371

RGB 47 35 113

HSL 249.23, 0.53%, 0.29%

LAB 20.04, 28.88, -43.3

 

CMYK 40 / 69 / 0 / 56

HEX #442371

RGB 68 35 113

HSL 265.38, 0.53%, 0.29%

LAB 22.38, 33.25, -39.38

 

CMYK 21 / 69 / 0 / 56

HEX #592371

RGB 89 35 113

HSL 281.54, 0.53%, 0.29%

LAB 25.32, 38.28, -34.5

 

CMYK 3 / 69 / 0 / 56

HEX #6E2371

RGB 110 35 113

HSL 297.69, 0.53%, 0.29%

LAB 28.67, 43.61, -28.96

 

CMYK 0 / 69 / 16 / 56

HEX #71235F

RGB 113 35 95

HSL 313.85, 0.53%, 0.29%

LAB 28.22, 41.25, -18.01

 

CMYK 58 / 69 / 0 / 56

HEX #2F2371

RGB 47 35 113

HSL 249.23, 0.53%, 0.29%

LAB 20.04, 28.88, -43.3

 

CMYK 69 / 69 / 0 / 56

HEX #232371

RGB 35 35 113

HSL 240, 0.53%, 0.29%

LAB 19.02, 26.86, -45

 

CMYK 58 / 69 / 0 / 56

HEX #2F2371

RGB 47 35 113

HSL 249.23, 0.53%, 0.29%

LAB 20.04, 28.88, -43.3

 

CMYK 70 / 82 / 0 / 51

HEX #26177D

RGB 38 23 125

HSL 248.82, 0.69%, 0.29%

LAB 17.94, 38.6, -54.46

 

CMYK 78 / 92 / 0 / 46

HEX #1E0B89

RGB 30 11 137

HSL 249.05, 0.85%, 0.29%

LAB 17.09, 46.82, -63.49

 

CMYK 58 / 69 / 0 / 56

HEX #2F2371

RGB 47 35 113

HSL 249.23, 0.53%, 0.29%

LAB 20.04, 28.88, -43.3

 

CMYK 46 / 53 / 0 / 60

HEX #372F65

RGB 55 47 101

HSL 248.89, 0.36%, 0.29%

LAB 22.95, 18.73, -30.78

 

CMYK 29 / 34 / 0 / 65

HEX #3F3B59

RGB 63 59 89

HSL 248, 0.2%, 0.29%

LAB 26.47, 9.38, -17.36

 

CMYK 6 / 8 / 0 / 70

HEX #48474D

RGB 72 71 77

HSL 250, 0.04%, 0.29%

LAB 30.45, 1.77, -3.44

 

CMYK 4 / 0 / 22 / 67

HEX #505341

RGB 80 83 65

HSL 70, 0.12%, 0.29%

LAB 34.55, -4.8, 10.16

 

CMYK 69 / 42 / 0 / 56

HEX #234171

RGB 35 65 113

HSL 216.92, 0.53%, 0.29%

LAB 27.66, 5.97, -31.05

 

CMYK 69 / 61 / 0 / 56

HEX #232C71

RGB 35 44 113

HSL 233.08, 0.53%, 0.29%

LAB 21.4, 20.68, -41.12

 

CMYK 58 / 69 / 0 / 56

HEX #2F2371

RGB 47 35 113

HSL 249.23, 0.53%, 0.29%

LAB 20.04, 28.88, -43.3

 

CMYK 41 / 69 / 0 / 56

HEX #432371

RGB 67 35 113

HSL 264.62, 0.53%, 0.29%

LAB 22.26, 33.03, -39.59

 

CMYK 22 / 69 / 0 / 56

HEX #582371

RGB 88 35 113

HSL 280.77, 0.53%, 0.29%

LAB 25.17, 38.03, -34.75

 

CMYK 58 / 70 / 0 / 80

HEX #150F32

RGB 21 15 50

HSL 250.29, 0.54%, 0.13%

LAB 6.61, 14.12, -22.11

 

CMYK 59 / 70 / 0 / 68

HEX #221952

RGB 34 25 82

HSL 249.47, 0.53%, 0.21%

LAB 13.5, 22.15, -33.48

 

CMYK 58 / 69 / 0 / 56

HEX #2F2371

RGB 47 35 113

HSL 249.23, 0.53%, 0.29%

LAB 20.04, 28.88, -43.3

 

CMYK 59 / 70 / 0 / 43

HEX #3B2C91

RGB 59 44 145

HSL 248.91, 0.53%, 0.37%

LAB 26.09, 36.02, -53.55

 

CMYK 59 / 69 / 0 / 31

HEX #4836B0

RGB 72 54 176

HSL 248.85, 0.53%, 0.45%

LAB 32.15, 42.1, -62.38

 

CMYK 59 / 70 / 0 / 55

HEX #2F2373

RGB 47 35 115

HSL 249, 0.53%, 0.29%

LAB 20.22, 29.56, -44.29

 

CMYK 0 / 69 / 24 / 56

HEX #712356

RGB 113 35 86

HSL 320.77, 0.53%, 0.29%

LAB 27.8, 39.85, -12.76

 

CMYK 52 / 0 / 69 / 56

HEX #367123

RGB 54 113 35

HSL 105.38, 0.53%, 0.29%

LAB 42.33, -34.8, 36.16

 

CMYK 59 / 70 / 0 / 55

HEX #2F2373

RGB 47 35 115

HSL 249, 0.53%, 0.29%

LAB 20.22, 29.56, -44.29

 

CMYK 0 / 58 / 69 / 56

HEX #712F23

RGB 113 47 35

HSL 9.23, 0.53%, 0.29%

LAB 28.55, 28.27, 21.89

 

CMYK 69 / 0 / 58 / 56

HEX #23712F

RGB 35 113 47

HSL 129.23, 0.53%, 0.29%

LAB 41.8, -38.46, 29.49

 

CMYK 59 / 70 / 0 / 55

HEX #2F2373

RGB 47 35 115

HSL 249, 0.53%, 0.29%

LAB 20.22, 29.56, -44.29

 

CMYK 0 / 69 / 24 / 56

HEX #712356

RGB 113 35 86

HSL 320.77, 0.53%, 0.29%

LAB 27.8, 39.85, -12.76

 

CMYK 11 / 0 / 69 / 56

HEX #657123

RGB 101 113 35

HSL 69.23, 0.53%, 0.29%

LAB 45.22, -16.03, 40.09

 

CMYK 69 / 0 / 45 / 56

HEX #23713E

RGB 35 113 62

HSL 140.77, 0.53%, 0.29%

LAB 42.02, -35.95, 21.56

 

CMYK 59 / 70 / 0 / 55

HEX #2F2373

RGB 47 35 115

HSL 249, 0.53%, 0.29%

LAB 20.22, 29.56, -44.29

 

CMYK 0 / 69 / 45 / 56

HEX #71233E

RGB 113 35 62

HSL 339.23, 0.53%, 0.29%

LAB 26.91, 36.71, 1.89

 

CMYK 11 / 0 / 69 / 56

HEX #657123

RGB 101 113 35

HSL 69.23, 0.53%, 0.29%

LAB 45.22, -16.03, 40.09

 

CMYK 69 / 0 / 24 / 56

HEX #237156

RGB 35 113 86

HSL 159.23, 0.53%, 0.29%

LAB 42.52, -30.61, 8.19

 

Description

Color code: HEX #2F2373 | qconv.com Color code: HEX #2F2373 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 35 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 35 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 70 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 70% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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