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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EEFC7 it is the complementary color #D11038. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EEFC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EEFC7 shade: #33EFC2, #44FFD5, #55FFE8, #66FFFB and #77FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EEFC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EEFC7 shade: #2EEFC7, #1DDDB4, #0CCBA1, #00B98E and #00A77B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EEFC7 shade: #2EEFC7, #2EEF93, #2EEF5F, #31EF2E and #65EF2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EEFC7 shade: #2EEFC7, #2EE3EF, #2EAFEF, #2E7BEF and #2E47EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EEFC7 shade matches the following richer shades: #2EEFC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EEFC7 shade: #2EEFC7, #40DDBC, #52CAB2, #64B8A7 and #76A69C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EEFC7 shade: #2EEF5E, #2EEF92, #2EEFC5, #2EE5EF and #2EB2EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EEFC7 shade: #0EBC98, #11E3B7, #2EEFC7, #54F2D1 and #7BF5DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EEFC7 shade: #2EEFC7, #2E31EF and #EF782E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EEFC7 shade: #2EEFC7, #C52EEF and #EFC52E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EEFC7 shade: #2EEFC7, #2E31EF, #EF2E58 and #EFEC2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EEFC7 shade: #2EEFC7, #642EEF, #EF2E58 and #B8EF2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 17 / 6

HEX #2EEFC7

RGB 46 239 199

HSL 167.56, 0.86%, 0.56%

LAB 85.22, -54.54, 6.44

 

Complementary color

CMYK 0 / 92 / 73 / 18

HEX #D11038

RGB 209 16 56

HSL 347.56, 0.86%, 0.44%

LAB 44.53, 68.54, 32.51

 

CMYK 79 / 0 / 19 / 6

HEX #33EFC2

RGB 51 239 194

HSL 165.64, 0.85%, 0.57%

LAB 85.17, -55.31, 8.98

 

CMYK 73 / 0 / 16 / 0

HEX #44FFD5

RGB 68 255 213

HSL 166.52, 1%, 0.63%

LAB 90.58, -55.34, 6.9

 

CMYK 67 / 0 / 9 / 0

HEX #55FFE8

RGB 85 255 232

HSL 171.88, 1%, 0.67%

LAB 91.36, -48.46, -1.75

 

CMYK 60 / 0 / 2 / 0

HEX #66FFFB

RGB 102 255 251

HSL 178.43, 1%, 0.7%

LAB 92.27, -41, -10.21

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 81 / 0 / 17 / 6

HEX #2EEFC7

RGB 46 239 199

HSL 167.56, 0.86%, 0.56%

LAB 85.22, -54.54, 6.44

 

CMYK 87 / 0 / 19 / 13

HEX #1DDDB4

RGB 29 221 180

HSL 167.19, 0.77%, 0.49%

LAB 79.2, -53.31, 7.78

 

CMYK 94 / 0 / 21 / 20

HEX #0CCBA1

RGB 12 203 161

HSL 166.81, 0.89%, 0.42%

LAB 73.13, -51.73, 9.25

 

CMYK 100 / 0 / 23 / 27

HEX #00B98E

RGB 0 185 142

HSL 166.05, 1%, 0.36%

LAB 67.01, -49.75, 10.86

 

CMYK 100 / 0 / 26 / 35

HEX #00A77B

RGB 0 167 123

HSL 164.19, 1%, 0.33%

LAB 60.84, -47.34, 12.63

 

CMYK 81 / 0 / 17 / 6

HEX #2EEFC7

RGB 46 239 199

HSL 167.56, 0.86%, 0.56%

LAB 85.22, -54.54, 6.44

 

CMYK 81 / 0 / 38 / 6

HEX #2EEF93

RGB 46 239 147

HSL 151.4, 0.86%, 0.56%

LAB 84.18, -65.89, 31.83

 

CMYK 81 / 0 / 60 / 6

HEX #2EEF5F

RGB 46 239 95

HSL 135.23, 0.86%, 0.56%

LAB 83.52, -73.81, 55.63

 

CMYK 79 / 0 / 81 / 6

HEX #31EF2E

RGB 49 239 46

HSL 119.07, 0.86%, 0.56%

LAB 83.22, -77.59, 72.73

 

CMYK 58 / 0 / 81 / 6

HEX #65EF2E

RGB 101 239 46

HSL 102.9, 0.86%, 0.56%

LAB 84.33, -68.26, 74.15

 

CMYK 81 / 0 / 17 / 6

HEX #2EEFC7

RGB 46 239 199

HSL 167.56, 0.86%, 0.56%

LAB 85.22, -54.54, 6.44

 

CMYK 81 / 5 / 0 / 6

HEX #2EE3EF

RGB 46 227 239

HSL 183.73, 0.86%, 0.56%

LAB 82.78, -38.48, -18.25

 

CMYK 81 / 27 / 0 / 6

HEX #2EAFEF

RGB 46 175 239

HSL 199.9, 0.86%, 0.56%

LAB 67.63, -12.51, -41.54

 

CMYK 81 / 49 / 0 / 6

HEX #2E7BEF

RGB 46 123 239

HSL 216.06, 0.86%, 0.56%

LAB 52.93, 18.01, -64.92

 

CMYK 81 / 70 / 0 / 6

HEX #2E47EF

RGB 46 71 239

HSL 232.23, 0.86%, 0.56%

LAB 40.11, 50.28, -85.84

 

CMYK 81 / 0 / 17 / 6

HEX #2EEFC7

RGB 46 239 199

HSL 167.56, 0.86%, 0.56%

LAB 85.22, -54.54, 6.44

 

CMYK 81 / 0 / 17 / 6

HEX #2EEFC7

RGB 46 239 199

HSL 167.56, 0.86%, 0.56%

LAB 85.22, -54.54, 6.44

 

CMYK 71 / 0 / 15 / 13

HEX #40DDBC

RGB 64 221 188

HSL 167.39, 0.7%, 0.56%

LAB 79.86, -47.95, 4.54

 

CMYK 59 / 0 / 12 / 21

HEX #52CAB2

RGB 82 202 178

HSL 168, 0.53%, 0.56%

LAB 74.35, -39.31, 1.97

 

CMYK 46 / 0 / 9 / 28

HEX #64B8A7

RGB 100 184 167

HSL 167.86, 0.37%, 0.56%

LAB 69.31, -29.69, 0.71

 

CMYK 29 / 0 / 6 / 35

HEX #76A69C

RGB 118 166 156

HSL 167.5, 0.21%, 0.56%

LAB 64.58, -18.22, 0.01

 

CMYK 81 / 0 / 61 / 6

HEX #2EEF5E

RGB 46 239 94

HSL 134.92, 0.86%, 0.56%

LAB 83.51, -73.92, 56.04

 

CMYK 81 / 0 / 39 / 6

HEX #2EEF92

RGB 46 239 146

HSL 151.09, 0.86%, 0.56%

LAB 84.17, -66.08, 32.31

 

CMYK 81 / 0 / 18 / 6

HEX #2EEFC5

RGB 46 239 197

HSL 166.94, 0.86%, 0.56%

LAB 85.17, -55.03, 7.42

 

CMYK 81 / 4 / 0 / 6

HEX #2EE5EF

RGB 46 229 239

HSL 183.11, 0.86%, 0.56%

LAB 83.36, -39.39, -17.37

 

CMYK 81 / 26 / 0 / 6

HEX #2EB2EF

RGB 46 178 239

HSL 198.96, 0.86%, 0.56%

LAB 68.5, -14.13, -40.18

 

CMYK 93 / 0 / 19 / 26

HEX #0EBC98

RGB 14 188 152

HSL 167.59, 0.86%, 0.4%

LAB 68.26, -47.9, 7.18

 

CMYK 93 / 0 / 19 / 11

HEX #11E3B7

RGB 17 227 183

HSL 167.43, 0.86%, 0.48%

LAB 81, -55.53, 8.76

 

CMYK 81 / 0 / 17 / 6

HEX #2EEFC7

RGB 46 239 199

HSL 167.56, 0.86%, 0.56%

LAB 85.22, -54.54, 6.44

 

CMYK 65 / 0 / 14 / 5

HEX #54F2D1

RGB 84 242 209

HSL 167.47, 0.86%, 0.64%

LAB 86.99, -48.78, 3.85

 

CMYK 50 / 0 / 11 / 4

HEX #7BF5DB

RGB 123 245 219

HSL 167.21, 0.86%, 0.72%

LAB 89.22, -40.42, 2

 

CMYK 81 / 0 / 17 / 6

HEX #2EEFC7

RGB 46 239 199

HSL 167.56, 0.86%, 0.56%

LAB 85.22, -54.54, 6.44

 

CMYK 81 / 79 / 0 / 6

HEX #2E31EF

RGB 46 49 239

HSL 239.07, 0.86%, 0.56%

LAB 36, 61.94, -92.64

 

CMYK 0 / 50 / 81 / 6

HEX #EF782E

RGB 239 120 46

HSL 23.01, 0.86%, 0.56%

LAB 63.33, 41.33, 58.6

 

CMYK 81 / 0 / 17 / 6

HEX #2EEFC7

RGB 46 239 199

HSL 167.56, 0.86%, 0.56%

LAB 85.22, -54.54, 6.44

 

CMYK 18 / 81 / 0 / 6

HEX #C52EEF

RGB 197 46 239

HSL 286.94, 0.86%, 0.56%

LAB 51.9, 80.71, -65.96

 

CMYK 0 / 18 / 81 / 6

HEX #EFC52E

RGB 239 197 46

HSL 46.94, 0.86%, 0.56%

LAB 81.01, 1.18, 74.33

 

CMYK 81 / 0 / 17 / 6

HEX #2EEFC7

RGB 46 239 199

HSL 167.56, 0.86%, 0.56%

LAB 85.22, -54.54, 6.44

 

CMYK 81 / 79 / 0 / 6

HEX #2E31EF

RGB 46 49 239

HSL 239.07, 0.86%, 0.56%

LAB 36, 61.94, -92.64

 

CMYK 0 / 81 / 63 / 6

HEX #EF2E58

RGB 239 46 88

HSL 346.94, 0.86%, 0.56%

LAB 52.96, 72.18, 25

 

CMYK 0 / 1 / 81 / 6

HEX #EFEC2E

RGB 239 236 46

HSL 59.07, 0.86%, 0.56%

LAB 91.03, -18.36, 82.96

 

CMYK 81 / 0 / 17 / 6

HEX #2EEFC7

RGB 46 239 199

HSL 167.56, 0.86%, 0.56%

LAB 85.22, -54.54, 6.44

 

CMYK 58 / 81 / 0 / 6

HEX #642EEF

RGB 100 46 239

HSL 256.79, 0.86%, 0.56%

LAB 39.4, 67.31, -86.89

 

CMYK 0 / 81 / 63 / 6

HEX #EF2E58

RGB 239 46 88

HSL 346.94, 0.86%, 0.56%

LAB 52.96, 72.18, 25

 

CMYK 23 / 0 / 81 / 6

HEX #B8EF2E

RGB 184 239 46

HSL 77.1, 0.86%, 0.56%

LAB 88.03, -41.75, 78.87

 

Description

Color code: HEX #2EEFC7 | qconv.com Color code: HEX #2EEFC7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 239 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 239 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 17 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 17% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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