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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EEA5E it is the complementary color #D115A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EEA5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EEA5E shade: #33EA59, #44FC6C, #55FF7F, #66FF92 and #77FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EEA5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EEA5E shade: #2EEA5E, #1DD84B, #0CC638, #00B425 and #00A212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EEA5E shade: #2EEA5E, #30EA2E, #63EA2E, #96EA2E and #C9EA2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EEA5E shade: #2EEA5E, #2EEA90, #2EEAC3, #2EDEEA and #2EABEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EEA5E shade matches the following richer shades: #2EEA5E and #1BFC55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EEA5E shade: #2EEA5E, #40D767, #53C570, #65B279 and #78A082

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EEA5E shade: #63EA2E, #31EA2E, #2EEA5D, #2EEA8F and #2EEAC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EEA5E shade: #11B43B, #15D947, #2EEA5E, #53EE7B and #79F198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EEA5E shade: #2EEA5E, #2E95EA and #EA2E4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EEA5E shade: #2EEA5E, #5D2EEA and #EA5D2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EEA5E shade: #2EEA5E, #2E95EA, #EA2EBB and #EA822E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EEA5E shade: #2EEA5E, #2E5DEA, #EA2EBB and #EABB2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 60 / 8

HEX #2EEA5E

RGB 46 234 94

HSL 135.32, 0.82%, 0.55%

LAB 81.97, -72.38, 54.28

 

Complementary color

CMYK 0 / 90 / 23 / 18

HEX #D115A1

RGB 209 21 161

HSL 315.32, 0.82%, 0.45%

LAB 47.83, 76.26, -27.2

 

CMYK 78 / 0 / 62 / 8

HEX #33EA59

RGB 51 234 89

HSL 132.46, 0.81%, 0.56%

LAB 81.99, -72.39, 56.46

 

CMYK 73 / 0 / 57 / 1

HEX #44FC6C

RGB 68 252 108

HSL 133.04, 0.97%, 0.63%

LAB 87.94, -73.62, 55.17

 

CMYK 67 / 0 / 50 / 0

HEX #55FF7F

RGB 85 255 127

HSL 134.82, 1%, 0.67%

LAB 89.39, -69.41, 48.36

 

CMYK 60 / 0 / 43 / 0

HEX #66FF92

RGB 102 255 146

HSL 137.25, 1%, 0.7%

LAB 90.05, -63.35, 40.21

 

CMYK 53 / 0 / 35 / 0

HEX #77FFA5

RGB 119 255 165

HSL 140.29, 1%, 0.73%

LAB 90.85, -56.51, 31.97

 

CMYK 80 / 0 / 60 / 8

HEX #2EEA5E

RGB 46 234 94

HSL 135.32, 0.82%, 0.55%

LAB 81.97, -72.38, 54.28

 

CMYK 87 / 0 / 65 / 15

HEX #1DD84B

RGB 29 216 75

HSL 134.76, 0.76%, 0.48%

LAB 76, -70.58, 55.56

 

CMYK 94 / 0 / 72 / 22

HEX #0CC638

RGB 12 198 56

HSL 134.19, 0.89%, 0.41%

LAB 70, -68.14, 56.57

 

CMYK 100 / 0 / 79 / 29

HEX #00B425

RGB 0 180 37

HSL 132.33, 1%, 0.35%

LAB 63.98, -64.94, 57.02

 

CMYK 100 / 0 / 89 / 36

HEX #00A212

RGB 0 162 18

HSL 126.67, 1%, 0.32%

LAB 57.93, -60.84, 56.41

 

CMYK 80 / 0 / 60 / 8

HEX #2EEA5E

RGB 46 234 94

HSL 135.32, 0.82%, 0.55%

LAB 81.97, -72.38, 54.28

 

CMYK 79 / 0 / 80 / 8

HEX #30EA2E

RGB 48 234 46

HSL 119.36, 0.82%, 0.55%

LAB 81.66, -76.27, 71.27

 

CMYK 58 / 0 / 80 / 8

HEX #63EA2E

RGB 99 234 46

HSL 103.09, 0.82%, 0.55%

LAB 82.75, -67.06, 72.68

 

CMYK 36 / 0 / 80 / 8

HEX #96EA2E

RGB 150 234 46

HSL 86.81, 0.82%, 0.55%

LAB 84.75, -51.96, 75.25

 

CMYK 14 / 0 / 80 / 8

HEX #C9EA2E

RGB 201 234 46

HSL 70.53, 0.82%, 0.55%

LAB 87.71, -32.89, 79

 

CMYK 80 / 0 / 60 / 8

HEX #2EEA5E

RGB 46 234 94

HSL 135.32, 0.82%, 0.55%

LAB 81.97, -72.38, 54.28

 

CMYK 80 / 0 / 38 / 8

HEX #2EEA90

RGB 46 234 144

HSL 151.28, 0.82%, 0.55%

LAB 82.61, -64.7, 31.26

 

CMYK 80 / 0 / 17 / 8

HEX #2EEAC3

RGB 46 234 195

HSL 167.55, 0.82%, 0.55%

LAB 83.63, -53.52, 6.25

 

CMYK 80 / 5 / 0 / 8

HEX #2EDEEA

RGB 46 222 234

HSL 183.83, 0.82%, 0.55%

LAB 81.16, -37.66, -18.04

 

CMYK 80 / 27 / 0 / 8

HEX #2EABEA

RGB 46 171 234

HSL 200.11, 0.82%, 0.55%

LAB 66.25, -12.06, -40.97

 

CMYK 80 / 0 / 60 / 8

HEX #2EEA5E

RGB 46 234 94

HSL 135.32, 0.82%, 0.55%

LAB 81.97, -72.38, 54.28

 

CMYK 89 / 0 / 66 / 1

HEX #1BFC55

RGB 27 252 85

HSL 135.47, 0.97%, 0.55%

LAB 87.25, -80.27, 63.83

 

CMYK 80 / 0 / 60 / 8

HEX #2EEA5E

RGB 46 234 94

HSL 135.32, 0.82%, 0.55%

LAB 81.97, -72.38, 54.28

 

CMYK 70 / 0 / 52 / 16

HEX #40D767

RGB 64 215 103

HSL 135.5, 0.65%, 0.55%

LAB 76.48, -62.54, 43.73

 

CMYK 58 / 0 / 43 / 23

HEX #53C570

RGB 83 197 112

HSL 135.26, 0.5%, 0.55%

LAB 71.52, -50.75, 33.13

 

CMYK 43 / 0 / 32 / 30

HEX #65B279

RGB 101 178 121

HSL 135.58, 0.33%, 0.55%

LAB 66.51, -36.41, 21.9

 

CMYK 25 / 0 / 19 / 37

HEX #78A082

RGB 120 160 130

HSL 135, 0.17%, 0.55%

LAB 62.29, -19.93, 11.27

 

CMYK 58 / 0 / 80 / 8

HEX #63EA2E

RGB 99 234 46

HSL 103.09, 0.82%, 0.55%

LAB 82.75, -67.06, 72.68

 

CMYK 79 / 0 / 80 / 8

HEX #31EA2E

RGB 49 234 46

HSL 119.04, 0.82%, 0.55%

LAB 81.67, -76.15, 71.29

 

CMYK 80 / 0 / 60 / 8

HEX #2EEA5D

RGB 46 234 93

HSL 135, 0.82%, 0.55%

LAB 81.96, -72.5, 54.7

 

CMYK 80 / 0 / 39 / 8

HEX #2EEA8F

RGB 46 234 143

HSL 150.96, 0.82%, 0.55%

LAB 82.6, -64.89, 31.74

 

CMYK 80 / 0 / 18 / 8

HEX #2EEAC1

RGB 46 234 193

HSL 166.91, 0.82%, 0.55%

LAB 83.59, -54.02, 7.24

 

CMYK 91 / 0 / 67 / 29

HEX #11B43B

RGB 17 180 59

HSL 135.46, 0.83%, 0.39%

LAB 64.22, -62.2, 49.28

 

CMYK 90 / 0 / 67 / 15

HEX #15D947

RGB 21 217 71

HSL 135.31, 0.82%, 0.47%

LAB 76.22, -71.83, 57.39

 

CMYK 80 / 0 / 60 / 8

HEX #2EEA5E

RGB 46 234 94

HSL 135.32, 0.82%, 0.55%

LAB 81.97, -72.38, 54.28

 

CMYK 65 / 0 / 48 / 7

HEX #53EE7B

RGB 83 238 123

HSL 135.48, 0.82%, 0.63%

LAB 84.18, -64.4, 43.78

 

CMYK 50 / 0 / 37 / 5

HEX #79F198

RGB 121 241 152

HSL 135.5, 0.81%, 0.71%

LAB 86.62, -52.62, 32.87

 

CMYK 80 / 0 / 60 / 8

HEX #2EEA5E

RGB 46 234 94

HSL 135.32, 0.82%, 0.55%

LAB 81.97, -72.38, 54.28

 

CMYK 80 / 36 / 0 / 8

HEX #2E95EA

RGB 46 149 234

HSL 207.13, 0.82%, 0.55%

LAB 59.9, 0.4, -50.98

 

CMYK 0 / 80 / 68 / 8

HEX #EA2E4A

RGB 234 46 74

HSL 351.06, 0.82%, 0.55%

LAB 51.77, 70.13, 31.63

 

CMYK 80 / 0 / 60 / 8

HEX #2EEA5E

RGB 46 234 94

HSL 135.32, 0.82%, 0.55%

LAB 81.97, -72.38, 54.28

 

CMYK 60 / 80 / 0 / 8

HEX #5D2EEA

RGB 93 46 234

HSL 255, 0.82%, 0.55%

LAB 38.24, 65.3, -86.01

 

CMYK 0 / 60 / 80 / 8

HEX #EA5D2E

RGB 234 93 46

HSL 15, 0.82%, 0.55%

LAB 57.58, 52.29, 52.97

 

CMYK 80 / 0 / 60 / 8

HEX #2EEA5E

RGB 46 234 94

HSL 135.32, 0.82%, 0.55%

LAB 81.97, -72.38, 54.28

 

CMYK 80 / 36 / 0 / 8

HEX #2E95EA

RGB 46 149 234

HSL 207.13, 0.82%, 0.55%

LAB 59.9, 0.4, -50.98

 

CMYK 0 / 80 / 20 / 8

HEX #EA2EBB

RGB 234 46 187

HSL 315, 0.82%, 0.55%

LAB 55.11, 79.93, -30.82

 

CMYK 0 / 44 / 80 / 8

HEX #EA822E

RGB 234 130 46

HSL 26.81, 0.82%, 0.55%

LAB 64.69, 34.27, 59.59

 

CMYK 80 / 0 / 60 / 8

HEX #2EEA5E

RGB 46 234 94

HSL 135.32, 0.82%, 0.55%

LAB 81.97, -72.38, 54.28

 

CMYK 80 / 60 / 0 / 8

HEX #2E5DEA

RGB 46 93 234

HSL 225, 0.82%, 0.55%

LAB 44.73, 35.09, -75.43

 

CMYK 0 / 80 / 20 / 8

HEX #EA2EBB

RGB 234 46 187

HSL 315, 0.82%, 0.55%

LAB 55.11, 79.93, -30.82

 

CMYK 0 / 20 / 80 / 8

HEX #EABB2E

RGB 234 187 46

HSL 45, 0.82%, 0.55%

LAB 78.01, 4.23, 71.53

 

Description

Color code: HEX #2EEA5E | qconv.com Color code: HEX #2EEA5E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 234 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 234 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 60 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 60% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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