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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EE4D9 it is the complementary color #D11B26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EE4D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EE4D9 shade: #33E4D4, #44F6E7, #55FFFA, #66FFFF and #77FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EE4D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EE4D9 shade: #2EE4D9, #1DD2C6, #0CC0B3, #00AEA0 and #009C8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EE4D9 shade: #2FE4D9, #2FE4A8, #2FE477, #2FE446 and #48E42F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EE4D9 shade: #2FE4D9, #2FBEE4, #2F8DE4, #2F5CE4 and #2F2FE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EE4D9 shade matches the following richer shades: #2FE4D9 and #1CF7E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EE4D9 shade: #2FE4D9, #42D1C8, #55BEB7, #68ABA7 and #7B9896

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EE4D9 shade: #2FE477, #2FE4A7, #2FE4D7, #2FBFE4 and #2F8FE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EE4D9 shade: #16AAA1, #1ACFC4, #2FE4D9, #53E8DF and #78EDE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EE4D9 shade: #2EE4D9, #472FE4 and #E48F2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EE4D9 shade: #2EE4D9, #D72FE4 and #E4D72F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EE4D9 shade: #2EE4D9, #472FE4, #E42F3B and #CBE42F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EE4D9 shade: #2EE4D9, #7D2FE4, #E42F3B and #95E42F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 5 / 11

HEX #2EE4D9

RGB 46 228 217

HSL 176.37, 0.77%, 0.54%

LAB 82.42, -45.23, -7.14

 

Complementary color

CMYK 0 / 87 / 82 / 18

HEX #D11B26

RGB 209 27 38

HSL 356.37, 0.77%, 0.46%

LAB 44.91, 66.28, 43.28

 

CMYK 78 / 0 / 7 / 11

HEX #33E4D4

RGB 51 228 212

HSL 174.58, 0.77%, 0.55%

LAB 82.35, -46.15, -4.59

 

CMYK 72 / 0 / 6 / 4

HEX #44F6E7

RGB 68 246 231

HSL 174.94, 0.91%, 0.62%

LAB 88.4, -47.03, -5.62

 

CMYK 67 / 0 / 2 / 0

HEX #55FFFA

RGB 85 255 250

HSL 178.24, 1%, 0.67%

LAB 91.84, -43.78, -10.37

 

CMYK 60 / 0 / 0 / 0

HEX #66FFFF

RGB 102 255 255

HSL 180, 1%, 0.7%

LAB 92.38, -39.95, -12.11

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 80 / 0 / 5 / 11

HEX #2EE4D9

RGB 46 228 217

HSL 176.37, 0.77%, 0.54%

LAB 82.42, -45.23, -7.14

 

CMYK 86 / 0 / 6 / 18

HEX #1DD2C6

RGB 29 210 198

HSL 176.02, 0.76%, 0.47%

LAB 76.33, -43.94, -6.02

 

CMYK 94 / 0 / 7 / 25

HEX #0CC0B3

RGB 12 192 179

HSL 175.67, 0.88%, 0.4%

LAB 70.2, -42.3, -4.79

 

CMYK 100 / 0 / 8 / 32

HEX #00AEA0

RGB 0 174 160

HSL 175.17, 1%, 0.34%

LAB 64.01, -40.29, -3.43

 

CMYK 100 / 0 / 10 / 39

HEX #009C8D

RGB 0 156 141

HSL 174.23, 1%, 0.31%

LAB 57.75, -37.87, -1.93

 

CMYK 79 / 0 / 5 / 11

HEX #2FE4D9

RGB 47 228 217

HSL 176.35, 0.77%, 0.54%

LAB 82.43, -45.14, -7.12

 

CMYK 79 / 0 / 26 / 11

HEX #2FE4A8

RGB 47 228 168

HSL 160.11, 0.77%, 0.54%

LAB 81.25, -57.46, 17.03

 

CMYK 79 / 0 / 48 / 11

HEX #2FE477

RGB 47 228 119

HSL 143.87, 0.77%, 0.54%

LAB 80.42, -66.87, 40.84

 

CMYK 79 / 0 / 69 / 11

HEX #2FE446

RGB 47 228 70

HSL 127.62, 0.77%, 0.54%

LAB 79.92, -72.92, 61.8

 

CMYK 68 / 0 / 79 / 11

HEX #48E42F

RGB 72 228 47

HSL 111.71, 0.77%, 0.54%

LAB 80.22, -70.83, 69.81

 

CMYK 79 / 0 / 5 / 11

HEX #2FE4D9

RGB 47 228 217

HSL 176.35, 0.77%, 0.54%

LAB 82.43, -45.14, -7.12

 

CMYK 79 / 17 / 0 / 11

HEX #2FBEE4

RGB 47 190 228

HSL 192.6, 0.77%, 0.54%

LAB 71.58, -23.99, -29.43

 

CMYK 79 / 38 / 0 / 11

HEX #2F8DE4

RGB 47 141 228

HSL 208.84, 0.77%, 0.54%

LAB 57.32, 3.03, -51.74

 

CMYK 79 / 60 / 0 / 11

HEX #2F5CE4

RGB 47 92 228

HSL 225.08, 0.77%, 0.54%

LAB 44.03, 33.61, -73.18

 

CMYK 79 / 79 / 0 / 11

HEX #2F2FE4

RGB 47 47 228

HSL 240, 0.77%, 0.54%

LAB 34.48, 59.61, -88.92

 

CMYK 79 / 0 / 5 / 11

HEX #2FE4D9

RGB 47 228 217

HSL 176.35, 0.77%, 0.54%

LAB 82.43, -45.14, -7.12

 

CMYK 89 / 0 / 6 / 3

HEX #1CF7E9

RGB 28 247 233

HSL 176.16, 0.93%, 0.54%

LAB 88.28, -50.08, -6.9

 

CMYK 79 / 0 / 5 / 11

HEX #2FE4D9

RGB 47 228 217

HSL 176.35, 0.77%, 0.54%

LAB 82.43, -45.14, -7.12

 

CMYK 68 / 0 / 4 / 18

HEX #42D1C8

RGB 66 209 200

HSL 176.22, 0.61%, 0.54%

LAB 76.64, -39.31, -6.59

 

CMYK 55 / 0 / 4 / 25

HEX #55BEB7

RGB 85 190 183

HSL 176, 0.45%, 0.54%

LAB 70.99, -31.88, -5.66

 

CMYK 39 / 0 / 2 / 33

HEX #68ABA7

RGB 104 171 167

HSL 176.42, 0.29%, 0.54%

LAB 65.64, -22.21, -4.66

 

CMYK 19 / 0 / 1 / 40

HEX #7B9896

RGB 123 152 150

HSL 175.86, 0.12%, 0.54%

LAB 60.67, -10.52, -2.31

 

CMYK 79 / 0 / 48 / 11

HEX #2FE477

RGB 47 228 119

HSL 143.87, 0.77%, 0.54%

LAB 80.42, -66.87, 40.84

 

CMYK 79 / 0 / 27 / 11

HEX #2FE4A7

RGB 47 228 167

HSL 159.78, 0.77%, 0.54%

LAB 81.23, -57.68, 17.53

 

CMYK 79 / 0 / 6 / 11

HEX #2FE4D7

RGB 47 228 215

HSL 175.69, 0.77%, 0.54%

LAB 82.38, -45.69, -6.14

 

CMYK 79 / 16 / 0 / 11

HEX #2FBFE4

RGB 47 191 228

HSL 192.27, 0.77%, 0.54%

LAB 71.87, -24.49, -28.97

 

CMYK 79 / 37 / 0 / 11

HEX #2F8FE4

RGB 47 143 228

HSL 208.18, 0.77%, 0.54%

LAB 57.9, 1.84, -50.84

 

CMYK 87 / 0 / 5 / 33

HEX #16AAA1

RGB 22 170 161

HSL 176.35, 0.77%, 0.38%

LAB 62.92, -37.25, -5.58

 

CMYK 87 / 0 / 5 / 19

HEX #1ACFC4

RGB 26 207 196

HSL 176.35, 0.78%, 0.46%

LAB 75.35, -43.37, -6.41

 

CMYK 79 / 0 / 5 / 11

HEX #2FE4D9

RGB 47 228 217

HSL 176.35, 0.77%, 0.54%

LAB 82.43, -45.14, -7.12

 

CMYK 64 / 0 / 4 / 9

HEX #53E8DF

RGB 83 232 223

HSL 176.38, 0.76%, 0.62%

LAB 84.42, -41.02, -7.27

 

CMYK 49 / 0 / 3 / 7

HEX #78EDE6

RGB 120 237 230

HSL 176.41, 0.76%, 0.7%

LAB 87.13, -34.77, -6.82

 

CMYK 80 / 0 / 5 / 11

HEX #2EE4D9

RGB 46 228 217

HSL 176.37, 0.77%, 0.54%

LAB 82.42, -45.23, -7.14

 

CMYK 69 / 79 / 0 / 11

HEX #472FE4

RGB 71 47 228

HSL 247.96, 0.77%, 0.54%

LAB 35.93, 61.23, -86.46

 

CMYK 0 / 37 / 79 / 11

HEX #E48F2F

RGB 228 143 47

HSL 31.82, 0.77%, 0.54%

LAB 66.78, 25.02, 60.84

 

CMYK 80 / 0 / 5 / 11

HEX #2EE4D9

RGB 46 228 217

HSL 176.37, 0.77%, 0.54%

LAB 82.42, -45.23, -7.14

 

CMYK 6 / 79 / 0 / 11

HEX #D72FE4

RGB 215 47 228

HSL 295.69, 0.77%, 0.54%

LAB 54.11, 81.76, -56.05

 

CMYK 0 / 6 / 79 / 11

HEX #E4D72F

RGB 228 215 47

HSL 55.69, 0.77%, 0.54%

LAB 84.64, -12.61, 76.83

 

CMYK 80 / 0 / 5 / 11

HEX #2EE4D9

RGB 46 228 217

HSL 176.37, 0.77%, 0.54%

LAB 82.42, -45.23, -7.14

 

CMYK 69 / 79 / 0 / 11

HEX #472FE4

RGB 71 47 228

HSL 247.96, 0.77%, 0.54%

LAB 35.93, 61.23, -86.46

 

CMYK 0 / 79 / 74 / 11

HEX #E42F3B

RGB 228 47 59

HSL 356.02, 0.77%, 0.54%

LAB 50.5, 67.59, 38.58

 

CMYK 11 / 0 / 79 / 11

HEX #CBE42F

RGB 203 228 47

HSL 68.29, 0.77%, 0.54%

LAB 86.2, -29.27, 77.47

 

CMYK 80 / 0 / 5 / 11

HEX #2EE4D9

RGB 46 228 217

HSL 176.37, 0.77%, 0.54%

LAB 82.42, -45.23, -7.14

 

CMYK 45 / 79 / 0 / 11

HEX #7D2FE4

RGB 125 47 228

HSL 265.86, 0.77%, 0.54%

LAB 41.21, 67.14, -77.58

 

CMYK 0 / 79 / 74 / 11

HEX #E42F3B

RGB 228 47 59

HSL 356.02, 0.77%, 0.54%

LAB 50.5, 67.59, 38.58

 

CMYK 35 / 0 / 79 / 11

HEX #95E42F

RGB 149 228 47

HSL 86.19, 0.77%, 0.54%

LAB 82.96, -49.82, 73.34

 

Description

Color code: HEX #2EE4D9 | qconv.com Color code: HEX #2EE4D9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 228 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 228 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 5 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 5% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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