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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EF1E7 it is the complementary color #D10E18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EF1E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EF1E7 shade: #33F1E2, #44FFF5, #55FFFF, #66FFFF and #77FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EF1E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EF1E7 shade: #2EF1E7, #1DDFD4, #0CCDC1, #00BBAE and #00A99B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EF1E7 shade: #2DF0E6, #2DF0B2, #2DF07D, #2DF048 and #47F02D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EF1E7 shade: #2DF0E6, #2DC6F0, #2D91F0, #2D5CF0 and #2D2DF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EF1E7 shade matches the following richer shades: #2DF0E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EF1E7 shade: #2DF0E6, #3FDED6, #51CCC6, #64BAB6 and #76A8A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EF1E7 shade: #2DF07B, #2DF0AF, #2DF0E3, #2DC9F0 and #2D95F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EF1E7 shade: #0DBEB5, #10E4DA, #2DF0E6, #54F3EB and #7AF6EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EF1E7 shade: #2EF1E7, #472DF0 and #F0952D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EF1E7 shade: #2EF1E7, #E32DF0 and #F0E32D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EF1E7 shade: #2EF1E7, #472DF0, #F02D3A and #D6F02D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EF1E7 shade: #2EF1E7, #822DF0, #F02D3A and #9CF02D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 4 / 5

HEX #2EF1E7

RGB 46 241 231

HSL 176.92, 0.87%, 0.56%

LAB 86.63, -46.98, -8.27

 

Complementary color

CMYK 0 / 93 / 89 / 18

HEX #D10E18

RGB 209 14 24

HSL 356.92, 0.87%, 0.44%

LAB 44.14, 67.9, 49.62

 

CMYK 79 / 0 / 6 / 5

HEX #33F1E2

RGB 51 241 226

HSL 175.26, 0.87%, 0.57%

LAB 86.56, -47.94, -5.76

 

CMYK 73 / 0 / 4 / 0

HEX #44FFF5

RGB 68 255 245

HSL 176.79, 1%, 0.63%

LAB 91.39, -47.17, -8.49

 

CMYK 67 / 0 / 0 / 0

HEX #55FFFF

RGB 85 255 255

HSL 180, 1%, 0.67%

LAB 91.99, -42.44, -12.75

 

CMYK 60 / 0 / 0 / 0

HEX #66FFFF

RGB 102 255 255

HSL 180, 1%, 0.7%

LAB 92.38, -39.95, -12.11

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 81 / 0 / 4 / 5

HEX #2EF1E7

RGB 46 241 231

HSL 176.92, 0.87%, 0.56%

LAB 86.63, -46.98, -8.27

 

CMYK 87 / 0 / 5 / 13

HEX #1DDFD4

RGB 29 223 212

HSL 176.6, 0.77%, 0.49%

LAB 80.62, -45.63, -7.17

 

CMYK 94 / 0 / 6 / 20

HEX #0CCDC1

RGB 12 205 193

HSL 176.27, 0.89%, 0.43%

LAB 74.57, -43.96, -5.95

 

CMYK 100 / 0 / 7 / 27

HEX #00BBAE

RGB 0 187 174

HSL 175.83, 1%, 0.37%

LAB 68.46, -41.94, -4.62

 

CMYK 100 / 0 / 8 / 34

HEX #00A99B

RGB 0 169 155

HSL 175.03, 1%, 0.33%

LAB 62.29, -39.54, -3.17

 

CMYK 81 / 0 / 4 / 6

HEX #2DF0E6

RGB 45 240 230

HSL 176.92, 0.87%, 0.56%

LAB 86.3, -46.9, -8.24

 

CMYK 81 / 0 / 26 / 6

HEX #2DF0B2

RGB 45 240 178

HSL 160.92, 0.87%, 0.56%

LAB 85.04, -59.97, 17.13

 

CMYK 81 / 0 / 48 / 6

HEX #2DF07D

RGB 45 240 125

HSL 144.62, 0.87%, 0.56%

LAB 84.15, -70.11, 42.64

 

CMYK 81 / 0 / 70 / 6

HEX #2DF048

RGB 45 240 72

HSL 128.31, 0.87%, 0.56%

LAB 83.62, -76.54, 64.93

 

CMYK 70 / 0 / 81 / 6

HEX #47F02D

RGB 71 240 45

HSL 112, 0.87%, 0.56%

LAB 83.89, -74.81, 73.73

 

CMYK 81 / 0 / 4 / 6

HEX #2DF0E6

RGB 45 240 230

HSL 176.92, 0.87%, 0.56%

LAB 86.3, -46.9, -8.24

 

CMYK 81 / 18 / 0 / 6

HEX #2DC6F0

RGB 45 198 240

HSL 192.92, 0.87%, 0.56%

LAB 74.34, -24.31, -31.66

 

CMYK 81 / 40 / 0 / 6

HEX #2D91F0

RGB 45 145 240

HSL 209.23, 0.87%, 0.56%

LAB 59.07, 4.86, -55.63

 

CMYK 81 / 62 / 0 / 6

HEX #2D5CF0

RGB 45 92 240

HSL 225.54, 0.87%, 0.56%

LAB 44.95, 37.82, -78.46

 

CMYK 81 / 81 / 0 / 6

HEX #2D2DF0

RGB 45 45 240

HSL 240, 0.87%, 0.56%

LAB 35.45, 64.02, -94.13

 

CMYK 81 / 0 / 4 / 6

HEX #2DF0E6

RGB 45 240 230

HSL 176.92, 0.87%, 0.56%

LAB 86.3, -46.9, -8.24

 

CMYK 81 / 0 / 4 / 6

HEX #2DF0E6

RGB 45 240 230

HSL 176.92, 0.87%, 0.56%

LAB 86.3, -46.9, -8.24

 

CMYK 72 / 0 / 4 / 13

HEX #3FDED6

RGB 63 222 214

HSL 176.98, 0.71%, 0.56%

LAB 80.82, -41.69, -7.88

 

CMYK 60 / 0 / 3 / 20

HEX #51CCC6

RGB 81 204 198

HSL 177.07, 0.55%, 0.56%

LAB 75.46, -35.23, -7.22

 

CMYK 46 / 0 / 2 / 27

HEX #64BAB6

RGB 100 186 182

HSL 177.21, 0.38%, 0.56%

LAB 70.32, -26.94, -6.05

 

CMYK 30 / 0 / 2 / 34

HEX #76A8A5

RGB 118 168 165

HSL 176.4, 0.22%, 0.56%

LAB 65.42, -17.19, -3.79

 

CMYK 81 / 0 / 49 / 6

HEX #2DF07B

RGB 45 240 123

HSL 144, 0.87%, 0.56%

LAB 84.13, -70.43, 43.56

 

CMYK 81 / 0 / 27 / 6

HEX #2DF0AF

RGB 45 240 175

HSL 160, 0.87%, 0.56%

LAB 84.98, -60.64, 18.6

 

CMYK 81 / 0 / 5 / 6

HEX #2DF0E3

RGB 45 240 227

HSL 176, 0.87%, 0.56%

LAB 86.22, -47.73, -6.79

 

CMYK 81 / 16 / 0 / 6

HEX #2DC9F0

RGB 45 201 240

HSL 192, 0.87%, 0.56%

LAB 75.22, -25.81, -30.31

 

CMYK 81 / 38 / 0 / 6

HEX #2D95F0

RGB 45 149 240

HSL 208, 0.87%, 0.56%

LAB 60.2, 2.49, -53.82

 

CMYK 93 / 0 / 5 / 25

HEX #0DBEB5

RGB 13 190 181

HSL 176.95, 0.87%, 0.4%

LAB 69.65, -40.81, -6.7

 

CMYK 93 / 0 / 4 / 11

HEX #10E4DA

RGB 16 228 218

HSL 177.17, 0.87%, 0.48%

LAB 82.2, -46.66, -8.03

 

CMYK 81 / 0 / 4 / 6

HEX #2DF0E6

RGB 45 240 230

HSL 176.92, 0.87%, 0.56%

LAB 86.3, -46.9, -8.24

 

CMYK 65 / 0 / 3 / 5

HEX #54F3EB

RGB 84 243 235

HSL 176.98, 0.87%, 0.64%

LAB 87.96, -42.6, -8.33

 

CMYK 50 / 0 / 3 / 4

HEX #7AF6EF

RGB 122 246 239

HSL 176.61, 0.87%, 0.72%

LAB 89.99, -36.29, -7.29

 

CMYK 81 / 0 / 4 / 5

HEX #2EF1E7

RGB 46 241 231

HSL 176.92, 0.87%, 0.56%

LAB 86.63, -46.98, -8.27

 

CMYK 70 / 81 / 0 / 6

HEX #472DF0

RGB 71 45 240

HSL 248, 0.87%, 0.56%

LAB 36.94, 65.5, -91.61

 

CMYK 0 / 38 / 81 / 6

HEX #F0952D

RGB 240 149 45

HSL 32, 0.87%, 0.56%

LAB 69.62, 26.78, 64.7

 

CMYK 81 / 0 / 4 / 5

HEX #2EF1E7

RGB 46 241 231

HSL 176.92, 0.87%, 0.56%

LAB 86.63, -46.98, -8.27

 

CMYK 5 / 81 / 0 / 6

HEX #E32DF0

RGB 227 45 240

HSL 296, 0.87%, 0.56%

LAB 56.58, 86.26, -58.73

 

CMYK 0 / 5 / 81 / 6

HEX #F0E32D

RGB 240 227 45

HSL 56, 0.87%, 0.56%

LAB 88.76, -13.58, 81.3

 

CMYK 81 / 0 / 4 / 5

HEX #2EF1E7

RGB 46 241 231

HSL 176.92, 0.87%, 0.56%

LAB 86.63, -46.98, -8.27

 

CMYK 70 / 81 / 0 / 6

HEX #472DF0

RGB 71 45 240

HSL 248, 0.87%, 0.56%

LAB 36.94, 65.5, -91.61

 

CMYK 0 / 81 / 76 / 6

HEX #F02D3A

RGB 240 45 58

HSL 356, 0.87%, 0.56%

LAB 52.63, 71.36, 42.15

 

CMYK 11 / 0 / 81 / 6

HEX #D6F02D

RGB 214 240 45

HSL 68, 0.87%, 0.56%

LAB 90.23, -30.5, 81.79

 

CMYK 81 / 0 / 4 / 5

HEX #2EF1E7

RGB 46 241 231

HSL 176.92, 0.87%, 0.56%

LAB 86.63, -46.98, -8.27

 

CMYK 46 / 81 / 0 / 6

HEX #822DF0

RGB 130 45 240

HSL 266.15, 0.87%, 0.56%

LAB 42.63, 71.31, -82.02

 

CMYK 0 / 81 / 76 / 6

HEX #F02D3A

RGB 240 45 58

HSL 356, 0.87%, 0.56%

LAB 52.63, 71.36, 42.15

 

CMYK 35 / 0 / 81 / 6

HEX #9CF02D

RGB 156 240 45

HSL 85.85, 0.87%, 0.56%

LAB 86.79, -52.37, 77.44

 

Description

Color code: HEX #2EF1E7 | qconv.com Color code: HEX #2EF1E7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 241 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 241 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 4 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 4% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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