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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EED53 it is the complementary color #D112AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EED53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EED53 shade: #33ED4E, #44FF61, #55FF74, #66FF87 and #77FF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EED53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EED53 shade: #2EED53, #1DDB40, #0CC92D, #00B71A and #00A507

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EED53 shade: #2CED51, #3BED2C, #6EED2C, #A2ED2C and #D6ED2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EED53 shade: #2CED51, #2CED85, #2CEDB9, #2CECED and #2CB8ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EED53 shade matches the following richer shades: #2CED51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EED53 shade: #2CED51, #3EDA5D, #51C868, #64B573 and #76A27F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EED53 shade: #6FED2C, #3CED2C, #2CED4F, #2CED83 and #2CEDB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EED53 shade: #10B630, #13DC3A, #2CED51, #52F070 and #78F390

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EED53 shade: #2EED53, #2CA3ED and #ED2C56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EED53 shade: #2EED53, #4F2CED and #ED4F2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EED53 shade: #2EED53, #2CA3ED, #ED2CC9 and #ED762C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EED53 shade: #2EED53, #2C69ED, #ED2CC9 and #EDB02C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 65 / 7

HEX #2EED53

RGB 46 237 83

HSL 131.62, 0.84%, 0.55%

LAB 82.79, -74.51, 59.82

 

Complementary color

CMYK 0 / 91 / 18 / 18

HEX #D112AC

RGB 209 18 172

HSL 311.62, 0.84%, 0.45%

LAB 48.22, 77.99, -33.13

 

CMYK 78 / 0 / 67 / 7

HEX #33ED4E

RGB 51 237 78

HSL 128.71, 0.84%, 0.56%

LAB 82.82, -74.43, 61.84

 

CMYK 73 / 0 / 62 / 0

HEX #44FF61

RGB 68 255 97

HSL 129.3, 1%, 0.63%

LAB 88.74, -75.83, 60.8

 

CMYK 67 / 0 / 55 / 0

HEX #55FF74

RGB 85 255 116

HSL 130.94, 1%, 0.67%

LAB 89.26, -70.88, 53.25

 

CMYK 60 / 0 / 47 / 0

HEX #66FF87

RGB 102 255 135

HSL 132.94, 1%, 0.7%

LAB 89.9, -65.02, 45.32

 

CMYK 53 / 0 / 40 / 0

HEX #77FF9A

RGB 119 255 154

HSL 135.44, 1%, 0.73%

LAB 90.68, -58.35, 37.2

 

CMYK 81 / 0 / 65 / 7

HEX #2EED53

RGB 46 237 83

HSL 131.62, 0.84%, 0.55%

LAB 82.79, -74.51, 59.82

 

CMYK 87 / 0 / 71 / 14

HEX #1DDB40

RGB 29 219 64

HSL 131.05, 0.77%, 0.49%

LAB 76.86, -72.52, 60.76

 

CMYK 94 / 0 / 78 / 21

HEX #0CC92D

RGB 12 201 45

HSL 130.48, 0.89%, 0.42%

LAB 70.9, -69.86, 61.23

 

CMYK 100 / 0 / 86 / 28

HEX #00B71A

RGB 0 183 26

HSL 128.52, 1%, 0.36%

LAB 64.92, -66.4, 60.84

 

CMYK 100 / 0 / 96 / 35

HEX #00A507

RGB 0 165 7

HSL 122.55, 1%, 0.32%

LAB 58.91, -62.03, 59.05

 

CMYK 81 / 0 / 66 / 7

HEX #2CED51

RGB 44 237 81

HSL 131.5, 0.84%, 0.55%

LAB 82.75, -74.92, 60.57

 

CMYK 75 / 0 / 81 / 7

HEX #3BED2C

RGB 59 237 44

HSL 115.34, 0.84%, 0.55%

LAB 82.74, -75.83, 72.85

 

CMYK 54 / 0 / 81 / 7

HEX #6EED2C

RGB 110 237 44

HSL 99.48, 0.84%, 0.55%

LAB 84, -65.39, 74.47

 

CMYK 32 / 0 / 81 / 7

HEX #A2ED2C

RGB 162 237 44

HSL 83.32, 0.84%, 0.55%

LAB 86.22, -49.08, 77.29

 

CMYK 10 / 0 / 81 / 7

HEX #D6ED2C

RGB 214 237 44

HSL 67.15, 0.84%, 0.55%

LAB 89.41, -29.13, 81.32

 

CMYK 81 / 0 / 66 / 7

HEX #2CED51

RGB 44 237 81

HSL 131.5, 0.84%, 0.55%

LAB 82.75, -74.92, 60.57

 

CMYK 81 / 0 / 44 / 7

HEX #2CED85

RGB 44 237 133

HSL 147.67, 0.84%, 0.55%

LAB 83.34, -67.9, 37.69

 

CMYK 81 / 0 / 22 / 7

HEX #2CEDB9

RGB 44 237 185

HSL 163.83, 0.84%, 0.55%

LAB 84.28, -57.3, 12.41

 

CMYK 81 / 0 / 0 / 7

HEX #2CECED

RGB 44 236 237

HSL 180.31, 0.84%, 0.55%

LAB 85.32, -43.26, -13.38

 

CMYK 81 / 22 / 0 / 7

HEX #2CB8ED

RGB 44 184 237

HSL 196.48, 0.84%, 0.55%

LAB 70.13, -18.17, -36.56

 

CMYK 81 / 0 / 66 / 7

HEX #2CED51

RGB 44 237 81

HSL 131.5, 0.84%, 0.55%

LAB 82.75, -74.92, 60.57

 

CMYK 81 / 0 / 66 / 7

HEX #2CED51

RGB 44 237 81

HSL 131.5, 0.84%, 0.55%

LAB 82.75, -74.92, 60.57

 

CMYK 72 / 0 / 57 / 15

HEX #3EDA5D

RGB 62 218 93

HSL 131.92, 0.68%, 0.55%

LAB 77.26, -65.22, 49.31

 

CMYK 60 / 0 / 48 / 22

HEX #51C868

RGB 81 200 104

HSL 131.6, 0.52%, 0.55%

LAB 72.27, -53.63, 38.11

 

CMYK 45 / 0 / 36 / 29

HEX #64B573

RGB 100 181 115

HSL 131.11, 0.35%, 0.55%

LAB 67.27, -39.12, 26.13

 

CMYK 27 / 0 / 22 / 36

HEX #76A27F

RGB 118 162 127

HSL 132.27, 0.19%, 0.55%

LAB 62.7, -22.21, 13.5

 

CMYK 53 / 0 / 81 / 7

HEX #6FED2C

RGB 111 237 44

HSL 99.17, 0.84%, 0.55%

LAB 84.03, -65.13, 74.51

 

CMYK 75 / 0 / 81 / 7

HEX #3CED2C

RGB 60 237 44

HSL 115.03, 0.84%, 0.55%

LAB 82.76, -75.68, 72.88

 

CMYK 81 / 0 / 67 / 7

HEX #2CED4F

RGB 44 237 79

HSL 130.88, 0.84%, 0.55%

LAB 82.74, -75.11, 61.34

 

CMYK 81 / 0 / 45 / 7

HEX #2CED83

RGB 44 237 131

HSL 147.05, 0.84%, 0.55%

LAB 83.31, -68.24, 38.64

 

CMYK 81 / 0 / 23 / 7

HEX #2CEDB6

RGB 44 237 182

HSL 162.9, 0.84%, 0.55%

LAB 84.22, -58, 13.89

 

CMYK 91 / 0 / 74 / 29

HEX #10B630

RGB 16 182 48

HSL 131.57, 0.84%, 0.39%

LAB 64.79, -63.91, 54.16

 

CMYK 91 / 0 / 74 / 14

HEX #13DC3A

RGB 19 220 58

HSL 131.64, 0.84%, 0.47%

LAB 77.06, -73.96, 63.07

 

CMYK 81 / 0 / 66 / 7

HEX #2CED51

RGB 44 237 81

HSL 131.5, 0.84%, 0.55%

LAB 82.75, -74.92, 60.57

 

CMYK 66 / 0 / 53 / 6

HEX #52F070

RGB 82 240 112

HSL 131.39, 0.84%, 0.63%

LAB 84.63, -66.82, 49.5

 

CMYK 51 / 0 / 41 / 5

HEX #78F390

RGB 120 243 144

HSL 131.71, 0.84%, 0.71%

LAB 87.05, -54.97, 37.41

 

CMYK 81 / 0 / 65 / 7

HEX #2EED53

RGB 46 237 83

HSL 131.62, 0.84%, 0.55%

LAB 82.79, -74.51, 59.82

 

CMYK 81 / 31 / 0 / 7

HEX #2CA3ED

RGB 44 163 237

HSL 203.01, 0.84%, 0.55%

LAB 64.03, -6.75, -46.1

 

CMYK 0 / 81 / 64 / 7

HEX #ED2C56

RGB 237 44 86

HSL 346.94, 0.84%, 0.55%

LAB 52.37, 72.03, 25.36

 

CMYK 81 / 0 / 65 / 7

HEX #2EED53

RGB 46 237 83

HSL 131.62, 0.84%, 0.55%

LAB 82.79, -74.51, 59.82

 

CMYK 67 / 81 / 0 / 7

HEX #4F2CED

RGB 79 44 237

HSL 250.88, 0.84%, 0.55%

LAB 37.07, 65.68, -89.67

 

CMYK 0 / 67 / 81 / 7

HEX #ED4F2C

RGB 237 79 44

HSL 10.88, 0.84%, 0.55%

LAB 55.87, 59.15, 52.47

 

CMYK 81 / 0 / 65 / 7

HEX #2EED53

RGB 46 237 83

HSL 131.62, 0.84%, 0.55%

LAB 82.79, -74.51, 59.82

 

CMYK 81 / 31 / 0 / 7

HEX #2CA3ED

RGB 44 163 237

HSL 203.01, 0.84%, 0.55%

LAB 64.03, -6.75, -46.1

 

CMYK 0 / 81 / 15 / 7

HEX #ED2CC9

RGB 237 44 201

HSL 311.19, 0.84%, 0.55%

LAB 56.11, 82.79, -37.28

 

CMYK 0 / 50 / 81 / 7

HEX #ED762C

RGB 237 118 44

HSL 23.01, 0.84%, 0.55%

LAB 62.63, 41.49, 58.67

 

CMYK 81 / 0 / 65 / 7

HEX #2EED53

RGB 46 237 83

HSL 131.62, 0.84%, 0.55%

LAB 82.79, -74.51, 59.82

 

CMYK 81 / 56 / 0 / 7

HEX #2C69ED

RGB 44 105 237

HSL 221.04, 0.84%, 0.55%

LAB 47.95, 28.43, -71.88

 

CMYK 0 / 81 / 15 / 7

HEX #ED2CC9

RGB 237 44 201

HSL 311.19, 0.84%, 0.55%

LAB 56.11, 82.79, -37.28

 

CMYK 0 / 26 / 81 / 7

HEX #EDB02C

RGB 237 176 44

HSL 41.04, 0.84%, 0.55%

LAB 75.6, 11.23, 70.16

 

Description

Color code: HEX #2EED53 | qconv.com Color code: HEX #2EED53 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 237 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 237 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 65 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 65% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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