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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F0C24 it is the complementary color #D0F3DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F0C24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F0C24 shade: #340C1F, #451E32, #563045, #674258 and #78546B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F0C24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F0C24 shade: #2F0C24, #1E0011, #0D0000 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F0C24 shade: #310D25, #310D1C, #310D12 and #310D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F0C24 shade: #310D25, #310D2F, #290D31, #1F0D31 and #150D31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F0C24 shade matches the following richer shades: #310D25, #360827 and #3B0329

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F0C24 shade: #310D25, #2C1123, #271622, #221B20 and #1D201E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F0C24 shade: #280D31, #310D2F, #310D26, #310D1C and #310D13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F0C24 shade: #000000, #10040C, #310D25, #51153E and #721D58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F0C24 shade: #2F0C24, #311F0D and #0D312D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F0C24 shade: #2F0C24, #26310D and #0D2631

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F0C24 shade: #2F0C24, #311F0D, #0D3117 and #0D1F31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F0C24 shade: #2F0C24, #31290D, #0D3117 and #0D1431

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 23 / 82

HEX #2F0C24

RGB 47 12 36

HSL 318.86, 0.59%, 0.12%

LAB 8.95, 21.2, -7.71

 

Complementary color

CMYK 14 / 0 / 10 / 5

HEX #D0F3DB

RGB 208 243 219

HSL 138.86, 0.59%, 0.88%

LAB 92.85, -15.83, 7.78

 

CMYK 0 / 77 / 40 / 80

HEX #340C1F

RGB 52 12 31

HSL 331.5, 0.63%, 0.13%

LAB 9.73, 22.22, -2.62

 

CMYK 0 / 57 / 28 / 73

HEX #451E32

RGB 69 30 50

HSL 329.23, 0.39%, 0.19%

LAB 17.57, 21.55, -4.48

 

CMYK 0 / 44 / 20 / 66

HEX #563045

RGB 86 48 69

HSL 326.84, 0.28%, 0.26%

LAB 25.33, 20.61, -5.64

 

CMYK 0 / 36 / 15 / 60

HEX #674258

RGB 103 66 88

HSL 324.32, 0.22%, 0.33%

LAB 32.89, 19.71, -6.51

 

CMYK 0 / 30 / 11 / 53

HEX #78546B

RGB 120 84 107

HSL 321.67, 0.18%, 0.4%

LAB 40.24, 18.92, -7.23

 

CMYK 0 / 74 / 23 / 82

HEX #2F0C24

RGB 47 12 36

HSL 318.86, 0.59%, 0.12%

LAB 8.95, 21.2, -7.71

 

CMYK 0 / 100 / 43 / 88

HEX #1E0011

RGB 30 0 17

HSL 326, 1%, 0.06%

LAB 2.86, 13.76, -3.05

 

CMYK 0 / 100 / 100 / 95

HEX #0D0000

RGB 13 0 0

HSL 0, 1%, 0.03%

LAB 0.77, 3.47, 1.22

 

CMYK 0 / 73 / 24 / 81

HEX #310D25

RGB 49 13 37

HSL 320, 0.58%, 0.12%

LAB 9.6, 21.56, -7.43

 

CMYK 0 / 73 / 43 / 81

HEX #310D1C

RGB 49 13 28

HSL 335, 0.58%, 0.12%

LAB 9.2, 20.08, -1.2

 

CMYK 0 / 73 / 63 / 81

HEX #310D12

RGB 49 13 18

HSL 351.67, 0.58%, 0.12%

LAB 8.86, 18.8, 5.52

 

CMYK 0 / 73 / 73 / 81

HEX #310D0D

RGB 49 13 13

HSL 0, 0.58%, 0.12%

LAB 8.74, 18.32, 8.06

 

CMYK 0 / 73 / 24 / 81

HEX #310D25

RGB 49 13 37

HSL 320, 0.58%, 0.12%

LAB 9.6, 21.56, -7.43

 

CMYK 0 / 73 / 4 / 81

HEX #310D2F

RGB 49 13 47

HSL 303.33, 0.58%, 0.12%

LAB 10.15, 23.53, -14.01

 

CMYK 16 / 73 / 0 / 81

HEX #290D31

RGB 41 13 49

HSL 286.67, 0.58%, 0.12%

LAB 8.83, 21.45, -17.66

 

CMYK 37 / 73 / 0 / 81

HEX #1F0D31

RGB 31 13 49

HSL 270, 0.58%, 0.12%

LAB 7.23, 18.29, -20.3

 

CMYK 57 / 73 / 0 / 81

HEX #150D31

RGB 21 13 49

HSL 253.33, 0.58%, 0.12%

LAB 6.04, 14.82, -22.28

 

CMYK 0 / 73 / 24 / 81

HEX #310D25

RGB 49 13 37

HSL 320, 0.58%, 0.12%

LAB 9.6, 21.56, -7.43

 

CMYK 0 / 85 / 28 / 79

HEX #360827

RGB 54 8 39

HSL 319.57, 0.74%, 0.12%

LAB 9.83, 26.1, -8.48

 

CMYK 0 / 95 / 31 / 77

HEX #3B0329

RGB 59 3 41

HSL 319.29, 0.9%, 0.12%

LAB 10.22, 30.25, -9.29

 

CMYK 0 / 73 / 24 / 81

HEX #310D25

RGB 49 13 37

HSL 320, 0.58%, 0.12%

LAB 9.6, 21.56, -7.43

 

CMYK 0 / 61 / 20 / 83

HEX #2C1123

RGB 44 17 35

HSL 320, 0.44%, 0.12%

LAB 9.46, 16.83, -6.21

 

CMYK 0 / 44 / 13 / 85

HEX #271622

RGB 39 22 34

HSL 317.65, 0.28%, 0.12%

LAB 9.96, 11.03, -4.79

 

CMYK 0 / 21 / 6 / 87

HEX #221B20

RGB 34 27 32

HSL 317.14, 0.11%, 0.12%

LAB 10.76, 4.59, -2.16

 

CMYK 9 / 0 / 6 / 87

HEX #1D201E

RGB 29 32 30

HSL 140, 0.05%, 0.12%

LAB 11.88, -1.9, 0.88

 

CMYK 18 / 73 / 0 / 81

HEX #280D31

RGB 40 13 49

HSL 285, 0.58%, 0.12%

LAB 8.66, 21.14, -17.94

 

CMYK 0 / 73 / 4 / 81

HEX #310D2F

RGB 49 13 47

HSL 303.33, 0.58%, 0.12%

LAB 10.15, 23.53, -14.01

 

CMYK 0 / 73 / 22 / 81

HEX #310D26

RGB 49 13 38

HSL 318.33, 0.58%, 0.12%

LAB 9.65, 21.74, -8.1

 

CMYK 0 / 73 / 43 / 81

HEX #310D1C

RGB 49 13 28

HSL 335, 0.58%, 0.12%

LAB 9.2, 20.08, -1.2

 

CMYK 0 / 73 / 61 / 81

HEX #310D13

RGB 49 13 19

HSL 350, 0.58%, 0.12%

LAB 8.89, 18.91, 4.94

 

CMYK 0 / 75 / 25 / 94

HEX #10040C

RGB 16 4 12

HSL 320, 0.6%, 0.04%

LAB 2.02, 4.55, -1.87

 

CMYK 0 / 73 / 24 / 81

HEX #310D25

RGB 49 13 37

HSL 320, 0.58%, 0.12%

LAB 9.6, 21.56, -7.43

 

CMYK 0 / 74 / 23 / 68

HEX #51153E

RGB 81 21 62

HSL 319, 0.59%, 0.2%

LAB 18.51, 32.54, -11.28

 

CMYK 0 / 75 / 23 / 55

HEX #721D58

RGB 114 29 88

HSL 318.35, 0.59%, 0.28%

LAB 27.19, 42.92, -15.01

 

CMYK 0 / 74 / 23 / 82

HEX #2F0C24

RGB 47 12 36

HSL 318.86, 0.59%, 0.12%

LAB 8.95, 21.2, -7.71

 

CMYK 0 / 37 / 73 / 81

HEX #311F0D

RGB 49 31 13

HSL 30, 0.58%, 0.12%

LAB 13.6, 6.39, 14.8

 

CMYK 73 / 0 / 8 / 81

HEX #0D312D

RGB 13 49 45

HSL 173.33, 0.58%, 0.12%

LAB 17.79, -13.92, -1.25

 

CMYK 0 / 74 / 23 / 82

HEX #2F0C24

RGB 47 12 36

HSL 318.86, 0.59%, 0.12%

LAB 8.95, 21.2, -7.71

 

CMYK 22 / 0 / 73 / 81

HEX #26310D

RGB 38 49 13

HSL 78.33, 0.58%, 0.12%

LAB 18.53, -11.49, 20.71

 

CMYK 73 / 22 / 0 / 81

HEX #0D2631

RGB 13 38 49

HSL 198.33, 0.58%, 0.12%

LAB 13.79, -5.44, -10.09

 

CMYK 0 / 74 / 23 / 82

HEX #2F0C24

RGB 47 12 36

HSL 318.86, 0.59%, 0.12%

LAB 8.95, 21.2, -7.71

 

CMYK 0 / 37 / 73 / 81

HEX #311F0D

RGB 49 31 13

HSL 30, 0.58%, 0.12%

LAB 13.6, 6.39, 14.8

 

CMYK 73 / 0 / 53 / 81

HEX #0D3117

RGB 13 49 23

HSL 136.67, 0.58%, 0.12%

LAB 17.2, -19.98, 12.88

 

CMYK 73 / 37 / 0 / 81

HEX #0D1F31

RGB 13 31 49

HSL 210, 0.58%, 0.12%

LAB 11.19, -0.42, -14.13

 

CMYK 0 / 74 / 23 / 82

HEX #2F0C24

RGB 47 12 36

HSL 318.86, 0.59%, 0.12%

LAB 8.95, 21.2, -7.71

 

CMYK 0 / 16 / 73 / 81

HEX #31290D

RGB 49 41 13

HSL 46.67, 0.58%, 0.12%

LAB 16.83, -0.51, 18.93

 

CMYK 73 / 0 / 53 / 81

HEX #0D3117

RGB 13 49 23

HSL 136.67, 0.58%, 0.12%

LAB 17.2, -19.98, 12.88

 

CMYK 73 / 59 / 0 / 81

HEX #0D1431

RGB 13 20 49

HSL 228.33, 0.58%, 0.12%

LAB 7.3, 8.06, -20.31

 

Description

Color code: HEX #2F0C24 | qconv.com Color code: HEX #2F0C24 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 12 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 12 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 23 yellow and 82 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 23% 82% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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